Productions in Ontario 2005

Total Page:16

File Type:pdf, Size:1020Kb

Productions in Ontario 2005 PRODUCTION IN with assistance from Ontario Media Development Corporation 2005 www.omdc.on.ca You belong here 16 BLOCKS BARSTOOL WORDS FEATURE FILMS – THEATRICAL Company: Nu Image Entertainment/ Company: Sudden Storm Productions/ Millennium Films for Warner Bros Barstool Words Productions .45 Producer: Jim Van Wyck, John Thompson, Producer: Jesse Ikeman, Jeff Glickman Company: Junction Films/Mobius Randall Emmett Executive Producer: Michael May Entertainment Executive Producer: Andreas Thiesmeyer, Director: Jeff Glickman Producer: Geyer Kosinski, Tucker Tooley Josef Lautenschlager, Gerd Koechlin, Writer: Josh Ben Friedman Executive Producer: Huw Penalt-Jones, Manfred Heid Production Manager: James Mou David Bergstein, Tracee Stanley Director: Richard Donner Production Designer: Dianna Abbatangelo Director/Writer: Gary Lennon Writer: Richard Wenk Director of Photography: Rhett Morita Production Manager: Stephen Montgomery Production Manager: D.J. Carson Key Cast: Colm Feore Production Designer: David Barkham Production Designer: Arvinder Grewal Shooting Dates: October – November 2005 Director of Photography: Teodoro Maniaci Director of Photography: Glen MacPherson Key Cast: Milla Jovovich, Angus Macfadyen Key Cast: Bruce Willis, Mos Def BLIZHNY BOY: FINAL FIGHT Shooting Dates: April – May 2005 Shooting Dates: April – June 2005 Company: Film One Productions Inc. Producer: Erken Lalgshov 5IVE GIRLS A LOVER’S REVENGE Director: Erken Lalgshov, Jalal Merhi Company: Peace Arch Entertainment Group/ Company: Sound Venture/Lion’s Gate Production Manager: James Mou 5ive Girls Films Inc. Entertainment/Premier Bobine Production Designer: Monika Geresz Producer: Kate Harrison, Lewin Webb Producer: Neil Bregman Director of Photography: Curtis Petersen Director/Writer: Warren P. Sonoda Executive Producer: Tom Berry, Pierre David, Shooting Dates: December 2005 Line Producer/PM: Erin Berry Louis Massicotte Production Designer: Andrew Berry Director: Douglas Jackson Director of Photography: David Mitchell Writer: Christine Conradt Key Cast: Barbara Mamabolo Production Designer: Csaba Andras Kertesz Shooting Dates: November – December 2005 Director of Photography: Bert Tougas Key Cast: Alexandra Paul, William R. Moses Shooting Dates: April – May 2005 PRODUCTION IN ONTARIO 2005 BREACH FOUR BROTHERS HOLLYWOODLAND Company: Universal Pictures/Sidney Kimmel Company: Paramount Pictures/ (AKA: TRUTH, JUSTICE & THE Entertainment Di Bonaventura Pictures AMERICAN WAY) Producer: Robert F. Newmyer, Scott Kroopf, Producer: Lorenzo di Bonaventura Company: Focus Features/Back Lot Pictures Scott Strauss Executive Producer: Ric Kidney Producer: Glenn Williamson Executive Producer: Adam Merims Director: Jon Singleton Executive Producer: J. Miles Dale, Jake Myers Director: Billy Ray Writer: David Elliot and Paul Lovett Director: Allen Coulter Writer: Billy Ray, Adam Mazer, William Rotko Production Manager: Lyn Lucibello Writer: Paul Bernbaum Production Manager: Steve Wakefield Production Designer: Keith Brian Burns Production Manager: Christopher J. Danton Production Designer: Wynn Thomas Director of Photography: Peter Menzies, Jr. Production Designer: Leslie McDonald Director of Photography: Tak Fujimoto Key Cast: Mark Wahlberg Director of Photography: Jonathan Freeman Key Cast: Chris Cooper, Ryan Phillippe, Shooting Dates: January – March 2005 Key Cast: Ben Affleck, Diane Lane, Laura Linney Adrian Brody, Bob Hoskins Shooting Dates: November 2005 – February 2006 FULL OF IT Shooting Dates: May – June 2005 (AKA: NOTHING BUT THE TRUTH) CHEAPER BY THE DOZEN 2 Company: New Line Cinema IT’S A BOY GIRL THING Company: 