Portland Daily Press : June 20,1868
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Edward Channing's Writing Revolution: Composition Prehistory at Harvard
University of New Hampshire University of New Hampshire Scholars' Repository Doctoral Dissertations Student Scholarship Spring 2017 EDWARD CHANNING’S WRITING REVOLUTION: COMPOSITION PREHISTORY AT HARVARD, 1819-1851 Bradfield dwarE d Dittrich University of New Hampshire, Durham Follow this and additional works at: https://scholars.unh.edu/dissertation Recommended Citation Dittrich, Bradfield dwarE d, "EDWARD CHANNING’S WRITING REVOLUTION: COMPOSITION PREHISTORY AT HARVARD, 1819-1851" (2017). Doctoral Dissertations. 163. https://scholars.unh.edu/dissertation/163 This Dissertation is brought to you for free and open access by the Student Scholarship at University of New Hampshire Scholars' Repository. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of University of New Hampshire Scholars' Repository. For more information, please contact [email protected]. EDWARD CHANNING’S WRITING REVOLUTION: COMPOSITION PREHISTORY AT HARVARD, 1819-1851 BY BRADFIELD E. DITTRICH B.A. St. Mary’s College of Maryland, 2003 M.A. Salisbury University, 2009 DISSERTATION Submitted to the University of New Hampshire in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in English May 2017 ii ALL RIGHTS RESERVED ©2017 Bradfield E. Dittrich iii EDWARD CHANNING’S WRITING REVOLUTION: COMPOSITION PREHISTORY AT HARVARD, 1819-1851 BY BRADFIELD E. DITTRICH This dissertation has been has been examined and approved by: Dissertation Chair, Christina Ortmeier-Hooper, Associate Professor of English Thomas Newkirk, Professor Emeritus of English Cristy Beemer, Associate Professor of English Marcos DelHierro, Assistant Professor of English Alecia Magnifico, Assistant Professor of English On April 7, 2017 Original approval signatures are on file with the University of New Hampshire Graduate School. -
ARCHIVES 810.8 P432 1965 C.2 ARCHIVES 810.8 P432 Perspectives (Morningside College)
· - ARCHIVES 810.8 P432 1965 c.2 ARCHIVES 810.8 P432 Perspectives (Morningside College). PERSPECTIVES VOLUME XXIV SPRING 1965 NUMBER 1 Staff Editor ................................................................................... _.......... ................... Judith Abbott Business Manager ................. _................................................................. Sharon Nelson Art Consultant .................................................................. Mr. William Zimmennan Faculty Advisor ..............................................._ .......... ........._ ..... Dr. Howard Levant PERSPEOTIVES is published by the students of Morningside College Sioux City, Iowa TI-te Generation Of Leaves Judith H. Abbott She closed her eyes again, obliterating the morning light that filtered into the room through the half drawn Venetian blinds which cast long shadows on the barren gray walls. Soon the stillness of the slumbering hospital would be . stirred into the living motions of this day. Sterile nurses in odorless starched white uniforms with "good morning, time to get up" smiles, would be disturbing her and pressing her with "how are you feeIing'1 questions to which they sought nor awaited an answer~ If only this morning she might rest in peace, foregoing the process of being lifted from her bed into life. She would .once again sit before the window observing those who passed by on their way to work or school. She was experiencing the transfor mation of autumn into winter as she watched the leaves one by one descending from their height to the earth. "Good morning, Mrs. Robbinson. Time to get up." The nurse crossed her room to the windows and opened the blinds . letting the full brightness of the day flood the room. From her bed she could see only the blue sky and the top of the oak tree whose leaves in summer nearly blinded her view of the outside woTld. -
Seeking a Forgotten History
