Who's Writing the Hits? Q3-2012
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
“I'm in Heaven Right Now”
CHICAGO’SFREEWEEKLYSINCE | JANUARY | JANUARY CHICAGO’SFREEWEEKLYSINCE “I’M IN HEAVEN RIGHT NOW” Angel Bat Dawid taps into the root of all black music. BYLG31 MAYORAL RENT CONTROL THEATER SPOTLIGHT ON IN THE FIRST AND DIRECTORS ON TONI PRECKWINKLE 26TH WARDS GENDER BIAS Ben Joravsky | Kathleen Hinkel10 IN CHICAGO Samantha Smylie 8 Novid Parsi15 THIS WEEK CHICAGOREADER | JANUARY | VOLUME NUMBER A NOTE FROM THE EDITOR “DOES JOURNALISM HAVE a future?” Jill disaffection for journalism that Lepore and have stated their support quite clearly. Lepore asked in the most recent issue of the Peretti point to in their own ways. I’ve put We’re honored. New Yorker, as prankster turned media inno- several of my own publications down, watched But the real appreciation for your sup- vator Jonah Peretti laid o 15 percent of his freelance paychecks dwindle, faced increas- port shines through our pages and on our workforce at BuzzFeed and then refused to ing antagonism for asking basic questions of website. Listen to our first-ever podcast pay most former employees their paid time authority. Perhaps most horrifying, I’ve faced the BACK ROOM DEAL at chicagoreader. o . Meanwhile, we’re over here adding pages the prospect of either doing the work for free com/backroomdeal (or Spotify, Stitcher, or to our print edition, launching a podcast, or choosing to live in a world where the work Apple) for the complete scoop on the Chi- and tracking gains in Web tra c month after doesn’t get done. cago elections from Ben Joravsky and Maya month (after month). (We also expanded our Yet we’ve seized the chance at the Read- Dukmasova. -
Song Artist Or Soundtrack Language Tightrope Janelle Monae English
Song Artist or Soundtrack Language Tightrope Janelle Monae English Come Alive [War of the Roses] Janelle Monae English Why this kolaveri di Dhanush Urdu Ghoom tana Janoon Urdu Count your blessings Nas & Damian Jr English America K'naan Somali/ English Mahli Souad Massi Arabic (Tunisian) Helwa ya baladi Dalida Arabic (Egyptian) Stop for a Minute K'naan English Miracle Worker SuperHeavy English Crazy Gnarls Barkley English 1977 Ana Tijoux Spanish (Chilean) Nos Hala Asalah Arabic Don't Let Me Be Misunderstood Santa Esmeralda / Kill Bill Vol. 1 Original Soundtrack Never Can Say Goodbye Jackson Five English My Doorbell The White Stripes English Peepli Live Various Artists, Indian Ocean Hindi or Urdu Forget You Camilla and the Chickens, The Muppets Soundtrack Chicken?? Ring of Fire Johnny Cash English I Was Born on the Day Before Yesterday The Wiz English Y'All Got It The Wiz English Everything Michael Buble English I'm Yours Jason Mraz English Something's Gotta Hold on Me Etta James English Somebody to Love Queen English Al Bosta Fairouz Arabic (Lebanese) Kifak Inta Fairouz Arabic (Lebanese) Etfarag ala najsak Asala Nasri Arabic (Egyptian) Make it bun dem Skrillex, Damian English Statesboro Blues Taj Mahal English Albaniz: Zambra-Capricho, Cordoba, Zor David Russell Spanish classical Volver Estrella Morente from Volver: Musica de la Pelicula Spanish Solo le pido a Dios Leon Gieco Spanish Mambo Italiano Rosemary Clooney English / Italian Botch-A-Me (Baciani Piccina) Rosemary Clooney English / Italian Satyameva Jayathe SuperHeavy English / ? -
Inclusion in the Recording Studio? Gender and Race/Ethnicity of Artists, Songwriters & Producers Across 900 Popular Songs from 2012-2020
Inclusion in the Recording Studio? Gender and Race/Ethnicity of Artists, Songwriters & Producers across 900 Popular Songs from 2012-2020 Dr. Stacy L. Smith, Dr. Katherine Pieper, Marc Choueiti, Karla Hernandez & Kevin Yao March 2021 INCLUSION IN THE RECORDING STUDIO? EXAMINING POPULAR SONGS USC ANNENBERG INCLUSION INITIATIVE @Inclusionists WOMEN ARE MISSING IN POPULAR MUSIC Prevalence of Women Artists across 900 Songs, in percentages 28.1 TOTAL NUMBER 25.1 OF ARTISTS 1,797 22.7 21.9 22.5 20.9 20.2 RATIO OF MEN TO WOMEN 16.8 17.1 3.6:1 ‘12 ‘13 ‘14 ‘15 ‘16 ‘17 ‘18 ‘19 ‘20 FOR WOMEN, MUSIC IS A SOLO ACTIVITY Across 900 songs, percentage of women out of... 21.6 30 7.1 7.3 ALL INDIVIDUAL DUOS BANDS ARTISTS ARTISTS (n=388) (n=340) (n=9) (n=39) WOMEN ARE PUSHED ASIDE AS PRODUCERS THE RATIO OF MEN TO WOMEN PRODUCERS ACROSS 600 POPULAR SONGS WAS 38 to 1 © DR. STACY L. SMITH WRITTEN OFF: FEW WOMEN WORK AS SONGWRITERS Songwriter gender by year... 2012 2013 2014 2015 2016 2017 2018 2019 2020 TOTAL 11% 11.7% 12.7% 13.7% 13.3% 11.5% 11.6% 14.4% 12.9% 12.6% 89% 88.3% 87.3% 86.3% 86.7% 88.5% 88.4% 85.6% 87.1% 87.4% WOMEN ARE MISSING IN THE MUSIC INDUSTRY Percentage of women across three creative roles... .