20th Century Fox/21 Laps Producer: Steve Barnett, Mark Canton, Company: Prospero Pictures/Rocket Pictures/ Entertainment Scott Fischer Scion Films Limited Producer: Shawn Levy, Adam Shankman, Executive Producer: Ryan Kavanaugh, Producer: Martin Katz, David Furnish, Jennifer Gibgot J.C. Spink, Lynwood Spinks Steve Hamilton-Shaw Executive Producer: Garrett Grant Director: Christian Charles Executive Producer: Wendy Grean Director: Adam Shankman Writer: Jon Lucas, Scott Moore Director: Nick Hurran Writer: Sam Harper Production Manager: Regina Robb Writer: Geoff Deane Production Manager: Whitney Brown Production Designer: Kathleen Climie Production Manager: James Crouch Production Designer: Cary White Director of Photography: Kramer Morgenthau Production Designer: Craig Lathrop Director of Photography: Peter James Key Cast: Ryan Pinkston, Carmen Electra Director of Photography: Steve Danyluk Key Cast: Steve Martin, Eugene Levy Shooting Dates: April – June 2005 Shooting Dates: October – November 2005 Shooting Dates: June – September 2005 GET RICH OR DIE TRYIN’ IT’S UNDER MY SKIN CHRISTMAS IN BOSTON Company: Paramount Pictures/MTV Films (AKA: HOMIE SPUMONIE) Company: ABC Family/Marvista Producer: Jimmy Iovine, Chris Lightly Company: R Caro Productions Entertainment Executive Producer: Arthur Lappin, Producer: Julio Caro, Gregg Nourjian Producer: Julian Grant Stuart Parr, Daniel Lupi Executive Producer: Christie Cashman, Executive Producer: Michael Jacobs Director: Jim Sheridan Cary Jones, Christopher Vecchia Director: Neill Fearnley Writer: Terence Winter Director: Mike Cerrone Writer: Stephanie Baxendale Production Manager: Jim Powers Writer: Mike Cerrone, Steve Cerrone, Production Manager: Maribeth Daley Production Designer: Mark Geraghty Glenn Ciano Production Designer: Harold Thrasher Director of Photography: Declan Quinn Co-Producer/PM: Colin Brunton Director of Photography: Russ Goozee Key Cast: 50 Cent, Terrence Howard Production Designer: Arlan Jay Vetter Key Cast: Marla Sokoloff, Patrick J. Adams Shooting Dates: April – June 2005 Director of Photography: Richard Crudo Shooting Dates: September – October 2005 Key Cast: Donald Faison HEARTSTOPPER Shooting Dates: May – June 2005 CITIZEN DUANE Company: Peace Arch Films Limited Company: Accent Entertainment/ThinkFilm Producer: Lewin Webb, Kate Harrison KILLSHOT Producer: Susan Cavan, Carolynne Bell Executive Producer: Barbara Sacks, Company: Film Colony/The Weinstein Director: Michael Mabbott Jacqueline Kelly Company Writer: Jonathan Sobol Director: Bob Keen Producer: Richard Gladstein Production Manager: D.J. Carson Writer: Vlady Pildysh and Warren P. Sonoda Co-producers: Jim Powers, David Webb Production Designer: Greg Keen Line Producer/PM: Erin Berry Executive Producer: Quentin Tarantino Director of Photography: Adam Swica Production Designer: Jonathan Dueck Director: John Madden Key Cast: Vivica A. Fox Director of Photography: David Mitchell Writer: Hossein Amini Shooting Dates: September – October 2005 Key Cast: Meredith Henderson, Production Manager: Ted Miller James Binkley, Nathan Stephenson, Production Designer: Andrew Jackness FIREHOUSE DOG (AKA: REXXX) Laura DeCarteret, Robert Englund Director of Photography: Caleb Deschanel Company: Regency Entertainment (USA) Inc. Shooting Dates: September 2005 Key Cast: Diane Lane, Mickey Rourke, Producer: Michael Colleary, Mike Werb, Thomas Jane Michael J. Maschio Shooting Dates: October – December 2005 Director: Todd Holland Writer: Claire-Dee Lim Production Manager: Anna Beben Production Designer: Tamara Deverell Director of Photography: Victor Hammer Key Cast: Josh Hutcherson, Bruce Greenwood Shooting Dates: September – December 2005 2 PRODUCTION IN ONTARIO 2005 KING