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An Appreciation of the Place, People And
PENLLERGARE: AN APPRECIATION OF THE PLACE, PEOPLE AND CONTEXT A SYNOPSIS OF THE REPORT PREPARED BY JEFF CHILDS FOR THE PENLLERGARE TRUST March 2004 NOTE This synopsis comprises the abridged Preface and Statements of Significance (which concluded each section), together with the General Conclusions of the Report, which – in two volumes – is available for public reference in the West Glamorgan Archive Service, County Hall, Swansea: Reference [GB216] D/D PT. Ymddiriedolaeth Penllergare – The Penllergare Trust Coed Glantawe Esgairdawe Llandeilo SA19 7RT Telephone: 01558 650735 or Email [email protected] July 2004 PREFACE This work has been commissioned by the Penllergare Trust, in furtherance of its primary objectives to protect, conserve, restore and maintain the cultural landscape of Penllergare for public benefit. It sets out to examine a remarkable estate which has to all intents and purposes been forgotten by contemporaries, in some respects scandalously so. Penllergare has been described as ‘a secret and magic place’ (John Brown and Company, Landskip and Prospect, p. 12) but this epithet scarcely does justice to what, in past times, was testimony to ‘spirited improvement’ on a grand, indeed exceptional, scale as well as the creativity, innovation, energy and ambition of its owners. Any study of Penllergare invariably focuses on the series of dramatic physical changes initiated by the Dillwyn Llewelyn family primarily from the fourth decade of the nineteenth century although, again, such an emphasis underplays the overall longevity and significance of the estate whose origins go back much earlier. At its zenith, the Penllergare estate was an outstanding example of a picturesque, romantic landscape created for the enjoyment of its owners. -
Conservation Management Plan October 2008
Penllergare Cadwraeth Cynllun Rheolaeth Hydref 2008 Conservation Management Plan October 2008 Ymddiriedolaeth Penllergare The Penllergare Trust Penllergare Cadwraeth Cynllun Rheolaeth Hydref 2008 Conservation Management Plan October 2008 Ymddiriedolaeth Penllergare The Penllergare Trust Penllergare Valley Woods PEN.060 __________________________________________________________________________________________ CONTENTS EXECUTIVE SUMMARY • CRYNODEB GWEITHREDOL ACKNOWLEDGEMENTS 1.0 INTRODUCTION 2.0 METHODOLOGY 3.0 SUMMARY HISTORY AND ANALYSIS 4.0 SITE CONTEXT 5.0 SIGNIFICANCE AND OBJECTIVES 6.0 GENERAL POLICIES AND PROPOSALS 7.0 AREA PROPOSALS FIGURES 1. Site Location and Context 2. Bowen’s and Yates’s county maps, 1729 and 1799 3. The Ordnance Survey Surveyor’s Drawing, 1813 4. The Ordnance Survey Old Series map, 1830 5. Tithe Map, 1838 6. The Garden 7. The Waterfall 8. The Upper Lake 9. The Valley 10. The Lower Lake 11. The Drive 12. The Quarry 13. The Orchid House 14. Fairy Land, The Shanty and Wigwam 15. Panorama of Penllergare 16. Ordnance Survey six-inch map, frst edition, 1875-8 17. Ordnance Survey 1:2500 map, second edition, 1898 18. Ordnance Survey 1:2500 map, third edition, 1916 19. Ordnance Survey 1:2500 map, fourth edition, 1936 20. Air Photograph, 1946 21. Ownership 22. Location of Sites and Monuments surveyed by Cambria Archaeology 23. Simplifed Ecological Habitats, 2002 __________________________________________________________________________________________ The Penllergare Trust 1 Nicholas Pearson Associates Ltd. Conservation -
The Journal of Lewis Llewelyn Dillwyn
