Commodores United Mp3, Flac, Wma

Total Page:16

File Type:pdf, Size:1020Kb

Commodores United Mp3, Flac, Wma Commodores United mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul Album: United Country: Japan Released: 1986 Style: Rhythm & Blues MP3 version RAR size: 1863 mb FLAC version RAR size: 1735 mb WMA version RAR size: 1559 mb Rating: 4.9 Votes: 703 Other Formats: DXD AHX MP3 APE MP4 AC3 MMF Tracklist Hide Credits Goin' To The Bank Arranged By [Backing Vocals] – Dennis LambertBacking Vocals – Darryl Phinnessee, Dennis Lambert, Phil Perry , Siedah GarrettEffects [Special] – Casey YoungEngineer 1 [Assistant] – Paul Eriksen*Guitar – Sheldon ReynoldsKeyboards, Programmed By 4:19 [Electronic] – Claude GaudetteLead Vocals – Walter OrangeProducer – Dennis Lambert, Jeremy Smith Rap – J.D. Nicholas, Siedah GarrettRecorded By, Mixed By – Jeremy Smith Written-By – Goldmark*, Lambert*, Golde* Take It From Me Arranged By [Backing Vocals] – Dennis LambertArranged By, Guitar – Sheldon ReynoldsArranged By, Keyboards, Programmed By [Electronic] – Claude GaudetteBacking 2 Vocals – Darryl Phinnessee, Dennis Lambert, Phil Perry , Siedah GarrettEngineer 4:00 [Assistant] – Paul Eriksen*Lead Vocals – J.D. Nicholas, Walter OrangeProducer – Dennis Lambert, Jeremy Smith Recorded By, Mixed By – Jeremy Smith Written-By – Goldmark*, Lambert*, Golde* United In Love Arranged By [Backing Vocals] – Dennis LambertArranged By, Keyboards, Programmed By [Electronic] – Claude GaudetteBacking Vocals – J.D. Nicholas, Julia Tillman Waters, Maxine 3 4:24 Willard Waters, Siedah GarrettGuitar – Paul Jackson Jr.Lead Vocals – J.D. NicholasMixed By – Paul Eriksen*Producer – Dennis LambertRecorded By, Mixed By – Jeremy Smith Written- By – Reswick*, Werfel* Can't Dance All Night Arranged By, Keyboards, Programmed By [Electronic] – Claude GaudetteBacking Vocals – 4 Dennis Lambert, J.D. Nicholas, Walter OrangeGuitar – Dann HuffLead Vocals – J.D. 3:52 Nicholas, Walter OrangeMixed By – Jeremy Smith Producer – Dennis LambertRecorded By, Mixed By – Paul Eriksen*Written-By – Scott*, Feldmann* You're The Only Woman I Need Backing Vocals – Bill ChamplinEngineer [Additional] – Bino Espinoza, Don MurrayGuitar – 5 Paul Jackson Jr.Keyboards, Programmed By [Electronic] – Casey YoungLead Vocals – 4:40 Walter OrangePercussion – Paulinho Da CostaProducer, Arranged By, Keyboards – Greg MathiesonRecorded By, Mixed By – Mick GuzauskiWritten-By – Lesson*, Vale* Land Of The Dreamer Arranged By – Isaac MorrisArranged By, Guitar, Synthesizer [Guitar] – Sheldon ReynoldsArranged By, Keyboards, Programmed By [Electronic] – Claude GaudetteBacking 6 4:27 Vocals – J.D. Nicholas, Sheldon Reynolds, Siedah GarrettEngineer [Assistant] – Paul Eriksen*Lead Vocals – J.D. NicholasProducer – Dennis Lambert, Jeremy Smith Recorded By, Mixed By – Jeremy Smith Written-By – Lambert*, Nicholas*, Reynolds* Talk To Me Arranged By – Harold Hudson, James Carmichael*, William King Arranged By [Backing Vocals] – Harold Hudson, William