OF SORROW MARSH, THE SENTINEL, THE Company: Noble House Film and Television Company: Marshville Productions Company: 20th Century Fox/New Regency Producer: Lowell Conn Producer: George Flak, Peter R. Simpson Producer: Marcy Drogin, Michael Douglas Executive Producer: Jordan Gertner Executive Producer: Sonja Morgan, Executive Producer: Bill Carraro Director/Writer: Damian Lee Al Munteanu, Daphne Park, Silvio Sardi Director: Clark Johnson Production Manager: Nan Skiba Director: Jordan Barker Writer: George Nolfi Production Designer: Svjetlana Jaklenec Writer: Michael Stokes Production Manager: Steve Wakefield Director of Photography: David Pelletier Production Manager: Ross Leslie Production Designer: Andrew McAlpine Key Cast: Kim Coates Production Designer: Raymond Lorenz Director of Photography: Gabriel Beristain Shooting Dates: November – December 2005 Director of Photography: David Perrault Key Cast: Michael Douglas, Kiefer Key Cast: Justin Louis, Forest Whitaker, Sutherland, Kim Basinger, Eva Longoria LAST SECT, THE Peter MacNeill, Brooke Johnson Shooting Dates: April – June 2005 Company: Peace Arch Entertainment Group Shooting Dates: December 2005 – January 2006 Producer: Kate Harrison, Lewin Webb SILENCE Director: Jonathan Dueck NEIL Company: Universal Pictures Writer: David Robbeson Company: Summer Pictures Inc. Producer: Mark Burg, Gregg Hoffman, Line Producer/PM: Erin Berry Producer: Boris Mojsovski, Ingrid Veninger, Oren Koules Production Designer: Chris Irvine Srdjan Vilotijevic Executive Producer: Scott Stuber Director of Photography: Brendan Steacy Executive Producer: Kari Hollend, Director: James Wan Key Cast: David Carradine Zorana Kydd, Bill Marks Writer: James Wan, Leigh Whannell Shooting Dates: December 2005 – January 2006 Director: Boris Mojsovski Production Manager: Dennis Chapman Writer: Ognen Georgijevski, Boris Mojsovski Production Designer: Julie Berghoff LEFT BEHIND: WORLD AT WAR Production Manager: Srdjan Vilotijevic Director of Photography: John R. Leonetti Company: Cloud Ten Pictures/Darius Films/ Production Designer: Bob Sher Key Cast: Jason Deline Columbia TriStar Director of Photography: Levko Mojsovski Shooting Dates: June – August 2005 Producer: Nicholas
Recommended publications
  • Living It up After Dark: Vancouver's Nightlife
    21_836849 ch15.qxd 6/9/05 6:37 PM Page 200 Chapter 15 Living It Up After Dark: Vancouver’s Nightlife In This Chapter ᮣ Getting down with the music scene ᮣ Visiting the best clubs and bars ᮣ Discovering the city’s performing arts et’s get one thing straight from the start: Nightlife isn’t hard to find Lin Vancouver, but it takes limited forms. Basically, I’m talking about a few true dance clubs — quite hip, mind you — plus a good supply of live music venues (where the city shines), and bars and pubs with char- acter. You also find a decent slate of theater offerings. In fact, in an effort to support the performing arts, the tourism folks have developed an entire entertainment season (a.k.a. fall and winter), and Yaletown’s been dubbed the city’s “entertainment district” because of its proximity to many event venues. Where should you go to find nightlife? Dance clubs increasingly litter the Yaletown, Robson Street, and downtown districts, while Kitsilano is more a place for an organic brew or a glass of wine. More upscale areas, such as South Granville and the West End, offer the sorts of bars where you may want to wear a jacket or at least shuck your sneakers — places where a drink can cost more than a meal sets you back in other parts of town. Finally, strip joints have long been fixtures on the fringes of down- town, Yaletown, and East Hastings — not that you were thinking of going to one ofCOPYRIGHTED those.
