L'infiltrato Billy
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
2006 U.S.–Islamic World Forum
2006 U.S.–Islamic World Forum Doha, Qatar February 18–20, 2006 The Brookings Project on U.S. Relations with the Islamic World 2006 U.S.–Islamic World Forum Doha, Qatar February 18–20, 2006 The Brookings Project on U.S. Relations with the Islamic World But it is at times like these that our dialogue becomes more, not less important because the bridges we are trying to build to understand one another are burning and we must serve as the fire brigade. Note from the Forum Organizers . 5 Leaders Roundtable 1 . 59 The Greater Middle East Five Years After 9/11, Program of Events . 9 Five Years Forward Transcripts Leaders Roundtable 2 . 63 Introductory Address . 17 Women Leading Change by Martin Indyk Leaders Roundtable 3 . 67 Director of the Saban Center at The Brookings Institution Policy, Faith, and Change in an Age Welcome Address . 19 of Globalization by H.E. Sheikh Hamad Bin Jassim Bin Jabr Al Thani First Deputy Prime Minister and Foreign Minister Leaders Task Force Summaries of the State of Qatar Task Force A: Security . 70 Speaker Introductions . 23 Task Force B: Youth and Development . 80 by Martin Indyk Director of the Saban Center at The Brookings Institution Task Force C: Governance and Reform . 88 Opening Address . 25 by Syed Hamid Albar Science and Technology Leaders Seminar . 96 Minister of Foreign Affairs of Malaysia Arts and the Public Sphere: Opening Address . 31 Arts and Culture Leaders Seminar . 104 by Sheikh Khalid bin Ahmad bin Mohammed al-Khalifa Bridging the Divide: Muslim Minority . 110 Minister of Foreign Affairs of Bahrain Leaders Seminar Opening Address . -
Repartitie Aferenta Trimestrului II - 2019 - Straini DACIN SARA
Repartitie aferenta trimestrului II - 2019 - straini DACIN SARA TITLU TITLU ORIGINAL AN TARA R1 R2 R3 R4 R5 R6 R7 R8 R9 S1 S2 S3 S4 S5 S6 S7 S8 S9 S10 S11 S12 S13 S14 S15 A1 A2 Greg Pruss - Gregory 13 13 2010 US Gela Babluani Gela Babluani Pruss 007: Coordonata Skyfall Skyfall 2012 GB/US Sam Mendes - ALCS Neal Purvis - ALCS Robert Wade - ALCS John Logan - ALCS 1000 de intamplari 1000 ways to die - mortale - sez.01, ep.001 season 1, episode 1 2008 US Thom Beers Will Raee Philip David Segal Will Raee Tom McMahon 1000 de intamplari 1000 ways to die - mortale - sez.01, ep.002 season 1, episode 2 2008 US Will Raee Tom McMahon 1000 de intamplari 1000 ways to die - mortale - sez.01, ep.003 season 1, episode 3 2009 US Will Raee Tom McMahon 1000 de intamplari 1000 ways to die - mortale - sez.01, ep.004 season 1, episode 4 2009 US Will Raee Tom McMahon 1000 de intamplari 1000 ways to die - mortale - sez.01, ep.005 season 1, episode 5 2009 US Will Raee Tom McMahon 1000 de intamplari 1000 ways to die - mortale - sez.01, ep.006 season 1, episode 6 2009 US Tom McMahon Tom McMahon 1000 de intamplari 1000 ways to die - mortale - sez.01, ep.007 season 1, episode 7 2009 US Tom McMahon Tom McMahon 1000 de intamplari 1000 ways to die - mortale - sez.01, ep.008 season 1, episode 8 2009 US Tom McMahon Tom McMahon 1000 de intamplari 1000 ways to die - mortale - sez.01, ep.009 season 1, episode 9 2009 US Thom Beers Tom McMahon 1000 de intamplari 1000 ways to die - mortale - sez.01, ep.010 season 1, episode 10 2009 US Thom Beers Tom McMahon 1000 de intamplari -
The Final Cut and the Reflexive Loops of Complex Narratives