HARVARD AND SLAVERY Seeking a Forgotten History by Sven Beckert, Katherine Stevens and the students of the Harvard and Slavery Research Seminar HARVARD AND SLAVERY Seeking a Forgotten History by Sven Beckert, Katherine Stevens and the students of the Harvard and Slavery Research Seminar About the Authors Sven Beckert is Laird Bell Professor of history Katherine Stevens is a graduate student in at Harvard University and author of the forth- the History of American Civilization Program coming The Empire of Cotton: A Global History. at Harvard studying the history of the spread of slavery and changes to the environment in the antebellum U.S. South. © 2011 Sven Beckert and Katherine Stevens Cover Image: “Memorial Hall” PHOTOGRAPH BY KARTHIK DONDETI, GRADUATE SCHOOL OF DESIGN, HARVARD UNIVERSITY 2 Harvard & Slavery introducTION n the fall of 2007, four Harvard undergradu- surprising: Harvard presidents who brought slaves ate students came together in a seminar room to live with them on campus, significant endow- Ito solve a local but nonetheless significant ments drawn from the exploitation of slave labor, historical mystery: to research the historical con- Harvard’s administration and most of its faculty nections between Harvard University and slavery. favoring the suppression of public debates on Inspired by Ruth Simmon’s path-breaking work slavery. A quest that began with fears of finding at Brown University, the seminar’s goal was nothing ended with a new question —how was it to gain a better understanding of the history of that the university had failed for so long to engage the institution in which we were learning and with this elephantine aspect of its history? teaching, and to bring closer to home one of the The following pages will summarize some of greatest issues of American history: slavery. -
History and Bibliography of American Newspapers 1690-1820
Additions and Corrections to History and Bibliography of American Newspapers 1690-1820 BY CLARENCE S. BRIGHAM FOREWORD HESE additions and corrections cover only certain T fields of the parent work which was published in 1947 in two volumes. All new titles are carefully entered and described, although only nine such titles have been dis- covered in the last thirteen years. Only unique issues acquired by libraries have been entered. Certain libraries, like the Library of Congress, the New York libraries, and especially the American Antiquarian Society, have acquired thousands of issues in the past few years, but these are all in long or complete files and generally are not mentioned. Libraries which have sent me lists of issues recently obtained should note this fact and not expect to find all copies listed. In a few cases long files acquired by libraries have been entered, on the assumption that they might contain a few issues not in the supposedly complete files in other libraries. New biographical facts concerning publishers, printers, and editors are entered. Frequently, the complete spellings of Christian names hitherto known only by initials are given. Important changes in the historical accounts of newspapers i6 AMERICAN ANTIQUARIAN SOCIETY [April, have been entered. Most of these changes have been ob- tained through correspondence, or by noting the record of additions in printed reports or bulletins of libraries. There has been no attempt to visit the many libraries to re-examine the various files. Microfilm reproductions issued by various libraries in the past few years have been noted, although not the many libraries purchasing such microfilm files. -
Toronto Public Library
Toronto Public Library THIRTY-FIRST ANNUAL REPORT 1914 OONTENTS. Chairmen of the Board of :Management II List of Members and officers of the Board of Management ......... , 8 List of Libraries and Hours of Service . • . • . • . • . • • . • Report of Chairman of the Board ............ , ••.•.........•.••. , • 15 Report of Chief Librarian ...••• , •••...••...•..•••••••.••.•.••.. , • 8 Reports from Departments:- The Reference Department . • . • . 11 The Cataloguing Department ....................... , . • . 12 The Chlldren 's Department . 13 The Municipal Reference Department . 14 The Accessioning Department . 15 The Registration Department ............. , . 