Read It Here

Total Page:16

File Type:pdf, Size:1020Kb

Read It Here Case 2:15-cv-02778-CBM-JPR Document 32 Filed 10/15/15 Page 1 of 34 Page ID #:166 1 CALDWELL LESLIE & PROCTOR, PC LINDA M. BURROW, State Bar No. 194668 2 [email protected] KELLY L. PERIGOE, State Bar No. 268872 3 [email protected] 725 South Figueroa Street, 31st Floor 4 Los Angeles, California 90017-5524 Telephone: (213) 629-9040 5 Facsimile: (213) 629-9022 6 Attorneys for TWENTIETH CENTURY FOX FILM CORPORATION; LEE 7 DANIELS; DANNY STRONG; TERRENCE HOWARD; AND 8 MALCOLM SPELLMAN 9 UNITED STATES DISTRICT COURT 10 CENTRAL DISTRICT OF CALIFORNIA, WESTERN DIVISION 11 12 RON NEWT, Case No. 2:15-CV-2778-CBM-JPR 13 Plaintiff, NOTICE OF MOTION AND 14 MOTION OF LEE DANIELS, v. DANNY STRONG, TERRENCE 15 HOWARD, AND MALCOLM TWENTIETH CENTURY FOX FILM SPELLMAN TO DISMISS FIRST 16 CORPORATION; LEE DANIELS; AMENDED COMPLAINT WITH DANNY STRONG; TERRENCE PREJUDICE PURSUANT TO 17 HOWARD; MALCOLM SPELLMAN, FEDERAL RULE OF CIVIL and DOES 1-10, inclusive, PROCEDURE 12(b)(6); 18 MEMORANDUM OF POINTS AND Defendants. AUTHORITIES 19 [[Proposed] Order; Declaration of 20 Kelly L. Perigoe; Request for Judicial DEADLINE.comNotice and [Proposed] Order filed 21 concurrently herewith] 22 The Honorable Consuelo B. Marshall 23 Date: November 24, 2015 Time: 10:00 a.m. 24 Courtroom: 2 25 26 27 28 CALDWELL LESLIE & PROCTOR DEFENDANTS’ NOTICE OF MOTION AND MOTION TO DISMISS FIRST AMENDED COMPLAINT; MEMORANDUM OF POINTS AND AUTHORITIES Case 2:15-cv-02778-CBM-JPR Document 32 Filed 10/15/15 Page 2 of 34 Page ID #:167 1 TO ALL PARTIES AND TO THEIR COUNSEL OF RECORD: 2 PLEASE TAKE NOTICE that on November 24, 2015 at 10:00 a.m. or as 3 soon thereafter as this matter may be heard, in the courtroom of the Honorable 4 Consuelo B. Marshall, located in the United States Courthouse, 312 N. Spring 5 Street, Courtroom 2, Los Angeles, CA 90012, Defendants Lee Daniels, Danny 6 Strong, Terrence Howard, and Malcolm Spellman (collectively, “Defendants”) will 7 and hereby do move this Court to dismiss Plaintiff’s First Amended Complaint 8 (“FAC”) with prejudice, pursuant to Federal Rule of Civil Procedure 12(b)(6), on 9 the following grounds: 10 Plaintiff’s first cause of action for copyright infringement fails because, 11 as a matter of law, the works at issue are not substantially similar to 12 Defendants’ television series in a manner protected by copyright law. 13 Plaintiff’s claim for copyright infringement based on his screenplay and 14 DVD fails for the additional reason that the copyright application 15 attached to the FAC is defective as a matter of law. 16 Plaintiff’s second cause of action for breach of implied contract fails as 17 to Defendants Daniels, Strong, and Spellman because Plaintiff fails to 18 plead facts showing that Defendants Daniels, Strong, or Spellman had 19 or could have had contractual privity with Plaintiff, and fails as to all 20 DefendantsDEADLINE.com because Plaintiff fails to allege that any Defendant actually 21 used the works. 22 Because the defects in Plaintiff’s FAC cannot be cured by amendment 23 of the FAC, the FAC should be dismissed with prejudice. 24 This Motion is based on this Notice of Motion, the accompanying 25 Memorandum of Points and Authorities, the Declaration of Kelly L. Perigoe and 26 Request for Judicial Notice and exhibits thereto filed concurrently herewith, all of 27 the pleadings and other documents on file in this case, all other matters of which the 28 CALDWELL LESLIE & -1- PROCTOR DEFENDANTS’ NOTICE OF MOTION AND MOTION TO DISMISS FIRST AMENDED COMPLAINT; MEMORANDUM OF POINTS AND AUTHORITIES Case 2:15-cv-02778-CBM-JPR Document 32 Filed 10/15/15 Page 3 of 34 Page ID #:168 1 Court may take judicial notice, and any further argument or evidence that may be 2 received by the Court at the hearing. 