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•i CORNELL UNIVERSITY LIBRARY BOUGHT WITH THE INCOME OF THE SAGE ENDOWMENT FUND GIVEN IN 1 83 1 BY HENRY WILLIAMS SAGE Cornell University Library Z1023 .C89 Of the decorative illustration of books 3 1924 029 555 426 olin Cornell University Library The original of tiiis book is in tine Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924029555426 THE EX-LIBRIS SERIES. Edited by Gleeson White. THE DECORATIVE ILLUSTRATION OF BOOKS. BY WALTER CRANE. *ancf& SOJfS THE DECORATIVE OFILLUSTRATION OF BOOKS OLD AND NEW BY WALTER CRANE ^ LONDON: GEORGE BELL AND SONS YORK STREET, COVENT GARDEN, W.C. NEW YORK: 66 FIFTH AVENUE MDCCCXCVI 5 PRINTED AT THE CHISWICK PRESS BY CHARLES WHITTINGHAM & CO. TOOKS COURT, CHANCERY LANE, LONDON, E.C. PREFACE. HIS book had its origin in the course of three (Cantor) Lectures given before the Society of Arts in 1889; they have been amplified and added to, and further chapters have been written, treating of the very active period in printing and decorative book- illustration we have seen since that time, as well as some remarks and suggestions touching the general principles and conditions governing the design of book pages and ornaments. It is not nearly so complete or comprehensive as I could have wished, but there are natural limits to the bulk of a volume in the " Ex-Libris" series, and it has been only possible to carry on such a work in the intervals snatched from the absorbing work of designing. -
The Gothic Revival Character of Ecclesiastical Stained Glass in Britain
Folia Historiae Artium Seria Nowa, t. 17: 2019 / PL ISSN 0071-6723 MARTIN CRAMPIN University of Wales THE GOTHIC REVIVAL CHARACTER OF ECCLESIASTICAL STAINED GLASS IN BRITAIN At the outset of the nineteenth century, commissions for (1637), which has caused some confusion over the subject new pictorial windows for cathedrals, churches and sec- of the window [Fig. 1].3 ular settings in Britain were few and were usually char- The scene at Shrewsbury is painted on rectangular acterised by the practice of painting on glass in enamels. sheets of glass, although the large window is arched and Skilful use of the technique made it possible to achieve an its framework is subdivided into lancets. The shape of the effect that was similar to oil painting, and had dispensed window demonstrates the influence of the Gothic Revival with the need for leading coloured glass together in the for the design of the new Church of St Alkmund, which medieval manner. In the eighteenth century, exponents was a Georgian building of 1793–1795 built to replace the of the technique included William Price, William Peckitt, medieval church that had been pulled down. The Gothic Thomas Jervais and Francis Eginton, and although the ex- Revival was well underway in Britain by the second half quisite painterly qualities of the best of their windows are of the eighteenth century, particularly among aristocratic sometimes exceptional, their reputation was tarnished for patrons who built and re-fashioned their country homes many years following the rejection of the style in Britain with Gothic features, complete with furniture and stained during the mid-nineteenth century.1 glass inspired by the Middle Ages. -
English Catholic Heraldry Since Toleration, 1778–2010
THE COAT OF ARMS The journal of the Heraldry Society Fourth Series Volume I 2018 Number 235 in the original series started in 1952 Founding Editor † John P.B.Brooke-Little, C.V.O, M.A., F.H.S. Honorary Editor Dr Paul A Fox, M.A., F.S.A, F.H.S., F.R.C.P., A.I.H. Reviews Editor Tom O’Donnell, M.A., M.PHIL. Editorial Panel Dr Adrian Ailes, M.A., D.PHIL., F.S.A., F.H.S., A.I.H. Dr Jackson W Armstrong, B.A., M.PHIL., PH.D. Steven Ashley, F.S.A, a.i.h. Dr Claire Boudreau, PH.D., F.R.H.S.C., A.I.H., Chief Herald of Canada Prof D’Arcy J.D.Boulton, M.A., PH.D., D.PHIL., F.S.A., A.I.H. Dr Clive.E.A.Cheesman, M.A., PH.D., F.S.A., Richmond Herald Steen Clemmensen A.I.H. M. Peter D.O’Donoghue, M.A., F.S.A., York Herald Dr Andrew Gray, PH.D., F.H.S. Jun-Prof Dr Torsten Hiltmann, PH.D., a.i.h Prof Peter Kurrild-Klitgaard, PH.D., F.R.Hist.S., A.I.H. Elizabeth Roads, L.V.O., F.S.A., F.H.S., A.I.H, Snawdoun Herald Advertising Manager John J. Tunesi of Liongam, M.Sc., FSA Scot., Hon.F.H.S., Q.G. Guidance for authors will be found online at www.theheraldrysociety.com ENGLISH CATHOLIC HERALDRY SINCE TOLERATION, 1778–2010 J. A. HILTON, PH.D., F.R.Hist.S. -
