Changing Identities in South Eastern Europe
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American Reportage and Propaganda in the Wars of Yugoslav Secession
WASHINGTON UNIVERSITY IN ST. LOUIS Department of International Affairs in University College The Rhetorical Assault: American Reportage and Propaganda in the Wars of Yugoslav Secession by Sarah Wion A thesis presented to University College of Washington University in partial fulfillment of the requirements for the degree of Master of Arts St. Louis, Missouri TABLE OF CONTENTS I. Introduction: Media Spin at the Sochi Olympics 1 II. Propaganda: A Theoretical Approach 6 Propaganda in a Contemporary Conceptual Construct 8 Case Studies of Propaganda in the Media 13 III. Propaganda: A Diachronic Analysis 16 IV. Yugoslavia a State in the Crosshairs of Public Opinion 23 Yugoslavia: A Cold War Companion 24 Serbia: A Metaphor for Russian Dismantlement 27 V. Recycled Frames and Mental Shorthand 31 Milosevic: A Modern-Day Hitler 33 TIME Magazine and Bosnian Death Camps 41 VI. Sanctions and Safe Areas: Antagonistic Aid 47 VII. Case Studies of Victimization in Krajina and Kosovo VIII. Conclusion: Balkan Coverage – A New Paradigm ii DEDICATION To the peoples of the former Yugoslavia – may every inquiry bring a greater sense of justice and peace to the region. v ABSTRACT OF THE THESIS The Rhetorical Assault: American Reportage and Propaganda in the Wars of Yugoslav Secession by Sarah Wion Master of Arts in International Affairs Washington University in St. Louis Professor Marvin Marcus, Chair The contemporary political paradigm for democratic states is precariously balanced on the metaphoric scale of public opinion. As such, policy consensus is, in theory, influenced and guided by the public; however, publications like The Crisis of Democracy poignantly illustrate the reluctance of political elites to relinquish control over the state agenda, especially with respect to foreign affairs. -
Cultural Diplomacy and Conflict Resolution
Cultural Diplomacy and Conflict Resolution Introduction In his poem, The Second Coming (1919), William Butler Yeats captured the moment we are now experiencing: Mere anarchy is loosed upon the world, The blood-dimmed tide is loosed, and everywhere The ceremony of innocence is drowned; The best lack all conviction, while the worst Are full of passionate intensity. As we see the deterioration of the institutions created and fostered after the Second World War to create a climate in which peace and prosperity could flourish in Europe and beyond, it is important to understand the role played by diplomacy in securing the stability and strengthening the shared values of freedom and democracy that have marked this era for the nations of the world. It is most instructive to read the Inaugural Address of President John F. Kennedy, in which he encouraged Americans not only to do good things for their own country, but to do good things in the world. The creation of the Peace Corps is an example of the kind of spirit that put young American volunteers into some of the poorest nations in an effort to improve the standard of living for people around the globe. We knew we were leaders; we knew that we had many political and economic and social advantages. There was an impetus to share this wealth. Generosity, not greed, was the motivation of that generation. Of course, this did not begin with Kennedy. It was preceded by the Marshall Plan, one of the only times in history that the conqueror decided to rebuild the country of the vanquished foe. -
Repertoar La LUNA Band-A Naziv Izvodjac STRANE PESME Chain of Fools Aretha Franklin the Girl from Ipanema Astrud Gilberto Stand by Me Ben E