The Dillwyn Collection The Journals of Lewis Llewelyn Dillwyn (b.1814 d.1892) Transcribed by Richard Morris ©Richard Morris and the family of Lewis Llewelyn Dillwyn The unpublished journals of Lewis Llewelyn Dillwyn from 1833 to 1892 have been transcribed by Richard Morris and are made available for academic and research use. Copyright in the diaries remains with the family and requests for other use or further publication should be made to the address below. Note: This is a working edition of the journals that have been transcribed over a number of years by Richard Morris. This edition includes inconsistencies in presentation and orthography – in part due to inconsistencies in the originals. This work is presented to aid research into the Dillwyn family and related topics. It is part of an ongoing project that aims in the future to bring together a number of diaries and to convert them to modern, marked-up formats that will allow more powerful features and searching. For further information on this and other collections please visit: www.swansea.ac.uk/lis/historicalcollections Contact Information: Archives Library and Information Services Swansea University Singleton Park Swansea SA2 8PP [email protected] Journal1860 Hendrefoilan January January 1. Sunday - Mild. Wind high. S.W. mild driving rain - a.m. remained at home. P.M. to Sketty and spent the afternoon there - home to dinner at 7 P.M. - January 2. Monday Fine on the whole but wild & unsettled; Wind S.W. a.m. to Swansea with Amy - P.M. rode with Bessie - January 3. Tuesday Wind S.W. -
Cymmrodorion Vol 25.Indd
47 PIONEERS AND RADICALS: THE DILLWYN FAMILY’S TRANSATLANTIC TRADITION OF DISSENT AND INNOVATION Kirsti Bohata Abstract The Dillwyn family made a significant contribution to the commercial, industrial, and artistic development of the city of Swansea in the eighteenth and nineteenth century. Their legacy remains not only in their published works but also in a number of street names and placenames in Swansea and its surrounding areas. This paper looks at the work of key members of the Dillwyn family, beginning with the American abolitionist, William Dillwyn, and his wider family. As practising Quakers, the Dillwyns were driven by a particular work ethic that was both industrious and unconventional. The paper focuses on the pioneering accomplishments of the Dillwyn women, including the author Amy Dillwyn. The Dillwyns were pioneers. In science and the arts, in national politics and civic life, in industry and entrepreneurship, they were innovators and reformers. Guided by a Quaker ethos of individual industry and collective duty, this was a family of independent and unconventional thinkers. The achievements of the men are best understood in terms of their extraordinary abilities as networkers and collaborators. Recognising the significance of networks rather than individual exceptionalism enables us to focus on a nexus of scientific, industrial and political activity in which the Dillwyns were pivotal participants and generous facilitators. The women, on the other hand, while benefitting from a supportive family environment, have tended to be iconoclasts – independent thinkers and actors willing to take a sometimes lonely stand. It would be possible to dedicate an entire study to any one member of a family that, as David Painting remarked, pursued ‘a lifestyle that converted almost unlimited leisure into quite exceptional creativity. -
Additional Information on NLW Photo Album 1 © LLGC/NLW 2010 1 the Toogoods, (Spelled Towgood Now, but Pronounced Too…) Were Related to Matthew Moggridge
National Library of Wales, Photograph Album 1 - Additional notes supplied by Mr Richard Morris of Swansea. Note: Bold text denotes an original title in another album (Photographs are numbered as they appear in the gallery) 1. [Two boys with stuffed cockatoo] It is very likely that the boys are John Traherne Moggridge and Weston Moggridge, the sons of Fanny (nee Dillwyn) and Matthew Moggridge. 4. Mr Moggeridge Matthew Moggridge, husband of Fanny 5. [Two young girls in a window, Sarah Moggridge on the right] Girl on the left unkown, but possibly another Moggridge daughter called Wyn. 6. Mr Moggeridge Matthew Moggridge 7. [Still life] There are a number of variants on this pose, some called ‘Rosa Ruga’. Photographer: John Dillwyn Llewelyn. 8. Oystermouth Caslte Oystermouth Castle. Collodion negative. Photographer: Mary Dillwyn 1853 10. [Boy, sitting and reading a book] Probably one of the Moggridge boys (similar to one of the boys in No 1). 