King Backing Vocals – Harold Hudson, Sheldon ReynoldsDrums [Overdubs] – Isaac MorrisEngineer [Assistant] – Karen M. Siegel*Guitar – 7 4:49 Sheldon ReynoldsLead Vocals – J.D. NicholasPercussion – Paulinho Da CostaProducer – James Anthony CarmichaelProducer [Assistant] – Lloyd TolbertRecorded By [Additional] – Fred B. Law*Recorded By, Mixed By – Calvin Harris Synthesizer – Harold Hudson, John Barnes, Michael BoddickerWritten-By – Hudson*, S. King*, W. King* I Wanna Rock You Arranged By [Backing Vocals] – Milan WilliamsBacking Vocals – Harold Hudson, Sheldon ReynoldsEngineer [Assistant] – Karen M. Siegel*Guitar – Sheldon ReynoldsLead Vocals – 8 J.D. NicholasPercussion – Paulinho Da CostaProducer [Assistant] – Lloyd TolbertProducer, 4:50 Arranged By – James Anthony Carmichael, Milan WilliamsRecorded By [Additional] – Fred B. Law*Recorded By, Mixed By – Calvin Harris Synthesizer – Harold Hudson, John Barnes, Michael BoddickerWritten-By – Cover*, Williams* Let's Apologize Backing Vocals – Bill Champlin, Jason Scheff, Julia Tillman Waters, Maxine Willard 9 WatersGuitar – Michael Thompson, Paul Jackson Jr.Keyboards, Programmed By [Electronic] 4:02 – Casey YoungLead Vocals – J.D. Nicholas, Walter OrangeProducer, Arranged By – Greg MathiesonRecorded By, Mixed By – Mick GuzauskiWritten-By – Steinberg*, Usher*, Kelly* Serious Love Arranged By – Walter OrangeBacking Vocals – Bill Champlin, Jason Scheff, Julia Tillman Waters, Maxine Willard WatersGuitar – Paul Jackson Jr., Sheldon ReynoldsKeyboards, 10 Programmed By [Electronic] – Casey YoungLead Vocals – Walter OrangePercussion – 4:02 Paulinho Da CostaProducer, Keyboards, Arranged By – Greg MathiesonRecorded By [Additional] – Bino Espinoza, Don MurrayRecorded By, Mixed By – Mick GuzauskiSoloist, Saxophone – Gary HerbigWritten-By – Hudson*, Reding*, Orange* Companies, etc. Manufactured By – Polydor K.K. Credits Art Direction – Bill Levy Design [Package] – Kosh* Mastered By – Stephen Marcussen Photography By – Chris Callis Notes Made In Japan. Barcode and Other Identifiers Barcode: T4988 005 01149 7 Other versions Category Artist Title (Format) Label Category Country Year United (LP, 422-831-194-1 Y-1 Commodores Polydor 422-831-194-1 Y-1 US 1986 Album) United (Cass, 58308 Commodores Album, Aquarius 58308 Indonesia 1986 Unofficial) United (LP, Polydor, 30547-L, 30.547 Commodores 30547-L, 30.547 Venezuela 1986 Album) Polydor United (Cass, 424 615-4 Commodores Polydor 424 615-4 Spain 1990 Album, RE) United (LP, 422 831 194-1-DJ Commodores Polydor 422 831 194-1-DJ US 1986 Album, Promo) Related Music albums to United by Commodores Dennis Edwards Featuring Siedah Garrett - Don't Look Any Further Dennis Edwards - Don't Look Any Further (Extended Versions) Dennis Edwards - Coolin' Out Peter Beckett - Beckett Commodores - Goin' To The Bank George Benson - Twice The Love Various - Pacha Ibiza - Complied & Mixed By Dave Lambert Natalie Cole - Everlasting Glen Campbell - Rhinestone Cowboy Commodores - Nightshift.
