“The Dillwyn Dynasty” by Dr David Painting
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Report of the Cabinet Member for Investment, Regeneration and Tourism
Report of the Cabinet Member for Investment, Regeneration and Tourism Cabinet – 18 March 2021 Black Lives Matter Response of Place Review Purpose: To provide an update on the outcomes of the Review previously commissioned as a result of the Black Lives Matter Motion to Council and seek endorsement for the subsequent recommendations. Policy Framework: Creative City Safeguarding people from harm; Street Naming and Numbering Guidance and Procedure. Consultation: Access to Services, Finance, Legal; Regeneration, Cultural Services, Highways; Recommendation: It is recommended that Cabinet:- 1) Notes the findings of the review and authorises the Head of Cultural Services, in consultation and collaboration with the relevant Cabinet Members, to: 1.1 Commission interpretation where the place name is identified as having links to exploitation or the slave trade, via QR or other information tools; 1.2 Direct the further research required of the working group in exploring information and references, including new material as it comes forward, as well as new proposals for inclusion gleaned through collaboration and consultation with the community and their representatives; 1.3 Endorse the positive action of an invitation for responses that reflect all our communities and individuals of all backgrounds and abilities, including black history, lgbtq+ , cultural and ethnic diversity, in future commissions for the city’s arts strategy, events and creative programmes, blue plaque and other cultural activities; 1.4 Compile and continuously refresh the list of names included in Appendix B, in collaboration with community representatives, to be published and updated, as a reference tool for current and future opportunities in destination/ street naming. -
An Appreciation of the Place, People And
PENLLERGARE: AN APPRECIATION OF THE PLACE, PEOPLE AND CONTEXT A SYNOPSIS OF THE REPORT PREPARED BY JEFF CHILDS FOR THE PENLLERGARE TRUST March 2004 NOTE This synopsis comprises the abridged Preface and Statements of Significance (which concluded each section), together with the General Conclusions of the Report, which – in two volumes – is available for public reference in the West Glamorgan Archive Service, County Hall, Swansea: Reference [GB216] D/D PT. Ymddiriedolaeth Penllergare – The Penllergare Trust Coed Glantawe Esgairdawe Llandeilo SA19 7RT Telephone: 01558 650735 or Email [email protected] July 2004 PREFACE This work has been commissioned by the Penllergare Trust, in furtherance of its primary objectives to protect, conserve, restore and maintain the cultural landscape of Penllergare for public benefit. It sets out to examine a remarkable estate which has to all intents and purposes been forgotten by contemporaries, in some respects scandalously so. Penllergare has been described as ‘a secret and magic place’ (John Brown and Company, Landskip and Prospect, p. 12) but this epithet scarcely does justice to what, in past times, was testimony to ‘spirited improvement’ on a grand, indeed exceptional, scale as well as the creativity, innovation, energy and ambition of its owners. Any study of Penllergare invariably focuses on the series of dramatic physical changes initiated by the Dillwyn Llewelyn family primarily from the fourth decade of the nineteenth century although, again, such an emphasis underplays the overall longevity and significance of the estate whose origins go back much earlier. At its zenith, the Penllergare estate was an outstanding example of a picturesque, romantic landscape created for the enjoyment of its owners. -
Conservation Management Plan October 2008
Penllergare Cadwraeth Cynllun Rheolaeth Hydref 2008 Conservation Management Plan October 2008 Ymddiriedolaeth Penllergare The Penllergare Trust Penllergare Cadwraeth Cynllun Rheolaeth Hydref 2008 Conservation Management Plan October 2008 Ymddiriedolaeth Penllergare The Penllergare Trust Penllergare Valley Woods PEN.060 __________________________________________________________________________________________ CONTENTS EXECUTIVE SUMMARY • CRYNODEB GWEITHREDOL ACKNOWLEDGEMENTS 1.0 INTRODUCTION 2.0 METHODOLOGY 3.0 SUMMARY HISTORY AND ANALYSIS 4.0 SITE CONTEXT 5.0 SIGNIFICANCE AND OBJECTIVES 6.0 GENERAL POLICIES AND PROPOSALS 7.0 AREA PROPOSALS FIGURES 1. Site Location and Context 2. Bowen’s and Yates’s county maps, 1729 and 1799 3. The Ordnance Survey Surveyor’s Drawing, 1813 4. The Ordnance Survey Old Series map, 1830 5. Tithe Map, 1838 6. The Garden 7. The Waterfall 8. The Upper Lake 9. The Valley 10. The Lower Lake 11. The Drive 12. The Quarry 13. The Orchid House 14. Fairy Land, The Shanty and Wigwam 15. Panorama of Penllergare 16. Ordnance Survey six-inch map, frst edition, 1875-8 17. Ordnance Survey 1:2500 map, second edition, 1898 18. Ordnance Survey 1:2500 map, third edition, 1916 19. Ordnance Survey 1:2500 map, fourth edition, 1936 20. Air Photograph, 1946 21. Ownership 22. Location of Sites and Monuments surveyed by Cambria Archaeology 23. Simplifed Ecological Habitats, 2002 __________________________________________________________________________________________ The Penllergare Trust 1 Nicholas Pearson Associates Ltd. Conservation -
