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Political in the Visual Arts Catriona Moore and Catherine Speck
CHAPTER 5 How the personal became (and remains) political in the visual arts Catriona Moore and Catherine Speck Second-wave feminism ushered in major changes in the visual arts around the idea that the personal is political. It introduced radically new content, materials and forms of art practice that are now characterised as central to postmodern and contemporary art. Moreover, longstanding feminist exercises in ‘personal-political’ consciousness-raising spearheaded the current use of art as a testing ground for various social interventions and participatory collaborations known as ‘social practice’ both in and outside of the art gallery.1 Times change, however, and contemporary feminism understands the ‘personal’ and the ‘political’ a little differently today. The fragmentation of women’s liberation, debates around essentialism within feminist art and academic circles, and institutional changes within the art world have prompted different processes and expressions of personal-political consciousness-raising than those that were so central to the early elaboration of feminist aesthetics. Moreover, the exploration and analysis of women’s shared personal experiences now also identify differences among women—cultural, racial, ethnic and class differences—in order to 1 On-Curating.org journal editor Michael Birchall cites examples such as EVA International (2012), the 7th Berlin Biennial and Documenta 13 that reflect overt and covert political ideas. Birchall outlined this feminist connection at the Curating Feminism symposium, A Contemporary Art and Feminism event co-hosted by Sydney College of the Arts, School of Letters, Arts and Media, and The Power Institute, University of Sydney, 23–26 October 2014. 85 EVERYDAY REVOLUTIONS serve more inclusive, intersectional cultural and political alliances. -
Women's Studies Librarian on Women, Gender, And
WOMEN’S STUDIES LIBRARIAN NEW BOOKS ON WOMEN, GENDER, AND FEMINISM Numbers 58–59 Spring–Fall 2011 University of Wisconsin System NEW BOOKS ON WOMEN, GENDER, & FEMINISM Nos. 58–59, Spring–Fall 2011 CONTENTS Scope Statement .................. 1 Reference/ Bibliography . 58 Anthropology...................... 1 Religion/ Spirituality . 59 Art/ Architecture/ Photography . 2 Science/ Mathematics/ Technology . 63 Biography ........................ 5 Sexuality ........................ 65 Economics/ Business/ Work . 12 Sociology/ Social Issues . 65 Education ....................... 15 Sports & Recreation . 73 Film/ Theater..................... 16 Women’s Movement/ General Women's Studies . 74 Health/ Medicine/ Biology . 18 Periodicals ...................... 76 History.......................... 22 Indexes Humor.......................... 28 Authors, Editors, & Translators . 77 Language/ Linguistics . 28 Subjects....................... 94 Law ............................ 29 Citation Abbreviations . 121 Lesbian Studies .................. 31 Lesbian, Gay, Bisexual, Transgender, Intersex, & Queer Studies . 31 New Books on Women, Gender, & Feminism is published by Phyllis Holman Weisbard, Women's Studies Librarian for the University of Wisconsin System, 430 Memorial Library, 728 Literature State Street, Madison, WI 53706. Phone: (608) 263-5754. Drama ........................ 34 Email: wiswsl @library.wisc.edu. Editor: Linda Fain. Compilers: Elzbieta Beck, Madelyn R. Homuth, Beth Huang, JoAnne Leh- Fiction ........................ 35 man, Michelle Preston, -
Table of Contents
