Royal Palaces of Abomey a World Heritage Property

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Royal Palaces of Abomey a World Heritage Property The restoration of King Gbehanzin Palace Royal Palaces of Abomey A World Heritage property The restoration of King Gbehanzin Palace Royal Palaces of Abomey A World Heritage property Edited by JUNZO KAWADA Anthropologist Cover photograph Sacred baobab tree planted by King Gbehanzin before the conflict with the French troops Hereunder The adjalala, the reception hall of the King Preface Koïchiro MATSUURA Kan to gbe nu e no gbe kan do Director-General of UNESCO [It is at the end of the rope woven by the father that the child starts to weave his own]. It is through the protection and restoration of a prop- erty inscribed on the World Heritage List, that we can perpetuate the link between one’s own heritage and the common heritage of humankind, between the times of our ancestors and the rooting of the identity of future generations. The saying above, taken from the Trupinmeji, one of the signs of the Ifa, Deity of divination, a mediator between men, the dead and the gods, tells us about the chain which connects the tangible – the bas-reliefs molded inside the cob walls of the adjalala - with the intangible - the living dimension of the allegorical accounts that recall the history of the kingdom of Danhome. Benin ratified the UNESCO World Heritage Convention on June 14th, 1982, and, as such, became the sixteenth country in the African continent having committed itself to pro- tecting its cultural and natural heritage of outstanding universal value. Three years later, in 1985, the site of the Royal Palaces of Abomey was simultaneously inscribed on the prestigious World Heritage List and on the World Heritage List in Danger. Since then, this outstanding testimony of a Kingdom ruled by twelve successive kings between 1625 and 1900 - which I had the privilege to visit in 2002-, this “unique his- torical document” has been subject to intense conservation campaigns, aiming at repairing the damages caused by time, as well as by natural or human factors. In 2001, UNESCO, Japan and Benin signed a cooperation agreement for the restoration of the Palace of King Behanzin, one of the greatest testimonies of the Dahomean phi- losophy, art and history, which are so well represented in the symbolism in the specific life of the Royal Palace-Museum of the kingdom of Dahome - one of the kingdoms of sub-Saharan Africa which developed outstanding royal cultures in the 18th Century. This kind of attention on the part of the Government of Japan in favor of the safe- guarding of this memory inscribed into the clay, echoed by the litanies of Kotoja - the sacred rhythm of the Royal court of Abomey -, could only inspire UNESCO in its mission to facilitate international co-operation relevant to the protection and the safeguard of a heritage that belongs to the history of humanity as a whole. May this encourage the international community in the years to come to pursue other actions of rehabilitation in accordance with the safeguard measures promoted by the Statue of Gbehanzin, 1972 Convention relative to the World Heritage. King of Abomey, in Goho square, at the entrance of the town of Abomey, May the international community take the responsibility to protect heritage at the erected in co-operation global level, for it is the symbol of the diversity of the creative genius of the peoples with the Democratic and societies, a strong base towards the construction of a sustainable development People’s Republic of Korea 2 in March 1979. and a renewed hope for a dialogue between men and cultures. Picture of King Adjalala,Gbhanzin restau- and hisration court desduring bas his exile in Martiniquereliefs ci-contre,© Musée aspect du quai avant Branly, Preface sa restauration, et photo Fabre ci-dessus, après. Forward King Gbehanzin T WAS VERY FORTUNATE THAT BENIN was the first African © Musée des Armées Icountry to have the honour to benefit from a financing support from the UNESCO/Japan Fund in Trust for World Herit- age, for the restoration of one of the country’s major heritage sites, the Palace of Gbehanzin, king of Dahomey. It is also by chance that the restoration came to an end at the same time as the celebration to mark the centenary of the king’s death that took place in December 1906 in Algiers. But, actually, the wonderfully generous gesture on the part of Japan was not just a matter of chance. We know about the richness of the multi-millenary cultural heritage of Japan, the depth and refinement of the heritage consciousness of its people, as well as the generosity of its government towards countries in the southern hemisphere. The publication of this remarkable booklet carries a strong symbol: that of Japan con- tribution not only to the Benin’s national remembrance duty, but also and probably above all, to the emergence of a new global appeased perception, that of Gbehanzin being an inter- national symbol of resistance against colonial conquest. In other words, international