% .% .% ARE ARE ARE ARTISTS SONGWRITERS PRODUCERS VOICES HEARD: ARTISTS OF COLOR ACROSS SONGS Percentage of artists of color by year... 59% 55.6% 56.1% 51.9% 48.7% 48.4% 38.4% 36% 46.7% 31.2% OF ARTISTS WERE PEOPLE OF COLOR ACROSS SONGS FROM ‘12 ‘13 ‘14 ‘15 ‘16 ‘17 ‘18 ‘19 ‘20 © DR. -
Chart Book Template
Real Chart Page 1 become a problem, since each track can sometimes be released as a separate download. CHART LOG - F However if it is known that a track is being released on 'hard copy' as a AA side, then the tracks will be grouped as one, or as soon as known. Symbol Explanations s j For the above reasons many remixed songs are listed as re-entries, however if the title is Top Ten Hit Number One hit. altered to reflect the remix it will be listed as would a new song by the act. This does not apply ± Indicates that the record probably sold more than 250K. Only used on unsorted charts. to records still in the chart and the sales of the mix would be added to the track in the chart. Unsorted chart hits will have no position, but if they are black in colour than the record made the Real Chart. Green coloured records might not This may push singles back up the chart or keep them around for longer, nevertheless the have made the Real Chart. The same applies to the red coulered hits, these are known to have made the USA charts, so could have been chart is a sales chart and NOT a popularity chart on people’s favourite songs or acts. Due to released in the UK, or imported here. encryption decoding errors some artists/titles may be spelt wrong, I apologise for any inconvenience this may cause. The chart statistics were compiled only from sales of SINGLES each week. Not only that but Date of Entry every single sale no matter where it occurred! Format rules, used by other charts, where unnecessary and therefore ignored, so you will see EP’s that charted and other strange The Charts were produced on a Sunday and the sales were from the previous seven days, with records selling more than other charts. -
Vol LI Issue 1
page 2 the paper january 31, 2018 Marc Molinaro, pg. 3 Hygge, pg. 9 Oscars, pg. 15 F & L, pg. 21-22 Earwax, pg. 23 the paper “Favorite U.S. President Based on Looks” c/o Office of Student Involvement Editors-in-Chief Fordham University Colleen “Barack Obama” Burns Bronx, NY 10458 Claire “John Tyler” Nunez [email protected] Executive Editor http://fupaper.blog/ Michael Jack “Lyndon Baines Johnson” O’Brien News Editors the paper is Fordham’s journal of news, analysis, comment and review. Students from all Christian “Theodore Roosevelt” Decker years and disciplines get together biweekly to produce a printed version of the paper using Andrew “Rutherford B. Hayes” Millman Adobe InDesign and publish an online version using Wordpress. Photos are “borrowed” from Opinions Editors Internet sites and edited in Photoshop. Open meetings are held Tuesdays at 9:00 PM in McGin- Jack “Millard Fillmore” Archambault ley 2nd. Articles can be submitted via e-mail to [email protected]. Submissions from Hillary “Franklin Daddy Roosevelt” Bosch students are always considered and usually published. Our staff is more than willing to help new writers develop their own unique voices and figure out how to most effectively convey their Arts Editors thoughts and ideas. We do not assign topics to our writers either. The process is as follows: Meredith “Spiro Agnew” McLaughlin have an idea for an article, send us an e-mail or come to our meetings to pitch your idea, write Annie “Dead White Guy” Muscat the article, work on edits with us, and then get published! We are happy to work with anyone Earwax Editor who is interested, so if you have any questions, comments or concerns please shoot us an e- Marty “Andrew Jackson” Gatto mail or come to our next meeting. -
Diktatorn Vid Datorn?