Recommended publications
  • Ic/Record Industry July 12, 1975 $1.50 Albums Jefferson Starship
    DEDICATED TO THE NEEDS IC/RECORD INDUSTRY JULY 12, 1975 $1.50 SINGLES SLEEPERS ALBUMS ZZ TOP, "TUSH" (prod. by Bill Ham) (Hamstein, BEVERLY BREMERS, "WHAT I DID FOR LOVE" JEFFERSON STARSHIP, "RED OCTOPUS." BMI). That little of band from (prod. by Charlie Calello/Mickey Balin's back and all involved are at JEFFERSON Texas had a considerable top 40 Eichner( (Wren, BMI/American Com- their best; this album is remarkable, 40-1/10 STARSHIP showdown with "La Grange" from pass, ASCAP). First female treat- and will inevitably find itself in a their "Tres Hombres" album. The ment of the super ballad from the charttopping slot. Prepare to be en- long-awaited follow-up from the score of the most heralded musical veloped in the love theme: the Bolin - mammoth "Fandango" set comes in of the season, "A Chorus Line." authored "Miracles" is wrapped in a tight little hard rock package, lust Lady who scored with "Don't Say lyrical and melodic grace; "Play on waiting to be let loose to boogie, You Don't Remember" doin' every- Love" and "Tumblin" hit hard on all boogie, boogie! London 5N 220. thing right! Columbia 3 10180. levels. Grunt BFL1 0999 (RCA) (6.98). RED OCTOPUS TAVARES, "IT ONLY TAKES A MINUTE" (prod. CARL ORFF/INSTRUMENTAL ENSEMBLE, ERIC BURDON BAND, "STOP." That by Dennis Lambert & Brian Potter/ "STREET SONG" (prod. by Harmonia Burdon-branded electrified energy satu- OHaven Prod.) (ABC Dunhill/One of a Mundi) (no pub. info). Few classical rates the grooves with the intense Kind, BMI). Most consistent r&b hit - singles are released and fewer still headiness that has become his trade- makers at the Tower advance their prove themselves.
    [Show full text]
  • Billtxxlirdlc HK11:111) .,,Ii.,..,I.Yrit1984billboard Publications 1,N
    FOR WEEK ENDING APRIL 28, 1984 56 Billtxxlirdlc HK11:111) .,,ii.,..,i.yrit1984Billboard Publications 1,N.. hr' or thispub cationmay be reproduced stored in d ,- ?neva'systemor transmitted. in any form or by ai, meanselectronicmechanical, photocopying, record- ing orotherwisewithout the prior written permission of thepub) shat O. - ,ti Y2,,5 ,,5 TITLE-Artist ..,:..,.. TITLE-Artist100.,,t, .,-..,..;: .,... TITLE-Artist I- n it I Produceri Writer, Label & Number i Distributing Label) i-i 5 17 i Producer) Writer, Label & Number (Distributing Label) - fe .O'-' (Producer) Writer, Label & Number (Distributing Label) 1 111 AGAINST ALL ODDS (TAKE A 100K Al' WEEKS HOLDING OUT FOR A HERO -Bonnie Tyler AT 9 1 34 3410 882 DANCE HALL DAYS -wane Chung ME NOW) -o,,.r (Jim Steinman) 1. Steinman. D. Pitchford; Columbia 38-04370 67 2 (Chris Hughes. Ross Cullum). Hues. Geffen 7.29310(Warner Bros.) !,! o , Ait i: it,- .i.. .. ' 8.I' 3537 8 BORDERLINE -Madonna 3 10 HELLO -Lionel Richre (Reggie Lucas, John "Jellybean- Benitez), R. Lucas; Sire 7-29354(Warner 6 8 68 4 RELAX -f rankle Goes To Hollywood O (Lionel Richre, James Anthony Carmichael) L. Riche. Motown 1722 Bros) (Trevor Horn), Gill, Johnson, O'Toole: Island 7.99805(Atco) 3 2 14 FOOTLOOSE -Kenny Loggins 11111 (38)462 THE REFLEX -Duran Duran (69)852 WHISPER TO A SCREAM (BIRDS FLY)-locle Works (Kenny Loggins. Lee DeCarlo), KLoggins, D. Pitchford; Columbia (AlexSadkin, Ian Little, Duran Duran), Duran Duran; Capitol 5345 (Hugh Jones), McNabb, Arista 1-9155 38-04310 (37)4510 WHITE HORSE -Laid Back BELIEVE IN ME -Dan Fogelberg ( 4 )4 12 HOLD ME NOW -Thompson Twins (Laid Back, Seven Dwarfs) T.
