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Hofer-Filmtage-54-Katalog.Pdf Eine riesige südafrikanische Wüste, dahinter ein At the edge of the South African desert, Benjamin Rost tiefes, kaltes Meer: Hier graben Hunderte von bordered by a deep cold sea, hundreds of jungen Männern nach den reinsten Diamanten young men dig illegally for the purest diamonds DCP, Farbe, 73min der Welt. Eine poetische Reise durch Wüste, in the world. A poetic journey through the Dolby 5.1 engl./afri./xh./Zulu OF m. engl. UT Wind und Sand. desert, the wind and the sand. A PORTRAIT ON Deutschland/Südafrika 2020 STATEMENT STATEMENT „Ich habe zwischen 2017 und 2019 in Johannes- “I lived in Johannesburg and Rwanda between THE SEARCH FOR burg und Ruanda gelebt. Als ich für einen 2017 and 2019. While working for a youth Jugendfernsehkanal arbeitete, der von der television channel financed by the German Deutschen Entwicklungsorganisation GIZ development organization GIZ, I unexpectedly finanziert wurde, traf ich unverhofft auf met influential diamond traders in the border HAPPINESS einflussreiche Diamanttrader in der Grenzregion region to the Congo and in the South African zum Kongo und auch im südafrikanischen diamond ‘El Dorado’ Namaqualand. In 2018 Diamant-El-Dorado Namaqualand. 2018 I went back there with the plan to process ging ich mit dem Plan dorthin zurück, meine my experiences with diamond traders in a Erfahrungen mit Diamantenhändlern in einem poetic film about the almost dead diamond poetischen Film über das fast gestorbene mining village Port Nolloth at the edge of Diamanttaucherdorf Port Nolloth am Rande des the ocean. There, unexpectedly, something Ozeans zu verarbeiten. Da passierte unerwartet historic happened: a few kilometers from the etwas Historisches: ein paar Kilometer vom village, a new diamond rush suddenly erupted. Dorf entfernt bricht ein neuer Diamantrausch A handful of people occupy a former mine plötzlich aus. Eine Handvoll Menschen besetzen in the middle of the desert. Dozens quickly eine ehemalige Mine mitten in der Wüste. Aus become hundreds, then thousands. They work Dutzenden werden schnell Hunderte, dann hard to find these precious stones, which Tausende. Sie arbeiten hart daran, diese Steine are often only millimeters in size. They dig zu finden, die oft nur Millimeter groß sind. with their bare hands. I saw it as my duty and Sie graben mit bloßen Händen. Ich sah es als responsibility to document these events. [...] Pflicht und Verantwortung an, diese Ereignisse Over time, our filming crystallized further and festzuhalten. […] Unsere Dreharbeiten further away from a documentary portrait into a kristallisierten sich mit der Zeit immer weiter kaleidoscopic allegory of capitalism: a snapshot weg von einem dokumentarischen Porträt hin of a place and its people on the other side of zu einer kaleidoskopischen Allegorie auf den the world that makes us think about our own – Documentary Kapitalismus: die Momentaufnahme eines Ortes dreams, our pursuit of happiness and the price und seiner Menschen auf der anderen Seite we pay for it.” der Erde, die uns über unsere eigenen Träume, Benjamin Rost unser Streben nach Glück und den Preis dafür nachdenken lässt.“ Benjamin Rost Dokumentarfilm Eine Produktion von STAB / CREW MSZ Buch BIO-FILMOGRAFIE KONTAKT BENJAMIN ROST BENJAMIN ROST EVA STEEGMAYER Kamera FILMAKADEMIE JOHANNES GREISLE Geboren 1987 in Augsburg. Studium an BADEN-WÜRTTEMBERG Schnitt der Bayerischen Akademie für Fern- Akademiehof 10 ROBIN JÜNKERSFELD sehen (BAF). Studium der Philosophie D-71638 Ludwigsburg Ton in München und Studium an der Film. [email protected] DAVID KALLA, ELMAR SZÜCS akademie Baden-Württemberg. Tätig als Musik Dokumentarfilmregisseur für Kino und PHILIP MILLER Fernsehen. Redaktion Born in 1987 in Augsburg. Studied at FILME MARCUS VETTER the Bavarian Television Academy (BAF), Co-Produzent followed by studies in Philosophy in 2015 DIE BESCHÜTZER, Kurzfilm DON EDKINS Munich and studies at the Film Academy 2018 NACHTWANDERER, Dokumentarfilm Produzent Baden-Württemberg. Active as a docu- ELLA, Kurzfilm MARK SZILAGYI mentary filmmaker for the cinema and 2020 A PORTRAIT ON THE SEARCH FOR television. HAPPINESS, Dokumentarfilm HOF 2020 80 81 Ein Streifzug durch die leeren Räume eines Ventures through an abandoned office building in Laura Andreß, verlassenen Bürokomplexes in Wien, Österreich: Vienna, Austria. Room by room, a young woman Victoria Halper, Raum für Raum treffen wir auf verschiedenste encounters various “witnesses of death”: a doctor, Kai Krösche „Zeugen des Todes“: eine Ärztin, einen Sohn, eine a son, a big sister, a terminally-ill woman and other große Schwester, eine todkranke Frau und andere people sharing their encounters with death. A DCP, Farbe, 99min Betroffene, die ihre eigenen, ganz persönlichen contemplative dance-of-death from the