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Swedish Pop Mafia: How a Culturally Conservative Effort in the 1940S Backfired to Create the Greatest Engine of Pop Music in the World
Swedish Pop Mafia: How a culturally conservative effort in the 1940s backfired to create the greatest engine of pop music in the world BY WHET MOSER • March 24, 2014 • At some point over the last 15 years—sometime, say, between the 1999 release of “I Want It That Way” by the Backstreet Boys and last year’s “Roar” by Katy Perry—it became an inescapable fact that if you want to understand American pop music, you pretty much have to understand Sweden. Songwriters and producers from Stockholm have buttressed the careers of Lady Gaga, Madonna, Usher, Avril Lavigne, Britney Spears, The Backstreet Boys, Pitbull, Taylor Swift, One Direction, Maroon 5, Kelly Clarkson, and any number of other artists you’ve probably listened to while dancing, shopping, making out, or waiting on hold over the past decade. (And it’s not just American pop music that has Scandinavian fingerprints all over it: When Azerbaijan won the Eurovision contest in a 2011 upset, they did it with a song written for them by two Swedes.) If Americans are aware of this phenomenon, it is probably because they’ve heard about the legendary Swedish producer and songwriter Max Martin. There are any number of ways to express Martin’s ubiquity, but here’s one: From 2010 to 2011, the pop idol Katy Perry spent an unprecedented 69 consecutive weeks in the Billboard top 10, surpassing the previous record-holder, the 1990s Swedish group Ace of Base, by four months. But the milestone was far more of a testament to Martin’s staying power than Perry’s: Not only did he help produce and write all but one of Perry’s record- breaking string of hits, but he began his career as a producer for Ace of Base. -
NOW That's What I Call Party Anthems – Label Copy CD1 01. Justin Bieber
NOW That’s What I Call Party Anthems – Label Copy CD1 01. Justin Bieber - What Do You Mean? (Justin Bieber/Jason Boyd/Mason Levy) Published by Bieber Time Publishing/Universal Music (ASCAP)/Poo BZ Inc./BMG Publishing (ASCAP)//Mason Levy Productions/Artist Publishing Group West (ASCAP). Produced by MdL & Justin Bieber. 2015 Def Jam Recordings, a division of UMG Recordings, Inc. Licensed from Universal Music Licensing Division. 02. Mark Ronson feat. Bruno Mars - Uptown Funk (Mark Ronson/Jeff Bhasker/Bruno Mars/Philip Lawrence/Devon Gallaspy/Nicholaus Williams/Lonnie Simmons/Ronnie Wilson/Charles Wilson/Rudolph Taylor/Robert Wilson) Published by Imagem CV/Songs of Zelig (BMI)/Way Above Music/Sony ATV Songs LLC (BMI)/Mars Force Songs LLC (ASCAP)/ZZR Music LLC (ASCAP)/Sony/ATV Ballad/TIG7 Publishing (BMI)/TrinLanta Publishing (BMI)/ Sony ATV Songs LLC (BMI)/ Songs Of Zelig (BMI)/ Songs of Universal, Inc (BMI)/Tragic Magic (BMI)/ BMG Rights Management (ASCAP) adm. by Universal Music Publishing/BMG Rights Management (U.S.) LLC/Universal Music Corp/New Songs Administration Limited/Minder Music. Produced by Mark Ronson, Jeff Bhasker & Bruno Mars. 2014 Mark Ronson under exclusive licence to Sony Music Entertainment UK Limited. Licensed courtesy of Sony Music Entertainment UK Limited. 03. OMI - Cheerleader (Felix Jaehn Remix radio edit) (Omar Pasley/Clifton Dillon/Mark Bradford/Sly Dunbar/Ryan Robert Dillon) Published by Ultra International Music Publishing/Coco Plum Music Publishing. Produced by Clifton "Specialist" Dillon & Omar 'OMI" Pasley. 2014 Ultra Records, LLC under exclusive license to Columbia Records, a Division of Sony Music Entertainment. Licensed courtesy of Sony Music Entertainment UK Limited. -
Golden Valley Lodge #616 Newsletter