Repertoar La LUNA band-a naziv Izvodjac STRANE PESME Chain of Fools Aretha Franklin The Girl from Ipanema Astrud Gilberto Stand by Me Ben E. King Summertime Billie Holiday,Ella Fitzgerald,Sarah Vaughan White Wedding Billy Idol Knockin' on heaven's Door Bob Dylan No Woman No Cry Bob Marley Let's Stick Together Bryan Ferry Chan Chan Buena Vista Social Club El Cuarto de Tula Buena Vista Social Club Veinte Anos Buena Vista Social Club Hasta siempre Comandante Che Guevara Carlos Puebla Dove l'amore Cher I Still Haven't Found What I'm Looking For Coco Freeman feat. U2 Just A Gigolo David Lee Roth Money For Nothing Dire Straits Long Train Running Doobie Brothers Gimme Hope Jo'Anna Eddy Grant Non, je ne regrette rien Edith Piaf Blue Spanish Eyes Elvis Presley Blue Suede Shoes Elvis Presley Suspicious Minds Elvis Presley Viva Las Vegas Elvis Presley Love Me Tender Elvis Presley Besame mucho Emilio Tuero Please release Me Engelbert Humperdinck Change The World Eric Clapton Layla Eric Clapton Tears In Heaven Eric Clapton Wonderful Tonight Eric Clapton Malaika Fadhili Williams Easy Faith no More All of Me Frank Sinatra New York, New York Frank Sinatra Can't Take My Eyes Off You Frankie Valli Careless Whisper George Michael Nathalie Gilbert Becaud Baila me Gipsy Kings Bamboleo Gipsy Kings Repertoar La LUNA band-a naziv Izvodjac Trista Pena Gipsy Kings I will survive Gloria Gaynor Libertango Grace Jones I Feel Good James Brown Por Que Te Vas Javier Alvarez Autumn Leaves/Les feuilles mortes Jo Elizabeth Stafford;Yves Montand Unchain my Heart Joe Cocker -
Same Soil, Different Roots: the Use of Ethno-Specific Narratives During the Homeland War in Croatia
Same Soil, Different Roots: The Use of Ethno-Specific Narratives During the Homeland War in Croatia Una Bobinac A thesis submitted in partial fulfillment of the requirements for the degree of: Master of Arts in International Studies, Russian, Eastern European, Central Asian Studies University of Washington 2015 Committee: James Felak Daniel Chirot Bojan Belić Program Authorized to Offer Degree: Jackson School of International Studies 2 @Copyright 2015 Una Bobinac 3 University of Washington Abstract Same Soil, Different Roots: The Use of Ethno-Specific Narratives During the Homeland War in Croatia Una Bobinac Chair of the Supervisory Committee: Professor James Felak History This work looks at the way interpretations and misrepresentations of the history of World War II changed and evolved and their ultimate consequence on the Homeland War in Croatia from 1991 to 1995 between the resident Serb and Croat populations. Explored are the way official narratives were constructed by the communist regime, how and why this narrative was deconstructed, and by more ethno-specific narratives prevailed that fueled the nationalist tendencies of the war. This paper is organized chronologically, beginning with the historical background that puts the rest of the paper into context. The paper also discusses the nationalist resurfacing before the war by examining the Croatian Spring, nationalist re-writings of history, and other matters that influenced the war. The majority of the paper analyzes the way WWII was remembered and dismembered during the late 1980’s and early 1990’s by looking at rhetoric, publications, commemorations, and the role of the Catholic and Serbian Orthodox Churches. Operation Storm, which was the climax of the Homeland War and which expelled 200,000 Serbs serves as an end-point. -
Balkan Scena