To Illustration
Rough Index to Illustration. Up to and including issue 59 Spring 2019 (Abbasi) Wajeeha Abbasi: Graduate. 53, Winter 2017, 43. (Acheson) Inform and Inspire. Illustration in early modern printed books, by Katherine Acheson. 37, Autumn 2013, 30-35. (Acreman) Hayley Acreman: Graduate. 15, Spring 2008, 41. (Adams) Sarah Adams: Graduate. 7, Spring 2006, 40. (Aesop) Creature Constructs: illustration of Aesop, by Chiara Nicolini, 21, Autumn 2009, 30-35. (Ahmed) Revolution. Soviet Children’s Books, by Olivia Ahmed. 49, Autumn 2016, 16-23. (Akyuz) Sam Akyuz: Illustrator’s Notebook. 46, Winter 2015, 6-7. (Alcorn) Traditional Innovator: John Alcorn, by Marta Sironi. 40, Summer 2014, 24-30. (Aleda) Lara Aleda: Graduate, 66, Spring 2018, 44. (Alembic Press) Fold and New: Alembic Press, by David Bailey, 9, Autumn 2006, 42-44. (Alice) Chasing the White Rabbit: Alice in Internetland, by Chiara Nicolini. 17, Autumn 2008, 46-47. (Alice) After Tenniel. Illustrators of Alice, by Selwyn Goodacre and other articles on Alice in Wonderland. 17, Autumn 2008, 8-18 (Alice) After Tenniel – Michael Foreman. 17, Autumn 2008, 12 (Alice) After Tenniel – Arthur Rackham, by Robin Greer, 17, Autumn 2008, 13. (Alice) After Tenniel – John Vernon Lord. 17, Autumn 2008, 14 (Alice) After Tenniel – Rodney Matthews. 17, Autumn 2008, 15 (Alice) Found in Translation, Alice in foreign languages, by Mark Richards. 17, Autumn 2008, 16-18 (Alice) Curiouser and Curiouser. Russian Alices. By Ella Parry-Davies. 35, Spring 2013, 14-19. (Alice) More than meets the Eye. Ella Parry-Davies talks to Tatiana Ianovskaia. 37, Autumn 2013, 36- 39. (Alice) Colouring in Dreams. Colouring Carroll’s original illustrations, by Ian Beck. -
19Th Century English Literature, Presentation Copies, Private Press, Artists' Books, Original Art, Letters, Children's Book
LONDON BOOK FAIR 2016 19th Century English Literature, Presentation Copies, Private Press, Artists’ Books, Original Art, Letters, Children’s Books, African History, Travel, & More Pictured Above: Original Drawings by Max Beerbohm, Items 8* & 9* CURRENCY CONVERSION: $1 = £0.7 * Due to unexpected importation restrictions and fees, several items on this list are not at the fair 1. [Anvil Press] Racine, Jean; John Crowne (translator); Desmond Flower (foreword); Fritz Kredel (illustrator). Andromache: A Tragedy. Freely Translated into English in 1674 from Jean Racine's "Andromaque" Lexington KY: Anvil Press, 1986. Number 11 of 100 copies. According to an article by Burton Milward, the Anvil Press was part of the resurgence of fine press printing in Lexington, led by Joseph Graves, who was influenced and taught by Victor Hammer. The Anvil Press was unusual in that it was an association comprised of ten members, inspired and guided by Hammer and his wife, Carolyn. Their books were printed on any one of the several presses owned by members of the group, and were sold at cost. Bound with black cloth spine and red paper covered boards with red paper title label to spine. Pristine with numerous illustrations by Fritz Kredel. In matching red paper dust jacket with black title to spine and front panels. Creasing to jacket and minor wear to edges. Printed in red and black inks at the Windell Press in Victor Hammer's American & Andromaque uncial types. 51 pages. (#27468) $825 £577 1 2. [Barbarian Press] Barham, Richard; Crispin Elsted, editor and notes; Illustrated by John Lewis Roget and Engraved by the Brothers Dalziel. -
Exhibitions & Art Fairs Exhibiting