TABLE OF CONTENTS Introduction 2-38 1. Obscene ecstasy: Interactions between seeing men and blind women in The Architect, The Blind Eye, Transplanted and Miranda 39-87 2. Looking (im)properly: Women objectifying men’s bodies in Last of the Sane Days, Miranda and The Architect 88-137 3. Different ways of seeing and knowing? Psychic abilities and homeopathy in The Blind Eye and The Architect 138-170 4. Happily (n)ever after: The (im)possibilities of equitable heterosexuality in The Blind Eye, Last of the Sane Days, Transplanted and Machines for Feeling 171-210 5. How to survive (without) a shipwreck: Explorations of feminism, postmodernism and the perception/construction of men’s bodies in Miranda 211-248 Conclusion 249-260 Works Cited 261-286 1 Introduction How to praise a man? She cannot vow His lips are red, his brow is snow, Nor celebrate a smooth white breast While gazing on his hairy chest; And though a well-turned leg might please, More often he has knobbly knees; His hair excites no rapt attention – If there’s enough of it to mention. She cannot praise his damask skin, Still less the suit he’s wrapped it in; And even if he’s like Apollo To gaze upon, it does not follow That she may specify the features That mark him off from other creatures. No rime can hymn her great occasion But by a process of evasion; And so she gives the problem over, Describes her love, but not her lover, Despairs of words to tell us that Her heart sings his magnificat. -
The New Politics of Community to the Specifi C Issues of How the Obama Presidency Might Signal a New Modernity and the Problem of Meaning
THETHE NEW NEW POLITICS POLITICS OF OF COMMUNITY COMMUNITY THE NEW POLITICS OF COMMUNITY THETHE NEW NEW POLITICS POLITICS OF COMMUNITYOF COMMUNITY 104TH104TH ASA ASA ANNUAL ANNUAL MEETING MEETING 104TH ASA ANNUAL MEETING 20092009 FINAL FINAL PROGRAM PROGRAM 2009 FINAL PROGRAM 104TH ASA104TH ANNUAL ASA ANNUAL MEETING MEETING August 8–August11, 20098–11, 2009 Hilton SanHilton Francisco San and Francisco Parc 55 and Hotel Parc 55 Hotel San Francisco,San Francisco, California California 18133_COVER-R2.indd 1 7/27/09 5:00:32 PM Increase your earning potential. Teach in business. If you have an earned doctorate and demonstrated research potential, new opportunities are on the horizon. In response to business doctoral faculty shortages, Bridge to Business programs qualify non-business doctorates for high-paying tenure track positions at business schools. Not only will you gain a competitive advantage in the job market, you will work in a multidisciplinary, diverse research environment while developing future leaders. Post-doctoral Bridge to Business programs vary in length and delivery methods — visit online to compare and find one best for you. Information available at booth #117. AVERAGE STARTING SALARIES FOR NEW ASSISTANT PROFESSORS Q 2007–2008 Among new assistant 90 80 professors, those 70 in business had the 60 “highest salary. 50 — The Chronicle of Higher 40 Education, March 14, 2008 30 USD IN THOUSANDS20 ” 10 Psychology Social Sciences Business 52,153 USD 55,243 USD 86,640 USD 2007–2008 National Faculty Salary Survey by Field and Rank at 4-Year Colleges and Universities. ©2008 by the College and University Professional Association for Human Resources (CUPA-HR). -
Everyday Revolutions: Remaking Gender, Sexuality and Culture In
Everyday Revolutions Remaking Gender, Sexuality and Culture in 1970s Australia Everyday Revolutions Remaking Gender, Sexuality and Culture in 1970s Australia Edited by Michelle Arrow and Angela Woollacott Published by ANU Press The Australian National University Acton ACT 2601, Australia Email: [email protected] Available to download for free at press.anu.edu.au ISBN (print): 9781760462963 ISBN (online): 9781760462970 WorldCat (print): 1113935722 WorldCat (online): 1113935780 DOI: 10.22459/ER.2019 This title is published under a Creative Commons Attribution-NonCommercial- NoDerivatives 4.0 International (CC BY-NC-ND 4.0). The full licence terms are available at creativecommons.org/licenses/by-nc-nd/4.0/legalcode Cover design and layout by ANU Press This edition © 2019 ANU Press Contents Contributors . vii 1 . Revolutionising the everyday: The transformative impact of the sexual and feminist movements on Australian society and culture . 1 Michelle Arrow and Angela Woollacott Everyday gender revolutions: Workplaces, schools and households 2 . Of girls and spanners: Feminist politics, women’s bodies and the male trades . 23 Georgine Clarsen 3 . The discovery of sexism in schools: Everyday revolutions in the classroom . 37 Julie McLeod 4 . Making the political personal: Gender and sustainable lifestyles in 1970s Australia . 63 Carroll Pursell Feminism in art and culture 5 . How the personal became (and remains) political in the visual arts . 85 Catriona Moore and Catherine Speck 6 . Subversive stitches: Needlework as activism in Australian feminist art of the 1970s . .. 103 Elizabeth Emery 7 . Women into print: Feminist presses in Australia . 121 Trish Luker 8 . ‘Unmistakably a book by a feminist’: Helen Garner’s Monkey Grip and its feminist contexts . -