    [Show full text]
  • Glen Campbell Rhinestone Cowboy Mp3, Flac, Wma
    Glen Campbell Rhinestone Cowboy mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Rhinestone Cowboy Country: Europe Released: 2015 Style: Country Rock, Soft Rock MP3 version RAR size: 1880 mb FLAC version RAR size: 1945 mb WMA version RAR size: 1659 mb Rating: 4.9 Votes: 771 Other Formats: VOC AU MP4 WMA MP3 APE DTS Tracklist Hide Credits Country Boy (You Got Your Feet In L.A.) A1 3:05 Written-By – B. Potter*, D. Lambert* Comeback A2 3:22 Written-By – B. Potter*, D. Lambert* Count On Me A3 3:10 Written-By – B. Potter*, D. Lambert* I Miss You Tonight A4 3:07 Written-By – B. Potter*, D. Lambert* My Girl A5 3:12 Written-By – R. White*, W. Robinson* Rhinestone Cowboy B1 3:08 Written-By – Larry Weiss I'd Build A Bridge B2 3:41 Written-By – Mike Settle Pencils For Sale B3 3:42 Written-By – Johnny Cunningham* Marie B4 3:32 Written-By – Randy Newman We're Over B5 2:56 Written-By – B. Mann, C. Weill* Companies, etc. Manufactured By – RCA Music Service – R 113932 Credits Acoustic Guitar – Fred Tackett, Glen Campbell Arranged By, Conductor – Tom Sellers* Art Direction, Photography By – Roy Kohara Backing Vocals – Ginger Blake, Julia Tillman*, Maxine Willard* Bass – Scott Edwards Drums – Dave Kemper*, Ed Greene Electric Guitar – Ben Benay, Dean Parks Engineer – Joe Sidore Horns – Chuck Findley, Dalton Smith, Don Menza, George Bohannon*, Jerome Richardson, Lew McCreary, Paul Hubinon, Tom Scott Keyboards – Dennis Lambert, Michael Omartian Percussion – Brian Potter, Dennis Lambert, Gary Coleman, Jules "Stix" Greenberg* Producer – Brian Potter, Dennis Lambert Producer [Assistant] – Marsha Lewis Strings – Sid Sharp*, The Boogie Symphony Notes Recorded at Sound Labs-Hollywood, California.
    [Show full text]
  • Magic Star Song Chips
    www.karaoke123.com Magic Star English Vol. 2 Chip (1391 Songs) NO. Song Title Artist 30001 12 DAYS OF CHRISTMAS 30002 2 BECOME 1 Spice Girls 30003 26 MILES(SANTA CATALINA) The Four Preps 30004 59TH STREET BRIDGE SONG Simon & Garfunkel 30005 A BIG HUNK O' LOVE Elvis Presley 30006 A BROKEN WING 30007 A CERTAIN SMILE Johnny Mathis 30008 A DAY IN THE LIFE 30009 A FOOL SUCH AS I Elvis Presley 30010 A GIRL'S GOTTA DO... 30011 A GROOVY KIND OF LOVE Wayne Fontana 30012 A GUY IS A GUY 30013 A HAZE SHADE OF WINTER Bangles 30014 A HORSE WITH NO NAME America 30015 A HOUSE WITH NO CURTAINS 30016 A KIND OF MAGIC Queen 30017 A LITTLE BIT MORE 30018 A LITTLE PEACE Nicole Flieg 30019 A LONG LONG TIME AGO Kuh Ledesma 30020 A LOVE TO LAST A LIFETIME Jose Mari Chan 30021 A PERFECT CHRISTMAS Jose Mari Chan 30022 A PLACE IN THE SUN 30023 A RAINY NIGHT IN GEORGIA 30024 A SMILE IN YOUR HEART Jam Morales 30025 A SONG FOR MAMA Boyz II Men 30026 A SUMMER PLACE Letterman 30027 A TALE THAT WASN'T RIGHT Helloween 30028 A VERY SPECIAL LOVE SONG Charlie Rich 30029 A VIEW TO A KILL 30030 A WHITER SHADE OF PALE Procol Harum 30031 A WHOLE NEW WORLD P.Bryson & R.Belle 30032 ABACAB Genesis 30033 ABC Michael Jackson 30034 ABCD 30035 ABOUT A GIRL Nirvana 30036 ABSOLUTELY(STORY OF A GIRL) 30037 ACH! DU LIEBER AUGUSTINE 30038 ACT NATURALLY Beatles 30039 ADAM AND EVE Paul Anka 30040 ADIA 30041 ADORO Manzanero 30042 ADVANCE AUSTRALIA FAIR 1-888-558-6800 [email protected] Page 1/34 www.karaoke123.com Magic Star English Vol.
