The goal of the Jewish Studies Program is to provide students at Northeastern University the opportunity to learn about the culture and religion of the Jewish people and its historic impact on the civilizations of the world. Courses are offered in the areas of history, music, political science, sociology, religion and literature. The program also sponsors public lectures, performances and exhibitions related to Jewish Studies.

A new cooperative relationship between Northeastern University and Hebrew College allows for tuition-free cross-registration and exchange of library privileges for students and faculty.

The Bernard A. Stotsky Professorship in Jewish Historical and Cultural Studies was created in 1991 as a result of a generous gift from Dr. Bernard A. Stotsky. It is intended to support a faculty member in Northeastern University's College of Arts and Sciences who pursues broad ethical, cultural and social issues arising out of the suffering and heroism of the Holocaust. In July of 1992 Prof. Joshua Jacobson of the Department of Music was named the first Stotsky Professor.

Funding for Hear our Voices: Music in Terezin was provided, in part, by the Massachusetts Cultural Council, a state agency which receives support from the National Endowment for the Arts; Combined Jewish Philanthropies; Hebrew College; The Lifebridge Foundation; Massachusetts Foundation for the Humanities, a state-based Affiliate of the National Endowment for the Humanities; Boston Park Plaza Hotel; Alfred Nash Patterson Foundation for the Choral Arts; and by Northeastern University's Office of the Provost, College of Arts and Sciences, the Center for the Arts, Jewish Studies Program, The Bernard Stotsky Professorship in Jewish Studies and Hillel Foundation.

Project Director: Prof. Joshua R. Jacobson Project Administrator: Steven F. Smith

Special Thanks: November 19, 1994 Provost Michael Baer, Terry Beadle, Harold Bingham, Bailey Chapman, Desne Northeastern University Crossley, Pat Denn, Joyce Eldridge, Nancy Frank, Garber Travel, David Gibson, Blackman Auditorium Prof. Bill Giessen, Patricia Goodson, Dr. David Gordis, Coria Holland-Fofana, Leon Janikian, Prof. Mort Kaplan, Joanna Lampert, Steven Lipsitt, Suzanne Leidel, Dean Robert Lowndes, NU Department of Music, Joel Sadagursky, Barry Shrage, Brian Vance, Michelle Wien November 20, 1994 Hebrew College On the cover: Terezin Kaffehaus drawing by Bedrich Fritta (Fritz Taussig), imprisoned in Terezin. India-ink, Usen Auditorium 441 mm x 596 mm. By permission of the Jewish Museum of Prague. Saturday, November 19, 8:00 PM Blackman Auditorium, Northeastern University

The Terezin Concentration Camp and Its Opera Company Music in Terezin 1941-1945 an illustrated lecture, Professor Nick Strimple Northeastern University is pleased to host this unique symposium on the music of Terezin. As many arts organizations commemorate the 50th anniversary of the end intermission of World War II, Northeastern is proud to present a weekend of programs that share this lesser-known music, illuminating the power and strength of music and of Der Kaiser von Atlantis (The Emperor ofAtlantis) the human spirit. libretto, Peter Kien music, Viktor Ullmann In November of 1941, the Nazis evacuated the Czech city of Terezin and transformed the ancient walled city into a huge concentration camp. Their plan Nathaniel Watson, baritone Kaiser Overall was to use Terezin (or Theresienstadt, as it was called in German) as a "model David Ripley, bass-baritone Der Tod settlement," a facade to hide the truth of the extermination of European Jewry. Paul Kirby, tenor Harlekin More than one hundred thousand Jews were sent to Terezin, including many Mary Westbrook-Geha, mezzo-soprano Der Trommler prominent writers, scholars and musicians. The Nazis allowed the inmates to Sharon Baker, soprano Bubikopf, ein Madchen organize cultural activities and produce concerts. The prisoners' performances were Donald Wilkinson, baritone Der Lautsprecher featured in a Nazi propaganda film, The Fuhrer Gives the Jews a City, and Mark Kagan, tenor Der Soldat inspectors from the International Red Cross were shown flower gardens, schools and cafes. But the truth was that of the 150,000 Jews who were sent to Terezin Steven Lipsitt, Music Director between 1941 and 1945, only 11,000 survived. The rest either perished from Herschel Garfein, Stage Director malnutrition and disease in the ghetto or were sent to the death camps in Poland.