Alan J. Poole (Dan Klein Associates) Promoting British & Irish Contemporary Glass. 43 Hugh Street, London SW1V 1QJ. ENGLAND. Tel: (00 44) Ø20 7821 6040. Email: [email protected] Website: www.dankleinglass.com Alan J. Poole’s Contemporary Glass News Letter. A monthly newsletter listing information relating to British & Irish Contemporary Glass events and activities, within the UK, Ireland and internationally. Covering both British and Irish based Artists, those living elsewhere and, any foreign nationals that have ever resided or studied for any period of time in the UK or Ireland. JUNE EDITION 2015. * - indicates new or amended entries since the last edition. 2014. EXHIBITIONS, FAIRS, MARKETS & OPEN STUDIO EVENTS. 08/11/1431/08/15. “Now & Then”. inc: Guan Dong Hai, Yi Peng, Ayako Tani, Wendi Xie & Lu ‘Shelly’ Xue. The Shanghai Museum Of Glass. Shanghai. PRC. Tel: 00 86 21 6618 1970. Email: [email protected] Website: http://en.shmog.org/cp/html/?118.html 15/09/1430/08/15. “North Lands Creative Glass: A Selection Of Works From The North Lands Collection”. inc: Karen Akester, Peter Aldridge, Fabrizia Bazzo, Jane Bruce, Marianne Buus, Tessa Clegg, Katharine Coleman M.B.E., Keith Cummings, Philip Eglin, Carrie Fertig, Catherine Forsyth, Carole Frève, Catherine Forsyth, ‘Gillies · Jones’ (Stephen Gillies & Kate Jones), Mieke Groot, Diana Hobson, Angela Jarman, Alison Kinnaird M.B.E., Richard Meitner, Tobias Møhl, Patricia Niemann, Magdalene Odundo, Zora Palová, Anne Petters, Janusz Pozniak, David Reekie, Bruno Romanelli, Elizabeth Swinburne, Richard Whiteley & Gareth Williams. National Glass Centre. University Of Sunderland. Sunderland. GB. Tel: 0191 515 5555. Email: [email protected] Website: www.nationalglasscentre.com/about/whatson/details/?id=410&to=2014-10- 19%2017:00:00&from=2014-10-19%2000:00:00 2015. -
Introduction
Notes Introduction 1. The choice of literary fiction to the general exclusion of popular fiction is partly because the latter’s response to the Cold War has received some study, but also because study of the topic tends to overemphasise its source material. For example, see LynnDiane Beene paraphrased in Brian Diemert, ‘The Anti- American: Graham Greene and the Cold War in the 1950s’, in Andrew Hammond, ed., Cold War Literature: Writing the Global Conflict (London and New York: Routledge, 2006), p. 213; and David Seed, American Science Fiction and the Cold War: Literature and Film (Edinburgh: Edinburgh University Press, 1999), p. 192. 2. Caute, Politics and the Novel during the Cold War (New Brunswick and London: Transaction Publishers, 2010), p. 76. 3. Richard J. Aldrich, ‘Introduction: Intelligence, Strategy and the Cold War’, in Aldrich, ed., British Intelligence, Strategy and the Cold War, 1945–51 (London and New York: Routledge, 1992), p. 1. For useful summaries of the different schools of Cold War historiography, see S.J. Ball, The Cold War: An International History, 1947– 1991 (London and New York: Arnold, 1998), pp. 1–4; and Ann Lane, ‘Introduction: The Cold War as History’, in Klaus Larres and Lane, eds, The Cold War: The Essential Readings (Oxford and Malden: Blackwell, 2001), pp. 3–16. 4. Dwight D. Eisenhower quoted in John Lewis Gaddis, The Cold War, new edn (2005; London: Penguin, 2007), p. 123. In the mid-1940s, the US assertion that ‘in this global war there is literally no question, political or military, in which the United States is not interested’ was soon echoed by Vyacheslav Molotov’s claim that ‘[o]ne cannot decide now any serious problems of international relations without the USSR’ (quoted in Paul Kennedy, The Rise and Fall of the Great Powers: Economic Change and Military Conflict from 1500 to 2000, new edn (1987; New York: Vintage Books, 1989), p. -
Newsletter 300 AMDG Ma R C H 2 0 1 0
stonyhurst association NEWSLETTER NEWSLETTER 300 AMDG ma R C H 2 0 1 0 1 stonyhurst association FRANCIS XAVIER SCHOLARSHIPS NEWSLETTER The St Francis Xavier Award is a new scholarship being awarded for entry to NEWSLETTER 300 AMDG M A RCH 2010 Stonyhurst. These awards are available at 11+ and 13+ for up to 10 students who, in the opinion of the selection panel, are most likely to benefit from, and contribute to, life as full boarders in a Catholic boarding school. Assessments for the awards comprise written examinations and one or more interviews. CONTENTS IN THIS ISSUE Applicants for the award are expected to be bright pupils who will fully participate in all aspects of boarding school life here at Stonyhurst. St Francis Xavier Award holders will automatically benefit from a fee