15 The· Stock Department . • . • • . 15 The Book-binding Department .......... , . • . HI Toronto Public Library Club ...... , ........ , , ................... , . 17 Approximate Distribution of Books by Classes and by Libraries . 19 Circulation of Books during 1914 . • . 20 Form for Library Statistics ..........................• , . • • . 21 Financial Statement! ...........................•••.• , , , •.• •..•..... 24. 25 List of Periodicals ........................... , ..... ~ ................ 26-86 THOMAS W . BANTON Chairman of Libra ry Board , t 9 t 4 . TORONTO PUBLIC LIBRARY THIRTY-FIRST ANNUAL REPORT FOR THE YEAR 1914 The Armac Preas, limited iforonto. Chairmen of the Board of Management .John Hallam 1883 John Hallam JS.~4 John Taylor ..................................... 1885 George Wright, M.A., M.B. ....................... l~S6 Lt.-Col. James :Mason ........................... -
17-06-27 Full Stock List Drone
DRONE RECORDS FULL STOCK LIST - JUNE 2017 (FALLEN) BLACK DEER Requiem (CD-EP, 2008, Latitudes GMT 0:15, €10.5) *AR (RICHARD SKELTON & AUTUMN RICHARDSON) Wolf Notes (LP, 2011, Type Records TYPE093V, €16.5) 1000SCHOEN Yoshiwara (do-CD, 2011, Nitkie label patch seven, €17) Amish Glamour (do-CD, 2012, Nitkie Records Patch ten, €17) 1000SCHOEN / AB INTRA Untitled (do-CD, 2014, Zoharum ZOHAR 070-2, €15.5) 15 DEGREES BELOW ZERO Under a Morphine Sky (CD, 2007, Force of Nature FON07, €8) Between Checks and Artillery. Between Work and Image (10inch, 2007, Angle Records A.R.10.03, €10) Morphine Dawn (maxi-CD, 2004, Crunch Pod CRUNCH 32, €7) 21 GRAMMS Water-Membrane (CD, 2012, Greytone grey009, €12) 23 SKIDOO Seven Songs (do-LP, 2012, LTM Publishing LTMLP 2528, €29.5) 2:13 PM Anus Dei (CD, 2012, 213Records 213cd07, €10) 2KILOS & MORE 9,21 (mCD-R, 2006, Taalem alm 37, €5) 8floors lower (CD, 2007, Jeans Records 04, €13) 3/4HADBEENELIMINATED Theology (CD, 2007, Soleilmoon Recordings SOL 148, €19.5) Oblivion (CD, 2010, Die Schachtel DSZeit11, €14) Speak to me (LP, 2016, Black Truffle BT023, €17.5) 300 BASSES Sei Ritornelli (CD, 2012, Potlatch P212, €15) 400 LONELY THINGS same (LP, 2003, Bronsonunlimited BRO 000 LP, €12) 5IVE Hesperus (CD, 2008, Tortuga TR-037, €16) 5UU'S Crisis in Clay (CD, 1997, ReR Megacorp ReR 5uu2, €14) Hunger's Teeth (CD, 1994, ReR Megacorp ReR 5uu1, €14) 7JK (SIEBEN & JOB KARMA) Anthems Flesh (CD, 2012, Redroom Records REDROOM 010 CD , €13) 87 CENTRAL Formation (CD, 2003, Staalplaat STCD 187, €8) @C 0° - 100° (CD, 2010, Monochrome -
The Atlanta Review of Journalism History
ISSN: 2151-7967 The Atlanta Review of Journalism History A Refereed Annual Journal published by the Journalism History Society of Georgia State University Volume 11 Georgia State Spring 2014 University ISSN: 2151-7967 The Atlanta Review of Journalism History Volume 11 Spring 2014 ◊◊ May Fawaz-Huber Managing Editor Jareth Muñoz Assistant Editor Rosa Felix Assistant Editor Jessica Vega Assistant Editor Leonard Ray Teel Faculty Advisor and General Editor Cover Design by John Daigle Printed by SS Print and Marketing Norcross, GA All correspondence should be directed to: The Atlanta Review of Journalism History Attention: Leonard Ray Teel, Department of Communication Georgia State University 25 Park Place, NE, Suite 1109 Atlanta, GA 30303 [email protected] iv EDITORIAL BOARD The Atlanta Review of Journalism History is particularly thankful for the expertise of the scholars of American media history listed below. Their devotion to the field of study and their generous donation of time and talent have been essential contributions to the quality of the essays in the Review. James Aucoin, University of South Alabama Ross Collins, North Dakota State University John Coward, University of Tulsa Patrick Cox, University of Texas-Austin David R. Davies, University of Southern Mississippi Wallace Eberhard, University of Georgia, Emeritus Giovanna Dell’Orto, University of Minnesota Mark Edge, Sam Houston State University Fred Fedler, University of Central Florida Frank Fee, University of North Carolina-Chapel Hill Kathy Fuller-Seeley, University of Texas-Austin -