But through the efforts of survivors, scholars and performers, the music of Terezin Northeastern Chamber Opera Ensemble is coming back to life. Those who hear this music today learn an important message about the triumph of the human spirit. Even in the darkest chapter of our Violins Flute/piccolo Percussion history, people opened up their souls through the arts, sending a message to their Michael Rosenbloom Catherine Payne Pat Hollenbeck fellow inmates, their captors, and to future generations. Today we witness the Sandra Kott John Tanzer ultimate victory of these innocent victims over the cruel oppressor. Oboe Viola Laura Ahlbeck Piano/harpsichord Throughout the month of November, an exhibit of artwork from the collection of David Feltner Michael Beattie the Terezin Ghetto Museum and the State Jewish Museum of Prague is on display Clarinet in the Ryder Hall gallery at Northeastern University and the Trustman Museum at Cello Bruce Creditor Harmonium Hebrew College. In addition, special classes on this subject are being given at Ronald Lowry Lois Regestein Northeastern University, Hebrew College, and neighboring secondary schools. Saxophone Bass Kenneth Radnofsky Orchestra manager Gregory Koeller Bruce Creditor Trumpet Dana Oakes

Banjo/guitar Robert Sullivan Der Kaiser von Atlantis was being the opera is a new text and harmonization rehearsed in Terezin in the Fall of 1944, for the Lutheran chorale-tune "Ein' feste music from 'T"erezin but was never performed there. The work Burg is unser Gott" (A mighty fortress is was finally premiered in December, 1975 in our God), with a music-hall "tag" added. Themusiccollected In thesediscs pays powerfultributeto Amsterdam. Tonight's performance is the composers who struggled In the face of overwhelming American premiere of the new Schott We have chosen to perform Ullmann and adversity to create the impossible: music of lasting value. critical edition, reconstructed and edited by Kien's opera in a combination of German Henning Brauel. and English, and are emboldened in our The two volumes of The Terezln Musl' Anthology ,ontain works ,omposed decision by the bilingualism of the title within the Thereslenstadt c:amp, by Viktor Ullmann (KIC CD 1109) and Gideon Der Kaiser von Atlantis is Ullmann's satiric character's name (Kaiser Overall) and the Klein (KIC CD 1230). That su,h ,ommunic:ative works ofart 'ould be 'on'elved one-act opera to a libretto by Petr Kien, a circumstances of a Czech poet and an undersu,hterrible dr,umstan,es Is a movingtestamentto the Indestru~blltty talented young Czech architect, painter, Austrian-born composer writing for an ofthe ,reative spirit. and poet who also perished at Auschwitz. audience variously fluent in German, Music from Terezin, Music from Terezin, The opera was being prepared for Czech, Swedish, Dutch, etc. We felt that Volume 1 Volume 2 performance at Terezin in October 1944 the story should be told clearly, so the Compositions by Compositions by when a Nazi commandant attended a dialogue, melodram (declamation with Viktor Ullmann Gideon Kiein rehearsal run-through and promptly music) and recitativ (musical speech, canceled the production. Within days most notated with pitch and rhythm) are mostly KOCH International KOCH International of the artists involved were sent east to the rendered in English. In the arias, duets, Classics CD 7109 Classics CD 7230 Sale Price - $11.99 CD extermination camps. The story tells of trios, and quartet on the other hand, the Kaiser Overall, whose authority over German seems so inextricably complicit in liii-ii.iiji-ii1 Silenced Voices SlIen,edVokes features muskcreated Atlantis is threatened when Death, angry at Ullmann's sound-world, we found it Northeastern CD 248 by Gideon Klein, Vltezslava Kapralova modern warfare's mechanization of dying, desirable to leave these mostly in the and Ervin S'hulhoff In the years before refuses to perform his duties. Eventually original. Our goal has been to render the Nuls would Irrevoc:ably ,hange theirlivesandleadtothelrtragkdeaths. Death agrees to resume his service, after crucial details of plot and character in the the Kaiser agrees to be the first to die. vernacular, preserve the expressive qualities

of the German text where translation Sale Price - $12.99 CD The piece is full of musical allusions, some would compromise the musical effect, and

