P A U L A N D R É B E M P É C H A T Chevalier de l’Ordre des Arts et des Lettres Artist-in-Residence, Leverett House Harvard University www.bempechat.com
Education
D.M.A. (Piano/Musicology), Boston University, 2000 - Professors: Anthony di Bonaventura, Piano; Isabelle Cazeaux, John Daverio, Musicology - Dissertation: The Life and Works of Jean Cras (1879-1932)
Diplôme d'études approfondies (M. Phil.) (Musicology and Comparative Literature) Université de Paris Sorbonne - Professors: Marie-Claire Beltrando-Patier, Musicology; Pierre Brunel, Comparative Literature
M. Mus. (Piano), The Juilliard School - Professors: Nadia Reisenberg, piano; Felix Galimir, chamber music
M. Mus. (Piano), B. Mus. (Piano), Manhattan School of Music - Professors: Artur Balsam, Piano, Chamber Music
HONORS, FELLOWSHIPS, SCHOLARSHIPS (most recent)
2017: Chevalier de l’Ordre des Arts et des Lettres (France) 2013-2018: The REC Foundation, St. Louis, MO. Career development grant. 2013: The Austrian-American Association of Boston. Research subvention. 2010-2013: The REC Foundation, St. Louis, MO. Research subvention 2008: John Anson Kittredge Educational Fund, Cambridge, MA. Publication subvention 2007: Halcrow Yolles Foundation, Toronto. Publication subvention 2004: Pennsylvania Partners in the Arts, Grant for Consultancy in Arts Education 2000-2009: Institut Culturel de Bretagne – Post-doctoral Fellowship 1997: Winner of the National Opera Association's annual Scholarly Papers Competition for “Jean Cras and Albert Samain: Parallels and Paradoxes in the Genesis of ‘Polyphme’” 1995: Elected member of Pi Kappa Lambda, May 1995 1995-2000: Institut Culturel de Bretagne (France) — Dissertation Fellowship 1990-1994: Boston University — Dean’s Award for Doctoral Studies
Foreign Languages: French, German, Swedish, Italian (written); conversational Danish, Dutch, and Spanish
Professional Research and Teaching Appointments at Harvard University
2016-2019: Associate, Davis Center for Russian and Eurasian Studies 2014-: Artist-in-Residence, Leverett House 2011-2014: Center for Jewish Studies, Visiting Fellow 2009-2010: Harvard Divinity School, Visiting Scholar 2 2007-2008: Adjunct Lecturer, Division of Continuing Education 2005-2007: Department of Romance Languages and Literatures, Visiting Scholar 2002-2005: Department of Celtic Languages and Literatures, Visiting Scholar 2002-2014: Center for European Studies, Affiliate
Activities at and Community Service to the University:
2016-date: Co-founder of the Harvard-Uppsala (Sweden) Chamber Music Exchange Program 2016-date: Chopin lecture-recitals at Leverett House 2015-date: Beethoven lecture-recitals at Leverett House 2013-date: Member of the Senior Common Room, Leverett House; Leader, French Table 2006-date: Creation of the Lyrica Society’s Annual Dialogues at Harvard 2003-2008: Member of the Senior Common Room, Cabot House 2002-date: Annual piano recitals at The Memorial Church and/or at undergraduate Residence Halls
Parallel Professional Appointments
2014-: Massachusetts College of Art and Design, Visiting Lecturer 2014-: Cambridge Center for Adult Education, Instructor 2013-: Elie Wiesel Institute, Paris, France, Visiting Lecturer 2012 (Spring): Princeton University, Department of Music, Visiting Artist 2012 (Spring): Rutgers University, Mason Gross School for the Arts, Visiting Instructor, Musicology 2011-2012: Princeton Adult School: Courses on Chopin (Fall) and Women Composers (Spring) 2009-2012: The Hun School of Princeton, Private Piano Instructor 2009-2013: Westminster College of the Arts, Rider University, Adjunct Associate Professor of Music 2004-2005: Pennsylvania State University, Visiting Professor of Music and Artist-in-Residence 2004-: Lyrica Society for Word-Music Relations, President and Chief Executive Officer 2000-2010: Institut Culturel de Bretagne, Research Fellow 1991-2009: Hampden-Sydney College, Virginia, Visiting Artist and Professor 1985-1986: Denison University, Visiting Associate Professor 1981-1984: University of Gothenburg, Sweden; Associate Professor (tenured) 1980-1981: University of Ottawa, Ontario; Visiting Lecturer
PUBICATIONS
Monographs, Edited Volumes and Journals
2018: Jean Cras, Polymath of Music and Letters, 2nd edition, Peter Lang Publishers; in preparation. 2016: Naturlauf: Scholarly Excursions Toward Gustav Mahler, Essays in Honour of Henry-Louis de La Grange at His 90th Birthday. Editor/Contributor. New York: Peter Lang Publishing; 672 p. 2013: Ars Lyrica 22 (2013), Editor 2012: Ars Lyrica 21 (2012), Co-Editor 2011: Ars Lyrica 20 (2011), Editor 2009: Jean Cras, Polymath of Music and Letters. Farnham (UK): Ashgate Publishing. 610 p. 2005: Liber Amicorum Isabelle Cazeaux: Symbols, Parallels and Discoveries in Her Honor. Editor and contributor. Hillsdale, NY: Pendragon Press. 565 p.