    [Show full text]
  • Embassy Theatre
    Dining Club Cards Make Great Christmas Gifts! DECEMBER Dining Club Cards Make Great Christmas Gifts! 3-9, 2015 FACEBOOK.COM/WHATZUPFORTWAYNE WWW.WHATZUP.COM WWW.WHATZUP.COM FACEBOOK.COM/WHATZUPFORTWAYNE Colin Mochrie & Brad Sherwood Page Two Also Inside Holiday Pops Gene Marcus Piano Competition Straight No Chaser Art & Entertainment Calendars Music, Movie & Theater Reviews ------------Feature • Colin Mochrie & Brad Sherwood --------- Comedy Without a Net By Steve Penhollow audience,” Sherwood said. “It’s as if we are locking arms with them and saying, ‘Let’s go on a journey! Improv comics Brad Sherwood and Colin Moch- We’re going to make this funny together!’ rie try to swap out the games they play in their live “It’s not like a stand-up routine where you cross shows as often as possible to avoid getting bored. your arms and say, ‘I hope this guy’s funny,’” he But there’s one bit they’ll probably never be able said. to retire. Asked if improv is the “trust fall” or “Outward It involves the duo exploring a relatively mundane Bound” of comedy, Sherwood said, “I think that’s a premise while walking, blindfolded and barefooted, very good description. We do depend on each other around a stage that has been covered with more than that way. We’re like two comedic martial artists. We 100 armed mousetraps, Sherwood said in a phone in- have to be prepared for anything.” terview. In a sense, “I think S h e r w o o d it’s a total said, bring- regression to ing audience childhood,” members up he said, refer- on stage is ring to the au- not so much dience’s vis- about increas- ceral reaction ing the humor to the sketch.
    [Show full text]
  • Tese De Charles Ponte
    UNIVERSIDADE ESTADUAL DE CAMPINAS INSTITUTO DE ESTUDOS DA LINGUAGEM CHARLES ALBUQUERQUE PONTE INDÚSTRIA CULTURAL, REPETIÇÃO E TOTALIZAÇÃO NA TRILOGIA PÂNICO Tese apresentada ao Instituto de Estudos da Linguagem, da Universidade Estadual de Campinas, para obtenção do Título de Doutor em Teoria e História Literária, na área de concentração de Literatura e Outras Produções Culturais. Orientador: Prof. Dr. Fabio Akcelrud Durão CAMPINAS 2011 i FICHA CATALOGRÁFICA ELABORADA POR CRISLLENE QUEIROZ CUSTODIO – CRB8/8624 - BIBLIOTECA DO INSTITUTO DE ESTUDOS DA LINGUAGEM - UNICAMP Ponte, Charles, 1976- P777i Indústria cultural, repetição e totalização na trilogia Pânico / Charles Albuquerque Ponte. -- Campinas, SP : [s.n.], 2011. Orientador : Fabio Akcelrud Durão. Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem. 1. Craven, Wes. Pânico - Crítica e interpretação. 2. Indústria cultural. 3. Repetição no cinema. 4. Filmes de horror. I. Durão, Fábio Akcelrud, 1969-. II. Universidade Estadual de Campinas. Instituto de Estudos da Linguagem. III. Título. Informações para Biblioteca Digital Título em inglês: Culture industry, repetition and totalization in the Scream trilogy. Palavras-chave em inglês: Craven, Wes. Scream - Criticism and interpretation Culture industry Repetition in motion pictures Horror films Área de concentração: Literatura e Outras Produções Culturais. Titulação: Doutor em Teoria e História Literária. Banca examinadora: Fabio Akcelrud Durão [Orientador] Lourdes Bernardes Gonçalves Marcio Renato Pinheiro
    [Show full text]
  • Patricia Murray Patricia Clum & Patricia M