March 2015 Golden Valley Lodge #616 Newsletter DATES TO REMEMBER: Skandia Lodge No. 2 102nd Anniversary Dinner Saturday March 21 at Beckham Grill, Pasadena Reservations due by March 17th. District Lodge Pacific Southwest No. 15 Swedish Easter Lunch and Program Reservations due by March 23rd for the March 28th event. Multi-Lodge Initiation If a new member has submitted their application and paid dues, they are welcome to go April 11 @ 1pm to the Mayflower Lodge Initiation for all lodges.This complimentary event is hosted by Mayflower. Please RSVP! Scandinavian Festival 2015 @ CLU April 18-19 10:00am – 5:00pm Admission Adults: $10, Teens: $5, Kids are free!!! Both days of the Festival are filled with music, dancing, food, lectures, demonstration, vendors and activities for ALL ages. Check out the Viking Encampment and Sami Village! For information on activities, please go to their Festival Website at - http://scandinaviancenter.org/scandinavian_festival/ Vasa Park Scandinavian Spring Picnic - Sunday, May 3rd Midsummer Festival - Sunday, June 28 Viking Village - June 21 through June 28 Autumnfest and Marknad - Sunday, September 20 Next meeting: Thursday, March 12, 2015 Golden Valley Lodge #616 • Vasa Order of America • Mailing Address: 14312 Friar St. • Van Nuys • CA 91401 [email protected] • www.goldenvalleylodge.org GVL Happenings The Gourmet Group T hey prepared a delicious meal for us. A big thank you to all of you! Change of Address and Reminder! Delphine Trowbridge, in charge of membership, has a new change of address: 21308 -
Scratching the Surface
Scratching the Surface Marit Larsen and Marion Ravn: Popular Music and Gender in a Transcultural Context Jon Mikkel Broch Ålvik A thesis submitted in partial fulfilment of the requirements for the degree of PhD Department of Musicology Faculty of Humanities University of Oslo 2014 1 2 Table of Contents ACKNOWLEDGEMENTS .................................................................................................................5 CHAPTER 1 ........................................................................................................................................9 INTRODUCTION: SCRATCHING THE SURFACE.......................................................................9 BACKGROUND: CRITICAL AND POPULAR MUSICOLOGY............................................................................ 12 ON SINGING (AND WRITING) IN ENGLISH: GLOBAL LANGUAGE AND THE PARADOX OF AUTHENTICITY................................................................................................................................................. 14 AN INTERSECTION OF DISCIPLINES: INTERTEXTUALITY, PHENOMENOLOGY, PERSONA .................... 32 OUTLINE OF THESIS........................................................................................................................................ 35 CHAPTER 2 ..................................................................................................................................... 37 GROWING UP IN PUBLIC: SOCIAL BACKGROUND AND THE EMERGENCE OF SUBJECTIVITIES IN M2M........................................................................................................... -
Cottrill V. Spears
Opinions of the United 2004 Decisions States Court of Appeals for the Third Circuit 1-30-2004 Cottrill v. Spears Follow this and additional works at: https://digitalcommons.law.villanova.edu/thirdcircuit_2004 Recommended Citation "Cottrill v. Spears" (2004). 2004 Decisions. 1054. https://digitalcommons.law.villanova.edu/thirdcircuit_2004/1054 This decision is brought to you for free and open access by the Opinions of the United States Court of Appeals for the Third Circuit at Villanova University Charles Widger School of Law Digital Repository. It has been accepted for inclusion in 2004 Decisions by an authorized administrator of Villanova University Charles Widger School of Law Digital Repository. NOT PRECEDENTIAL UNITED STATES COURT OF APPEALS FOR THE THIRD CIRCUIT No. 03-2717 MICHAEL COTTRILL; LAWRENCE E. WNUKOWSKI, Appellants v. BRITNEY SPEARS; ZOMBA RECORDING CORPORATION, ZOMBA ENTERPRISES, INC., ZOMBA SONGS, INC.; JIVE RECORDS; WRIGHT ENTERTAINMENT GROUP; BMG MUSIC PUBLISHING, INC. On Appeal from the United States District Court for the Eastern District of Pennsylvania (D.C. Civil No. 02-cv-03646) District Judge: Honorable Berle M. Schiller Argued: January 12, 2004 Before: BARRY, SMITH, and GREENBERG Circuit Judges, (Filed: January 30, 2004) George Bochetto, Esq. [Argued] Gavin P. Lentz, Esq. David P. Heim, Esq. Vincent van Laar, Esq. Bochetto & Lentz 1524 Locust Street Philadelphia, Pennsylvania 19102 Attorneys for Appellants Michael T. Mervis, Esq. [Argued] Proskauer Rose 1585 Broadway New York, New York 10036 Vincent V. Carissimi, Esq. Pepper Hamilton 3000 Two Logan Square Eighteenth & Arch Streets Philadelphia, Pennsylvania 19103 Attorneys for Appellees OPINION OF THE COURT SMITH, Circuit Judge. Michael Cottrill and Lawrence N. -