UNIVERZA V LJUBLJANI FAKULTETA ZA DRUŽBENE VEDE Katja Pernuš BALKAN SCENA Diplomsko delo Ljubljana 2008 UNIVERZA V LJUBLJANI FAKULTETA ZA DRUŽBENE VEDE Katja Pernuš Mentor: izr. prof. dr. Gregor Tomc BALKAN SCENA Diplomsko delo Ljubljana 2008 »Balkan scena« Če bi pri opredelitvi pojma Balkan upoštevali samo geografske kriterije, potem Slovenija in dober del nekdanje Jugoslavije nista del Balkanskega polotoka. Vendar obstajajo tudi druge opredelitve, med katerimi je zlasti pomembna politična definicija. Čeprav Slovenija ni del polotoka, je v veliki meri delila njegovo usodo in razvoj. Negativni prizvok, da je Balkan zaostala in nemirna regija, se je pojavil že v času balkanskih vojn. Koncept nacionalne države je na Balkanu relativno nedaven fenomen. Nacionalizmi so po razpadu Jugoslavije odigrali ključno vlogo. Gre za negativne in uničevalne nacionalizme v JV Evropi, ki so privedli do tako tragičnih rezultatov, kot so vojna, etnično čiščenje in genocid. Nacionalizem je produkt potrošniškega kapitalizma, ki ga jugoslovanske komunistične oblasti niso mogle več zatreti. V navidezno homogeni nacionalni kulturi v Sloveniji so po njeni odcepitvi pričele nastajati subkulture, kontrakulture in drugi življenjski stili, ena izmed njih je tudi »balkan scena«, ki je evforično poudarjala naklonjenost do vsega balkanskega. Opozorila je na skupno jugoslovansko preteklost in v okviru »balkan žura« provocirala takratni slovenski nacionalizem. Ključne besede: Balkan, subkultura, »balkan scena«, nacionalizem. The »Balkans scene« If we consider definition of Balkans just by geographical criterion, then Slovenia and big part of ex Yugoslavia wouldn’t take part of the Balkan Peninsula. However, there are also other definitions and one of the most important is political definition. Although Slovenia isn’t part of the peninsula, it shared it’s destiny and development. -
University of Rijeka Faculty of Humanities and Social Sciences Department of English Translation from Croatian Into English Tran
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Repository of the University of Rijeka UNIVERSITY OF RIJEKA FACULTY OF HUMANITIES AND SOCIAL SCIENCES DEPARTMENT OF ENGLISH Filip Brdar TRANSLATION FROM CROATIAN INTO ENGLISH TRANSLATION AND ANALYSIS OF TEXTS OF DIFFERENT GENRES Submitted in partial fulfilment of the requirements for the B.A. in English Language and Literature and German Language and Literature at the University of Rijeka Supervisor: Nikola Tutek M.A. September 2015 ABSTRACT This B.A. thesis, of the undergraduate study of the English Language and Literature, is focused on the field of translation. The aim of this thesis and accompanying research is to choose three serious, relevant, scientific and academic articles in Croatian, translate and analyse them in English. The thesis is structured in the following way: after a brief introduction there is an article, i.e. a source text in Croatian, followed by the translation and an analysis of the translation. The purpose of the analyses is to explain the process of translating and to reveal different types of problems and challenges which were encountered. After the third translation analysis there is a conclusion, where the entire thesis is summed up and assessed. A bibliography, i.e. the sources, is included at the very end of the B.A. thesis. TABLE OF CONTENTS 1. SOURCE TEXT 1…………………………………………………………………2 1.1. TRANSLATION OF SOURCE TEXT 1…………………………………...................8 1.2. TRANSLATION ANALYSIS ……………………………………………………….14 2. SOURCE TEXT 2………………………………………………………………...16 2.1. TRANSLATION OF SOURCE TEXT 2……………………………………………..22 2.2 TRANSLATION ANALYSIS…………………………………………………………28 3. -
FOSTERING TOURISM COMPETITIVENESS in SOUTH EAST EUROPE Fostering Tourism