UvA-DARE (Digital Academic Repository) Before or beyond narrative? Towards a complex systems theory of contemporary films Poulaki, M. Publication date 2011 Link to publication Citation for published version (APA): Poulaki, M. (2011). Before or beyond narrative? Towards a complex systems theory of contemporary films. Rozenberg. General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:24 Sep 2021 PART 1: REFLEXIVITY An individual film, The Final Cut (Omar Naim, 2004, US/Canada/Germany), will be used as starting point for the study of particular processes of complexity in films of the “complex narrative” tendency. This film, although it has attracted scant attention from theorists of complex narrative films, shares common characteristics with other films of this tendency, and particularly stands out due to its intense self-reflexivity. -
Jenkins Fields Questions from Group High Gives
THE The Independent Newspaper Serving Notre Dame and Saint Mary's OLUME 41: ISSUE 104 THURSDAY, MARCH 22,2007 NDSMCOBSERVER.COM STUDENT SENATE Cathedral Jenkins fields questions from group High gives "Please know that your work By KAITLYNN RIELY is important and we value it, upNDlogo Assistant News Editor and whatever you say we will listen to it," Jenkins said. "We University President Father many not agree with everything Use of Leprechaun John Jenkins ended an after you say but we will listen to noon that included open office you." violated trademark hours by visiting the Student Welsh Family senator Mary Senate Wednesday, giving mem Popit asked Jenkins for his bers the opportunity to ask thoughts on a resolution the By KATIE KOHLER questions about topics ranging Senate passed two weeks ago, Saint Mary's Editor from tuition increases to which urged the University to research. add sexual orientation to its After almost 90 years of Jenkins opened the floor for anti-discriminatory clause. using Notre Dame's discussion and told senators he Jenkins said he had not yet "'""'"'"•'Tho Observer Leprechaun logo, Cathedral appreciated their work as rep University President Father John Jenkins discusses senators' High School in Indianapolis is resentatives of the student body. see JENKINS/page 4 concerns at Wednesday's Student Senate meeting. changing its image - a move strongly supported by Cathedral's principal, if not its alumni. Cathedral, whose students have been known as the ACE teacher, alum meets with First Lady Fighting Irish since the school's founding in 1918, will no longer be permitted to use Class of 2005 grad discusses state of the Leprechaun logo due to the University's allegation of trade schools post-Katrina with Laura Bush mark infringement. -
Repartitie Speciala Intermediara Septembrie 2019 Aferenta Difuzarilor Din Perioada 01.04.2009 - 31.12.2010 DACIN SARA
Repartitie speciala intermediara septembrie 2019 aferenta difuzarilor din perioada 01.04.2009 - 31.12.2010 DACIN SARA TITLU TITLU ORIGINAL AN TARA R1 R2 R3 R4 R5 R6 R7 R8 R9 S1 S2 S3 S4 S5 S6 S7 S8 S9 S10 S11 S12 11:14 11:14 2003 US/CA Greg Marcks Greg Marcks 11:59 11:59 2005 US Jamin Winans Jamin Winans 007: partea lui de consolare Quantum of Solace 2008 GB/US Marc Forster Neal Purvis - ALCS Robert Wade - ALCS Paul Haggis - ALCS 10 lucruri nu-mi plac la tine 10 Things I Hate About You 1999 US Gil Junger Karen McCullah Kirsten Smith 10 produse sau mai putin 10 Items or Less 2006 US Brad Silberling Brad Silberling 10.5 pe scara Richter I - Cutremurul I 10.5 I 2004 US John Lafia Christopher Canaan John Lafia Ronnie Christensen 10.5 pe scara Richter II - Cutremurul II 10.5 II 2004 US John Lafia Christopher Canaan John Lafia Ronnie Christensen 10.5: Apocalipsa I 10.5: Apocalypse I 2006 US John Lafia John Lafia 10.5: Apocalipsa II 10.5: Apocalypse II 2006 US John Lafia John Lafia 100 de pusti 100 Rifles / 100 de carabine 1969 US Tom Gries Clair Huffaker Tom Gries 100 milioane i.Hr / Jurassic in L.A. 100 Million BC 2008 US Griff Furst Paul Bales EG/FR/ GB/IR/J 11 povesti pentru 11 P/MX/U Alejandro Gonzalez Claude Lelouch - Danis Tanovic - Alejandro Gonzalez Claude Lelouch - Danis Tanovic - Marie-Jose Sanselme septembrie 11'09''01 - September 11 2002 S Inarritu Mira Nair Amos Gitai - SACD SACD SACD/ALCS Ken Loach Sean Penn - ALCS Shohei Imamura Youssef Chahine Samira Makhmalbaf Idrissa Quedraogo Inarritu Amos Gitai - SACD SACD SACD/ALCS Ken -