Ervin S'hulhoff Is perhaps the best­ flWIN S(HUlHOH ERVIN SCHULHOFF: subtle, many blatant. The trumpet call of in balancing these tactics give some sense lCoM__dtt/~"",.k known and most a"ompllshed of the ~~~~~;;;-~~. String Quartets No.1; interlocking tritones that opens the opera of the international context of the work's Cze,hJewish ,omposerswho losttheir String Quartet 2; would have been recognizable to Czech creation. lives In the Holoc:aust. A 'hlld prodigy, 5 Pieces for String Quartet; audiences as the Death theme from Josef en'ouraged byDvorak, S'hulhoffsshort Sextetfor Strings Suk's "Asrael" Symphony, Suk's musical Der Kaiser von Atlantis is scored for 2 ~eer en'ompassed many muslc:al kk~~QUAllr,n Koch Schwann response to the deaths of his father-in-law, violins, viola, cello, bass, flute (doubling styles and the full range of his talents s..,..._~...... CD 312332 Dvorak, and his own wife. "Asrael" piccolo), oboe, clarinet, alto saxophone, c:an be heard In his works for string Sale Price - $12.99 CD (meaning "The Angel of Death") was often trumpet, banjo (doubling guitar), piano quartet and sextet. played at solemn national occasions. There (doubling harpsichord), harmonium and Sale Ends November 24th is a Phrygian-mode parody of percussion. "Deutschland iiber alles" (No.6) and a strange lullaby that hints at the slow (note by Steven Lipsitt) movement of Schoenberg's First Chamber 1nmU\ RitnRnS \"\Din Symphony (No. 14). The chorale that ends

CAMBRIDGE • BOSTON • BURLINGTON CAMBRIDGE 95 MI. Auburn SI. IBOSTON Mass. Ave. at Newbury I BURLINGTON l0.1. Mid.dlesex Turnpike HaNard Square (HarvardQ) Stop on lhe Redline) In Back Bay (Hynes ConventIOn Center/ICA (J) Stop 00 the Greenline) Across From Burlll'lglon Mall (617) 272.1007 ::e~c:.~:NO·"OO·~lS ...... ··....(617)876.3377 ~E~~~Uj(liioo·i.i:jji·· ,... ,..(617)247-5900 ~~~A~~:"ON~iPN ~~ Sunday, November 20 Four Chinese Songs Pavel Haas Usen Auditorium, Hebrew College Zaslech jsem divoke husy V bambusovem haji Symposium: The Music of Terezin, 1941-1945 Daleko mesic je domova Probdena noc SESSION I Scott Sokol, baritone 1:00 PM-1:50 PM The Jews of Prague: Prof. Hillel Kieval Al Sefod Pavel Haas University of Washington SESSION II Three Yiddish Songs 2:00 PM-3:00 PM The Musicians of Terezin: Prof. David Bloch Viktor Ullmann Beryozkele University of Tel Aviv Margaretkelekh BREAK Ikh bin shoyn a meydl in di yorn 3:00 PM-3:30 PM Jeanne Segal, soprano

SESSION III KARL FISCHER, CONDUCTOR 3:30 PM-5:00 PM Creating Music in the Ghetto - panel discussion with And Then Shall Your Light Break Forth (from Elijah) Felix Mendelssohn Prof. Steven Nathanson, Judith Berman, Joza Karas, Paul Kling and Eliska Kleinova. Moderator: Prof. Gerry Herman intermission PRZYTIL Es Brent Mordecai Gebirtig Scott Sokol, baritone Sunday, November 20, 7:30 PM Usen Auditorium, Hebrew College VILNA Di Nakht Mikhl Gelbart Songs of the Ghettos and the Camps Susan Carp Nesson, alto The Zamir Chorale of Boston Yisrolik Misha Veksler Joshua Jacobson, Music Director Lisa Kolb, alto Karen Harvey, pianist Scott Sokol, baritone Dremlen Feygel Leyb Yamposlky Jeanne Segal, soprano (arr. J. Jacobson)

