R. Schumann, J. Brahms

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MALAGA PHILHARMONIC ORCHESTRA / SEASON 2020-21 Teatro Cervantes thursday 6 may 19.00 h friday 7 may 19.00 h Ticket sale 31/07/2020 Price 24€ (single price) Usual discounts do not apply R. SCHUMANN, J. BRAHMS Notice for Season Ticket holders Current health regulations do not allow us to have the necessary seating capacity to attend to all season ticket holders. We are refunding the amount corresponding to this programme. Tickets may be purchased from 6:00 p.m. on April 30, at the box office with the same discount for season tickets or by Internet if the purchase is without a discount and with the possibility of choosing. Conductor MANUEL HERNANDEZ SILVA Genoveva, Op.81: Overture, R. Schumann Violin Concerto in D major, Op.77, J. Brahms Ana María Valderrama violin Symphony No. 2 in D major, Op.73, J. Brahms 1.40 h (w/out intermission) orquestafilarmonicademalaga.com Program notes Jose Antonio Canton photo ©Marco Borggreve Composed in the spring of 1847, Robert Schumann’s overture Genoveva was finished before the four act German opera by the same name. Based on a play by the playwrights Tieck and Hebbel about the misfortunes of an 8th century Alsatian heroine, it was quite well received at its premiere on the 25th of June 1850 at the Stadtteather in Leipzig. Johannes Brahms completed the Violin Concerto, Op. 77 at his summer residence in the Carinthian village of Portschach in 1878. It was dedicated to his friend the great Hungarian violinist Joseph Joachim, whom he had consulted during the composition and who premiered the concert in Leipzig on the first of January 1879 with the Gewandhaus Orchestra, with the composer conducting. Johannes Brahms composed his Second Symphony during the summer 1877 at the spa of Pörtschach am Wörthersee, which was premiered by the Vienna Philharmonic led by the conductor Hans Richter. Without going into the details of each movement, overall the symphony has a much more pastoral than formalist Viennese character. .

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97679 Digibooklet Schumann Vol
ROBERT SCHUMANN Complete Symphonic Works VOL. III OREN SHEVLIN WDR Sinfonieorchester Köln HEINZ HOLLIGER ROBERT SCHUMANN Complete Symphonic Works • Vol. III recording date: April 8-11, 2013 Cello Concerto in A minor, Op. 129 23:59 I. Nicht zu schnell 11:51 II. Langsam 4:08 P Eine Produktion des Westdeutschen Rundfunks Köln, 2013 lizenziert durch die WDR mediagroup GmbH III. Sehr lebhaft 8:00 recording location: Köln, Philharmonie executive producer (WDR): Siegwald Bütow recording producer & editing: Günther Wollersheim Symphony No. 4 in D minor, Op. 120 recording engineer: Brigitte Angerhausen (revised version 1851) 28:56 Recording assistant: Astrid Großmann I. Ziemlich langsam. Lebhaft 10:25 photos: Oren Shevlin (page 8): Neda Navaee II. Romanze. Ziemlich langsam 3:57 Heinz Holliger (page 10): Julieta Schildknecht III. Scherzo. Lebhaft 6:45 WDR Sinfonieorchester Köln (page 5): WDR Thomas Kost IV. Langsam. Lebhaft 7:49 WDR Sinfonieorchester Köln (page 9): Mischa Salevic front illustration: ‘Mondaufgang am Meer’ Caspar David Friedrich art direction and design: AB•Design executive producer (audite): Dipl.-Tonmeister Ludger Böckenhoff OREN SHEVLIN e-mail: [email protected] • http: //www.audite.de WDR Sinfonieorchester Köln © 2014 Ludger Böckenhoff HEINZ HOLLIGER Remembering, Narrating Schumann’s Cello Concerto contains movements are recalled in the same way the same in another: only the material is On 2 September 1848 Robert Schumann many recollections of Mendelssohn. It as Beethoven had done in his Ninth Sym- different”. Schumann noted this maxim no composed a piece for piano and called opens with three wind chords similar phony. Schumann also referred to his own later than 1834, at the age of twenty-four, it Erinnerung [recollection], inserting to those in the overtures to A Midsum- works: in the transition from the ﬁ rst to the and he followed it in his ideal of musical the subtitle “4.
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Living ConCert series RobeRt Schumann G e n o v e v a Annette Dasch – Michael König Andrea Baker – Morten Frank Larsen Thomas de Vries – Christoph Stephinger Opernchor des Hessischen Staatstheaters Hessisches Staatsorchester Wiesbaden marc Piollet •Book_i_Schumann_020506 02.05.2006 14:59 Uhr Seite 2 CD 1 ROBERT SCHUMANN (1810 –1856) 1 Ouvertüre 8:31 Erster Akt Genoveva 2 Nr. 1 Chor (Erhebet Herz und Hände) und 5:31 Oper in vier Akten, op. 81 (1850) Rezitativ Hidulfus (Zu einem gottgefäll’gen Kampfe rüstet ihr euch!) Libretto von Robert Reinick und Robert Schumann 3 Nr. 2 Rezitativ und Arie Golo 6:22 nach den gleichnamigen Dramen von Friedrich Hebbel und Ludwig Tieck (Möcht’ ziehn mit ihnen!) 4 Nr. 3 Duett Siegfried / Genoveva 2:34 Annette Dasch (Genoveva/Sopran) (So wenig Monden erst, daß ich dich fand / Michael König (Golo, Siegfrieds Gefolgsmann/Tenor) Ob auch getrennt, uns eint ein heilig Band) Andrea Baker (Margaretha/Mezzosopran) 5 Nr. 4 Rezitativ Siegfried / Drago / Genoveva / Golo 2:23 Morten Frank Larsen (Pfalzgraf Siegfried/Bariton) 6 Nr. 5 Chor (Auf, auf in das Feld) / Genoveva / Siegfried / Golo 2:41 Thomas de Vries (Hidulfus, Bischof von Trier/Bariton) 7 Nr. 6 Rezitativ und Szene Golo 3:36 Christoph Stephinger (Drago, Haushofmeister/Bass) (Der rauhe Kriegsmann!) Axel Wagner (Balthasar, Diener/Bass) 8 Nr. 7 Finale Margaretha (Sieh da, welch feiner Rittersmann!) / 8:47 Olaf Franz (Caspar, Jäger/Bariton) Golo (Was hab ich getan in frevelndem Wahn) sowie in weiteren Rollen Zweiter Akt Sharon Kempton (Sopran), Emma Pearson (Sopran), Axel Mendrok (Tenor) 9 Nr. 8 Szene, Chor und Rezitativ: Genoveva 8:52 und Jud Perry (Tenor) (O weh des Scheidens, das er tat, mit ihm schied Freud und Glück!) / Chor und Extrachor des Hessischen Staatstheaters Wiesbaden Knechte (Füllet die Becher bis zum Rande) / Golo (Einstudierung: Thomas Lang) 10 Nr.
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