Thesis Was Made Possible by the Support of the State Scholarships Foundation of Greece (IKY)
UvA-DARE (Digital Academic Repository) Before or beyond narrative? Towards a complex systems theory of contemporary films Poulaki, M. Publication date 2011 Document Version Final published version Link to publication Citation for published version (APA): Poulaki, M. (2011). Before or beyond narrative? Towards a complex systems theory of contemporary films. Rozenberg. General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:06 Oct 2021 BEFORE OR BEYOND NARRATIVE? Towards a complex systems theory of contemporary films BEFORE OR BEYOND NARRATIVE? BEFORE OR BEYOND This book puts into focus the tendency for increasingly complex forms of narration in post-1990s cinema. The author argues that, because of the fragmentation and nonlinearity that contemporary complex films display—in all three narrative dimensions of time, causality and space—it is not enough to approach them solely as complex narratives. -
David Mamet on Spartan - by Fred Topel
www.screenwritersmonthly.com M A R K E T I N T E R V I E W S 13 Point of Entry: All About Coverage 6 ANIMATION SCREENWRITING: Home on the Range with Will Finn and John Sanford 17 Script Deals - by Fred Topel All movies are massive collaborations, but particularly 23 In Development animated films. It’s a constantly evolving process of revis- ing story points, theme and character. 31 Script Notes 14 David Mamet on Spartan - by Fred Topel F E A T U R E S Mamet’s new film is an action-thriller about a military 25 Slamdance: Watershed investigator trying to locate the president's kidnapped daughter. Considered by many to be one of the greats, 28 The Big Show Mamet offers some insight into his thought process. 30 Monthly Craft Column: Dig Deeper 18 Jon Bokenkamp is talking about Taking Lives - by Daniel Robert Epstein 33 Script-tto-SScreen: Eternal Sunshine of the Spotless Mind Bokenkamp’s dark and edgy script, Taking Lives, is about 34 Editorial: The End of 2D Animation at Disney a serial killer, Martin Asher, who kills his victims and then establishes himself in their lives. FEATURING > DAVID MAMET | JON BOHENKAMP ON TAKING LIVES | ETERNAL SUNSHINE OF THE SPOTLESS MIND ADVERTISING STAFF/CONTRIBUTORS Melfi & Associates handles all Publishers Chris Wehner web and print advertising for Phil Melfi ([email protected]) Screenwriter’s Monthly. If you would like more information Editor-in-Chief about advertising please call Phil Chris Wehner Melfi @ (818) 332-1633, ext. 3. ([email protected]) West Coast Editor SUBMISSIONS Fred Topel HOME -
Jon Brion Tyler Bates
Volume 9, Number 3 Original Music Soundtracks for Movies and Television Hey, Kiddo! PG. 28 The Music OF THE CHRIST MUSIC FOR JESUS— AND SATAN, TOO! The Bride REVISITED WAXMAN’S LANDMARK HORROR SHOW Robin Hood TIMES TWO KORNGOLD’S CLASSIC ON CD AND DVD The Future of FILM SCORING THREE COMPOSERS, ONE GIANT NAME: Jon Briona Tyler Bates 03 > 7 252 74 93704 2 $4.95 U.S. • $5.95 Canada MARCH 2004 CONTENTS DEPARTMENTS COVER STORY 2 Editorial 10 The Future of Film Scoring Doug Says So! We were entertained by the fact that three of today’s ris- ing film composers become one giant composer when 4 News you put their names together: Jon Brion+Brian Tyler+Tyler Gabriel’s Burn. Bates=Jon Brio/an Tyler Bates. So we interviewed them. 5 Record Label By Jeff Bond Round-up What’s on the way. 11 Memory Bars 5 Now Playing Jon Brion takes on Eternal Sunshine of the Spotless Mind. Movies and CDs in 16 Dead dawns again. release. 14 Journey Beyond Timeline 6 Pukas Brian Tyler scores a trio of new films. In Case of Emergency. 7 Upcoming Film 16 Dead Can Dance Assignments Tyler Bates tackles Dawn of the Dead. Who’s writing what for whom. FEATURES 8 Concerts Film music performed 18 For Christ’s Sake around the globe. Given the popularity that the boring and violent Passion of the Christ has enjoyed over the past couple months, we 9 Mail Bag thought it seemed an appropriate time to take a look at the White Shores. -