remission of 20% and Diary of Events 4 thereafter may also apply for a means-tested bursary, worth up to a further 50% From the Chairman 5 off the full boarding fees. Page 13: 2010 marks the 400th anniversary The award is intended to foster the virtues of belief, ambition and hard work Congratulations 6 of the death of the College founder, Robert which Francis Xavier exemplified in pushing out the boundaries of the Christian Parsons SJ, which will be celebrated on faith. We believe that a Stonyhurst education can give young people a chance to Correspondence April 29th (see p. 12). Joe Egerton calls for a reassessment of his life and work. emulate St Francis and become tenacious pioneers for the modern world. & Miscellany 7 If you have a child or know of a child who would be a potential St Francis Xavier candidate in 2011 then please do get in touch with our admissions department on Reunions & Convivia 11 01254 827073/93 or email them at [email protected]. -
Oscar Wilde & His Circle
Oscar Wilde & His Circle Catalogue 1512 Oscar Wilde & His Circle The Cohen Collection Part 1 Catalogue 1512 London Maggs Bros Ltd. MMXXI MAGGS BROS LTD., 48 BEDFORD SQUARE LONDON WC1B 3DR +44 207 493 7160 www.maggs.com Orders and enquiries to [email protected] All items are offered subject to prior sale, and sales are subject to our standard conditions of sale, not least of which is that title does not pass until payment is made in full. The full terms & conditions may be viewed at https://www.maggs.com/terms_and_conditions/ This catalogue was produced under lockdown conditions during the first year of the Great Pandemic, and its production has been a collaborative effort between Phil Cohen, Ed Maggs, Alice Rowell, Theo Miles, Ivo Karaivanov, Ashley Baynton-Williams, and all the Maggs team. - Front cover item 3 - Front endpapers from Wilde’s The House of Pomegranates,item 15 - Frontispiece, previously unpublished portrait by Vander Weyde of Lillie Langtry as Effie Deans, styled by Millais. Effectively her first stage role. Item 223. - Rear endpapers from Beardsley’s endpapers for De Vere Stacpoole’s Pierrot! A Story, item 137 - Rear cover, detail from the binding of John Gray’s Silverpoints, item 181 Contents Foreword 2 Performance History 36 John Barlas 68 Aubrey Beardsley 93 Max Beerbohm 120 Edward Carson 127 Olive Custance 134 Rudolf Dircks 135 Lord Alfred Douglas 136 Julia Frankau 144 John Gray 145 Frank Harris 165 Robert Hichens 167 Coulson Kernahan 169 Lillie Langtry 170 Stuart Merrill 177 Frank Miles 179 [Friedrich] Max Müller 182 Vincent O’Sullivan 184 Walter Herries Pollock 203 Frederick York Powell 204 Marc André Raffalovich 205 Ricketts and Shannon 206 Rennell Rodd 207 Robert Sherard 208 Reginald Turner 213 James McNeill Whistler 215 Constance Wilde 219 Theodore Wratislaw 220 Bibliographical and biographical 224 Foreword Inspired by my mentor, Professor James G. -
Rare Books, Manuscripts, Maps & Photographs
Rare Books, Manuscripts, Maps & Photographs - Including the Trevor Dawson Magic Collection (613) Wed, 30th Sep 2020, Live Online | Viewing in Edinburgh Viewing Times: Book an Appt Viewing by appt from 28-29 Sept. Lot 81 Estimate: £250 - £350 + Fees Braine, John - Lawrence Durrell - Olivia Manning - Anthony Powell - Simon Raven - L.P. Hartley 32 Books, comprising Braine, John The Vodi, 1959, signed on title, dustwrapper slightly discoloured; Life at the Top, 1962, price-clipped, short tear at head of spine; The Jealous God, 1964, price-clipped; The Pious Agent, 1975, signed; Powell, Anthony Agents and Patients, 1936, slight spotting to prelims, lacks dustwrapper; Durrell, Lawrence. Justine, 1957, initials on front pastedown, lacks dustwrapper; Balthazar, 1958, dustwrapper frayed; Clea, 1960, dustwrapper slightly marked, edges bit spotted; Manning, Olivia The Remarkable Expedition, 1952, dustwrapper frayed, price clipped and a little soiled; The Doves of Venus, 1955, inscription (not from author) on endpaper and title, lacks dustwrapper; The Battle Lost and Won, 1978, dustwrapper spine faded; Raven, Simon Friends in Low Places, 1965, dustwrapper price clipped and a trifle rubbed; Fielding Gray, 1967, dustwrapper slightly torn at head of spine, spine slightly faded; Places where they Sing, 1976, inscribed to Harry Golombek [British Chess Champion & author of chess books] and with A.L.S., discussing chess, loosely inserted, dustwrapper slightly rubbed at head and base; Sound the Retreat, 1971, inscribed to Andrew and Brenda, dustwrapper slightly frayed at spine ends; An Inch of Fortune, 1980,, signed copy; Morning Star, 1984, signed copy; September Castle, 1983, signed copy, pages discoloured (as usual), spine slightly faded; Before the Cock Crow, 1986; The Old Gang, 1988, inscribed, pages discoloured (as usual); Hartley, L.P. -
