A - Z Index | School of Medicine Quick Links DONATE Find a Health Care Provider | Contact Us | Maps and Parking ucdenver.edu/academics/colleges/ HOME | OUR TEAM | FOR PATIENTS | FOR PHYSICIANS | RESEARCH | DBS SURGERY | DONATE | RESOURCES | CONTACT US University of Colorado Movement Disorders Center EVENTS SUPPORT GROUPS Movement Disorders Center Home University of Colorado LECTURES Movement Disorders Center FELLOWSHIP PROVIDE FEEDBACK SUBSCRIBE OUR MISSION is to be a leading OUR MISSION provider of internationally recognized is to be a leading provider of movement disorder research, interdis- ciplinary clinical care, education, and internationally recognized community empowerment. movement disorder research, interdisciplinary clinical care, education, and community OUR APPROACH empowerment. CLINICAL RESEARCH University of Colorado Movement Disorders Center Movement Disorders Center Movement Disorders Center COMMUNITY RESOURCES OUR APPROACH Movement Disorders are a group of The University of Colorado has a long and Our Mission is to be a leading provider of internationally recognized movement disorder neurological illnesses that affect one’s ability distinguished history of excellence in this area research, interdisciplinary clinical care, education, DONATE to move normally and include Parkinson’s including the first and largest trial of cell DONATE and community empowerment. DEEP BRAIN STIMULATION disease, tremors, Tourette’s syndrome, transplantation for Parkinson’s disease, CLINICAL RESEARCH Huntington’s disease, dystonia, restless legs development of the most widely used Speech WE INVITE YOU TO JOIN! syndrome and ataxia. Collectively, these therapy for Parkinson’s disease, ground-break- WE INVITE YOU TO JOIN! DONATE Click here to provide support for the Movement Disorders Center Real World Type The original design appeared in Gill Sans to be used on the Lon 1926 when Douglas Cleverdon don and North Eastern Railway opened a bookshop in his home for a unique typeface for all the town of Bristol, where Gill paint- LNER’s posters and publicity ed the fascia over the window material.[3] in sans-serif capitals that would later be known as Gill Sans.[1] In Gill was a well established sculp Granby from Stephenson, Blake addition, Gill had sketched a de- tor, graphic artist and type de- was a contemporary variant sign for Cleverdon,[2] intended signer, and the Gill Sans typeface based on Gill Sans.[8] Jer- as a guide for him to make future takes inspiration from Edward emy Tankard’s Bliss and Volker notices and announcements. Johnston’s Johnston typeface for Küster’s Today Sans are also London Underground, which Gill contemporaries.[9][10] Gill Sans Gill further developed it into a had worked on while apprenticed also shares several humanist complete font family after Stanley to Johnston. Eric Gill attempted sans-serif characteristics with Morison commissioned the to make the ultimate legible Charlotte Sans: a double sto- development of Gill Sans to com- sans-serif text face. Gill Sans was rey roman a and g, and a single bat the families of Erbar, Futura designed to function equally well storey lowercase italic a. Toronto and Kabel which were being as a text face and for display. It Subway is based on Johnston and launched in Germany during the is distributed as a system font in is often confused with Gill Sans. latter 1920s. Gill Sans was later Mac OS X and is bundled with released in 1928 by Monotype certain versions of Microsoft Corporation. products as Gill Sans MT.[4] Gill Sans became popular when in 1929 Cecil Dandridge com- missioned Eric Gill to produce Real World Type Real World Type 4 Neo-Grotesque 5 6 Geometric 7 Helvetica was developed of mechanical and hot-metal In typography, Futura is a Italic font was designed in 1955 in 1957 by Max Miedinger typefaces) its design was geometric sans-serif typeface by Edwin W. Shaar and Tommy with Eduard Hoffmann at the reworked. After the success of designed in 1927[1] by Paul Thompson. Matrices for ma- Haas’sche Schriftgiesserei Univers, Arthur Ritzel of Stem- Renner. It was designed as chine composition were made (Haas Type Foundry) of pel redesigned Neue Haas a contribution on the New by Intertype. Frankfurt-project. It is based on Münchenstein, Switzerland. Grotesk into a larger family.[2] geometric shapes that became Although Renner was not as- the new geometric sans-serif Haas set out to design a new tall x-height, which makes it representative of visual ele- sociated with the Bauhaus, he faces, the enormous success of sans-serif typeface that could In 1960, the typeface’s name easier to read in smaller sizes. ments of the Bauhaus design shared many of its idioms and Futura fostered the creation of compete with the successful was changed by Haas’ Ger- two-storied a (with curves of style of 1919–33.[2] Com- believed that a modern typeface many new geometric sans-se Akzidenz-Grotesk in the Swiss man parent company Stempel bowl and of stem). missioned by the Bauer Type should express modern mod- faces by competing foundries market. Originally called Neue to Helvetica (meaning Swiss narrow t and f. Foundry, in reaction to Ludwig els, rather than be a revival of a including Kabel, Metro, Vogu Haas Grotesk, its design was in Latin) in order to make it square-looking s. & Mayer’s seminal Erbar of previous design. Renner’s initial Spartan, Twentieth Century, and based on Schelter-Grotesk more marketable internation- bracketed top serif of 1. 1922, Futura was commercially design included several geo- Century Gothic among other and Haas’ Normal Grotesk. ally. rounded off square tail of R. released in 1936.[1] metrically constructed alterna - Some were near identical copies The aim of the new design tive characters and ranging as in Spartan and Vogue, but was to create a neutral type- The family was originally found in the typeface Architype including Nobel and Kabel. face that had great clarity, no cast in Light, Medium, Bold, Renner. intrinsic meaning in its form, and Bold Oblique fonts in and could be used on a wide 1928. Light Oblique, Medium variety of signage.[1] Oblique, Demibold, and Demi- When Linotype adopted Neue bold Oblique fonts were later Haas Grotesk (which was nev- released in 1930. Book font was er planned to be a full range released in 1932. Book Oblique font was released in 1939. Extra Bold font was designed by Ed- win W. Shaar in 1952. Extra Bold LOCATION & HOURS | DRINKS | MENU | EVENTS | OUR STORY MAKE A RESERVATION LOCATION & HOURS | DRINKS | MENU | EVENTS | OUR STORY MAKE A RESERVATION WINE BAR & BISTRO WINE BAR & BISTRO VINES WINE BAR & BISTRO LOCATED ON MAINSTREET IN PARKER, COLORADO, VINES 19501 EAST MAINSTREET IS A GO-TO DESTINATION FOR THOSE SEEKING A RELAXED HAPPY HOUR PARKER, COLORADO 80138 ATMOSPHERE, A WIDE ARRAY OF WINES AND COCKTAILS, HALF PRICE WINES AND WELL AND FOOD PAIRINGS TO COMPLIMENT BOTH. 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