UNFINISHED BUSINESS: Perspectives on Art and Feminism UNFINISHED BUSINESS Perspectives on Art and Feminism
UNFINISHED BUSINESS: Perspectives on art and feminism UNFINISHED BUSINESS Perspectives on art and feminism 15 December 2017 – 25 March 2018 Curators: Paola Balla Max Delany Julie Ewington Annika Kristensen Vikki McInnes Elvis Richardson ARTISTS Alex Martinis Roe Megan McMurchy Another Planet Posters Inc. Spence Messih Tracey Moffatt Atong Atem Ann Newmarch Margot Nash Cigdem Aydemir Claudia Nicholson Nat and Ali Ali Gumillya Baker Ruth O’Leary Margot Oliver Archie Barry Frances (Budden) Phoenix Monica Pellizzari Vivienne Binns Elizabeth Pulie Patricia Piccinini Hannah Brontë Clare Rae Jacinta Schreuder Janet Burchill Hannah Raisin Soda Jerk and Jennifer McCamley Tai Snaith Jeni Thornley Madison Bycroft Giselle Stanborough Sarah Watt Sadie Chandler Desiree Tahiri Jackie Wolf aka Jackie Farkas Kate Daw Sophie Takách Linda Dement Salote Tawale PERFORMANCE PROGRAM Narelle Desmond Nat Thomas Frances Barrett Kelly Doley The Cross Art Projects Barbara Campbell Mikala Dwyer Lyndal Walker Hannah Donnelly Mary Featherston Shevaun Wright Embittered Swish and Emily Floyd Lyndal Jones Fiona Foley FILM PROGRAM Técha Noble FRAN FEST Poster Project Hayley Arjona Linda Sproul Virginia Fraser Gillian Armstrong and Elvis Richardson Art Theory Productions Sarah Goffman Barbara Campbell Elizabeth Gower Barbara Cleveland Natalie Harkin Essie Coffey Sandra Hill Megan Cope Hissy Fit Emma-Kate Croghan Jillposters Destiny Deacon Kate Just and Virginia Fraser Maria Kozic Sue Dodd LEVEL Helen Grace Eugenia Lim Deborah Kelly Lip Collective The Kingpins Linda Marrinon -
UNIVERSITY of CALIFORNIA Los Angeles Nascent
UNIVERSITY OF CALIFORNIA Los Angeles Nascent Articulations of Feeling: Affective Care Labor in Emerging Postsocialist and Late Capitalist China-U.S. Circuits A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in English by Kathryn Cai 2019 © Copyright by Kathryn Cai 2019 ABSTRACT OF THE DISSERTATION Nascent Articulations of Feeling: Affective Care Labor in Emerging Postsocialist and Late Capitalist China-U.S. Circuits by Kathryn Cai Doctor of Philosophy in English University of California, Los Angeles, 2019 Professor Rachel C. Lee, Chair This dissertation traces flattened affects in twentieth- and twenty-first-century Asian American and Chinese literature, original ethnographic fieldwork, and film that imagine circuits of migration and capital between China and the U.S. following China’s entry into the global economy. This project builds on interest in Third World and Afro-Asian legacies in Asian American Studies and on considerations of the transpacific as a transnational field shaped by but also exceeding nation-based formations. I do so to propose a postsocialist framework that considers emergent possibilities for transnational affiliations and forms of agency following economic reform in China, when it was once a communist world revolutionary touchstone. This postsocialist framework seeks to make visible forms of agency that take shape through non-revolutionary affects, such as ambivalence and detachment, that do not seek to clearly overthrow a situation. Instead, they enable living on within dominant nation-based projects tied to capital without full affective commitment to them. ii Specifically, the narratives this project examines center sites of gendered affective care labor within and outside the family as arenas through which to apprehend and learn to navigate these still- changing and emergent postsocialist conditions. -
Flesh After Fifty