Amalie Joachim's 1892 American Tour
Volume XXXV, Number 1 Spring 2017 Amalie Joachim’s 1892 American Tour By the 1890s, American audiences had grown accustomed to the tours of major European artists, and the successes of Jenny Lind and Anton Rubinstein created high expectations for the performers who came after them. Amalie Joachim toured from March to May of 1892, during the same months as Paderewski, Edward Lloyd, and George and Lillian Henschel.1 Although scholars have explored the tours of artists such as Hans von Bülow and Rubinstein, Joachim’s tour has gone largely unnoticed. Beatrix Borchard, Joachim’s biographer, has used privately held family letters to chronicle some of Joachim’s own responses to the tour, as well as a sampling of the reviews of the performer’s New York appearances. She does not provide complete details of Joachim’s itinerary, however, or performances outside of New York. Although Borchard notes that Villa Whitney White traveled with Joachim and that the two performed duets, she did not realize that White was an American student of Joachim who significantly influenced the tour.2 The women’s activities, however, can be traced through reviews and advertisements in newspapers and music journals, as well as brief descriptions in college yearbooks. These sources include the places Joachim performed, her repertoire, and descriptions of the condition of her voice and health. Most of Joachim’s performances were in and around Boston. During some of her time in this city, she stayed with her Amalie Joachim, portrait given to Clara Kathleen Rogers. friend, the former opera singer Clara Kathleen Rogers. -
Leksykon Polskiej I Światowej Muzyki Elektronicznej
Piotr Mulawka Leksykon polskiej i światowej muzyki elektronicznej „Zrealizowano w ramach programu stypendialnego Ministra Kultury i Dziedzictwa Narodowego-Kultura w sieci” Wydawca: Piotr Mulawka [email protected] © 2020 Wszelkie prawa zastrzeżone ISBN 978-83-943331-4-0 2 Przedmowa Muzyka elektroniczna narodziła się w latach 50-tych XX wieku, a do jej powstania przyczyniły się zdobycze techniki z końca XIX wieku m.in. telefon- pierwsze urządzenie służące do przesyłania dźwięków na odległość (Aleksander Graham Bell), fonograf- pierwsze urządzenie zapisujące dźwięk (Thomas Alv Edison 1877), gramofon (Emile Berliner 1887). Jak podają źródła, w 1948 roku francuski badacz, kompozytor, akustyk Pierre Schaeffer (1910-1995) nagrał za pomocą mikrofonu dźwięki naturalne m.in. (śpiew ptaków, hałas uliczny, rozmowy) i próbował je przekształcać. Tak powstała muzyka nazwana konkretną (fr. musigue concrete). W tym samym roku wyemitował w radiu „Koncert szumów”. Jego najważniejszą kompozycją okazał się utwór pt. „Symphonie pour un homme seul” z 1950 roku. W kolejnych latach muzykę konkretną łączono z muzyką tradycyjną. Oto pionierzy tego eksperymentu: John Cage i Yannis Xenakis. Muzyka konkretna pojawiła się w kompozycji Rogera Watersa. Utwór ten trafił na ścieżkę dźwiękową do filmu „The Body” (1970). Grupa Beaver and Krause wprowadziła muzykę konkretną do utworu „Walking Green Algae Blues” z albumu „In A Wild Sanctuary” (1970), a zespół Pink Floyd w „Animals” (1977). Pierwsze próby tworzenia muzyki elektronicznej miały miejsce w Darmstadt (w Niemczech) na Międzynarodowych Kursach Nowej Muzyki w 1950 roku. W 1951 roku powstało pierwsze studio muzyki elektronicznej przy Rozgłośni Radia Zachodnioniemieckiego w Kolonii (NWDR- Nordwestdeutscher Rundfunk). Tu tworzyli: H. Eimert (Glockenspiel 1953), K. Stockhausen (Elektronische Studie I, II-1951-1954), H. -
United States Newspapers Index (PDF)