Shtiller, Shtiller S. Kaczerginski/ TEREZiN Helen Wanderstock, soprano Alec Volkovoski RAFAEL SCHAECHTER, CONDUCTOR Requiem Aeternam (from the Manzoni Requiem) Giuseppe Verdi SACHSENHAUSEN Tsen Brider Martin Rosenberg Lullaby Gideon Klein (arr. J. Jacobson) Jeanne Segal, soprano VISHNETZ Bachuri Le'an Tisa Gideon Klein Ani Ma'amin Vishnetz Rebbe Lawrence Sandberg, baritone solo (arr. M. Lazar) Mogen Ovos Siegmund Schul THE D.P. CAMPS Cantor Charles Osborne, tenor Zol Shoyn Kumen di Ge'uleh S. Kaczerginski/ Jeff,King, soprano Rabbi A.I. Cook (arr. J. Jacobson) library of music from Terezin, including many original condemned to the Terezin ghello and then to Auschwitz. She was Biographies and of Willow Opera Workshop. In 19B2 she presented the manuscripts. in 1979 Karas formed the Karas String Quartet for the only member of her family to survive the camps. Mrs. American premiere, in English, of Brundibar, a children's opera the express purpose of performing this repertoire. His book, Kleinova is a noted Czech music pedagogue and her materials Project Director performed in Terezin. She remains active as a choral director, Music in Terezin: 1941-1945, was first published by Beaufort and five albums of etudes remain in use in Czech schools. Joshua R. Jacobson, founder ond director of the pianist, organist, teacher and composer. Press in 19B5. Zomir Chorole of Boston, holds 0 Bochelors degree in Music from Paul Kling was one of those precocious "wonder children" Horvard College, a Masters in Choral Conducting from the New David Bloch, Professor of Music at the University of Tel Hillel J. Kieval, who grew up in the Boston area, is a of music who flourish so readily in the music-impregnated England Conservotory, and a Doctor of Musical Arts from the Aviv, is considered the most prominent authority on the music of graduate of the Hebrew Callege Prozdor and Harvard University. atmasphere of Central Eurape. Born in 1928, he grew up in University of Cincinnati. In addition to his responsibilities with the Holocoust. Apianist and musicologist formerly on the faculty He is curren~y Associate Professor of History and Jewish Studies those short years between the two great wars. The enthusiastic the Chorale, Dr. Jacobson is Professor of Music and Director of of Portlond State University in Oregon, he has lived in israel at the University of Washington, in Seallle, where he choired the criticism and notices of his concerts go back to his earliest public Choral Activities at Northeastern University, where, after serving since 1973. As director of the Group for New Music, Bloch has Jewish Studies Program from 19B5-1994. He has olso taught ot appearance as an "infant prodigy:' when, at the age of seven, for nine years as Music Department Chairman, he now holds the produced contemporary music concerts in Tel Aviv and Brondeis University and the Hebrew University of Jerusalem. his performance as soloist with the Vienna Symphony Orchestra Bernord Stotsky Chair of Jewish Cultural Studies. He olso holds Jerusalem, as well as in Denmark, Germany, Canada and the Professor Kieval has wrillen wide~ on the history of the Jews of was proclaimed a miracle of technical perfection. During the war the position of Adjunct Professor of Jewish Music at Hebrew United Stotes_ He has recorded for Kol Yisrael, Czech radio, the Bohemia, Moravia and Slovakia. He contributed an important the young violinist was imprisoned in Terezin, but in 1947 he College. He has conducted workshops on choral music for vorious Voice of Cairo and the BBC. He is also the Artistic Director of the essay on the history of Czech Jewry to the 1983 volume, The again astounded the musical world with his performance of the groups, including the American Choral Directors Association, the Terezin Music Memorial Project and the Terezin Music Anthology, Precious Legocy. His book, The Moking of Czech Jewry: Notional Brahms violin concerta with the Prague Symphony Orchestra. American Conference of Cantors and the Zimriyah International projects which collect and perform music composed in the Terezin (onflict and Jewish Society in Bohemia, IB70-191 Bwas Since then, Mr. Kling has maintained a brilliant career as soloist, Choral Festival; and has guest conducted a number of ensembles, concentration camp. published by Oxford University Press in 19BB. He is currently