12. John Dillwyn Llewelyn by MD 1853. Collodion negative. 14. Sarah Moggeridge at the right. Ellen Toogood on the left. Additional information on NLW Photo Album 1 © LLGC/NLW 2010 1 The Toogoods, (spelled Towgood now, but pronounced Too…) were related to Matthew Moggridge. 15. Caroline Eden, Mary Dillwyn, Eta Vivian by MD 1854. Collodion negative 17. [Fanny Moggridge with John Traherne, Weston and Sarah] This image also appears in a small album that was likely to have been taken by Thereza Dillwyn Llewelyn. Collodion negative (Negative held in the archive of the National Museums and Galleries of Wales) 18. [Pigeons in cage] Same image is in NLW Photograph Album 3900 19. -
Geoffrey Batchen
The Art of the Cameraless Photograph Geoffrey Batchen DelMonico Books • Prestel Govett-Brewster Art Gallery munich london new york new plymouth, new zealand Emanations The Art of the Cameraless Photograph GEOFFREY BATCHEN 4 “The realists (of whom I am one) . do not take sentation and allowed instead to become a searing index the photograph for a ‘copy’ of reality, but for of its own operations, to become an art of the real. an emanation of past reality, a magic, not an art.” This freedom has sometimes come at a cost. Histories —ROLAND BARTHES1 of photography have traditionally favoured camera-made pictures, almost always beginning with accounts of the Stark white against a blue background, the spindly plant, camera obscura and with efforts to capture automatically a sprig of chamomile, strains upward, its flower pet- the images seen in it. Cameraless photographs are treated als spread as though reaching for the sun (FIG. 1). It’s a as second-class citizens in such histories, with Nicéphore cyanotype contact photograph of this plant, made by a Niépce’s view from his studio window regularly touted as now-unknown amateur naturalist in about 1900.2 It was the earliest extant photograph, despite the fact that there produced on postcard stock, with designated spaces for exist earlier photographic contact prints made by this correspondence and an address printed on the back, thus same inventor. In 1989, John Szarkowski stated this preju- allowing it to be sent to a friend or family member. The dice as a matter of fact: “the camera is central to our un- plant specimen would have been placed directly on the derstanding of photography . -
Penlle'rgaer Estate Records, (GB 0210 PENAER)
Llyfrgell Genedlaethol Cymru = The National Library of Wales Cymorth chwilio | Finding Aid - Penlle'rgaer Estate Records, (GB 0210 PENAER) Cynhyrchir gan Access to Memory (AtoM) 2.3.0 Generated by Access to Memory (AtoM) 2.3.0 Argraffwyd: Mai 04, 2017 Printed: May 04, 2017 Wrth lunio'r disgrifiad hwn dilynwyd canllawiau ANW a seiliwyd ar ISAD(G) Ail Argraffiad; rheolau AACR2; ac LCSH This description follows NLW guidelines based on ISAD(G) Second Edition; AACR2; and LCSH https://archifau.llyfrgell.cymru/index.php/penllergaer-estate-records archives.library .wales/index.php/penllergaer-estate-records Llyfrgell Genedlaethol Cymru = The National Library of Wales Allt Penglais Aberystwyth Ceredigion United Kingdom SY23 3BU 01970 632 800 01970 615 709 [email protected] www.llgc.org.uk Penlle'rgaer Estate Records, Tabl cynnwys | Table of contents Gwybodaeth grynodeb | Summary information .............................................................................................. 3 Hanes gweinyddol / Braslun bywgraffyddol | Administrative history | Biographical sketch ......................... 3 Natur a chynnwys | Scope and content .......................................................................................................... 4 Trefniant | Arrangement .................................................................................................................................. 4 Nodiadau | Notes ............................................................................................................................................ -
“The Dillwyn Dynasty” by Dr David Painting