Flesh after Fifty CHANGING IMAGES OF OLDER WOMEN IN ART i Fun to do something different and out of my comfort zone Recently separated and I am focusing on my joy of who I have become and where I want to go I WANT MORE OF THE TRUTH TO BE OUT IN THE OPEN – HERE IS ONE MORE LITTLE BUT POTENT STEP I am intrigued by our cultural embarrassment of being naked, and the complicated relationship with our bodies This is a present to myself and sign of new beginnings as I embrace menopause and becoming older I feel it is important for the general public to know that many women of all ages have had mastectomies, and not all women have reconstructions, we are all beautiful FREE AT LAST I hate the invisibility of older women that society demands – I’m grateful for my body I want to thank my body for caring for me in this life time, even though it is old now OLDER WOMEN ARE JUST PEOPLE Helping to promote wellness and positive images for older women I CAN BE FEARLESS Quotes from participants in 500 Strong ii Flesh after Fifty CHANGING IMAGES OF OLDER WOMEN IN ART 1 Foreword Jane Scott 2 We live in a society swamped with images, where high value is placed on physical appearance and an association between attractiveness and youth, particularly for women. Flesh after Fifty exposes and challenges negative stereotypes of ageing while celebrating positive images of older women through art. Promoting change in attitudes about what constitutes a healthy body image is at the core of this exhibition. -
Revolution at Point Zero: Housework
Praise for Revolution at Point Zero “Finally, we have a volume that collects the many essays that Silvia Federici has written on the question of social reproduction and women’s struggles on this terrain over a period of four decades. While provid- ing a powerful history of the changes in the organization reproductive labor, Revolution at Point Zero documents the development of Federici’s thought on some of the most important questions of our time: globaliza- tion, gender relations, the construction of new commons.” —Mariarosa Dalla Costa, coauthor of The Power of Women and the Subversion of the Community and Our Mother Ocean “As the academy colonizes and tames women’s studies, Silvia Federici speaks the experience of a generation of women for whom politics was raw, passionately lived, often in the shadow of an uncriti- cal Marxism. She spells out the subtle violence of housework and sexual servicing, the futility of equating waged work with emancipation, and the ongoing invisibility of women’s reproductive labors. Under neolib- eral globalization women’s exploitation intensifies—in land enclosures, in forced migration, in the crisis of elder care. With ecofeminist thinkers and activists, Federici argues that protecting the means of subsistence now becomes the key terrain of struggle, and she calls on women North and South to join hands in building new commons.” —Ariel Salleh, author of Ecofeminism as Politics: Nature, Marx, and the Postmodern “The zero point of revolution is where new social relations first burst forth, from which countless waves ripple outward into other do- mains. For over thirty years, Silvia Federici has fiercely argued that this zero point cannot have any other location but the sphere of reproduction. -
Marginal Culture, Hybridity and the Polish Challenge in Fontane's Effi Briest
University of Massachusetts Amherst ScholarWorks@UMass Amherst Open Access Dissertations 2-2011 Justifying the Margins: Marginal Culture, Hybridity and the Polish Challenge in Fontane's Effi Briest Zorana Gluscevic University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/open_access_dissertations Part of the German Language and Literature Commons Recommended Citation Gluscevic, Zorana, "Justifying the Margins: Marginal Culture, Hybridity and the Polish Challenge in Fontane's Effi Briest" (2011). Open Access Dissertations. 335. https://scholarworks.umass.edu/open_access_dissertations/335 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Open Access Dissertations by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. JUSTIFYING THE MARGINS: MARGINAL CULTURE, HYBRIDITY, AND THE POLISH CHALLENGE IN FONTANE’S EFFI BRIEST A Dissertation Presented by ZORANA GLUSCEVIC Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY February 2011 German and Scandinavian Studies © Copyright by Zorana Gluscevic 2011 All Rights Reserved JUSTIFYING THE MARGINS: MARGINAL CULTURE, HYBRIDITY, AND THE POLISH CHALLENGE IN FONTANE’S EFFI BRIEST A Dissertation Presented By ZORANA GLUSCEVIC Approved as to style and content by: _________________________________________________ -