concertmaster and teacher. including the Boston Pops Orchestra and the Boston lyric Opera writing astudy of the reemergence af ritual murder trials against Company. He has also wrillen articles on various aspects of Herschel Garfein is a composer, librellist and stage Jews in Hungary, Austria, Germany and Russia from 1BB2 to Steven Lipsitt is currently assistant conductor of the choral music, and compositions and arrangements which have director. His most recent work was the librello and direction of a 1914. American Symphony Orchestra, and is guest conducting this been published ond performed throughout the United States os new opera, Elmer Gantry, for Boston lyric Opera and the Boston season with the West Czech Symphonic Orchestra and the State well as in Canada, Europe and Isroel. In 19B9 he spent four Music Theatre Project. Mr. Garfein's grandparents were killed in Jeffrey King is an hanar-roll student in the sixth grade at Symphony of Sao Paulo. He has conducted the Kennedy Center weeks in Yugoslavia as a "Distinguished Professor" under the Auschwitz. Narth Andover Middle School. He has sung for four years in the Opera House Orchestra and the Spokane Symphony Orchestra auspices of the Fulbright program. In 1994 he was awarded the acclaimed Treble Charus of New England under the directian of and has assisted with productions at Scollish Opero, Woshington Benjamin Shevach Aword for Distinguished Achievement in Gerald Herman teaches Modern European cultural Marie Stultz, with whom he alsa studies voice. He has sung solo Opera, and English National Opera. For the Boston lyric Opera, Jewish Educational leadership from Hebrew College. Prof. history, the history of science and technology, war in the roles in Menolli's Amohl and the Night Visitors and Gilbert and Mr. lipsill conducted the world premiere workshop performances Jacobson currently serves as President of the Massochusells twentieth century, and history of film courses at NU. He is an Sullivan's lolonthe, and has appeared with the Po~mnia Choral of Elmer Gantry, a new American opera by Robert Aldridge and chapter of the American Choral Directors Association. award winning writer and producer of radio and TV Society and the Boston lyric Opera. Herschel Garfein. For many years a member of the conducting documentaries and has lectured wide~ on holocaust related faculties at Tanglewood, New England Conservatary and Boston Soprano Sharon Baker is widely acclaimed for her topics. Tenor Paul Kirby has sung the roles of Tom Rakewell in University, Mr. lipsill led the first Tanglewood performance of stylistic musicianship and purity of tone. Her recent solo The Rake~ Progress and Martin in The Tender Land for the Opera Brillen's (antata Academica and the world premiere of Charles engogements have included Bach's St. John Passion with the Tenor Mark Kagen is a gradua:e of the Harn College of lab in Boston, Monostatos in Die Zauberflote for Emmanuel Fussell's ASong of Return. Mr. lipsin was born in New York and Soint Paul Chomber Orchestra and B-Minor Mass with the Bach Music and the Boston Conservatory Opera Theatre and has been Music and the Major Duomo in the Boston Symphony Orchestra's grew up in Boston and holds bachelor's and master's degrees Ensemble at lincoln Center; Haydn's Harmonie Moss with the a recipient of a Tanglewood Vocal Fellowship. As soloist with presentatian of Pique Dome. He has appeared in Elmer Gantry from Yale University. Handel and Hoydn Society; and Mozart's Requiem and concert Boston Camerata, Mr. Kagan performed throughout New with Boston lyric Opera and has perfarmed an stage with arias in the National Symphony Orchestra's Mozart Festivol. The England, in New York, Chicago, and Poris and recorded for Emmanuel Music, John Oliver Chorale, Newton Choral Society Stephen Nathanson has been a Professar of Versatile Ms. Baker has also performed roles in a series of Harmonia Mundi. He has performed in concert with leading and the Boston Camerata, among others. He created the role of Philosophy at Nartheastern University since 1972 and teaches contemporary operas including the premieres of Philip Glass's Boston ensembles, including the Back Bay Chorale, Boston Jaques Cegeste in the Philip Glass opera Orphee at American ethics and palitical philosophy. He received his Ph.D from Jahns The Fall of the House of Usher