Not in Our Town at Seattle Men's Chorus Encore Arts Seattle
JUNE 2018 SAVE THE 50 YEARS OF BRITISH ROCK JUNE 22 & 23 McCAW HALL ARTISTIC DIRECTOR PAUL CALDWELL ARTISTIC DIRECTOR FEATURING POP SINGER, PERFORMANCE ARTIST & FINALIST FROM “AMERICA’S GOT TALENT” PAUL CALDWELL PRINCE POPPYCOCK OCTOBER 13-21 SAINT MARK’S CATHEDRAL EAP full-page template.indd 1 5/30/18 10:35 AM SOME SAY OCEANS SEPARATE US. WE BELIEVE THEY CONNECT US. At Holland America Line, we believe in the transformative power of travel. We see it every day as our guests sail the world’s seas to more than 425 ports of call. Each journey opens minds and hearts to new places, people and cultures. We come to understand and respect the things that make us different — while celebrating our shared humanity. Where will your next journey take you? CALL YOUR TRAVEL PROFESSIONAL OR 1-877-SAIL HAL, OR VISIT HOLLANDAMERICA.COM Ships’ Registry: The Netherlands FROM THE ARTISTIC DIRECTOR The Beatles started it. Early on, it might try to make our world a softer, gentler have seemed like a fad. But now it’s an era place. in music history, one that hasn’t lagged for Last month, the Seattle Men’s and 50 years. Musicologists even have a name Women’s Choruses finished up the for it: The British Invasion. This weekend, second year of a cutting edge Community the royal beat goes on, with performances Engagement Partnership with by Seattle Men’s Chorus and guest artist, Washington Middle School. Prince Poppycock. Their choral director asked us for musical Of course we all have our favorite song. -
What Makes You Beautiful
From: “One Direction - Up All Night” What Makes You Beautiful by SAVAN KOTECHA, CARL FALK and RAMI YACOUB Published Under License From Hal Leonard Music Publishing © Copyright 2011 EMI Music Publishing Limited (33.34%)/Kobalt Music Publishing Limited (33.33%)/Copyright Control (33.33%). All Rights Reserved. International Copyright Secured. Authorized for use by Austin Floyd NOTICE: Purchasers of this musical file are entitled to use it for their personal enjoyment and musical fulfillment. However, any duplication, adaptation, arranging and/or transmission of this copyrighted music requires the written consent of the copyright owner(s) and of Hal Leonard Music Publishing. Unauthorized uses are infringements of the copyright laws of the United States and other countries and may subject the user to civil and/or criminal penalties. musicnotes.com What Makes You Beautiful Words and Music by Savan Kotecha, Carl Falk and Rami Yacoub 1. You’re in - se - cure. Don’t know what (2.) on, you got it for. You’re turn - ing heads when you walk through the wrong. To prove I’m right I put it in a do - o - or. Don’t need make - up to cov - er so - o - ong. I don’t know why you’re be - ing up. Be - ing the way that you are is e - shy and turn a - way when I look in - to your © Copyright 2011 EMI Music Publishing Limited (33.34%)/Kobalt Music Publishing Limited (33.33%)/Copyright Control (33.33%). All Rights Reserved. International Copyright Secured. musicnotes.com AuthorizedCompliments for use by:of musicnotes.comAustin Floyd 2 no - o - ough. -
Sweden's Most Pop-Ular Export