    [Show full text]
  • Music Copyright in Theory and Practice: an Improved Approach for Determining Substantial Similarity
    Duquesne Law Review Volume 31 Number 2 Article 4 1993 Music Copyright in Theory and Practice: An Improved Approach for Determining Substantial Similarity Stephanie J. Jones Follow this and additional works at: https://dsc.duq.edu/dlr Part of the Law Commons Recommended Citation Stephanie J. Jones, Music Copyright in Theory and Practice: An Improved Approach for Determining Substantial Similarity, 31 Duq. L. Rev. 277 (1993). Available at: https://dsc.duq.edu/dlr/vol31/iss2/4 This Article is brought to you for free and open access by Duquesne Scholarship Collection. It has been accepted for inclusion in Duquesne Law Review by an authorized editor of Duquesne Scholarship Collection. Music Copyright in Theory and Practice: An Improved Approach for Determining Substantial Similarity Stephanie J. Jones* INTRODUCTION Of the three elements necessary to prove copyright infringe- ment-copyright ownership, access, and substantial similar- ityl-the last is not only the most important component, but also the most difficult to define and apply. Copyright ownership is a statutory formality easily satisfied prior to the institution of litiga- tion.2 Access is a straightforward proof question that can be dis- posed of by a showing of striking similarity.' However, no copy- right action can succeed without a showing of substantial similarity, making the concept the theoretical and practical corner- stone of copyright litigation. Unfortunately, substantial similarity is impossible to define, and nearly as onerous to apply. The substantial similarity standard is particularly difficult to de- fine and implement in the litigation of music copyright actions. Despite numerous attempts, the federal courts have failed to for- mulate a fully utilitarian framework for determining musical sub- stantial similarity.
    [Show full text]
  • ONE WOMAN BAND - (Finger Songs/Heavy — BMI) 12
    ) ) ) A survey of key radio stations In all important markets throughout the country to determine by per- centage Of those reporting which releases are being added to station play lists this week for the first time and also the degree of concentration combining 101 I GOT OVER LOVE previous reports. Percentage figures on left in- iWIMOT/Sacred Pen - BMI) dicate how many of the stations reporting this 50 Ways To Leave Your Lover (3:29) week have added the following titles to their play list for Major Harris i Atlantic the first time Percentage figures on right Paul Simon - Columbia 3-10270 3303) include total from left plus the percentage title received in prior week or weeks 51 West 52nd St . New York, N Y PUB Paul Simon —BMI PROD Paul Simon —Phil Ramon 1 02 THEY ALL ASKED FOR YOU 1 Rhinelander/Cabbage Alley — BMI) TOTAL % OF WRITER Paul Simon %OF The Meters i Reprise RPS 1 338) STATIONS STATIONS FLIP Some Folks Lives Roll Easy ADDING TO HAVE title artist ADDED LABEL TITLES TO TITLES TO PROG. PROG. BREAKFAST FOR TWO ( Alkafraz Corner — BMI SCHEO. SCHED. THIS WEEK i TO DATE Breaking Up Is Hard To Do (3:12) Country Joe McDonald Fantasy NeilSedaka — Rocket P4184 F-758-A-S) 100 Universal Plaza, Universal City, Ca PUB Screen Gems-Columbia — BMI USING THE POWER PROD Neil Sedaka & Robert Appere iBIueDisque —ASCAP) 1. - - Sing A Song Earth, Wind & Fire 28% 40% WRITERS Sedaka. Greenfield Climax. Blues Band iSire SAA-721 Columbia #75 GIVE ME YOUR HEART 'Crystal Jukebox — BMI) 2.