Policy Handbook POLICY HANDBOOK POLICY FOSTERING TOURISM COMPETITIVENESS IN SOUTH EAST EUROPE Fostering Tourism . In recent years, the South East Europe (SEE) region has seen a growing number IN SOUTH EAST EUROPE COMPETITIVENESS TOURISM FOSTERING Competitiveness in of international tourist arrivals. Despite this rising influx of visitors, the region’s full tourism potential remains untapped due to multiple factors hampering the sector’s competitiveness. These include a lack of relevant workforce skills, a South East Europe mismatch between the region’s tourism offer and an increasingly niche market demand, uncompetitive price levels, limited protection of natural and cultural heritage, transport and travel infrastructure gaps, and the need for more strategic and focused policy approaches to tourism. What challenges are SEE policy makers encountering in their efforts to foster tourism competitiveness? What good practices in promoting tourism could be relevant to the region? What policy options could SEE economies consider for the future? This Policy Handbook focuses on these issues and presents a number of policy options to foster tourism competitiveness in South East Europe. This Policy Handbook is one of the results of the OECD Sector Competitiveness Project undertaken in collaboration with the SEE Tourism Expert Group (TEG) under the umbrella of the Next Generation Competitiveness Initiative in co-operation with the Regional Cooperation Council. The TEG is composed of representatives from the ministries of economy, tourism, trade and environment, as well as government agencies, chambers of commerce, private-sector associations and private-sector companies in South East Europe. Co-funded by the European Union GLOBAL RELATIONS South East Europe Tourism [PH] cover [final 2].indd 1 15/02/2016 17:03 ORGANISATION FOR ECONOMIC CO-OPERATION AND DEVELOPMENT The OECD is a unique forum where governments work together to address the economic, social and environmental challenges of globalisation. -
'Whose Is This Song?' Nationalism and Identity Through the Lens of Adela Peeva
Cinema Eleni Elefterias-Kostakidis University of Sydney 'Whose Is This Song?' Nationalism and Identity through the lens of Adela Peeva I. Through the lens: a search for truth “The unexamined life is not worth living" Socrates Whose is this Song is a palimpsest of overlapping cultural layers that explore the imagined cultural and ethnic stereotypes of the Balkan community through this well-known shared tune. It is a documentary film about this hybrid folk tune that is common throughout the Balkan region, but which is the cause of much dissension and the incitement for the events portrayed in the film. Many have commented on, or tried to trace the archetype of, the song ‘On the road to Uskiindar’ (Turkish version) or Alto £evo TOJCO / From a foreign land (Greek version). Adela Peeva is on a quest for the truth. As she says in the film, she is on a quest for “the discovery and communication of truth.”1 Though an interesting topic in itself, this paper is more concerned with the “documentary voice”2 created by the director through the scenery and the subjects she chooses to interview. How she uses her camera lens, and its synchronous focus on the background, or backdrop, not only adds to the mystery of the film, but more importantly to the greater issue of cultural similarity and perceived diversity: nationalism and identity within the Balkans. 21 Adela Peeva is a Bulgarian Documentary Filmmaker3 who has been involved in the making of over 30 European and International documentary films. Her documentary, Whose is this Song? is considered an international work as it was part of a project developed within the “European Documentary Network including workshops in Thessaloniki, Greece and Dubrovnik, Croatia and funded by various European Sponsors”.4 It stresses the importance of the context of this documentary about a region that shares a cultural and historical past. -