3 Pursuant to Local Rule 7-3, counsel for Defendant called counsel for Plaintiff 4 to meet and confer regarding this Motion on October 6, 2015, and at the request of 5 Plaintiff’s counsel, followed up by email setting forth the grounds for this Motion. 6 The parties discussed the issues presented in this Motion by telephone on October 8, 7 2015, but were unable to resolve them. See Declaration of Kelly L. Perigoe, ¶ 2. 8 9 DATED: October 15, 2015 CALDWELL LESLIE & PROCTOR, PC 10 LINDA M. BURROW KELLY L. PERIGOE 11 12 13 By /s/ 14 LINDA M. BURROW Attorneys for TWENTIETH CENTURY FOX 15 FILM CORPORATION; LEE DANIELS; 16 DANNY STRONG; TERRENCE HOWARD; AND MALCOLM SPELLMAN 17 18 19 20 DEADLINE.com 21 22 23 24 25 26 27 28 CALDWELL LESLIE & -2- PROCTOR DEFENDANTS’ NOTICE OF MOTION AND MOTION TO DISMISS FIRST AMENDED COMPLAINT; MEMORANDUM OF POINTS AND AUTHORITIES Case 2:15-cv-02778-CBM-JPR Document 32 Filed 10/15/15 Page 4 of 34 Page ID #:169 1 TABLE OF CONTENTS Page 2 3 MEMORANDUM OF POINTS AND AUTHORITIES.............................................1 4 I. INTRODUCTION.............................................................................................1 5 II. FACTUAL BACKGROUND ...........................................................................3 6 A. Plaintiff’s Works.....................................................................................3 7 B. The Empire Television Series.................................................................7 8 C. Plaintiff’s Allegations Regarding Disclosure of the Works to Howard....................................................................................................8 9 D. Plaintiff’s Action.....................................................................................9 10 III. LEGAL STANDARD FOR RULE 12(b)(6) MOTION ...................................9 11 IV. THE FAC SHOULD BE DISMISSED WITH PREJUDICE .........................10 12 A. Plaintiff Cannot State a Claim for Copyright Infringement .................10 13 1. Empire Is Not Substantially Similar to Plaintiff’s Works..........11 14 (a) Plot and Sequence of Events ............................................12 15 (i) Plaintiff Mischaracterizes Empire and His 16 Works .....................................................................12 17 (ii) Plaintiff Identifies No Protectable Similarities .............................................................13 18 (b) Characters.........................................................................14 19 (i) Lucious Lyon and Plaintiff ....................................15 20 DEADLINE.com(ii) Cookie Lyon and China Doll .................................16 21 (iii) The Sons.................................................................17 22 (c) Dialogue ...........................................................................18 23 (d) Mood.................................................................................18 24 (e) Theme...............................................................................19 25 (f) Pace...................................................................................20 26 (g) Setting...............................................................................20 27 2. The Application to Register the DVD & Screenplay Is 28 Invalid .........................................................................................21 CALDWELL LESLIE & -i- PROCTOR DEFENDANTS’ NOTICE OF MOTION AND MOTION TO DISMISS FIRST AMENDED COMPLAINT; MEMORANDUM OF POINTS AND AUTHORITIES Case 2:15-cv-02778-CBM-JPR Document 32 Filed 10/15/15 Page 5 of 34 Page ID #:170 1 B. Plaintiff Cannot State a Claim for Breach of Implied Contract............22 2 1. Plaintiff Fails to Allege a Contract with Defendants