    [Show full text]
  • Commodores Live! Mp3, Flac, Wma
    Commodores Live! mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul Album: Live! Country: US Released: 1981 Style: Soul, Disco MP3 version RAR size: 1130 mb FLAC version RAR size: 1930 mb WMA version RAR size: 1618 mb Rating: 4.6 Votes: 251 Other Formats: DXD VQF WAV MMF AA MIDI MP2 Tracklist Hide Credits Won't You Come Dance With Me A1 3:36 Written-By – Lionel Richie, Thomas McClary Slippery When Wet A2 3:00 Written-By – Thomas McClary Come Inside A3 3:12 Written-By – Lionel Richie, Thomas McClary Just To Be Close To You A4 7:17 Written-By – Lionel Richie Funny Feelings B1 5:16 Written-By – Lionel Richie, Thomas McClary Fancy Dancer B2 4:44 Written-By – Lionel Richie, Ronald LaPread Sweet Love B3 8:39 Written-By – Lionel Richie Zoom C1 10:00 Written-By – Lionel Richie, Ronald LaPread Easy C2 7:23 Written-By – Lionel Richie I Feel Sanctified D1 Written-By – Bill Miller , Jeffrey Bowen, Lionel Richie, Milan Williams, Ronald LaPread, 2:58 Thomas McClary, Walter Orange, William King Brick House D2 Written-By – Lionel Richie, Milan Williams, Ronald LaPread, Thomas McClary, Walter 11:18 Orange, William King Too Hot Ta Trot D3 Written-By – Lionel Richie, Milan Williams, Ronald LaPread, Thomas McClary, Walter 5:38 Orange, William King Companies, etc. Phonographic Copyright (p) – Motown Record Corporation Copyright (c) – Motown Record Corporation Published By – Jobete Music Co., Inc. Published By – Commodores Entertainment Publishing Corp. Credits Engineer [Mastering] – Jack Andrews Engineer [Recording] – Cal Harris, Jane Clark Photography By – Neal Zlozower* Producer – Commodores, James Anthony Carmichael Notes Printed in U.S.A.
    [Show full text]
  • Rockin' the Proletariat
    PAGE 6, RETRIEVER, 23 FEBRUARY 1976 ROCKIN' THE PROLETARIAT Professor of Economics, EvEhrlich, Was Born' To Rock By Elias Lieberman ~---------------------------------------- "Live at the Panacea Hilton" - Red economists who suffer from acute cases of crescendo as "Rise" fades away gives way Shadow (The , Economics Rock N' Roll ivory towerism. "Movement Lovers" is to "Hurricane," a forceful rocker by Band) (Physical Records) like something out of Doonesbury, the Ehrlich. '''Hurricane'' is a call to power, a lament of love lost 'twixt two radicals. forecast that the Weather Underground Tucked away among the maze of office With memories of "smoking reefers by the might issue, a warning of the rage and cubicles on the sixth floor of the Ad­ mimeo machine, ' writing leaflets saying strength locked inside eachof us who has ministration Building is the office of a that the government's obscene," the song ever been shafted by the system. professor of Economics. Now of course we is bound to bring at least one cynical tear Ev Ehrlich has some very definite ideas all know that Econ. teachers are drab, to the'eye of every true child of the sixties, about the role of music in his life as a bespectacled little creatures who tell us Side two opens with "Understanding Marxist economist. People aren't taught, why we are spending more to get less. But Marx," a parody on a Ray_Charles tune. he asserts, they must be forced to learn in here's the rub ..... sitting in this particular According to Ehrlich it is also intended as a personal, often painful process.