Opvscvla 29.Indb 3 21.8.2006 11:56:38 FILOZOFSKI FAKULTET SVEUČILIŠTA U ZAGREBU FACULTY of PHILOSOPHY, UNIVERSITY of ZAGREB
OPVSCVLA ARCHÆOLOGICA 2005 OPVSC. ARCHÆOL. VOL. 29 STR. / PAGES 1–374 ZAGREB 2005. III Opvscvla 29.indb 3 21.8.2006 11:56:38 FILOZOFSKI FAKULTET SVEUČILIŠTA U ZAGREBU FACULTY OF PHILOSOPHY, UNIVERSITY OF ZAGREB RADOVI ARHEOLOŠKOG ZAVODA PAPERS OF THE DEPARTMENT OF ARCHAEOLOGY UDK 902-904 ISSN 0473-0992 IV Opvscvla 29.indb 4 21.8.2006 11:56:39 SADRŽAJ CONTENTS Stašo FORENBAHER & Timothy KAISER PALAGRUŽA I ŠIRENJE ZEMLJORADNJE NA JADRANU PALAGRUŽA AND THE SPREAD OF FARMING IN THE ADRIATIC Izvorni znanstveni članak / Original scientific paper _________________________ 7 Jacqueline BALEN KOSTOLAČKI HORIZONT NA VUČEDOLU THE KOSTOLAC HORIZON AT VUČEDOL Izvorni znanstveni članak / Original scientific paper ________________________ 25 Domagoj PERKIĆ & Daria LOŽNJAK DIZDAR KASNOBRONČANODOBNA OSTAVA SIČA/LUČICA THE SIČA/LUČICA LATE BRONZE AGE HOARD Izvorni znanstveni članak / Original scientific paper ________________________ 41 Tomislav BILIĆ PLOVIDBA PO GEOGRAFSKOJ ŠIRINI NA MEDITERANU LATITUDE SAILING ON THE MEDITERRANEAN Izvorni znanstveni članak / Original scientific paper _______________________121 Marija MARIĆ JOŠ JEDAN PRILOG LOCIRANJU ANTIČKOGA KULTNOG MJESTA U SELU PRILUKA KRAJ LIVNA I POKUŠAJ REKONSTRUKCIJE SPOMENIKA ANOTHER CONTRIBUTION TO THE LOCATION OF AN ANCIENT CULTIC SITE IN THE VILLAGE OF PRILUKA NEAR LIVNO AND ATTEMPTS TO RECONSTRUCT THE MONUMENT Izvorni znanstveni članak / Original scientific paper _______________________159 Marko SINOBAD STAROSNA DOB ŽENA U VRIJEME UDAJE: PRIMJER ANTIČKE SALONE AGES OF WOMEN AT THE TIME OF MARRIAGE: THE EXAMPLE OF ANCIENT SALONA Izvorni znanstveni članak / Original scientific paper _______________________173 Kristina GLICKSMAN INTERNAL AND EXTERNAL TRADE IN THE ROMAN PROVINCE OF DALMATIA Izvorni znanstveni članak / Original scientific paper _______________________189 Marija ŠIŠA-VIVEK, Tino LELEKOVIĆ & Hrvoje KALAFATIĆ OSTAVA RIMSKOG NOVCA I SREBRNOG POSUĐA IZ PETRIJANCA HOARD OF ROMAN COINS AND SILVER DISHWARE FROM PETRIJANEC Izvorni znanstveni članak / Original scientific paper _______________________231 OPVSC. -
Domaće Popularne, Zabavne, Strane I Rok Pesme
DOMAĆE POPULARNE, ZABAVNE, STRANE I ROK PESME: o Aerodrom – Obična ljubavna pesma o Ambasadori – Dođi u 5 do 5 o Apsolutno Romantično – Đoletova pesma o Atomsko Sklonište – Olujni Mornar o Atomsko Sklonište – Pakleni vozači o Atomsko Sklonište – Za ljubav treba imat dušu o Azra – Balkan o Azra – Usne vrele višnje o Azra – Voljela me nijedna o Babe – Ko me ter’o o Babe – Noć bez sna o Baby Doll – Brazil o Bajaga – 220 u voltima o Bajaga – Godine prolaze o Bajaga – Moji su drugovi o Bajaga – Na vrhovima prstiju o Bajaga – Ti se ljubiš tako dobro o Bajaga – Tišina o Bajaga – Vratiće se rode o Bijelo Dugme – A i ti me iznevjeri o Bijelo Dugme – Ako ima Boga o Bijelo Dugme – Đurđevdan o Bijelo Dugme – Esma o Bijelo Dugme – Lažeš o Bijelo Dugme – Lipe cvatu o Bijelo Dugme – Na zadnjem sedištu moga auta o Bijelo Dugme – Napile se ulice o Bijelo Dugme – Padaju zvijezde o Bijelo Dugme – Pljuni i zapjevaj o Bijelo Dugme – Ružica si bila o Bijelo Dugme – Tako ti je mala moja kad ljubi o Boris Režak – Anđeo o Colonia – Ti da bu di bu da o Crvena Jabuka – Bacila je sve niz rijeku o Crvena Jabuka – Da nije ljubavi o Crvena Jabuka – Dirlija o Crvena Jabuka – Moje najmilije o Crvena Jabuka – Nekako s prolijeća o Crvena Jabuka – Stižu me sjećanja o Crvena Jabuka – Tamo gdje ljubav počinje o Crvena Jabuka – To mi radi o Crvena Jabuka – Tuga, ti i ja o Crvena Jabuka – Volio bi da si tu o Crvena Jabuka – Zovu nas ulice o Čutura – Voli me o Darko Domijan – Ulica jorgovana o Dado Topić I Slađana Milošević – Princeza o Dejan Cukić – Milica o Dejan Cukić – Nebo -