Horndean Parish Village Design Statement
Blendworth Church Horndean Parish Village Design Statement 1. Introduction 1.1. What is a village design statement 1.5. Who is it for? (VDS)? It is intended for: Village design statements are intended to provide design • Local householders and businesses; guidance for any proposals for development and to influence • Statutory bodies and providers of services and utilities; the way the planning decisions are made. • Local councils; • South Downs National Park Authority; • Developers and builders; 1.2. Why produce a VDS for Horndean Civil • Architects, designers, planners and engineers. Parish? The aim of the VDS is to raise awareness of what is special 1.6. What does it cover about the area, give guidance on respecting these features The VDS contains the following sections: and help to ensure that any development or change is only 1. Introduction; undertaken after consideration of these features. 2. Heritage, including; the history of the parish, conservation areas, historic buildings and 1.3. How has it been produced? archaeological sites; 3. Settlement pattern; The VDS has been produced by residents of the parish with 4. Horndean’s natural heritage; the support of Horndean Parish Council and East Hampshire 5. Environmental issues; District Council. It is the result of public consultation 6. Roads traffic and transport; involving the whole parish at all stages including: 7. Commerce; • Public meetings, exhibitions and displays; 8. Recommendations and design guidelines; • Opportunities for residents to comment on a draft A. Appendix of supporting information; version; B. Appendix listing documents used for reference during • Consultation with district council planning officers. the preparation of the statement plus contact details for further information; 1.4. -
Alms for Oblivion Vol. II
fdgkL (Read now) Alms for Oblivion Vol. II. Online [fdgkL.ebook] Alms for Oblivion Vol. II. Pdf Free Simon Raven audiobook | *ebooks | Download PDF | ePub | DOC Download Now Free Download Here Download eBook #2409065 in Books 2012-05-01Format: International EditionOriginal language:EnglishPDF # 1 7.80 x 1.46 x 5.08l, 1.11 #File Name: 0099561336848 pages | File size: 27.Mb Simon Raven : Alms for Oblivion Vol. II. before purchasing it in order to gage whether or not it would be worth my time, and all praised Alms for Oblivion Vol. II.: 1 of 1 people found the following review helpful. Brilliantly comic, sharp and bitingBy J C E HitchcockApart from ldquo;Sound the Retreatrdquo;, set in 1945-6, the novels in this volume advance Simon Ravenrsquo;s ldquo;Alms for Oblivionrdquo; sequence through the sixties and into the seventies. ldquo;The Judas Boyrdquo; is set in 1962. Tom Llewyllyn, now a producer at the BBC, commissions his friend Fielding Gray, now a writer, to make a documentary about the Cypriot independence struggle, a conflict in which Gray himself took part and was injured. On arrival on Cyprus, however, Fielding discovers that there are powerful forces, among them Somerset Lloyd-James (now an MP) and the American spy Earle Restarick, who have secrets to hide and are determined to prevent his programme from being made.Although the sequence makes use of the device of recurring characters, Raven uses a wide variety of settings, both in terms of geography and in terms of subject-matter. ldquo;Places Where They Singrdquo;- the title is taken from an instruction in the Book of Common Prayer- is a ldquo;campus novelrdquo; set against a background of student radicalism in the Cambridge of 1967.