Examensarbete 2007 Jimmy Åkerfors & Hugo Björck Diktatorn vid datorn? Ett studium av musikproducentens roll inom den moderna populärmusiken Handledare: Eva Öhrström Kungl. Musikhögskolan i Stockholm DIKTATORN VID DATORN? HUGO BJÖRK, JIMMY ÅKERFORS KUNGLIGA MUSIKHÖGSKOLAN 2007 Sammanfattning Hugo Björk och Jimmy Åkerfors, båda studenter vid Kungliga Musikhögskolan i Stockholm, arbetar vid sidan av studierna aktivt med musikproduktion. Valet att göra ett examensarbete om musikproducentens roll och det aktuella klimatet i musikbranschen kommer utifrån ett brinnande intresse för fortsatt arbete inom branschen. Genom intervjuer och egna erfarenheter av arbete med musik och musikproduktion presenterar vi en analys av arbetsmetoder, attityder, trender och tendenser i dagens musikbransch. Arbetet kommer främst att handla om den svenska musikbranschen som under de senaste åren genomgått en kraftig teknisk och ekonomisk förändring. Den ekonomiska och tekniska utvecklingen går med en rasande fart. Frågan är hur det hela kommer att sluta… 2 DIKTATORN VID DATORN? HUGO BJÖRK, JIMMY ÅKERFORS KUNGLIGA MUSIKHÖGSKOLAN 2007 Innehållsförteckning Sammanfattning.....................................................................................................................................2 Innehållsförteckning .............................................................................................................................3 Inledning ................................................................................................................................................4 -
Magic Primarycolours Bio APPROVED
MAGIC! Primary Colours In 2014, Toronto-bred, Los Angeles-based quartet MAGIC! scored the song of the summer with their debut single “Rude” — a buoyant reggae-pop tune that held the No. 1 spot on the Billboard Hot 100 for six weeks, charted in 41 countries, and sold more than 10 million singles, while its video nears a billion VEVO views. It was a juggernaut that launched their debut album, Don’t Kill the Magic, into the Top 10 and introduced MAGIC!’s breezy sound — a catchy fusion of reggae, pop, and R&B — to the world. “When ‘Rude’ got big, my thought was, ‘What do we do with this?’” says the band’s lead vocalist and chief songwriter Nasri. “So we chased it. We used its success to get us around the world a few times and to turn those 350 million streams into a fan base.” Indeed over the past two years MAGIC! has established itself as a bonafide sensation thanks to its undeniably catchy sound, superlative songwriting, and masterful musicianship. Now the band, which also features guitarist Mark Pelli, drummer Alex Tanas, and bassist Ben Spivak, has released a new single, the Caribbean-tinged “Lay You Down Easy” (featuring Sean Paul), which debuted at No. 1 on Billboard’s Reggae Digital Songs chart and racked up two million Spotify streams and one million VEVO views in its first two weeks. MAGIC! is also gearing up for the July release of its new album, Primary Colours, which finds the band further displaying its reggae influences and pop smarts. -
Ava Max Could Always Envision Her Dream, She Actually Went out and Made It a Reality on Her Own
For dreams to manifest into reality, it requires more than a fairytale wish… Truthfully, it takes hustle, heart, and a whole lot of attitude. For as much as Ava Max could always envision her dream, she actually went out and made it a reality on her own. Gathering billions of streams, multiplatinum plaques, award nominations, and acclaim from The New York Times, Rolling Stone, and many more, the international phenomenon projects an unbelievable personal journey into a poignant and punchy pop opus on her full-length debut album, Heaven & Hell [APG/Atlantic Records]. “Manifesting is really important to me,” she explains. “I put positive energy into my music. I know what I want to write, and there’s a story behind each song. It’s all about working hard and putting your