The Journal of Lewis Llewelyn Dillwyn
The Dillwyn Collection The Journals of Lewis Llewelyn Dillwyn (b.1814 d.1892) Transcribed by Richard Morris ©Richard Morris and the family of Lewis Llewelyn Dillwyn The unpublished journals of Lewis Llewelyn Dillwyn from 1833 to 1892 have been transcribed by Richard Morris and are made available for academic and research use. Copyright in the diaries remains with the family and requests for other use or further publication should be made to the address below. Note: This is a working edition of the journals that have been transcribed over a number of years by Richard Morris. This edition includes inconsistencies in presentation and orthography – in part due to inconsistencies in the originals. This work is presented to aid research into the Dillwyn family and related topics. It is part of an ongoing project that aims in the future to bring together a number of diaries and to convert them to modern, marked-up formats that will allow more powerful features and searching. For further information on this and other collections please visit: www.swansea.ac.uk/lis/historicalcollections Contact Information: Archives Library and Information Services Swansea University Singleton Park Swansea SA2 8PP [email protected] Journal1860 Hendrefoilan January January 1. Sunday - Mild. Wind high. S.W. mild driving rain - a.m. remained at home. P.M. to Sketty and spent the afternoon there - home to dinner at 7 P.M. - January 2. Monday Fine on the whole but wild & unsettled; Wind S.W. a.m. to Swansea with Amy - P.M. rode with Bessie - January 3. Tuesday Wind S.W. -
Cymmrodorion Vol 25.Indd
47 PIONEERS AND RADICALS: THE DILLWYN FAMILY’S TRANSATLANTIC TRADITION OF DISSENT AND INNOVATION Kirsti Bohata Abstract The Dillwyn family made a significant contribution to the commercial, industrial, and artistic development of the city of Swansea in the eighteenth and nineteenth century. Their legacy remains not only in their published works but also in a number of street names and placenames in Swansea and its surrounding areas. This paper looks at the work of key members of the Dillwyn family, beginning with the American abolitionist, William Dillwyn, and his wider family. As practising Quakers, the Dillwyns were driven by a particular work ethic that was both industrious and unconventional. The paper focuses on the pioneering accomplishments of the Dillwyn women, including the author Amy Dillwyn. The Dillwyns were pioneers. In science and the arts, in national politics and civic life, in industry and entrepreneurship, they were innovators and reformers. Guided by a Quaker ethos of individual industry and collective duty, this was a family of independent and unconventional thinkers. The achievements of the men are best understood in terms of their extraordinary abilities as networkers and collaborators. Recognising the significance of networks rather than individual exceptionalism enables us to focus on a nexus of scientific, industrial and political activity in which the Dillwyns were pivotal participants and generous facilitators. The women, on the other hand, while benefitting from a supportive family environment, have tended to be iconoclasts – independent thinkers and actors willing to take a sometimes lonely stand. It would be possible to dedicate an entire study to any one member of a family that, as David Painting remarked, pursued ‘a lifestyle that converted almost unlimited leisure into quite exceptional creativity. -
Additional Information on NLW Photo Album 1 © LLGC/NLW 2010 1 the Toogoods, (Spelled Towgood Now, but Pronounced Too…) Were Related to Matthew Moggridge
National Library of Wales, Photograph Album 1 - Additional notes supplied by Mr Richard Morris of Swansea. Note: Bold text denotes an original title in another album (Photographs are numbered as they appear in the gallery) 1. [Two boys with stuffed cockatoo] It is very likely that the boys are John Traherne Moggridge and Weston Moggridge, the sons of Fanny (nee Dillwyn) and Matthew Moggridge. 4. Mr Moggeridge Matthew Moggridge, husband of Fanny 5. [Two young girls in a window, Sarah Moggridge on the right] Girl on the left unkown, but possibly another Moggridge daughter called Wyn. 6. Mr Moggeridge Matthew Moggridge 7. [Still life] There are a number of variants on this pose, some called ‘Rosa Ruga’. Photographer: John Dillwyn Llewelyn. 8. Oystermouth Caslte Oystermouth Castle. Collodion negative. Photographer: Mary Dillwyn 1853 10. [Boy, sitting and reading a book] Probably one of the Moggridge boys (similar to one of the boys in No 1). 12. John Dillwyn Llewelyn by MD 1853. Collodion negative. 14. Sarah Moggeridge at the right. Ellen Toogood on the left. Additional information on NLW Photo Album 1 © LLGC/NLW 2010 1 The Toogoods, (spelled Towgood now, but pronounced Too…) were related to Matthew Moggridge. 15. Caroline Eden, Mary Dillwyn, Eta Vivian by MD 1854. Collodion negative 17. [Fanny Moggridge with John Traherne, Weston and Sarah] This image also appears in a small album that was likely to have been taken by Thereza Dillwyn Llewelyn. Collodion negative (Negative held in the archive of the National Museums and Galleries of Wales) 18. [Pigeons in cage] Same image is in NLW Photograph Album 3900 19. -