Daniels, Strong, and Spellman ...................................................22 3 2. Plaintiff Does Not and Cannot Allege Use.................................24 4 (a) Plaintiff Fails to Allege Use by Defendants.....................24 5 (b) The Ideas in the Works are Not Similar...........................24 6 C. Leave to Amend Would Be Futile ........................................................25 7 V. CONCLUSION ...............................................................................................25 8 9 10 11 12 13 14 15 16 17 18 19 20 DEADLINE.com 21 22 23 24 25 26 27 28 CALDWELL LESLIE & -ii- PROCTOR DEFENDANTS’ NOTICE OF MOTION AND MOTION TO DISMISS FIRST AMENDED COMPLAINT; MEMORANDUM OF POINTS AND AUTHORITIES Case 2:15-cv-02778-CBM-JPR Document 32 Filed 10/15/15 Page 6 of 34 Page ID #:171 1 TABLE OF AUTHORITIES 2 Page(s) 3 Cases 4 Althouse v. Warner Bros. Entm’t, 5 No. CV 13-00696, 2014 WL 2986939 (C.D. Cal. Apr. 28, 2014).......................16 6 Ashcroft v. Iqbal, 7 556 U.S. 662 (2009) ...........................................................................................2, 9 8 Benay v. Warner Bros. Entm’t, Inc., 9 607 F.3d 620 (9th Cir. 2010).........................................................................passim 10 Benjamin v. Walt Disney Co., No. CV 05-2280GPS, 2007 WL 1655783 (C.D. Cal. June 5, 2007) .............15, 20 11 12 Berkic v. Crichton, 761 F.2d 1289 (9th Cir. 1985)..............................................................................13 13 Bernal v. Paradigm Talent & Literary. Agency, 14 788 F.Supp.2d 1061 (C.D. Cal. 2010)..................................................................13 15 Campbell v. Walt Disney Co., 16 718 F.Supp.2d 1108 (N.D. Cal. 2010)................................................19, 20, 21, 25 17 Capcom Co., Ltd. v. MKR Grp., Inc., 18 No. C 08-0904 RS, 2008 WL 4661479 (N.D. Cal. Oct. 20, 2008)..........17, 18, 20 19 Cavalier v. Random House, Inc., 20 297 F.3d 815DEADLINE.com (9th Cir. 2002)....................................................................11,
Recommended publications
  • Dixie Succumbs to Vision and Victory
    sfltimes.com “Elevating the Dialogue” SERVING MIAMI-DADE, BROWARD, PALM BEACH AND MONROE COUNTIES FEBRUARY 5 — 11, 2015 | 50¢ IN THIS ISSUE PALM BEACH Dixie succumbs to vision By DAPHNE TAYLOR Special to South Florida Times Nearly every city in America and victory has a street named for Dr. Martin Luther King Jr. And since Presi- dent Barack Obama made history BLACK HISTORY as the first black president of the SPECIAL SECTION/1D free world, he too, is gaining mo- mentum with streets named after Keeping our History him -- even right here in the Sun- Alive 365/24/7 shine State. But predominantly the idea about black Riviera Beach in Palm Beach a year ago. “I’ve al- County, is hoping to be among the ways had an idea to rename a lot of first where Barack Obama High- streets in our city. I think our city is way intersects with Dr. Martin Lu- much more than just a bunch of let- ther King Jr. Blvd. ters of the alphabet and numbers. It has an amazing ring to it I’ve wanted to rename our streets for Riviera Beach mayor, Bishop after African-American role mod- Thomas Masters, who is the brain els and leaders, so I had this idea behind renaming Old Dixie High- about the president for some way in Riviera Beach after the time now. It would be the right president. “It would be the father thing to do today and would and the son intersecting,” said reconnect this great city to Masters. “You have the father of history.” the Civil Rights Movement, and Masters said some crit- SOFLO LIVE you have the son, our first black ics said he should wait un- TARAJI HENSON/4C president, who benefitted from til after the leaders have that movement.