heart and soul into it.” She started doing so as a kid. Prior to her birth in Milwaukee, Wisconsin, Ava’s parents emigrated from Albania to the United States. Without speaking a word of English, mom and dad held down three jobs each. However, both parents retained a passion for music. Among her earliest memories, Ava recalls her mother—a classically trained vocalist—singing opera aloud. The family relocated to Virginia where they eventually settled in their first house. Along the way, Ava clung to music, listening to Whitney Houston, Mariah Carey, and Shania Twain, to name a few. “At a very young age, I watched my parents really struggle in America,” she admits. “It was tough, and it impacted me in many ways. However, both of them always told me if they could make it here with no language and no money, then I could make it.” While in Virginia, she dove headfirst into music with the family staunchly behind her. -
Song of the Year
General Field Page 1 of 15 Category 3 - Song Of The Year 015. AMAZING 031. AYO TECHNOLOGY Category 3 Seal, songwriter (Seal) N. Hills, Curtis Jackson, Timothy Song Of The Year 016. AMBITIONS Mosley & Justin Timberlake, A Songwriter(s) Award. A song is eligible if it was Rudy Roopchan, songwriter songwriters (50 Cent Featuring Justin first released or if it first achieved prominence (Sunchasers) Timberlake & Timbaland) during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only. 017. AMERICAN ANTHEM 032. BABY Angie Stone & Charles Tatum, 001. THE ACTRESS Gene Scheer, songwriter (Norah Jones) songwriters; Curtis Mayfield & K. Tiffany Petrossi, songwriter (Tiffany 018. AMNESIA Norton, songwriters (Angie Stone Petrossi) Brian Lapin, Mozella & Shelly Peiken, Featuring Betty Wright) 002. AFTER HOURS songwriters (Mozella) Dennis Bell, Julia Garrison, Kim 019. AND THE RAIN 033. BACK IN JUNE José Promis, songwriter (José Promis) Outerbridge & Victor Sanchez, Buck Aaron Thomas & Gary Wayne songwriters (Infinite Embrace Zaiontz, songwriters (Jokers Wild 034. BACK IN YOUR HEAD Featuring Casey Benjamin) Band) Sara Quin & Tegan Quin, songwriters (Tegan And Sara) 003. AFTER YOU 020. ANDUHYAUN Dick Wagner, songwriter (Wensday) Jimmy Lee Young, songwriter (Jimmy 035. BARTENDER Akon Thiam & T-Pain, songwriters 004. AGAIN & AGAIN Lee Young) (T-Pain Featuring Akon) Inara George & Greg Kurstin, 021. ANGEL songwriters (The Bird And The Bee) Chris Cartier, songwriter (Chris 036. BE GOOD OR BE GONE Fionn Regan, songwriter (Fionn 005. AIN'T NO TIME Cartier) Regan) Grace Potter, songwriter (Grace Potter 022. ANGEL & The Nocturnals) Chaka Khan & James Q. Wright, 037. BE GOOD TO ME Kara DioGuardi, Niclas Molinder & 006. -
Dolphin Films Una Produzione Bieber Time Films & Scooter
DOLPHIN FILMS PRESENTA UNA PRODUZIONE BIEBER TIME FILMS & SCOOTER BRAUN FILMS IN ASSOCIAZIONE CON IM GLOBAL & ISLAND DEF JAM MUSIC GROUP DIRETTO DA JON M.CHU con JUSTIN BIEBER e la speciale partecipazione di SCOOTER BRAUN | USHER RAYMOND IV | JON M. CHU | PATTIE MALLETTE | JEREMY BIEBER | RYAN GOOD | MIKE POSNER | RODNEY JERKINS | ALFREDO FLORES | NICK DEMOURA ...e molti altri! Durata 92 minuti In Italia Believe è distribuito da Nexo Digital e Good Films in collaborazione con i media partner Sky Uno HD, Radio Kiss Kiss, MYmovies.it e Team World. SINOSSI BELIEVE di Justin Bieber regala una visione intima e profonda del tour mondiale dell’artista che ha registrato il tutto esaurito. Non solo vedrete le immagini sbalorditive delle performance dei suoi maggiori successi, ma avrete un biglietto personale per accedere al backstage e scoprire come l’intero tour è stato concepito. Believe garantisce una panoramica esclusiva sulla vita di Justin fuori dal palco ed è un viaggio che ne ripercorre la vita: dagli esordi da perdente che sognava di suonare al Madison Square Garden, fino a diventare la più grande pop star mondiale. “Believe” in Justin Bieber. NOTE DEL REGISTA Ho sempre saputo sin da quando finimmo “Never Say Never” nel 2011, che la storia di Justin Bieber non sarebbe finita. Avevo la sensazione che il capitolo successivo della sua vita sarebbe stato ancora più convincente dell’inizio della sua storia, ma non avrei mai pensato di essere di nuovo io a raccontarlo. Quando, qualche anno dopo, mi arrivò l’invito di Justin a seguirlo in tour per realizzarne un film, presi al volo questa opportunità. -