    [Show full text]
  • Alabama-Born Notables, P. 8 When the Bible Reads Us, P. 7
    Black History Month: Alabama-Born Notables, p. 8 FREE Friday February 7, 2020 Vol. 6, No. 22 When the Bible Reads Us, p. 7 ValleyWeeklyllc.com Equal Justice, p. 4 “If the only time you think of me as a scientist is during Black History Month, then I must not be doing my job as a Hank Aaron scientist.” - Neil deGrasse Tyson WEDC Hosting Seminar, Best-Selling Author Women’s Economic one of the world’s premier Jackson Center in Research methods and strategies, Development Council is training and personal Park from 11:30 a.m.–1 you will walk away with hosting a seminar featuring development firms, and p.m. to learn how to make clear, actionable steps you bestselling author Roger bestselling author of “Train each day more deliberate can apply in your daily life. Seip February 13. Your Brain for Success.” and valuable. Tickets available online Make each moment more Roger’s book helps you Stick around from 1:15– at https://www.wedc- impactful, condition your learn to condition your 2 p.m. for specific strategies online.net/events, or on the mind for success, and find mind, and refine your daily that can be implemented WEDC Facebook page. your personal freedom efforts to make each step immediately with a bonus For more, contact Annalise at this seminar featuring more valuable. deep dive session with Seip. Harwood at aharwood@ Senator Draws Attention to Roger Seip, co-founder of Join WEDC at the With these fundamental redfcu.org. Radon Levels in Public Housing U.S. Senator Doug Jones above the federal standard for (D-Ala.) has sent a letter to radon.
    [Show full text]
  • The Finest in Belgian Jazz (FR)
    THE FINEST IN BELGIAN JAZZ Jempi Samyn & Sim Simons Colophon Auteurs : Jempi Samyn & Sim Simons Traduction française : Philippe Schoonbrood (portraits) et Alias Languages Sprl (historique du jazz belge) Photographie : Jan Vernieuwe, Jacky Lepage, Jos Knaepen Design : Folio, Marijke Deweerdt Imprimerie : Walleyn graphics Brugge Depot légal : D/2002/9668/3 ISBN 90-807 378-3-6 Photos : Archives De Werf Collection Robert Pernet Jos Knaepen Jacky Lepage Jan Vernieuwe VRT Le livre ‘The Finest in Belgian Jazz’ est une publication de : © De Werf, 2002, Brugge Werfstraat 108, 8000 Brugge Tel. +32 50-33 05 29 e-mail : [email protected] Une initiative du Werf dans le cadre de Brugge 2002, Capitale culturelle de l’Europe Avec la collaboration de : Brugge 2002, Capitale culturelle de l’Europe - Het Muziekcentrum Vlaanderen - Wallonie-Bruxelles Musiques Tous droits de réproduction, y compris par la photocopie, de traduction; et d’adaptation, réservés pour tous pays. Contenu Préface 5 Toots Thielemans 6 Historique du jazz belge 15 Introduction 16 Précisions 17 Little Belgium ? 18 L’amateur 20 Clubs et opportunités 21 Les médias 22 Aujourd’hui 24 Les cédés 24 La suite… 25 La décennie (élargie) 26 Le Django d’Or 27 Projets 28 Une haute conjoncture qui repose sur du solide 29 Les origines 30 La préhistoire : ménestrel, ragtime et John-Philip Sousa 30 ‘Europe’ et le jazz arrive en Europe 32 Louis Mitchell, Félix Faecq et Robert Goffin 32 Entre-temps… 33 Le swing et les big-bands 35 Stan Brenders 35 Fud Candrix 35 Jean Omer 36 Quelques autres musiciensi 36 Les
    [Show full text]