“The Dillwyn Dynasty” by Dr David Painting A lecture given at the Dillwyn Day: Science, Culture, Society 22 June 2012, organised by the Learned Society for Wales and CREW, Swansea University at the National Waterfront Museum, Swansea. It is now nearly 50 years since Professor Ieuan Gwynedd Jones first pointed out how little attention had been paid to one of the most important families in 19th century Wales, to what he called that immigrant family, the Dillwyns of Swansea. Admittedly they were commemorated in familiar street names in the town (as it then was) but beyond that they remained rather shadowy figures, hovering vaguely in the memories of some very senior citizens and obviously people of some significance but otherwise largely forgotten. But who were the Dillwyns of our Dillwyn Roads and our Dillwyn Streets? So, today, I believe for the first time, we shall devote a whole day to the Dillwyns, looking in detail at the remarkable extent and variety of their contribution to the cultural history of South Wales and beyond, and hoping to show how they deserve the attention and even the gratitude of their fellow countrymen and women. It would be impossible to tell the story of every member of that family but I have chosen those who stand out from the crowd and one way of doing that is to speak of those who have found their way into the prestigious Oxford Dictionary of National Biography, the DNB. To have an entry in the DNB is a sure sign that some historical figures has made his or her mark, however large or small, but for one Welsh family to have five or possibly six entries is unusual to say the least. -
October 2015
Friends’ Newsletter and Magazine October 2015 1 A MESSAGE TO FRIENDS travels in South Wales, which you may remember we featured in an earlier edition of this Newsletter. The front and back covers celebrate two recent discoveries in Wales which are of international importance. The front All of us play a part in supporting Amgueddfa Cymru cover shows an artist’s impression of a new species of through our membership of the Friends. However, there dinosaur. Its skeleton was found by two brothers, who are are other ways and we have a piece setting out what it amateur fossil hunters, after a rock-fall along part of the means to become a Patron of the Museum. Then there is Glamorgan Heritage Coast and they have generously do- an item about a little known piece of War War I history: nated their find to the Museum. The back cover shows a the trains, known as the ‘Jellicoe Specials’ that carried detail of a medieval painting that is being gradually re- South Wales coal to the ships at Scapa Flow. Finally, there vealed in Llancarfan Church in the Vale of Glamorgan. is a piece about the Young Archaeologists Club (YAC). You can read more about both in an article entitled Cover This year marks their 20th anniversary and I am pleased to Stories. have an item about the organisation and about how Muse- um staff are helping to motivate archaeologists of the Another important find was recently made by archaeolo- future as well as simply inspiring young people to take an gists at National Roman Legion Museum and is the subject interest in our past. -
Gerddi Volume 5
Gerddi The Journal of the Welsh Historic Gardens Trust Cylchgrawn Ymddiriedolaeth Gerddi Hanesyddol Cymru Volume/Rhif V 2008-09 Copyright © 2009 ISSN 1366-686X Published by the Welsh Historic Gardens Trust All Rights Reserved. No part of the contents of this publication may be reproduced or transmitted in any form or by any means without the written permission of the publisher. Opinions expressed by the authors do not necessarily represent those of the Trust. Applications for membership to the Trust should be addressed to Andrea Dudley, The Bothy, Aberglasney, Llangathen, Carmarthenshire SA32 8Q 01558 668 485 [email protected] 2 Contents Chairman’s Preface 3 Editorial 4 Contents 5 List of illustrations 6 1. ‘ ‘ Sweetly variegated with culture and woods ’: the gardens and landscape at Penpont, Breconshire 1666-1783’, by J .P.D.Williams 7-25 2. ‘The Orchideous