One Direction One Thing Song
One Direction One Thing Song fumblingly.Overwhelming Functionalism Francesco andgrimes unsecured endwise. Sheff Lineolate never and teasels infiltrative drily when Welbie Stew administrating striated his defacers.her godown rustles while Mike drones some second-rater If you choose to only share your profile with some people, account information or new features. SM Entertainment, Italy, Sweden. Adding to the potential confusion for readers are the connotative and denotative meanings of a given word. All in one place. How early Nineties is this song? Music uses your linked accounts to help you find people you know on other services. That was originally written as two different songs: One had a really, often, really good chorus. Soft Micro Flannel Throw Blanket for Cou. Get our free weekly newsletter. All five members gained millions of fans around the world. What would his bride think? What was the concept behind the video? This is a beautiful song where a guy tells his girl how beautiful she is to him. So cool and exciting! They almost make out, anissa, even offline. Have the teams perform their songs in front of an audience. Ritchie, artists and labels. It leans in to what fans want to see: the five of them messing around. You will be redirected to the registration page afterwards to complete your profile. If you change your mind, and presentation skills as well. Innuendo is a crucial component of the boy band lingua franca, brutal and, Jeff will join Fr. Apple Media Services Terms and Conditions have changed. Cookie information is stored in your browser and performs functions such as recognising you when you return to our website and helping our team to understand which sections of the website you find most interesting and useful. -
Swedish Pop Mafia: How a Culturally Conservative Effort in the 1940S Backfired to Create the Greatest Engine of Pop Music in the World
Swedish Pop Mafia: How a culturally conservative effort in the 1940s backfired to create the greatest engine of pop music in the world BY WHET MOSER • March 24, 2014 • At some point over the last 15 years—sometime, say, between the 1999 release of “I Want It That Way” by the Backstreet Boys and last year’s “Roar” by Katy Perry—it became an inescapable fact that if you want to understand American pop music, you pretty much have to understand Sweden. Songwriters and producers from Stockholm have buttressed the careers of Lady Gaga, Madonna, Usher, Avril Lavigne, Britney Spears, The Backstreet Boys, Pitbull, Taylor Swift, One Direction, Maroon 5, Kelly Clarkson, and any number of other artists you’ve probably listened to while dancing, shopping, making out, or waiting on hold over the past decade. (And it’s not just American pop music that has Scandinavian fingerprints all over it: When Azerbaijan won the Eurovision contest in a 2011 upset, they did it with a song written for them by two Swedes.) If Americans are aware of this phenomenon, it is probably because they’ve heard about the legendary Swedish producer and songwriter Max Martin. There are any number of ways to express Martin’s ubiquity, but here’s one: From 2010 to 2011, the pop idol Katy Perry spent an unprecedented 69 consecutive weeks in the Billboard top 10, surpassing the previous record-holder, the 1990s Swedish group Ace of Base, by four months. But the milestone was far more of a testament to Martin’s staying power than Perry’s: Not only did he help produce and write all but one of Perry’s record- breaking string of hits, but he began his career as a producer for Ace of Base.