President's Report 2019
President’s Report TABLE OF CONTENTS 4 MESSAGE FROM THE PRESIDENT 39U LA NEW YORK HEADQUARTERS AND ACADEMIC CENTER 5 WITH OUR STUDENTS EVERY STEP OF THE WAY 40 OUTSIDE CLASSROOM WALLS 6 INTERNATIONAL HONORS 40 A. Athletics 7 THE SEVEN SCHOOLS 42 B. Student Development 7 A. Adnan Kassar School of Business and Enrollment Management 1 . Academics 1 . Enrollment and Financial Aid 2 . Research and Knowledge Sharing 2 . Mentoring Our Charges 3 . Putting Students on the Road to Success 3 . LAU Students Go International . 11 B. Health Sciences Schools: 4 Outreach and Civic Engagement . 11 Alice Ramez Chagoury School of Nursing 5 Transitioning to the Job Market . 1 . Academics 6 Outside of Class 2 . Transformative Outreach 48 EDUCATION FOR THE BROADER COMMUNITY 3 . Ensuring ARCSON Students’ Futures 48 A. SINARC 14 Gilbert and Rose-Marie Chagoury 48 B. Continuing Education School of Medicine 1 . Strengthening the Curriculum 49 CENTERS AND INSTITUTES 2 . Strengthening Partnerships for Health 3 . Mandate for Research 49 A. Fouad Makhzoumi Innovation Center 4 . A Hub for Knowledge Sharing 50 B. Center for Innovative Learning 5 . Student Humanitarians 50 C. Center for Lebanese Heritage 51 D. Centre for Lebanese Studies 18 School of Pharmacy 53 E. The Arab Institute for Women 1 . Academics 55 F. LAU Louis Cardahi Foundation 2 . Advancing Patient Care through Research 3 . Spotlight on SOP Students 56 UNIVERSITY SUPPORT 4 . Facilities Upgrades 56 A. Library 20 C. School of Architecture and Design 57 B. Department of Institutional Research 1 . Academics and Assessment 2 . Transforming the World through 57 C. Information Technology Architecture and Design 57 D. -
Open Road Films and Aldamisa Entertainment Present in Association with Kilburn Media and Fetisov Teterin Films a Fairview Entertainment Production
Open Road Films and Aldamisa Entertainment Present In Association with Kilburn Media And Fetisov Teterin Films A Fairview Entertainment Production Jon Favreau Sofia Vergara John Leguizamo Scarlett Johansson Dustin Hoffman Oliver Platt Bobby Cannavale Amy Sedaris Emjay Anthony And Robert Downey Jr. Written and Directed by Jon Favreau Official Website: http://ChefTheFilm.com Twitter: http://Twitter.com/ChefTheFilm Facebook: http://FB.com/ChefTheFilm PHOTOS AND MATERIALS AT EPK.TV CHEF OPENS MAY 2014 (MEDIA CONTACTS FOR CHEF LISTED ON PAGE 2) Chef – Press Notes – 2 OPEN ROAD FILMS Liz Biber, Exec VP Publicity [email protected] Office: 310-696-7599 Lori Burns, VP Publicity [email protected] Office: 310-696-7519 Mobile: 310-739-0018 Adam Bittner, Director Regional Publicity [email protected] Office: 310-696-7531 Mobile: 310-691-4937 U.S. U.S. International National: Hispanic: Aldamisa: 42 West Think Latino Samantha Peel [email protected] LA Rocio Kissling 818-783-4084 Annalee Paulo [email protected] [email protected] 818-888-4001 424-901-8723 Veronica Buenrostro NY veronica.buenrostro@thinklatin Kate Rosenbaum o.net [email protected] 323-315-2643 646-723-9696 Digital: Ashton Fontana [email protected] Mammoth 646-467-9058 Melanie Klein [email protected] 212-352-2200 x 1006 Megan Alvino [email protected] 212-352-2200 x 1017 Chef – Press Notes – 3 CHEF Written by, directed by, produced by and starring Jon Favreau – Chef features an all-star cast including Sofia Vergara, Scarlett Johansson, John Leguizamo, Bobby Cannavale, Dustin Hoffman, Oliver Platt, Robert Downey Jr. and young actor Emjay Anthony. -