    PATRICIA MURRAY PATRICIA CLUM & PATRICIA M. MAKE-UP DESIGNER CANADIAN CITIZENSHIP & RESIDENCE / US RESIDENCE / IATSE 891 / ACFC HEAD OF DEPARTMENT FEATURE FILMS DIRECTOR/PRODUCER CAST THE ART OF RACING IN THE RAIN D: Simon Curtis Amanda Seyfried Fox 2000 Pictures P: Joannie Burstein, 2nd Unit Make-up Vancouver Patrick Dempsey, Tania Landau, Make-Up FX Artist Neal H. Moritz THE PACKAGE D: Jake Szymanski Daniel Doheny, Luke Spencer Roberts, Netflix EP: Shawn Williamson, Geraldine Viswanathan, Sadie Calvano, Brightlight Pictures & Jamie Goehring, Kevin Leeson, Eduardo Franco Red Hour Productions Haroon Saleem HOD & Make-Up FX Artist P: Ross Dinerstein, Nicky Weinstock, Ben Stiller, Anders Holm, Kyle Newacheck, Blake Anderson, Adam DeVine STATUS UPDATE D: Scott Speer Ross Lynch, Olivia Holt, Netflix P: Jennifer Gibgot, Dominic Rustam, Harvey Guillen, Famke Janssen, Offspring Entertainment & Adam Shankman, Shawn Williamson Wendi McLendon-Covey Brightlight Pictures HOD TOMORROWLAND D: Brad Bird Raffey Cassidy, Kathryn Hahn Walt Disney Pictures P: Damon Lindelof Make-Up Onset FX Supervisor Co-P: Bernie Bellew, Tom Peitzman PERCY JACKSON: D: Thor Freudenthal Missy Pyle, Yvette Nicole Brown, SEA OF MONSTERS P: Chris Columbus, Christopher Redman Fox 2000 Pictures Karen Rosenfelt, Michael Barnathan Make-Up FX Supervisor DAYDREAM NATION D: Michael Goldbach Personal Make-Up Artist to Kat Dennings Screen Siren Pictures EP: Tim Brown, Cameron Lamb HOD P: Trish Dolman, Christine Haebler, Michael Olsen, Simone Urdl THE TWILIGHT SAGA: ECLIPSE D: David Slade Ashley Greene, Bryce Dallas Howard, Summit Entertainment P: Wyck Godfrey, Greg Mooradian, Kellan Lutz Make-Up Artist Main Unit Karen Rosenfelt SLAP SHOT 2 D: Steve Boyum Stephen Baldwin, Gary Busey, Universal Pictures P: Ron French Callum Keith Rennie, Jessica Steen HOD JUST FRIENDS D: Roger Kumble Ryan Reynolds New Line Cinema P: Chris Bender, Bill Johnson, Make-Up FX Artist Michael Ohoven, J.C.
    [Show full text]
  • 1 Canadian Broadcast Standards Council National
    CANADIAN BROADCAST STANDARDS COUNCIL NATIONAL SPECIALTY SERVICES PANEL MTV Canada re an episode of MTV Live (“Self Love”) (CBSC Decision 06/07-0763) Decided May 1, 2007 R. Cohen (Chair), R. Deverell (ad hoc), M. Harris, M. Hogarth, P. O’Neill, H. Pawley, M. Ziniak (ad hoc) THE FACTS MTV Live is a youth-oriented magazine/talk program broadcast on MTV Canada. The episode in question aired from 7:30-8:30 am on February 27, 2007. It appeared to be a rerun of a previously aired episode because the hosts referred to “tonight”. The episode was hosted by Daryn Jones, Jessi Cruickshank and Diane Salema. The theme of the episode was “self love”, i.e. masturbation. The episode did not contain any viewer advisories. It was rated PG. During the program, a box was present in the lower right-hand corner of the screen that showed the comments of viewers who were participating in the live online chat session. The majority of the comments referred to the topic of day, masturbation. Also, at some points during the program, facts and information about masturbation and related topics appeared in words in a crawl at the bottom of the screen. Diane introduced the topic of the day at the beginning of the program in the following terms (a more complete transcript of the relevant portions of the program can be found in Appendix A): Um yeah, today’s topic on the show is about masturbation. Yeah, so let’s get in to chat and talk about this, ’cause this is gonna be a good one.