Jake E. Bridges
A Science Fit for the Chapel: Astronomy in Nineteenth-Century Wales by Jake E. Bridges A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in History Department of History and Classics University of Alberta © Jake E. Bridges, 2018 ii ABSTRACT A Science Fit for the Chapel: Astronomy in Nineteenth-Century Wales Astronomy was a culturally prominent practice during the nineteenth century in Britain. In this thesis I examine the development of astronomy in one area, Wales. Astronomy became an important subject in the lecturing industry that emerged during the century as lecturers promoted astronomical narratives using sublime images with religious aspects. Using orreries, magic lanterns, and planetariums, lecturers brought astronomical phenomena to a new and engaged public. Town halls, chapels, Sunday schools, and theatres were transformed into temporary spaces for the consumption of scientific knowledge to ever-growing audiences. Scientific interests grew from lectures, and in the 1830s local science societies were established in numerous Welsh towns that sought to create a permanent space for the production and consumption of knowledge. By 1848, the British Association for the Advancement of Science’s meeting in Swansea demonstrated Welsh people’s desire to link to the centre of a growing scientific community in England. A growing Welsh literate public engaged with astronomy through new publications that expressed astronomy’s connection to cultural myths, heritage, and folklore. The start of Welsh- language astronomical initiatives placed science at the forefront of a new Welsh culture and identity as authors characterized astronomy as a distinctly Welsh tradition. Publications framed astronomers as druids who were the gatekeepers of scientific knowledge and the wielders of cultural and scientific authority. -
Geoffrey Batchen
The Art of the Cameraless Photograph Geoffrey Batchen DelMonico Books • Prestel Govett-Brewster Art Gallery munich london new york new plymouth, new zealand Emanations The Art of the Cameraless Photograph GEOFFREY BATCHEN 4 “The realists (of whom I am one) . do not take sentation and allowed instead to become a searing index the photograph for a ‘copy’ of reality, but for of its own operations, to become an art of the real. an emanation of past reality, a magic, not an art.” This freedom has sometimes come at a cost. Histories —ROLAND BARTHES1 of photography have traditionally favoured camera-made pictures, almost always beginning with accounts of the Stark white against a blue background, the spindly plant, camera obscura and with efforts to capture automatically a sprig of chamomile, strains upward, its flower pet- the images seen in it. Cameraless photographs are treated als spread as though reaching for the sun (FIG. 1). It’s a as second-class citizens in such histories, with Nicéphore cyanotype contact photograph of this plant, made by a Niépce’s view from his studio window regularly touted as now-unknown amateur naturalist in about 1900.2 It was the earliest extant photograph, despite the fact that there produced on postcard stock, with designated spaces for exist earlier photographic contact prints made by this correspondence and an address printed on the back, thus same inventor. In 1989, John Szarkowski stated this preju- allowing it to be sent to a friend or family member. The dice as a matter of fact: “the camera is central to our un- plant specimen would have been placed directly on the derstanding of photography . -
Penlle'rgaer Estate Records, (GB 0210 PENAER)
Llyfrgell Genedlaethol Cymru = The National Library of Wales Cymorth chwilio | Finding Aid - Penlle'rgaer Estate Records, (GB 0210 PENAER) Cynhyrchir gan Access to Memory (AtoM) 2.3.0 Generated by Access to Memory (AtoM) 2.3.0 Argraffwyd: Mai 04, 2017 Printed: May 04, 2017 Wrth lunio'r disgrifiad hwn dilynwyd canllawiau ANW a seiliwyd ar ISAD(G) Ail Argraffiad; rheolau AACR2; ac LCSH This description follows NLW guidelines based on ISAD(G) Second Edition; AACR2; and LCSH https://archifau.llyfrgell.cymru/index.php/penllergaer-estate-records archives.library .wales/index.php/penllergaer-estate-records Llyfrgell Genedlaethol Cymru = The National Library of Wales Allt Penglais Aberystwyth Ceredigion United Kingdom SY23 3BU 01970 632 800 01970 615 709 [email protected] www.llgc.org.uk Penlle'rgaer Estate Records, Tabl cynnwys | Table of contents Gwybodaeth grynodeb | Summary information .............................................................................................. 3 Hanes gweinyddol / Braslun bywgraffyddol | Administrative history | Biographical sketch ......................... 3 Natur a chynnwys | Scope and content .......................................................................................................... 4 Trefniant | Arrangement .................................................................................................................................. 4 Nodiadau | Notes ............................................................................................................................................ -
Historic Bartram's Garden