and Robert Aldridge's Elmer Classical Orchestra, John Oliver Chorale and Cantata Singers. He Repertory Theatre and Brook~n Academy of Music. Hopkins University and is the author of four books. Gantry. She has recorded music of Haydn and Handel on the has been a regular soloist at Boston's Emmanuel Church in their Arabesque label and Mozart's sacred works on the Harmonia ongoing performances of Bach's Cantatas and was a soloist with Eliska Kleinova was born in the Moravian town of Charles D. Osborne, tenor, serves Temple Emanuel Mundi USA label. Mark Morris Dance Company of Purcell's Dido and Aeneas in Prerov, the third of four children in a Czech-Jewish family. She of Newtan Centre. Cantor Osborne received a voice performance both Brussels and Boston. studied at the Prague Conservatory and did her masters work in degree from Harn College of Music, where he was a student of Judith M. Berman, founder and artistic director of the class af Jan Herman. She brought her younger brother Cantar Arthur Koret, and a Diploma of Hazzanut and a Bachelor Opera Terezin, is the driving force behind the recent los Angeles Joza Karas lived most of his first twenty three years in Gideon to live with her when he was eleven so that he could of Sacred Music from the Cantors Institute of the Jewish premiere of The Emperor of Atlontis, the chamber apera wrillen Prague, where he received his education at the Academic allend the conservatory. The two of them enthusiastically toak Theological Seminary of America. Osborne has sung opera in the in Terezin. She received her M.A. in Sacred Music from Hebrew Gymnasium and the State Conservatory of Music. Karas teaches part in the thriving Czech-German-Jewish artistic culture that U.S. and Germany, and is heard frequently as a concert and Union College. She is the founder-director of the Musort Singers violin at the Harll School of Music, and performs with the existed in Prague between the wars. She and her family were aratorio soloist. As a baroque specialist, Osborne has been Hartford Symphony Orchestra. His research into Czechoslovakian featured soloist with the Concert Rayale Orchestra and the New music and musicians led to his interest in Terezin. During the Jersey 8ach Festival. course of frequent visits to his homeland, he has callected a vast Boss-Baritone David Ripley is widely heard in oratorio, Nathaniel Watson has earned glowing critical recital, opera and chamber music programs. He is on honors acclaim for his performances in awide variety of musical styles. graduate of both Horvord College and the New England In May of 1993 he mode his debut with the New York Conservotory, ond spent two summers 01 Tonglewood. From Philharmonic in Der Freischiitz, and has sung Beethoven and 19B4-19BB he was a member of the Waverly Consort, appeoring Honneger with the Philharmonic. Mr. Watson has appeared with regularly at Lincoln Center. Recent performances include concerts the Symphony Orchestras of Houston, Minnesota, Montreal, at Aston Magno and the Boston Museum of Fine Arts, the Baltimore, Son Francisco, and Boston. Adedicated Bach singer, premiere of Elmer Gantry for Boston Lyric Opera and Berlioz' Mr. Walson is afrequent guest of the Bach Choir of Bethlehem as L'enfance du Christ at Dartmouth College. Mr. Ripley will sing well as several Bach Festivals in the U.S. As a recitalist, Mr. Handel's Messiah at Dartmouth and will appear at the Kennedy Watson appeared with Hermann Prey in the 92nd SI. Y's Center in ligeti's Adventures and at the American Choral Schubertiode in New York. His recording of Barber's Dover Directors Association convention. Beach with the Alexander String Quartet has just been released on the Amplitude label. Mr. Watson appears on recordings of two Jeanne Segal, soprano, received her BM and MM Hodel operas, Sosarme and bio, soon to be released on Newport degrees from the Cleveland Institute of Music. She has performed Classics ond Vox, respectively. operatic roles throughout the U.S. and Europe, including Cleveland Opera Company, Aspen, and Opera Bargo in Italy. A Mezzo-soprano Mary Westbrook-Geha has a frequent recitalist, she has been heard at Merkin Concert Hall, distinguished record of performance encompassing repertoire Cleveland Museum of Art ond Woshington D.L's Notional from the twelfth to the twentieth century. As a singing