    [Show full text]
  • Shakespeare Unlimited: How King Lear Inspired Empire
    Shakespeare Unlimited: How King Lear Inspired Empire Ilene Chaiken, Executive Producer Interviewed by Barbara Bogaev A Folger Shakespeare Library Podcast March 22, 2017 ---------------------------- MICHAEL WITMORE: Shakespeare can turn up almost anywhere. [A series of clips from Empire.] —How long you been plannin’ to kick my dad off the phone? —Since the day he banished me. I could die a thousand times… just please… From here on out, this is about to be the biggest, baddest company in hip-hop culture. Ladies and gentlemen, make some noise for the new era of Hakeem Lyon, y’all… MICHAEL: From the Folger Shakespeare Library, this is Shakespeare Unlimited. I‟m Michael Witmore, the Folger‟s director. This podcast is called “The World in Empire.” That clip you heard a second ago was from the Fox TV series Empire. The story of an aging ruler— in this case, the head of a hip-hop music dynasty—who sets his three children against each other. Sound familiar? As you will hear, from its very beginning, Empire has fashioned itself on the plot of King Lear. And that‟s not the only Shakespeare connection to the program. To explain all this, we brought in Empire’s showrunner, the woman who makes everything happen on time and on budget, Ilene Chaiken. She was interviewed by Barbara Bogaev. ---------------------------- BARBARA BOGAEV: Well, Empire seems as if its elevator pitch was a hip-hop King Lear. Was that the idea from the start? ILENE CHAIKEN: Yes, as I understand it, now I didn‟t create Empire— BOGAEV: Right, because you‟re the showrunner, and first there‟s a pilot, and then the series gets picked up, and then they pick the showrunner.
    [Show full text]
  • Dossier De Presse TOUT SAVOIR SUR EMPIRE
    DOSSIER DE PRESSE TOUT SAVOIR SUR EMPIRE DÉCOUVRIR LES PREMIÈRES IMAGES DE LA SAISON 1 SUCCESS STORY : Série dramatique n°1 de la saison 2014/15 aux USA Série n°2 de la saison 2014/15 aux USA, derrière Big Bang Theory sur CBS Meilleur score pour une nouvelle série aux USA depuis Desperate Housewives et Grey’s Anatomy en 2004-2005 Plus forte progression durant une première saison (+65%) depuis Docteur House en 2004 Série la plus tweetée avec 627 369 live tweets par épisode (devant The Walking Dead) SYNOPSIS Lucious Lyon (Terrence Howard, nominé aux lorsque son ex-femme, Cookie (Taraji P. Henson, Oscars et aux Golden Globes pour Hustle & nominée aux Oscars et aux Emmy Awards, Flow) est le roi du hip-hop. Ancien petit voyou, L’étrange histoire de Benjamin Button, Person son talent lui a permis de devenir un artiste of Interest), revient sept ans plus tôt que prévu, talentueux mais surtout le président d’Empire après presque 20 ans de détention. Audacieuse Entertainment. Pendant des années, son et sans scrupule, Cookie considère qu’elle s’est règne a été sans partage. Mais tout bascule sacrifiée pour que Lucious puisse démarrer sa lorsqu’il apprend qu’il est atteint d’une maladie carrière puis bâtir un empire, en vendant de la dégénérative. Il est désormais contraint de drogue. Trafic pour lequel elle a été envoyée transmettre à ses trois fils les clefs de son en prison. empire, sans faire éclater la cellule familiale déjà fragile. Pour le moment, Lucious reste à la tête d’Empire Entertainment.