U.S. Newspapers Briscoe Center for American History The Briscoe Center for American History's newspaper collections also contain titles from around the United States. These titles are limited to the few dates listed or an incomplete, brief date run. A significant part of this collection consists of several hundred linear feet of newspapers published in every state of the Confederacy from the 1790s through the early 1900s. Holdings include extensive runs of early newspapers in hard copy from Charleston, South Carolina (1795-1942), Augusta, Georgia (1806-1885), New Orleans, Louisiana (1837-1914), and Little Rock, Arkansas (1819-1863). Many issues are scarce or extremely rare, including the only known copies of several important antebellum Louisiana and Mississippi newspapers. Many of these newspapers are in Original Format (OR), and cannot be photocopied. Patrons have the option of photographing these newspapers themselves with no additional lighting and under the direct supervision of the Reading Room staff. Patrons must complete an Items Photographed by Patrons form. The resulting images are for research only and may not be published. Frequency: d=daily, w=weekly, tw=tri-weekly, sw=semi-weekly, m=monthly, sm=semi-monthly, u=unknown Format: OR=Original newspaper, MF=Microfilm, RP=Reproduction *an asterisk indicates all or part of the newspaper is stored offsite and requires advance notice for retrieval ALABAMA Alabama, Birmingham Sunday Morning Chronicle (w) Dec 9, 1883 OR (oversize) Alabama, Carrollton West Alabamian (w) Jan 1870-Dec -
Davide-Rossi-Discography.Pdf
Davide Rossi 2016 Superbowl Performance Flight Facilities Live Show Coldplay N/A String Arranger/Performer Debut / Album Flight Facilities x MSO N/A String Arranger/Performer Mylo Xyloto / Lucy O’Bryne Island String Arranger/Performer Coldplay Parlophone Every Teardrop Is A Waterfall Coldplay Parlophone String Arranger/Performer Prospekt’s March Coldplay Parlophone String Arranger/Performer Viva La Vida Coldplay Parlophone String Arranger/Performer Girl On Fire Alicia Keys RCA/Jive String Arranger/Performer The Element of Freedom Alicia Keys RCA/Jive String Arranger/Performer Something Great One Direction Sony String Arranger/Performer Score for the film ‘Monsters’ Jon Hopkins Domino String Arranger/Performer Insides Jon Hopkins Domino String Arranger/Performer If You Wait London Grammar Ministry Of String Arranger/Performer Sound Junior Röyksopp EMI String Arranger/Performer Senior Röyksopp EMI String Arranger/Performer Suite For A Robotic Girl Röyksopp EMI String Arranger/Performer New Shores Black Submarine Kobalt Writer/Producer/String Arranger The Singles Goldfrapp EMI/Mute String Arranger/Performer Head First Goldfrapp EMI/Mute String Arranger/Performer 2010 Believer Goldfrapp EMI/Mute String Arranger/Performer Seventh Tree Goldfrapp EMI/Mute String Arranger/Performer Wonderful Electric: Live in London Goldfrapp EMI/Mute String Arranger/Performer Black Cherry Goldfrapp EMI/Mute String Arranger/Performer Felt Mountain Goldfrapp EMI/Mute String Arranger/Performer Pale Horses Moby Little Idiot String Arranger/Performer Records Mistake -
Reelnumber Title City Begindate Enddate 56492 Volunteer AL
ReelNumber Title City BeginDate EndDate 56492 Volunteer AL - Athens 4/23/1864 4/23/1864 56492 Mobile Advertiser and Register AL - Mobile 11/15/1862 11/15/1862 56492 Weekly Advertiser and Register AL - Mobile 2/8/1864 2/8/1864 56492 Federal Union AL - Selma 5/13/1865 5/13/1865 54815 World's Cresset AR - Leachville 12/26/1918 12/26/1918 13833 Critic AR - Piggott 6/11/1915 6/11/1915 54825 Sacramento Weekly Union CA - Sacramento 4/12/1876 4/12/1876 54825 Sacramento Weekly Union CA - Sacramento 4/26/1876 4/26/1876 54825 Sacramento Weekly Union CA - Sacramento 8/2/1876 8/2/1876 54824 Enterprise and Co-Operator CA - San Francisco 5/25/1872 5/25/1872 54825 Spirit of the Times (& Underwriter’s J CA - San Francisco 3/23/1872 3/23/1872 54821 San Luis Obispo, California Tribune CA - San Luis Obispo 8/12/1876 8/12/1876 54824 Leadville Daily Herald CO - Leadville 11/18/1882 11/18/1882 54824 Connecticut Western News CT - Canaan 12/26/1895 12/26/1895 54825 Connecticut Western News CT - Canaan 7/9/1884 7/9/1884 56492 La Nueva Era CUB - Ponce 8/29/1898 8/29/1898 54825 Reporter DC - Washington, D.C. 1/22/1866 1/22/1866 54825 Reporter DC - Washington, D.C. 2/5/1866 2/5/1866 54825 Reporter DC - Washington, D.C. 2/22/1866 2/22/1866 54825 Reporter DC - Washington, D.C. 2/26/1866 2/26/1866 54825 Reporter DC - Washington, D.C. 3/5/1866 3/5/1866 54825 Reporter DC - Washington, D.C.