    [Show full text]
  • Press Kit Falling Angels
    Falling Angels A film by Scott Smith Based on the novel by Barbara Gowdy With Miranda Richardson Callum Keith Rennie Katherine Isabelle RT : 101 minutes 1 Short Synopsis It is 1969 and seventeen year old Lou Field and her sisters are ready for change. Tired of enduring kiddie games to humour a Dad desperate for the occasional shred of family normalcy, the Field house is a place where their Mom’s semi-catatonic state is the result of a tragic event years before they were born. But as the autumn unfolds, life is about to take a turn. This is the year that Lou and her sisters are torn between the lure of the world outside and the claustrophobic world of the Field house that can no longer contain the girls’ restless adolescence. A story of a calamitous family trying to function, Falling Angels is a story populated by beautiful youthful rebels and ill-equipped parents coping with the draw of a world in turmoil beyond the boundaries of home and a manicured lawn. 2 Long Synopsis Treading the fine line between adolescence and adulthood, the Field sisters have all but declared war on their domineering father. Though Jim Field (Genie and Gemini winner Callum Keith Rennie ) runs the family house like a military camp, it’s the three teenaged daughters who really run the show and baby-sit their fragile mother Mary, (Two-time Oscar ® nominee Miranda Richardson) as she quietly sits on the couch and quells her anxiety with whiskey. It’s 1969 and beneath suburbia’s veneer of manicured lawns and rows of bungalows, the world faces explosive social change.
    [Show full text]
  • Sepoct C1,2-7.Indd
    WHAT’S HAPPENING The Music of Muscle! What’s the best music to listen to while working out? If involved converting brain waves into mathematical models, you ask most physical education teachers, agreed. Here is what he had to say about they will probably say none. But the fact is OFFMAN the subject in his book Facts and Fallacies H kids love music and believe it makes them of Fitness: “Besides also producing ESIRAE train harder. So, if kids are going to listen D impaired hearing among regular exercis- to music while they train, what would be ers, music that is loud or discordant is the best? associated with diminished motor skill When interviewed by BFS Editor Kim and more injuries.” Goss, Bulgarian weightlifting coach Angel And what type of music did Coach Spassov said pop, rock and disco music are Spassov think was best for elite weight- too distracting to listen to when performing lifters? Why, country music, of course, the Olympic lifts. The late Dr. Mel Siff, whose master’s thesis especially Kenny Rogers. Now you know! It’s a Bird! It’s a Plane! No, it’s a Role Model! Character education is a major theme in BFS magazine, which is why we like to feature positive role models (and why you probably won’t be seeing Britney Spears on our cover in the near future). And because movies and television are major influences on young people, we often point out shows and performances that provide good role models and a positive message. The CW television series Smallville, which chronicles the Michael Courtney/The CW © 2007 The CW Network, LLC.
    [Show full text]
  • Reminder List of Productions Eligible for the 90Th Academy Awards Alien
    REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 90TH ACADEMY AWARDS ALIEN: COVENANT Actors: Michael Fassbender. Billy Crudup. Danny McBride. Demian Bichir. Jussie Smollett. Nathaniel Dean. Alexander England. Benjamin Rigby. Uli Latukefu. Goran D. Kleut. Actresses: Katherine Waterston. Carmen Ejogo. Callie Hernandez. Amy Seimetz. Tess Haubrich. Lorelei King. ALL I SEE IS YOU Actors: Jason Clarke. Wes Chatham. Danny Huston. Actresses: Blake Lively. Ahna O'Reilly. Yvonne Strahovski. ALL THE MONEY IN THE WORLD Actors: Christopher Plummer. Mark Wahlberg. Romain Duris. Timothy Hutton. Charlie Plummer. Charlie Shotwell. Andrew Buchan. Marco Leonardi. Giuseppe Bonifati. Nicolas Vaporidis. Actresses: Michelle Williams. ALL THESE SLEEPLESS NIGHTS AMERICAN ASSASSIN Actors: Dylan O'Brien. Michael Keaton. David Suchet. Navid Negahban. Scott Adkins. Taylor Kitsch. Actresses: Sanaa Lathan. Shiva Negar. AMERICAN MADE Actors: Tom Cruise. Domhnall Gleeson. Actresses: Sarah Wright. AND THE WINNER ISN'T ANNABELLE: CREATION Actors: Anthony LaPaglia. Brad Greenquist. Mark Bramhall. Joseph Bishara. Adam Bartley. Brian Howe. Ward Horton. Fred Tatasciore. Actresses: Stephanie Sigman. Talitha Bateman. Lulu Wilson. Miranda Otto. Grace Fulton. Philippa Coulthard. Samara Lee. Tayler Buck. Lou Lou Safran. Alicia Vela-Bailey. ARCHITECTS OF DENIAL ATOMIC BLONDE Actors: James McAvoy. John Goodman. Til Schweiger. Eddie Marsan. Toby Jones. Actresses: Charlize Theron. Sofia Boutella. 90th Academy Awards Page 1 of 34 AZIMUTH Actors: Sammy Sheik. Yiftach Klein. Actresses: Naama Preis. Samar Qupty. BPM (BEATS PER MINUTE) Actors: 1DKXHO 3«UH] %LVFD\DUW $UQDXG 9DORLV $QWRLQH 5HLQDUW] )«OL[ 0DULWDXG 0«GKL 7RXU« Actresses: $GªOH +DHQHO THE B-SIDE: ELSA DORFMAN'S PORTRAIT PHOTOGRAPHY BABY DRIVER Actors: Ansel Elgort. Kevin Spacey. Jon Bernthal. Jon Hamm. Jamie Foxx.