    [Show full text]
  • Media Analysis.Docx
    Surname 1 Student’s Name Professor’s Name Course Date Media Analysis The first season of Empire drama series was premiered on Fox on January 7, 2015, and till March 18, 2015. The show was aired on Fox on Wednesdays at 9.00 PM ET (Fox, 2015). The 12 episodes American Television series, centers on an entertainment company, The Empire Entertainment Company. It is a family business making lots of profit from signing in popular musicians and hip-hop artists as well as recordings from talented family members. Each of the family members fights for control over the company. The main casts in the movie are a divorced couple Lucious Lyon and his ex-wife Cookie Lyon. The couple has three sons Andre (oldest son and married to Rhonda), Jamal (middle son), and Hakeem Lyon (Fox, 2015). Lucious and Cookie spent most of their early lives in drug dealing until Cookie was imprisoned. Although the family was living in poverty, they had ambitions to prosper in the music industry. They were a happy family always protecting and encouraging each other until Cookie was imprisoned (Fox, 2015). The interaction in the Empire Series is family-based. The ambitions and fight for control over The Empire Company bring the interactions in the family (IMDb, 2015). While in jail, the interaction between Cookie, Lucious, and their sons are minimal. After the release of Cookie from jail, her relationship with her ex-husband Lucious is business-centered until episode 7, where it becomes intimate (Fox, 2015). Although the divorced couple tries to keep their relationshipx-essays.com business-wise, it is clear Lucious loves Cookie.
    [Show full text]
  • Popjustice, Volume 5
    Acknowledgements The #PopJustice series of reports was produced by Liz Manne Strategy with generous support from Unbound Philanthropy and the Nathan Cummings Foundation. Revolutions Per Minute served as the project’s fiscal sponsor. Editorial Director: Liz Manne Senior Editor: Joseph Phelan Graphic Design: Luz Ortiz Cover Images: "POC TV Takeover" © 2015 Julio Salgado. All rights reserved. #PopJustice, Volume 5: Creative Voices & Professional Perspectives featuring René Balcer, Caty Borum Chattoo, Nato Green, Daryl Hannah, David Henry Hwang, Lorene Machado, Mik Moore, Karen Narasaki, Erin Potts, Mica Sigourney, Michael Skolnik, Tracy Van Slyke, Jeff Yang The views and opinions expressed in these reports are those of the authors and do not necessarily reflect the positions of Unbound Philanthropy, the Nathan Cummings Foundation, or Revolutions Per Minute. © 2016 Liz Manne Strategy Ltd. All rights reserved. Contents Page Introduction 4 1 Q&A with David Henry Hwang 5 2 Q&A with René Balcer 6 3 Q&A with Lorene Machado 7 4 Teaching Families Acceptance: An Appreciation of Empire 8 by Daryl Hannah 5 Diversity Doesn’t Happen Overnight 9 by Karen Narasaki 6 Reflections on Norman Lear 10 by Caty Borum Chattoo 7 How Athletes Breathe Life Into an Activist Movement 12 by Michael Skolnik 8 Changing Channels: “Peak TV” as an Expression of Establishment Privilege 13 by Jeff Yang 9 The Power of Micro-donations to Fund our Movements 15 by Erin Potts 10 What? A drag 16 by Mica Sigourney 11 Combating History Written With Lightning 18 by Mik Moore 12 Comedians vs. Landlords 19 by Nato Green 13 That’s so gay.