co-operation and heritage have been associated in favour of peace: the ultimate goal of UNESCO. In that respect, we would like to thank Mr. Koïchiro Matsura, Director General of UNESCO, as well as the Japan and UNESCO experts, Professor Junzo Kawada and Professor Tito Spini who, through their patient efforts, guided and sup- ported this fruitful pioneering venture: a clear example of a well accomplished, solidarity-based, international cultural co-operation. His Excellency, Mr Olabiyi Yai Ambassador Permanent Delegate of Benin to UNESCO 4 Bas-reliefs of the adjalala after stabilisation © D. Mizehoun WOULD LIKE TO EXPRESS my great satisfaction at seeing catastrophes such as tornadoes and floods have caused I the completion of the restoration works on the palace of serious degradation to these remains. As a result, in 1985, King Gbehanzin of Abomey, which is commemorated by the UNESCO simultaneously inscribed the site on the World publication of this brochure. Heritage List and the World Heritage List in Danger. Beyond borders, civilisations, languages or time, Cultural Facing this reality, the Japanese Government decided to deploy Heritage bonds mankind together, creating a brotherly link. a mission to Abomey in collaboration with UNESCO, to develop Cultural heritage transmits the history and memory of mankind a restoration project for the site with the participation of to future generations, and its traces offer an absolutely unique relevant experts who eventually participated in the execution view of the various cultures that make up our world. of the project. Several discussions and dialogues were held with the Beninese Government and representatives of the However, at this present time and on each continent, there community in order to examine how assistance could be still exist various remains, historic monuments or other rendered through the Japanese Fund-in-Trust. This resulted heritage in danger of disappearance, as a result of their in the activities which were carried out by UNESCO and which extreme state of degradation. All this cultural heritage are presented today in this superb brochure. belongs to the entire mankind and it is necessary to rapidly take appropriate protective measures. The Royal Palaces of Abomey still remain on the World Heritage List in Danger. On the occasion of the publication In reaction to this situation, the Japanese government of this brochure, I would like to express the wish to see more created, in 1989, the “Fund-in-Trust for the preservation of and more people testify of their interest in this unique site, world cultural heritage” at UNESCO, in order to contribute to and in their turn, participate in preservation and promotional the protection of remarkable cultural sites, be they historic activities for Abomey. monuments or archaeological remains. At the initial stage, the beneficiaries of this financial support were mainly cultural sites in Asia, and this project in Abomey His Excellency, Mr Seiichi KONDO is the first to have been carried out in sub-Saharan Africa, Ambassador extraordinary and plenipotentiary from 2001 to 2004. Permanent Delegate of Japan to UNESCO From the 17th to the 20th century, twelve kings succeeded each other within the fortified enclosure of Abomey, each one building his own palace on his accession to the throne. While the remains of these palaces constitute a precious testimony of the evolution of this civilisation and its past glory, especially as there are no written texts, natural 5 One of the most important sacred tree of the palace is planted close to the adjalala Restoration of the Palace of King Gbehanzin an example of a dynamic partnership in the valorisation and development of local know-how Ayari RACHIDA DE SOUZA Anthropologist - Curator HE PALACE OF KING GBEHANZIN is part of the architec- King Gbehanzin could not to complete the construction Ttural genealogy of a great Royal city, a home for the of his palace, Dowomè, for lack of time. It is symbolically living and the spirits of the ancestors, spread over approxi- thought of as having ten-layer walls. Thus the oral tradi- mately 44 hectares. tion states: Since the rule of Houegbadja (1645-1685), each King built his “… We are in Singbo, in front of the Adjalala of Gbehanzin palace next to that of his predecessor, along a north-south- and you know that the kings cannot do anything without the west axis, directed towards Adja-Tado and following the line Ifa” (statement of Gbehanzin Agboyidu, July 1995, recorded of expansion of the kingdom. by Tito Spini). The palace, in this context, represents the uniqueness of “Looking in the direction of Tado, the axis of reference, the the royal person as a central point within the universe; the predictions that the Ifa had made in Houégbadja are ac- centre of gravity of the political life where the great annual complished - the palaces shall continue up to the tenth wall ceremonies and the celebrations take place, for the king is (with the tenth king) and not any further.
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