10-Year Review of Gender and EMMY Nominations
INVESTIGATION: 10-YEAR REVIEW OF GENDER & EMMY NOMINATIONS womensmediacenter.com WOMEN’S MEDIA CENTER ABOUT THE WOMEN’S MEDIA CENTER In 2005, Jane Fonda, Robin Morgan and Gloria Steinem founded the Women’s Media Center (WMC), a progressive, nonpartisan, nonpro!t organization endeavoring to raise the visibility, viability and decision-mak- ing power of women and girls in media and, thereby, ensuring that their stories get told and their voices are heard. To reach those necessary goals, we strategically use an array of intercon- nected channels and platforms to transform not only the media landscape but also a culture in which women’s and girls’ voices, stories, experiences and images are neither suf!ciently ampli!ed nor placed on par with the voices, stories, experiences and images of men and boys. Our strategic tools include monitoring the media; commissioning and conducting research; and undertaking other special initiatives to spot- light gender and racial bias in news coverage, entertainment !lm and television, social media and other key sectors. Our publications include the book “Unspinning the Spin: The Women’s Media Center Guide to Fair and Accurate Language”; The Women’s Media Center’s Media Guide to Gender Neutral Coverage of Women Candidates + Politicians”; “The Women’s Media Center Guide to Covering Reproductive Issues”; and the Women’s Media Center’s annual “The Status of Women in the U.S. Media” report. Our WMC Women Under Siege project investigates sexualized violence. Our original content channels — WMC Features, WMC FBomb, WMC Speech Project and the “Women’s Media Center Live with Robin Morgan” radio program — provide women’s perspectives on both headline stories and timely events that are ignored, not wholly captured or misrepresented in the mainstream media. -
The Arabic Hour: Understanding Arab-American Media Activism and Community-Based Media
The Arabic Hour: Understanding Arab-American Media Activism and Community-Based Media A thesis submitted by Noah Elias Habeeb In partial fulfillment of the requirements for the degree of Master of Arts in Urban and Environmental Policy and Planning TUFTS UNIVERSITY February 2018 ADVISER: Barbara Parmenter READER: Thomas Abowd Abstract This thesis investigates the Boston-based community access television program the Arabic Hour. For 37 years the Arabic Hour has produced television programs that have aired first on cable television, then on public access television, and now on the Internet. This thesis contextualizes the Arabic Hour within Arab-American history as well as the history of community-based, ethnic, and activist medias. Through approaches of participatory action research, as well as semi-structured interviews with members of the volunteer production staff, guests, and one funder of the show, this thesis discerns how the Arabic Hour was (un)able to build political power and community empowerment, while also presenting conclusions on Arab-American transnational identity formation, journalistic approaches of alternative media, and the alternative approach of “for them, by us” ethnic media. ii Acknowledgments This thesis is a result of collaborative work between Tufts students, Tufts professors, and the Arabic Hour volunteer staff. I would be remiss not to acknowledge those involved with the Arabic Hour who took the time to be interviewed for this project, in particular Nabih Hakim and Toufic Tannous who were always present in the studio when I visited and have led the Arabic Hour digitalization project. I’m grateful for Professor Thomas Abowd who introduced me to the Arabic Hour, collaborated with me as a Summer Scholar researcher, and helped me to develop my thinking and writing.