    [Show full text]
  • 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24
    1 2 3 4 5 6 7 8 UNITED STATES DISTRICT COURT 9 CENTRAL DISTRICT OF CALIFORNIA 10 11 RON NEWT, an individual, Case No. 15-cv-02778-CBM-JPRx 12 Plaintiff, 13 vs. ORDER [32,33,34,45,60,69] 14 TWENTIETH CENTURY FOX FILM 15 CORPORATION, et al., 16 Defendants. 17 18 The matters before the Court are: (1) Defendants Lee Daniels, Danny 19 Strong, Terrence Howard, and Malcolm Spellman’s (collectively, “Individual 20 Defendants’”) MotionDeadline to Dismiss First Amended Complaint with Prejudice 21 Pursuant to Federal Rule of Civil Procedure 12(b)(6) (Dkt. No. 32); (2) Defendant 22 Fox Broadcasting Company’s (“Fox’s”) Motion For Judgment on the Pleadings 23 (Dkt. No. 33); (3) Defendants’ Requests for Judicial Notice (Dkt. Nos. 34, 60); 24 and (4) Plaintiff’s Request for Judicial Notice (Dkt. No. 45). 25 I. FACTUAL AND PROCEDURAL BACKGROUND 26 The First Amended Complaint (“FAC”) asserts two causes of action against 27 the Individual Defendants and Fox (collectively, “Defendants”): (1) Copyright 28 Infringement, 17 U.S.C. §§ 101 et seq.; and (2) Breach of Implied-In-Fact 1 1 Contract. Plaintiff’s claims are based on Defendants’ alleged infringement and 2 use of Plaintiff’s Book, Screenplay, and DVD (each entitled “Bigger Than Big”) 3 in connection with the television series Empire. 4 II. STATEMENT OF THE LAW 5 A. Motion To Dismiss 6 Federal Rule of Civil Procedure 12(b)(6) allows a court to dismiss a 7 complaint for “failure to state a claim upon which relief can be granted.” 8 Dismissal of a complaint can be based on either a lack of a cognizable legal theory 9 or the absence of sufficient facts alleged under a cognizable legal theory.
    [Show full text]
  • 3Rd Circ. Won't Revive Copyright Suit Over Fox's 'Empire' – Law360
    3/18/2019 3rd Circ. Won't Revive Copyright Suit Over Fox's 'Empire' - Law360 Portfolio Media. Inc. | 111 West 19th Street, 5th floor | New York, NY 10011 | www.law360.com Phone: +1 646 783 7100 | Fax: +1 646 783 7161 | [email protected] 3rd Circ. Won't Revive Copyright Suit Over Fox's 'Empire' By Bonnie Eslinger Law360 (August 28, 2018, 11:24 PM EDT) -- The Third Circuit on Tuesday refused to revive a Philadelphia actor-turned-writer's copyright infringement suit accusing the creator of the Fox television drama "Empire" of poaching from his pitched pilot about an African-American record company owner, saying the two works weren't substantially similar. Clayton Prince Tanksley filed suit in January 2016 alleging that the creator of "Empire," Lee Daniels, expressed interest in his story idea at a 2008 Greater Philadelphia Film Office event where local writers pitched movie concepts to entertainment professionals. Tanksley said he provided Daniels with a DVD and a script of his proposed series, "Cream," which he wrote, directed and starred in. In 2015, nearly seven years later, Fox aired the debut episode of "Empire." The suit was tossed by a district court judge in April 2017. On Tuesday, the Third Circuit affirmed that decision. "We conclude that, superficial similarities notwithstanding, 'Cream' and 'Empire' are not substantially similar as a matter of law. This conclusion flows unavoidably from a comparison of the two shows' characters, settings and storylines," the federal appellate court stated. "As a preliminary matter, we note that the shared premise of the shows — an African-American, male record executive — is unprotectable.