May 15, 2012 08:00 EDT Sweden's Most Pop-ular Export Ever since Abba won the Eurovision song contest in 1974 and went on to be one of the best selling musical groups of all time, Swedish music has been dominating the modern world. Roxette, Ace of Base, Europe, the Cardigans. The list goes on and on. Swedish music groups have been topping the charts and winning critical acclaim for decades. Swedes such as Miss Li, Tommy Sparks and Caesars (known in Sweden as Twelve Caesars) have been prominently featured in iPod commercials. This last December, Swedish House Mafia became not only the first Swedish group to ever play New York City’s Madison Square Garden, but also the first electronic dance music group. When tickets for their show at the world’s most famous arena went on sale, they sold out in a mere 9 minutes. The New York Times even ran a review of show. Led by Swedish House Mafia, Swedes are dominating the rapidly expanding dance music genre. Half of the Grammy award nominees for Best Dance Recording were Swedish and two Swedish DJs were ranked in the 2011 top ten of DJ Mag’s Top 100 DJ poll(Avicii at #6 and Swedish House Mafia at #10). Swedish DJs are among the most sought after performers at music festivals around the world. But most notably of all is the Swedish dominance of the Billboard Top 100 music charts: Billboard Top 100 for the week of April 28, 2012 1. Somebody That I Used To Know- Gotye featuring Kimbra 2. -
Crossroads Magazine EDITORS-IN-CHIEF Noam Radcliffe & Sariel Friedman
crossroads magazine EDITORS-IN-CHIEF Noam Radcliffe & Sariel Friedman CREATIVE DIRECTOR Sariel Friedman Copy Editors Noam Radcliffe & Annie Ferreira PHOTO EDITOR Viveka Cousins Art by: Viveka Cousins in this issue: Ska: The Sounds of the Working Class “She Was a Young American” Andrew Olivieri Viveka Cousins Insane in the Membrane: Where Science and Music Collide Redefining the Charts in the Age of Streaming Sophie Breitbart Nicole Ruiz Disc Jockeys Changing the Course of Music More Than Video Vixens: The Women of Hip Hop Amber Dimitroff Camilla Lopez A True King Becoming Cultural Icons in One Hard Day’s Night Zander Kotsen Sam Green Eric Prydz: Conquering the Middle Ground The Political Implications of Beyoncé’s ‘Formation’ Arjun Malhotra Sadie Sprague-Lott Little Richard’s Childhood From War to Woodstock: A History of Drum Set in the U.S. Narin Luangrath Noam Radcliffe The Personalities of Eminem (1999-2002) Hail! Hail! Chuck Berry! —A Movie Review Dante DeSario Isaiah Bellamy Dave Grohl and the Foo Fighters: Escaping the Shadow of Nirvana Little Richard: Tutti-Frutti, Good Booty Ethan Rode Frankie Brown “These Bitches Suck”: A Look at the Girls Who Just Don’t Give a F*ck What You Think Self-Made Legend: The Bo Diddley Story Mae Moskin Chad Elliott Mass Appeal: A Look Behind Gang Starr’s Widespread Success N.W.A.: The Legacy Continues Matt Hecker Terence Norton The Evolution of Electronic Dance Music A Life of Adversity Overshadowed by a Life of Success Corey Aviles Ben Shively Red Rocks Rocks Building a Legacy: The Rise and Fall of Death Row Records Christian Barker John Fought Bounce Music: Present but Often Unseen Music and Black Lives Matter Aili Francis Angel Riddle Musical Healing Stage Presence: Bringing the Private Self into the Public Eye Bryan Irwin Peter Fortunoff How Does it Go? Sex and Drugs and … Max Martin and Modern Music Moniroth Chhean Annie Ferreira The Beatles’ Last Gift The Sound of Music: Hip-Hop Kelvin Cuesta Shayna Beaumont trial town of Coventry, England. -
Tkr300 Built-In Songs
Page 1 of 29 TKR300 BUILT-IN SONGS TITLE TKR-300CE POPULARIZED BY COMPOSER/LYRICST Song Type BREATHLESS 115 THE CORRS The Corrs,M.Lange Realsound BRIDGE OVER TROUBLED WATER 111 SIMON & GARFUNKEL Paul Simon Realsound CAN'T HELP FALLING IN LOVE 102 ELVIS PRESLEY G.Weiss/Creatore/Peretti Realsound DIANA 110 PAUL ANKA Paul Anka Realsound DON'T CHA 114 PUSSYCAT DOLLS T.Smith,A.Ray,T.Callaway Realsound GREATEST LOVE OF ALL 108 WHITNEY HOUSTON M.Masser/L.Epstein Realsound I JUST CALLED TO SAY I LOVE YOU 112 STEVIE WONDER S.Wonder Realsound LET ME BE THERE 104 OLIVIA NEWTON JOHN J.Rostill Realsound LET'S GET IT STARTED 101 BLACK EYED PEAS Adams/Ferguson/Indivar/Shah/Charles/George/Boar d/Clarke Realsound PUSH THE BUTTON 113 SUGABABES Sugababes/D.austin Realsound TAKE ME HOME COUNTRY ROAD 107 JOHN DENVER John Denver Realsound TOP