first person Dolby 5.1 Erfahrungen mit dem Tod teilen. Ein nachdenklicher perspective on dying, death and transience: filmed dt. OF m. dt. und engl. UT Totentanz in der Egoperspektive, der wahre during the Corona virus lockdown in April 2020. Geschichten Betroffener dokumentiert und uns mit Österreich 2020 individuellen Perspektiven auf Tod, Sterben und AUSGANG: OFFEN Vergänglichkeit konfrontiert; gefilmt in den Wochen des coronavirusbedingten Lockdowns im April 2020. STATEMENT STATEMENT EXIT: OPEN „Für kaum einen Begriff kennen wir so viele „For no other concept in the world are there as many Euphemismen wie für den Tod: Instinktiv meidet der euphemisms as for “death”: instinctively, people avoid Mensch das Tote und versucht, es an die Ränder death, they try to make it invisible and push the dead des Wahrnehmbaren zu drängen. Mit der nach wie to the fringes of perception. Then came Covid-19 and vor weltweit wütenden Covid19-Pandemie wurde the topic of death was everywhere, becoming our der Tod spürbarer denn je zum ständigen Begleiter. constant companion. Despite its permanent presence Aber trotz seiner medialen Dauerpräsenz stellt das in the media, talking about one’s own impending Sprechen über den eigenen bevorstehenden Tod death and personal experiences of mourning is still a und persönliche Trauererfahrungen für viele nach sensitive issue for many people. Originally conceived wie vor eine sensible Angelegenheit dar. AUSGANG: as a live performative installation, OFFEN – konzipiert lange vor Corona als installative EXIT: OPEN strives to confront the audience with Live-Performance – entstand aus dem Wunsch, unser an undisguised intimacy while dealing with death Publikum in unverhüllter Intimität mit persönlichen and dying. During the lockdown the cancelled Erfahrungen mit Tod und Sterben zu konfrontieren. performance was adapted into a film, replacing the Da das Projekt nicht in seiner ursprünglichen Form audience with the camera’s eye, confronting the stattfinden konnte, wir die bohrenden Fragen rund viewer with the topic many of us would like to avoid um das Thema aber relevanter denn je fanden, face-to-face.“ erarbeiteten wir einen Film, der die intimen Begegnungen durch das Kameraauge erleben lässt.“ Laura Andreß & Victoria Halper & Kai Krösche Laura Andreß & Victoria Halper & Kai Krösche – Documentary BIO-FILMOGRAFIE FILME LAURA ANDRESS LAURA ANDRESS Geboren 1991 in Linz. Studium 2020 AUSGANG: OFFEN (Co-Regie) der Theater-, Film- und dokumentarischer Spielfilm Medienwissenschaft in Wien. HOF 2020 Dokumentarfilm Masterstudium der Dramaturgie an der Hochschule für Schauspielkunst KAI KRÖSCHE “Ernst Busch” in Berlin. Tätig als 2010 KASIMIR UND KAROLINE, freie Dramaturgin, Regisseurin und TV-Kurzfilm Produktionsleiterin für Film und 2011 HALLO SÄUGLING, Kurzfilm Theater. 2020 GEGENSCHEIN, Kurzfilm AUSGANG: OFFEN (Co-Regie) Born in 1991 in Linz/Austria. dokumentarischer Spielfilm Studied Theater, Film and Media BIO-FILMOGRAFIE BIO-FILMOGRAFIE HOF 2020 Eine Produktion von STAB / CREW DARSTELLER / ACTORS Studies in Vienna, followed by a KAI KRÖSCHE VICTORIA HALPER DARUM Master’s Degree in Dramaturgy VICTORIA HALPER Buch DARUM LAURA ANDRESS, Junge Frau RUTH BILLER from the “Ernst Busch” Academy Geboren 1985 in Düsseldorf. Geboren 1988 in Toronto. 2011 TURNING POINT, Kurzfilm KONTAKT VICTORIA HALPER, KAI KRÖSCHE Ärtztin SOPHIE ZWÖLFER of Dramatic Arts in Berlin. Active Studium der Theater-, Film- Schauspiel- und Regiestudium 2014 KOMMISSAR TALER, Spielfilm DARUM Kamera ALI ANDRESS Bestatterin JASMIN KREUZER as a freelance script consultant, und Medienwissenschaft und an der University of Toronto. 2017 WEIHNACHTSGANS (Co-Regie), director and production manager Löblichgasse 6/13 Schnitt VICTORIA HALPER Begleiter GEORG PARLOW Philosophie in Wien. Arbeit Arbeit als Regieassistentin, experimenteller Kurzfilm for film and theater. A-1090 Wien Szenenbild JOHANNES WECKL, Schwester EMMA WIEDERHOLD als Drehbuchautor sowie als Produktionsleiterin sowie als 2020 AUSGANG: OFFEN (Co-Regie) Theater- und Filmkritiker, Filmregisseurin und Cutterin. dokumentarischer Spielfilm [email protected] SOPHIA LINHART Vorbereitete CAROLINE S. Realisierung eigener Theater- Tätig als freie Regisseurin in einem HOF 2020 Kostüme JOHANNES WECKL, SOPHIA Rückkehrer FRANZ HAMMERBACHER und Performanceprojekte. Tätig Experimentierfeld zwischen Formen LINHART, DARUM LAURA ANDRESS, Beifahrerin BRIGITTE ZOLLES als Film- und Theaterregisseur, der darstellenden Kunst, der installativen VICTORIA HALPER, Sterbender ROBERT N. Videokünstler und Musiker. Videokunst und des Films. KAI KRÖSCHE Frau in Rot LAURA ANDRESS Born in 1985 in Düsseldorf. Born in 1988 in Toronto/Canada. Maske VICTORIA HALPER Frau in Schwarz VICTORIA HALPER Studied Theater, Film and Media Studied Acting
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