    [Show full text]
  • Examining the Representation of Empire's Cookie Lyon from A
    She’s a Queen and a Boss: Examining the Representation of Empire’s Cookie Lyon from a Black Feminist Perspective A Thesis submitted to the Graduate School Valdosta State University in partial fulfillment of requirements for the degree of MASTER OF ARTS in Communication Arts in the Department of Communication Arts of the College of the Arts July 2018 Danyelle Gary Valdosta State University © Copyright 2018 Danyelle Gary All Rights Reserved FAIR USE This thesis is protected by the Copyright Laws of the United States (Public Law 94-553, revised in 1976). Consistent with fair use as defined in the Copyright Laws, brief quotations from this material are allowed with proper acknowledgement. Use of the material for financial gain without the author’s expressed written permission is not allowed. DUPLICATION I authorize the Head of Interlibrary Loan or the Head of Archives at the Odum Library at Valdosta State University to arrange for duplication of this thesis for educational or scholarly purposes when so requested by a library user. The duplication shall be at the user’s expense. Signature _______________________________________________ I refuse permission for this thesis to be duplicated in whole or in part. Signature ________________________________________________ Abstract This research uses a black feminist perspective to examine the portrayal of Cookie Lyon on Fox’s popular primetime series, Empire. Through a textual analysis of the first three seasons, this study suggests that the Cookie Lyon character defines new representation of black womanhood that empowers and disempowers black women in contemporary society. Five key representations were discovered: the Queen Mother, the Self-sacrificing Savior, the Second-best Love Interest, the Boss, and the Street Outsider.
    [Show full text]
  • Where We Are on Tv 2018 – 2019 Where We Are on Tv 2018 – 2019
    WHERE WE ARE ON TV 2018 – 2019 WHERE WE ARE ON TV 2018 – 2019 2018–2019 Where We Are on TV 1 PB WHERE WE ARE ON TV 2018 – 2019 WHERE WE ARE ON TV 2018 – 2019 3 2 WHERE WE ARE ON TV 2018 – 2019 WHERE WE ARE ON TV 2018 – 2019 Contents 4 From the Desk of Sarah Kate Ellis 5 Methodology 6 Executive Summary 8 Summary of Broadcast Findings 10 Summary of Cable Findings 12 Summary of Streaming Findings 14 Gender Representation 16 Race & Ethnicity 18 Representation of Black Characters 20 Representation of Latinx Characters 22 Representation of Asian-Pacific Islander Characters 24 Representation of Characters With Disabilities 26 Representation of Bisexual+ Characters 28 Representation of Transgender Characters 30 Representation in Alternative Programming 31 Representation in Daytime, Kids & Family Programming 32 Representation on Other SVOD Streaming Services 33 Representation in Spanish-Language Programming 34 About GLAAD 3 2 WHERE WE ARE ON TV 2018 – 2019 WHERE WE ARE ON TV 2018 – 2019 From the Desk of Sarah Kate Ellis GLAAD has tracked the presence of lesbian, gay, Inclusive shows also pay off in the ratings. NBC’s bisexual, transgender, and queer (LGBTQ) characters season nine premiere of Will & Grace counted 15 on television for 23 years, and this year marks our million viewers in the first week of release, ABC’s 14th report since expanding that focus into what is Modern Family ranked in the top 20 broadcast series now the Where We Are on TV (WWAOTV) report among 18-49 year old viewers for the entirety of its in 2005.