THE RISE of 'WOMEN's POETRY' in the 1970S
This article was downloaded by: [Deakin University] On: 28 September 2011, At: 23:16 Publisher: Routledge Informa Ltd Registered in England and Wales Registered Number: 1072954 Registered office: Mortimer House, 37-41 Mortimer Street, London W1T 3JH, UK Australian Feminist Studies Publication details, including instructions for authors and subscription information: http://www.tandfonline.com/loi/cafs20 THE RISE OF ‘WOMEN'S POETRY’ IN THE 1970s Ann Vickery Available online: 14 Jun 2007 To cite this article: Ann Vickery (2007): THE RISE OF ‘WOMEN'S POETRY’ IN THE 1970s , Australian Feminist Studies, 22:53, 265-285 To link to this article: http://dx.doi.org/10.1080/08164640701378596 PLEASE SCROLL DOWN FOR ARTICLE Full terms and conditions of use: http://www.tandfonline.com/page/terms-and- conditions This article may be used for research, teaching, and private study purposes. Any substantial or systematic reproduction, redistribution, reselling, loan, sub-licensing, systematic supply, or distribution in any form to anyone is expressly forbidden. The publisher does not give any warranty express or implied or make any representation that the contents will be complete or accurate or up to date. The accuracy of any instructions, formulae, and drug doses should be independently verified with primary sources. The publisher shall not be liable for any loss, actions, claims, proceedings, demand, or costs or damages whatsoever or howsoever caused arising directly or indirectly in connection with or arising out of the use of this material. THE RISE OF ‘WOMEN’S POETRY’ IN THE 1970S An Initial Survey into New Australian Poetry, the Women’s Movement, and a Matrix of Revolutions Ann Vickery* In Paper Empires (2006), Diane Brown and Susan Hawthorne argue that until the late 1970s it was difficult to access Australian women’s writing in any genre. -
Collection of the Center for the Study of Political Graphics
http://oac.cdlib.org/findaid/ark:/13030/c8959k7m No online items Collection of the Center for the Study of Political Graphics Center for the Study of Political Graphics 3916 Sepulveda Blvd. Suite 103 Culver City, California 90230 (310) 397-3100 [email protected] http://www.politicalgraphics.org/ 2020 Collection of the Center for the See Acquisition Information 1 Study of Political Graphics Descriptive Summary Title: Collection of the Center for the Study of Political Graphics Dates: 1900- ; bulk 1960- Collection Number: See Acquisition Information Creator/Collector: Multiple creators Extent: 330 flat files Repository: Center for the Study of Political Graphics Culver City, California 90230 Abstract: The collection of the Center for the Study of Political Graphics (CSPG) contains over 90,000 domestic and international political posters and prints relating to historical and contemporary movements for social change. The finding aid represents the collection in its entirety. Language of Material: English Access The CSPG collection is open for research by appointment only during the Center's operating hours. Publication Rights CSPG does not hold copyright for any items in the collection. CSPG provides access to the materials for educational and research purposes only. Users are responsible for obtaining all necessary permissions for use. Preferred Citation [Identification of item], Collection of the Center for the Study of Political Graphics (CSPG). Acquisition Information CSPG acquires 3,000 to 5,000 items annually, primarily through donations. Each acquisition is assigned a unique acquisition number and is written on individual items before these are sorted and filed by topic. Scope and Content of Collection The collection represents diverse social and political movements.