OF THE WORLD 105 CARPENTERS J.Bettis/R.Carpenter Realsound Y. M. C. A. 109 VILLAGE PEOPLE Morali,Belolo,Willis Realsound YESTERDAY ONCE MORE 106 CARPENTERS J.Bettis/R.Carpenter Realsound YOU MEAN EVERYTHING TO ME 103 NEIL SEDAKA H. Greenfield, N. Sedaka Realsound (I CAN'T GET NO) SATISFACTION 11161 THE ROLLING STONES Michael Jagger / Keith Richard (I JUST) DIED IN YOUR ARMS 10293 CUTTING CREW Nicholas Eede (I'VE HAD) THE TIME OF MY LIFE 10116 BILL MEDLEY Denicola/Markowitz/Previte (THERE'S GOTTA BE)MORE TO LIFE 10998 STACIE ORRICO Breer/Mason/Kadish/Thomas/Woodward 1979 10988 SMASHING PUMPKINS Corgan William Patrick 2 BECOME 1 10992 SPICE GIRLS Spice Girls/Stannard/Rowe 25 MINUTES 10732 MICHAEL LEARNS TO ROCK Jascha Richter 25 OR 6 TO 4 10244 CHICAGO Robert Lamm 4 SEASONS OF LONELINESS 10164 BOYZ II MEN Jjam, T. -
HPC|Music Update
HPC | music An advanced research project for enabling HPC in music creation and reproduction THE DECLINE & FALL OF THE TOP Piracy and streaming services are hitting artists harder than ever. "The genie is not going back in the bottle friends; let's work together to find solutions to the music industry's problems." Quincy Jones, 2014 Taylor Swift Pulled Music From Spotify - Music Streaming does not generate significant income for artists. “People spend money to evolve technology and the only way to save the industry is to create a more immersive experience” Hans Zimmer, 2014 Loudness is not the best way to communicate a message But it is the ONLY option they have because for decades now, sound is not evolving Hearing Loss Related to MP3s & iPods According to the Journal of Pediatrics, 12.5% of kids between the ages of 6 and 19 suffer from loss of hearing as a result of using ear phones turned to a high volume. A major contributor to this significant statistic is the recent introduction of earbuds (that deliver the sound directly into the ear canal) and MP3 players that allow kids to listen to music at high volumes. O u r M i s s i o n 0. Empower Music Creation 1. Reinvent Audience experience End to End Video Games, Movies, Mobile Devices, VR, Cars 2. Health - Prevent Hearing Loss HPC 3. End Piracy - Rethink Distribution Mechanical Music Technology - 50s Click on the image to play the video Electronic Music Technology - 60s “Go analog, or go home” Hans Zimmer, 2014 People still use Analog Why ? It Sounds Better I always wonder...I grew up (?) working on Neves and Trident "A"s, Harrisons, etc. -
What Kind of Genius Is Max Martin?
Cultural Comment Blank Space: What Kind of Genius Is Max Martin? By John Seabrook September 30, 2015 mong the stranger aspects of recent pop music history is how so many of the biggest hits of the A past twenty years—by the Backstreet Boys, ’NSync, and Britney Spears to Katy Perry, Taylor Swift, and the Weeknd—have been co-written by a forty-four-year-old Swede. His real name is Karl Martin Sandberg, but you would know him as Max Martin, if you know of him at all, which, if he can help it, you won’t. He is music’s magic melody man, the master hooksmith responsible for twenty-one No. 1 Billboard hits—ve fewer than John Lennon, and eleven behind Paul McCartney, on the all- time list. But, while Lennon and McCartney are universally acknowledged as geniuses, few outside the music business have heard of Max Martin. Max Martin, pictured at the 2015 Grammy Awards, has written nearly two dozen No. 1 songs, for performers including Britney Spears, Katy Perry, and Taylor Swift. PHOTOGRAPH BY MICHAEL TRAN / FILMMAGIC VIA GETTY Presumably this is because Martin writes all of his songs for other people to sing. The fame that Lennon and McCartney achieved by performing their work will never be his, which no doubt is ne with Martin. (He still gets the publishing.) He is the Cyrano de Bergerac of today’s pop landscape, the poet hiding under the balcony of popular song, whispering the tunes that have become career-making records, such as “… Baby One More Time,” for Britney Spears, “Since U Been Gone,” for Kelly Clarkson, and “I Kissed a Girl,” for Katy Perry.