    [Show full text]
  • I in the UNITED STATES DISTRICT COURT for the EASTERN
    IN THE UNITED STATES DISTRICT COURT FOR THE EASTERN DISTRICT OF PENNSYLVANIA CLAYTON PRINCE TANKSLEY, Plaintiff, CIVIL ACTION v. NO. 16-0081 LEE DANIELS, et al., Defendants. TABLE OF CONTENTS I. INTRODUCTION ..................................................................................................... 1 II. BACKGROUND ......................................................................................................... 2 III. STANDARD OF REVIEW ........................................................................................ 4 IV. ANALYSIS .................................................................................................................. 6 A. Plaintiff Has Not Plausibly Alleged a Claim of Copyright Infringement Against Fox Defendants ................................................................ 6 1. Summary of the Two Works .............................................................................. 8 2. Substantial Similarity Analysis ........................................................................ 18 B. Plaintiff Has Not Plausibly Alleged a Claim of Contributory Copyright Infringement Against Sharon Pinkenson and the Greater Philadelphia Film Office ...................................................................... 33 C. Plaintiff Has Not Plausibly Alleged a Claim of Negligence Against Sharon Pinkenson and the Greater Philadelphia Film Office ........ 37 1. Plaintiff’s Negligence Claim is Preempted by the Copyright Act ................... 37 2. Plaintiff Has Not Plausibly Alleged a Claim
    [Show full text]
  • Black Masculinity Media Representation As Seen in Netflix Series Luke Cage and Fox Series Empire Meya Joyell Hemphill
    Kennesaw State University DigitalCommons@Kennesaw State University Master of Arts in American Studies Capstones Interdisciplinary Studies Department Summer 7-28-2017 The Anti-Black Hero: Black Masculinity Media Representation as Seen in Netflix Series Luke Cage and Fox Series Empire Meya Joyell Hemphill Follow this and additional works at: http://digitalcommons.kennesaw.edu/mast_etd Part of the American Popular Culture Commons, Other Feminist, Gender, and Sexuality Studies Commons, Political History Commons, Social History Commons, United States History Commons, and the Visual Studies Commons Recommended Citation Hemphill, Meya Joyell, "The Anti-Black Hero: Black Masculinity Media Representation as Seen in Netflix Series Luke Cage and Fox Series Empire" (2017). Master of Arts in American Studies Capstones. 14. http://digitalcommons.kennesaw.edu/mast_etd/14 This Thesis is brought to you for free and open access by the Interdisciplinary Studies Department at DigitalCommons@Kennesaw State University. It has been accepted for inclusion in Master of Arts in American Studies Capstones by an authorized administrator of DigitalCommons@Kennesaw State University. For more information, please contact [email protected]. THE ANTI-BLACK HERO: BLACK MASCULINITY MEDIA REPRESENTATION AS SEEN IN NETFLIX SERIES LUKE CAGE AND FOX SERIES EMPIRE A Thesis Presented to The Academic Faculty By Meya Hemphill In Partial Fulfillment Of the Requirements for the Degree Master of Arts in American Studies Kennesaw State University July 2017 Hemphill 2 Table
    [Show full text]
  • Hegemonic Masculinity, Black Fatherhood, and Homosexuality in Primetime Television
    REPRESENTING RACE, GENDER, AND SEXUALITY IN EMPIRE: (COUNTER)HEGEMONIC MASCULINITY, BLACK FATHERHOOD, AND HOMOSEXUALITY IN PRIMETIME TELEVISION Robert A. Humphrey A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2016 Committee: Angela Nelson, Advisor Becca Cragin Jeffrey Brown © 2016 Robert A. Humphrey All Rights Reserved iii ABSTRACT Angela Nelson, Advisor As a site of representational African-American culture, the television program Empire works to deconstruct many of the normative prejudices about masculinity and sexuality in the national community broadly, and in the Black community specifically. To do so, the series ties in issues of homosexuality with the traditionally heterosexist genre of hip-hop/rap music. Given that hip-hop is conventionally a Black, male, heterosexual space, it is significant that Empire creates a narrative around issues of masculinity and sexuality within this genre by prominently featuring someone of a marginalized group (i.e., the gay community) as being heavily entrenched in this particular music scene. Additionally, many of the ways in which Empire also deconstructs hegemonic ideals is through the portrayal of the character Lucious Lyon, who actually upholds hegemonic norms of masculinity and sexuality. It is when Lucious’s heteronormative hypermasculinity is juxtaposed with other characters that much of Empire’s cultural commentary comes through. While this can be seen in his interactions with women and his colleagues, a clear social critique of Black fatherhood is represented in Lucious’s interactions with his three sons: Andre, Jamal, and Hakeem. iv Dedicated to my friends and family, and to all my fellow television enthusiasts… v ACKNOWLEDGMENTS I would like to thank my committee, Dr.
    [Show full text]