House of John Dillwyn Llewelyn, Penllergare ’, 26-44 by Richard L.Morris with an Appendix on the Earliest Description of 1837 , by C.Stephen Briggs 38-41 3. ‘The Hafod Archaeological Guidelines’, by Brian Dix 45-53 4. ‘Ruperra, Glamorgan: from Prehistory to Public Inquiry 2009 ’, 54-70 by P. Jones-Jenkins with a Footnote on the Early Ruperra Formal Landscape by C.Stephen Briggs 70-72 5. ‘Garden Topiary and Ornamental Shrub-Cutting on Welsh Post Cards’, by C.Stephen Briggs and Peter E.Davis 73-90 Biographical Notes on Contributors 91 Index 92-94 Notes for Contributors 95-96 3 Foreword by Michael Tree, Chairman of The Welsh Historic Gardens Trust While we introduced Gerddi IV in colour with some mild apprehension late in 2006, we need not have worried, for the new format and editorial style were well received. -
Annual Report 2018
2018 ANNUAL REPORT ART & EDUCATION W. Russell G. Byers Jr. BOARD OF TRUSTEES COMMITTEE Buffy Cafritz (as of September 30, 2018) Frederick W. Beinecke Calvin Cafritz Chairman Leo A. Daly III Earl A. Powell III Gregory W. Fazakerley Mitchell P. Rales Juliet C. Folger Sharon P. Rockefeller Marina Kellen French David M. Rubenstein Norma Lee Funger Andrew M. Saul Whitney Ganz Sarah M. Gewirz FINANCE COMMITTEE Lenore Greenberg Mitchell P. Rales Andrew S. Gundlach Chairman Jane M. Hamilton Steven T. Mnuchin Secretary of the Treasury Richard C. Hedreen Teresa Heinz Frederick W. Beinecke Sharon P. Rockefeller Frederick W. Beinecke Sharon P. Rockefeller Helen Lee Henderson Chairman President David M. Rubenstein Betsy K. Karel Andrew M. Saul Kasper Linda H. Kaufman Kyle J. Krause AUDIT COMMITTEE David W. Laughlin Andrew M. Saul Chairman Reid V. MacDonald Frederick W. Beinecke Nancy Marks Mitchell P. Rales Jacqueline B. Mars Sharon P. Rockefeller Constance J. Milstein David M. Rubenstein Scott Nathan Mitchell P. Rales David M. Rubenstein John G. Pappajohn Sally Engelhard Pingree TRUSTEES EMERITI William A. Prezant Julian Ganz, Jr. Diana C. Prince Alexander M. Laughlin Hilary Geary Ross David O. Maxwell Roger W. Sant Victoria P. Sant † Thomas A. Saunders III John Wilmerding Fern M. Schad Leonard L. Silverstein † EXECUTIVE OFFICERS Albert H. Small Frederick W. Beinecke Michelle Smith President Andrew M. Saul John G. Roberts Jr. Benjamin F. Stapleton III Chief Justice of the Earl A. Powell III United States Director Stephen G. Stein Franklin Kelly Luther M. Stovall Deputy Director and Alexa Davidson Suskin Chief Curator Diana Walker Darrell R. -
XRP Box List for PDF ER and DC Edits
The V&A box list of paper-based photography in the Royal Photographic Society Collection The Word and Image Department May 2018 Overview The list of paper-based photography is organised as follows: XRP 1 to XRP 644 are organised alphabetically by photographer’s surname or organisation XRP 645 to XRP 687 are outsized prints organised alphabetically by photographer’s surname or organisation XRP 688 to XRP 878 are photographic albums XRP 879 to XRP 904 contain the journal Camera Work XRP 921 to XRP 932 are portraits, mainly of RPS fellows XRP 933 to XRP 978 are the work of Joan Wakelin XRP 979 to XRP 1010 are the work of John Hinde Ltd XRP 1011 to XRP 1027 are the Du Mont book collection XRP 1028 to XRP 1047 are works from the National Photographic Record XRP 1134 to XRP 1150 contain the Tyng collection of photographic prints XRP 1151 to XRP 1516 are miscellaneous photographic prints and other material including large outsized prints, framed prints, exhibition work and RPS archival material. XRP 1 Photographic prints by Vincent B. Abbott, Yarnall C. Abbott, Gordon C. Abbott, A. N. Acraman, Ansel Adams, Gilbert Adams, J.A.R. Adams, Marcus Adams and Richard Almond. AVAILABLE TO ISSUE XRP 2 Photographic prints by Marcus Adams, Joan H. Alexander and Aero Films LTD, including an aerial photographic negative of Boston. AVAILABLE TO ISSUE 1 XRP 3 Photographic prints by John. H. Ahern, Rao Sahib Aiyar, G.S. Akaksu, W.A. Alcock, R.F. Alderton, L.E. Aldous, Edward Alenius, B. Alfieri (snr), B.