HISTORIC AMERICAN LANDSCAPES SURVEY JOHN BARTRAM HOUSE AND GARDEN (Bartram’s Garden) HALS No. PA−1 Location: 54th Street and Lindbergh Boulevard, Philadelphia, Independent City, Pennsylvania. Present Owner: City of Philadelphia. Present Occupant: The John Bartram Association. Present Use: Historic botanic garden, public park, and offices of the John Bartram Association. Significance: Bartram’s Garden is the oldest surviving botanic garden in the United States. John Bartram (1699−1777), the well-known early American botanist, explorer, and plant collector founded the garden in September 1728 when he purchased a 102-acre farm in Kingsessing Township, Philadelphia County. John Bartram’s garden began as a personal landscape, but with a lifelong devotion to plants grew to become a systematic collection as he devoted more time to exploration and the discovery of new North American species and examples. Its evolution over time both reflected and fostered Bartram’s vital scientific achievements and important intellectual exchange. Although not the first botanic collection in North America, by the middle of the eighteenth century Bartram’s Garden contained the most varied collection of North American plants in the world, and placed John Bartram at the center of a lucrative business centered on the transatlantic transfer of plants. Following the American Revolution, Bartram’s sons John Bartram, Jr. (1743–1812) and William Bartram (1739–1823), continued the international trade in plants and expanded the family’s botanic garden and nursery business. Following his father’s lead, William became an important naturalist, artist, and author in his own right, and under his influence the garden became an educational center that aided in training a new generation of natural scientists and explorers. -
SCIENCE in the PUB: ARTISAN BOTANISTS in EARLY NINETEENTH-CENTURY LANCASHIRE Anne Secord
Txst6"btx6,"xxxii (1994) SCIENCE IN THE PUB: ARTISAN BOTANISTS IN EARLY NINETEENTH-CENTURY LANCASHIRE Anne Secord Cambridge Wellcome Unit for the History of Medicine "Do you not think, sir, as I am unknown ... I might make inquiries, dqd ascertain the feeling of the people better if I went on foot...?" "That is a wise thought of yours.... But country people are inquisitive; what do you propose to be?" "Well, sir, ... I could represent myself as an auwist; or I could cram my pock- ets with plants and roots as I went along, and say I was a botanist in search of specimens." "Stick to the auwist, Jabez; our country botanists would soon floor you on their own ground — they know more of plants than pencils, I'll warrant." (Mrs G. Linnaeus Banks, The Manchester man)' Historians have often been frustrated in recovering the perspective of working- class participants in the pursuit of knowledge, especially when this involves the natural sciences. With a few notable exceptions, the study of working-class sci- ence has revealed more about the dominant middle-class ideology than its sup- posed subject matter.' Such studies reflect a model of popular science that Whig social reformers believed in: a diffusionist model in which knowledge was handed down in Mechanics' Institutes or through the publications of the Society for the Diffusion of Useful Knowledge. Heroic biographies of working men published in `improving' journals and later in the more celebrated works of Samuel Smiles dqd William Jolly, purported to show the moral benefits of such pursuits dqd to promote the philosophy of individual self-help.' Largely informed by this literature, historians have noted the involvement of artisans and operatives in natural history as it became increasingly popular in the late eighteenth and nineteenth centuries. -
October 2015
Friends’ Newsletter and Magazine October 2015 1 A MESSAGE TO FRIENDS travels in South Wales, which you may remember we featured in an earlier edition of this Newsletter. The front and back covers celebrate two recent discoveries in Wales which are of international importance. The front All of us play a part in supporting Amgueddfa Cymru cover shows an artist’s impression of a new species of through our membership of the Friends. However, there dinosaur. Its skeleton was found by two brothers, who are are other ways and we have a piece setting out what it amateur fossil hunters, after a rock-fall along part of the means to become a Patron of the Museum. Then there is Glamorgan Heritage Coast and they have generously do- an item about a little known piece of War War I history: nated their find to the Museum. The back cover shows a the trains, known as the ‘Jellicoe Specials’ that carried detail of a medieval painting that is being gradually re- South Wales coal to the ships at Scapa Flow. Finally, there vealed in Llancarfan Church in the Vale of Glamorgan. is a piece about the Young Archaeologists Club (YAC). You can read more about both in an article entitled Cover This year marks their 20th anniversary and I am pleased to Stories. have an item about the organisation and about how Muse- um staff are helping to motivate archaeologists of the Another important find was recently made by archaeolo- future as well as simply inspiring young people to take an gists at National Roman Legion Museum and is the subject interest in our past.