actress, Gallery. She has taught at CIM, University of South Carolina, she omassed highest praise from the international press for her Converse College and Furman University. Currently ot portrayol of Cornelio in Peter Sellers production of Handel's Northeastern University, she teaches applied voice and is Giulio Cesare. Her active career has token her throughout Associate Conductor of the NU Chorus. Europe and the United States. Her operatic repertoire includes roles in Dido and Aeneas, Cosi Fan TUlle, Idomeneo, The Rape of Scott Sokol currently serves as Contor at Congregation Lucretia, Dos Kleine Mahagonny and The Ballad of Baby Doe. Kehillath Israel in Brookline. He holds a B.A. in Psychology (with She has appeared with the Boston Symphony Orchestra, The San Prepared and selecred by List price $29.95 a minor in Music) from Brandeis University, and on M.A. and a Francisco Symphony, the Orchestra of St. Luke's, Chorol Arts Marie Rut Kriszkova, Kurt Jiri Kotouc and Cloth, ISBN 0-8276-0534-X P.H.D. from Johns Hopkins University in Neuropsycology. He is Society of Washington DC, and summer festivals at Tanglewood, Zdenek Ornest Order as many copies as you like, at the on the clinical and ocademic faculties of Massachusetls General Caramoor, Marlboro, and the PepsiCo Summerfest. She has Translated by R Elizabeth Novak pre-publication price! Hospital and Harvard .Medicol School. In addition, he is currently recorded for Arabasque, Denon, Music Masters, and Sony Edited by Paul Wilson working towards completion of a Masters in Sacred Music and C1ossical. Forward by Vaclav Havel Order by phone 1-800-234-3151 Cantor's Diploma at the Jewish Theologicol Seminary. Baritone Donald Wilkinson has appeared coast to From 1942 to 1944, Jewish boys impris­ or mail to: Nick Strimple received his Doctor of Music Arts at the coast as soloist with many of America's finest musical oned at Therezienstadt secretly pro­ Jewish Publication Society University of Southern California. He is on internationally organizations including the symphony orchestras of Pillsburgh, duced a weekly magazine called Vedem. 1930 Chestnut Street Philadelphia, PA 19103 recognized composer and conductor who has appeared in concert Jacksonville, Portland (ME), Springfield (MAl, Vermont, and in It contained essays, interviews, poems, My check for __copies is enclosed. in Prague, Vienna, London, Salzburg, Nuremberg and 1991 he mode his Boston Symphony Orchestra debut in Salome and artwork written behind the black­ out shades of their cellblock, which (Please include shipping, $2.50 per book; throughout the United Slates. He has prepared choruses in both with Seiji Ozawa conducting. He has also been asoloist with the they affectionately call The Republic of $2.00 per book for orders of 15 or more.) live and recorded performances for Michael Tilson Thomas, Handel and Haydn Society. He has toured notionally with the Shkid. Please charge my credit card: Christof Perick, Lukas Foss and others. As a specialist in the Boston Camerata. In 1990, Mr. Wilkinson was awarded a The material was saved by one of the Name _ performance and study of Czech music, he was approached by Fellowship to Tanglewood. Amember of Emmanuel Music of handful of boys who survived the the Czech Music Fund in Prague about performing music created Boston since 19B4, he has performed more than 100 of Bach's Holocaust, but was suppressed for 50 Address, _ in the Terezin camp. In 1990 he conducted the American contatas and has participated in two recordings of Schiitz motets years in Czechoslovakia. Now, these City State_Zip__ premieres of works by Pavel Haas and Gideon Klein. Dr. Strimple for the Koch International label. He has sung numerous opera works are being published simultane­ Daytime phone # _ currently serves as Music Director of the Beverly Hills roles and will be featured in Bach's Moss in BMinor with the ously in English, Czech and German. DMastercard DAmex DDiscover DVisa Presbyterian Church, the Choral Society of Southern California Handel and Haydn Society, both at Symphony Hall and on tour in Available in January 1995. and the La Vie Chamber Ensemble, and as Visiting Associate nine cities. Credit Card # _ Professor of Music at the University of California, Los Angeles. Special Pre-publication Exp date: _ Offer! $24.00 o Please send me a catalog of all your books.