    [Show full text]
  • Synesthetic Landscapes in Harold Pinter's Theatre
    City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 2010 Synesthetic Landscapes in Harold Pinter’s Theatre: A Symbolist Legacy Graça Corrêa Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/1645 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] Synesthetic Landscapes in Harold Pinter’s Theatre: A Symbolist Legacy Graça Corrêa A dissertation submitted to the Graduate Faculty in Theatre in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2010 ii © 2010 GRAÇA CORRÊA All Rights Reserved iii This manuscript has been read and accepted for the Graduate Faculty in Theatre in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. ______________ ______________________________ Date Chair of Examining Committee Daniel Gerould ______________ ______________________________ Date Executive Officer Jean Graham-Jones Supervisory Committee ______________________________ Mary Ann Caws ______________________________ Daniel Gerould ______________________________ Jean Graham-Jones THE CITY UNIVERSITY OF NEW YORK iv Abstract Synesthetic Landscapes in Harold Pinter’s Theatre: A Symbolist Legacy Graça Corrêa Adviser: Professor Daniel Gerould In the light of recent interdisciplinary critical approaches to landscape and space , and adopting phenomenological methods of sensory analysis, this dissertation explores interconnected or synesthetic sensory “scapes” in contemporary British playwright Harold Pinter’s theatre. By studying its dramatic landscapes and probing into their multi-sensory manifestations in line with Symbolist theory and aesthetics , I argue that Pinter’s theatre articulates an ecocritical stance and a micropolitical critique.
    [Show full text]
  • Film Reference Guide
    REFERENCE GUIDE THIS LIST IS FOR YOUR REFERENCE ONLY. WE CANNOT PROVIDE DVDs OF THESE FILMS, AS THEY ARE NOT PART OF OUR OFFICIAL PROGRAMME. HOWEVER, WE HOPE YOU’LL EXPLORE THESE PAGES AND CHECK THEM OUT ON YOUR OWN. DRAMA 1:54 AVOIR 16 ANS / TO BE SIXTEEN 2016 / Director-Writer: Yan England / 106 min / 1979 / Director: Jean Pierre Lefebvre / Writers: Claude French / 14A Paquette, Jean Pierre Lefebvre / 125 min / French / NR Tim (Antoine Olivier Pilon) is a smart and athletic 16-year- An austere and moving study of youthful dissent and old dealing with personal tragedy and a school bully in this institutional repression told from the point of view of a honest coming-of-age sports movie from actor-turned- rebellious 16-year-old (Yves Benoît). filmmaker England. Also starring Sophie Nélisse. BACKROADS (BEARWALKER) 1:54 ACROSS THE LINE 2000 / Director-Writer: Shirley Cheechoo / 83 min / 2016 / Director: Director X / Writer: Floyd Kane / 87 min / English / NR English / 14A On a fictional Canadian reserve, a mysterious evil known as A hockey player in Atlantic Canada considers going pro, but “the Bearwalker” begins stalking the community. Meanwhile, the colour of his skin and the racial strife in his community police prejudice and racial injustice strike fear in the hearts become a sticking point for his hopes and dreams. Starring of four sisters. Stephan James, Sarah Jeffery and Shamier Anderson. BEEBA BOYS ACT OF THE HEART 2015 / Director-Writer: Deepa Mehta / 103 min / 1970 / Director-Writer: Paul Almond / 103 min / English / 14A English / PG Gang violence and a maelstrom of crime rock Vancouver ADORATION A deeply religious woman’s piety is tested when a in this flashy, dangerous thriller about the Indo-Canadian charismatic Augustinian monk becomes the guest underworld.