LARSON-DISSERTATION-2020.Pdf
THE NEW “OLD COUNTRY” THE KINGDOM OF YUGOSLAVIA AND THE CREATION OF A YUGOSLAV DIASPORA 1914-1951 BY ETHAN LARSON DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in History in the Graduate College of the University of Illinois at Urbana-Champaign, 2020 Urbana, Illinois Doctoral Committee: Professor Maria Todorova, Chair Professor Peter Fritzsche Professor Diane Koenker Professor Ulf Brunnbauer, University of Regensburg ABSTRACT This dissertation reviews the Kingdom of Yugoslavia’s attempt to instill “Yugoslav” national consciousness in its overseas population of Serbs, Croats, and Slovenes, as well as resistance to that same project, collectively referred to as a “Yugoslav diaspora.” Diaspora is treated as constructed phenomenon based on a transnational network between individuals and organizations, both emigrant and otherwise. In examining Yugoslav overseas nation-building, this dissertation is interested in the mechanics of diasporic networks—what catalyzes their formation, what are the roles of international organizations, and how are they influenced by the political context in the host country. The life of Louis Adamic, who was a central figure within this emerging network, provides a framework for this monograph, which begins with his arrival in the United States in 1914 and ends with his death in 1951. Each chapter spans roughly five to ten years. Chapter One (1914-1924) deals with the initial encounter between Yugoslav diplomats and emigrants. Chapter Two (1924-1929) covers the beginnings of Yugoslav overseas nation-building. Chapter Three (1929-1934) covers Yugoslavia’s shift into a royal dictatorship and the corresponding effect on its emigration policy. -
The Association for Diplomatic Studies and Training Foreign Affairs Oral History Project
The Association for Diplomatic Studies and Training Foreign Affairs Oral History Project JACK SEYMOUR Interviewed by: Raymond Ewing Initial Interview Date: November 20, 2003 Copyright 2016 ADST TABLE OF CONTENTS Background Born in the Philippines of US Navy parents; raised in the US and abroad. Dartmouth College Boston University US army overseas Entered the Foreign Service in 1967 State Department; INR; Canada analyst 1967-1969 De Gaulle visit Quebec separatists Economic and trade issues Zagreb, Yugoslavia; Consular Officer 1969-1971 Marriage Social Security payments Environment Operations Croatian nationalism Visa problems Tourism President Nixon visit Relations with adjacent posts State Department; Office of East European Affairs 1971 Liaison with the Board of International Broadcasting (BIB) State Department: Line/Watch Officer, Operations Center 1971-1972 State Department; FSI; Polish language training 1972-1973 Warsaw, Poland; Political Officer 1973-1976 Government “Western Oriented Communists” 1 Gierek Religious issues Cardinal Wyszynski Polish Press Economy Soviet relations Agriculture Anti-German sentiment Security Foreign relations President Ford’s visit State Department; Yugoslav Desk Officer 1976-1977 Embassy personnel problems Consular Convention US-Yugoslav Business Council Toth case Ambassador Silberman TWA hijacking by Croatian Croatian independence Tito State Department; Poland Desk Officer 1977-1979 Polish border issues President Carter’s visit to Poland Brzezinski “Differentiation” concept Visa and citizenship issues