  • Case 1:06-Cv-03252-GBD-KNF Document 112 Filed 03/26/14 Page
    Case 1:06-cv-03252-GBD-KNF Document 112 Filed 03/26/14 Page 1 of 3 Case 1:06-cv-03252-GBD-KNF Document 112 Filed 03/26/14 Page 2 of 3 Case 1:06-cv-03252-GBD-KNF Document 112 Filed 03/26/14 Page 3 of 3 EXHIBIT C Sony Proposed Accounting of Payments and Credits to Authorized Past Claimants With 28,500 or More Qualifying Downloads Pursuant to Stipulation in Shropshire v. Sony Music Entertainment , 06 Civ. 3252 (GBD) (KNF) Percent of Total Wholesale Value SONY Past Revenue Total Amount of Authorized Past Attributable to Settlement Attributable to all SONY Past Claimant Claimant's Class Allocation to Claimants’ Class Settlement Relief Contracts Claimant Contracts Andre Kostelanetz $20,287 0.11% $3,251,250 $3,705.50 Art Garfunkel $93,815 0.53% $3,251,250 $17,135.68 Boston Symphony Orchestra, Inc. $185,265 1.04% $3,251,250 $33,839.38 Branford Marsalis $55,837 0.31% $3,251,250 $10,198.85 Cheryl Lynn $258,994 1.46% $3,251,250 $47,306.27 Chicago Symphony Orchestra $14,217 0.08% $3,251,250 $2,596.79 Crescent Moon Records, Inc. $49,937 0.28% $3,251,250 $9,121.19 Cypress Hill $1,461,834 8.21% $3,251,250 $267,009.71 Diana King $30,558 0.17% $3,251,250 $5,581.54 Elmo & Patsy $140,952 0.79% $3,251,250 $25,745.44 Exile $66,186 0.37% $3,251,250 $12,089.13 Firehouse $262,763 1.48% $3,251,250 $47,994.69 Gloria Estefan $731,697 4.11% $3,251,250 $133,647.33 Gregg Allman $114,156 0.64% $3,251,250 $20,851.04 Gregory Abbott $55,486 0.31% $3,251,250 $10,134.74 Hiroshima $58,906 0.33% $3,251,250 $10,759.41 Joe Satriani $491,345 2.76% $3,251,250 $89,746.09 John Williams
    [Show full text]
  • Who's Who in Pop Record Production
    WHO'S WHO IN POP RECORD PRODUCTION The following is a list of producers who had at least one single and/or album in the Top Pop 100 charts last year (1986). The producer's name is followed by the (S) song title(s) and/or (LP) album title(s) in quotes, with the artist's name in all capitol letters, followed by a slash and the name(s) of any co- producer(s). Colonel Abrams (S)-(LP)-"Colonel Abrams"-COLONEL ABRAMS-/ /Richard The Bunnymen (S)-(LP)-"Songs To Learn And Sing"-ECHO & THE James Burgess/Rick Dees BUNNYMEN-/Ian Broudie/Bill Drummond/Hugh Jones William Ackerman (S)-(LP)-"Winter's Solstice"-VARIOUS-/Dawn Atkinson Richard James (S)-"Can't Wait Another Minute"-FIVE Alabama (S)-(LP)-"Christmas"-ALABAMA-/Harold Shedd Burgess STAR-/(LP)-"Colonel Abrams"-COLONEL ABRAMS-/Colonel "Alabama Greatest Hits"-ALABAMA-/Harold Shedd Abrams/ /Rick Dees "The Touch"-ALABAMA-/Harold Shedd T-Bone Burnett (S)-(LP)-"King Of America"-ELVIS COSTELLO & THE Teneen Ali (S)-"For Tonight"-NANCY MARTINEZ-/Sergio Munzibal(LP)- ATTRACTIONS-/Declan Patrick A. MacManus Dave Allen (S)-"In Between Days"-THE CURE-/Robert Smith(LP)- Joe Busby (S)-(LP)-"Al I In Love"-NEW EDITION-/Bill Dern Tom Allom (S)-"This Could Be The Night"-LOVERBOY-/Paul Dean Jonathan Cain (S)-"Working Class Man"-JIMMY BARNES-/UP)- "Lead A Double Life"-LOVERBOY-/Paul Richard Calandra (S)-(LP)-"Breakout"-SPYRO GYRA-/Jay Becknestein Dean(LP)-"Turbo"-JUDAS PRIEST-/ The Call (S)-(LP)-"Reconciled"-THE CALL-/Michael Been Pete Anderson (S)-(LP)-"Guitars, Cadillacs, Etc., Etc."-DWIGHT Reggie Calloway (S)-"Headlines"-MIDNIGHT
    [Show full text]