    [Show full text]
  • Human' Jaspects of Aaonsí F*Oshv ÍK\ Tke Pilrns Ana /Movéis ÍK\ É^ of the 1980S and 1990S
    DOCTORAL Sara MarHn .Alegre -Human than "Human' jAspects of AAonsí F*osHv ÍK\ tke Pilrns ana /Movéis ÍK\ é^ of the 1980s and 1990s Dirigida per: Dr. Departement de Pilologia jA^glesa i de oermanisfica/ T-acwIfat de Uetres/ AUTÓNOMA D^ BARCELONA/ Bellaterra, 1990. - Aldiss, Brian. BilBon Year Spree. London: Corgi, 1973. - Aldridge, Alexandra. 77» Scientific World View in Dystopia. Ann Arbor, Michigan: UMI Research Press, 1978 (1984). - Alexander, Garth. "Hollywood Dream Turns to Nightmare for Sony", in 77» Sunday Times, 20 November 1994, section 2 Business: 7. - Amis, Martin. 77» Moronic Inferno (1986). HarmorKlsworth: Penguin, 1987. - Andrews, Nigel. "Nightmares and Nasties" in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the MecBa. London and Sydney: Ruto Press, 1984:39 - 47. - Ashley, Bob. 77» Study of Popidar Fiction: A Source Book. London: Pinter Publishers, 1989. - Attebery, Brian. Strategies of Fantasy. Bloomington and Indianapolis: Indiana University Press, 1992. - Bahar, Saba. "Monstrosity, Historicity and Frankenstein" in 77» European English Messenger, vol. IV, no. 2, Autumn 1995:12 -15. - Baldick, Chris. In Frankenstein's Shadow: Myth, Monstrosity, and Nineteenth-Century Writing. Oxford: Oxford Clarendon Press, 1987. - Baring, Anne and Cashford, Jutes. 77» Myth of the Goddess: Evolution of an Image (1991). Harmondsworth: Penguin - Arkana, 1993. - Barker, Martin. 'Introduction" to Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the Media. London and Sydney: Ruto Press, 1984(a): 1-6. "Nasties': Problems of Identification" in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the MecBa. London and Sydney. Ruto Press, 1984(b): 104 - 118. »Nasty Politics or Video Nasties?' in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the Medß.
    [Show full text]
  • SPIKE LEE Presentation
    A SPIKE LEE presentation A film by NATE PARKER a TARAK BEN AMMAR / MARK BURG Production Releasing on VOD January 15th Publicity Contact: MPRM Communications [email protected] LOGLINE: After witnessing his son murdered by a white police officer who goes uncharged, Marine veteran Lincoln ‘Linc’ Jefferson takes justice into his own hands in a series of events he hopes will finally lead to justice for his son. SETUP: Lincoln Jefferson is a Marine veteran who has served two combat tours in Iraq. Now stateside, he works as a custodian in a prestigious California high school- a job he secured only to ensure enrollment in the school to his 14-year old son KJ, following his divorce. One night, Lincoln and his son are stopped by police and an altercation leads to the fatal shooting of Lincoln’s unarmed son. Lincoln, hopeful the system will provide a trial, is dismayed to learn the officer responsible for pulling the trigger will go uncharged and will return to active duty without an indictment. Disillusioned by the fact he was denied a fair trial for the death of his only son, Lincoln desperately takes the matter into his own hands in a series of events he hopes will finally lead to justice for his son. SYNOPSIS: AMERICAN SKIN weaves a layered story in the tradition of Sidney Lumet’s 12 Angry Men and Dog Day Afternoon, that follows a Black Iraqi War Vet, who after being denied of a fair trial following the shooting death of his teenage son (his only child) by a white police officer, desperately seeks justice and accountability for his son’s death.
    [Show full text]