Articles
3 Peer-Reviewed
2017: “Restoring Luise Greger: A Renaissance in Progress,” in Journal of the International Alliance of Women in Music, expected May 2017. 2011: “Felix Mendelssohn’s Reformation Symphony and the Culture of Assimilation,” in Harvard University Center for European Studies Working Papers Series; online, at http://ces.fas.harvard.edu/publications/OpenForum/CES_OFWP_6_Bempechat.pdf. 25 pp. 2011: “The Location of Mendelssohn’s Culture: Religious Counterpoint, Confusion and Synthesis in the Reformation Symphony,” in Ars Lyrica 19, pp. 27-56. 2010: “Rita Strohl, Classicist or Mystic?” in Journal of the International Association of Women in the Arts, pp. 17-22. 2010: “The Abergavenny Eisteddfod of 1838 and the Birth of Barzaz Breiz,” in Ars Lyrica Celtica (Ars Lyrica 17), pp. 97-129. 2004: “Classic - Celtic - Eclectic: The Harp Compositions of Pierick Houdy,” in American Harp Journal, Summer 2004, Vol. 19, No. 3; pp. 9-15. 2003: “Allons, enfants de quelle patrie ? Breton Nationalism and the French Impressionist Aesthetic,” Harvard University Center for European Studies Working Papers Series, 2003; http://www.ces.fas.harvard.edu/working_papers/bempechat.pdf. 24 pp. 2002: “Narrating the Symbol: Jean Cras’ Legacy of Song,” in Ars Lyrica 12, pp. 3-70. 2001: “Where Formalism Meets Folklore: Jean Cras’ ‘Trio pour cordes (1925),’” American String Teacher, May 2001, Vol. 51, No. 2, pp. 74-81. 2001: “The Choral Works of Jean Cras,” The Choral Journal, February 2001, Vol. 41, No. 7, pp. 9-16. 2000: “An Admiral of Music: Jean Cras’ Chamber Music for Strings,” The Strad, London, October 2000, Vol.111, No. 1326, pp.1096-1100. 1999: “Love’s Labours Found: Jean Cras' Pieces for Violin and Piano Rediscovered (with apologies to The Bard),” American String Teacher, November 1999, Vol. 49, No. 4, pp. 64-74. 1999: “Inside Jean Cras’ Musical Laboratory II: Cyclical Composition at its Zenith: ‘Quintet for Harp, Flute, and Strings,’” American Harp Journal, Summer 1999., Vol. 17, No. 1, pp. 7-12. 1998: “Jean Cras and Albert Samain: Parallels and Paradoxes in the Genesis of Polyphème,” The Opera Journal, March 1998, Vol. XXXI/1, pp. 3-17. 1998: “Inside Jean Cras' Musical Laboratory: An African Diary in Music and Letters: The Genesis of His ‘Suite en Duo' for Flute and Harp (1928),’” American Harp Journal, Winter 1998, Vol. 16, No. 4, pp. 7-14. 1998: “A Rediscovered Masterpiece: Jean Cras' ‘Deux Impromptus pour harpe (1925),’” American Harp Journal, Summer 1998, Vol.16, No. 3, pp. 5-10.
Proceedings Articles (Peer-Reviewed)
2009: “The Breton Compositions of Jean Cras,” in Proceedings of the 23rd Harvard Celtic Colloquium. 2008: “Toward a Breton Musical Patrimony: Symbiosis and Synthesis of the Folkloric, the Classical and the Impressionistic,” in Proceedings of the 22nd Harvard Celtic Colloquium.
Encyclopedia Entries
2011: “Lori Laitman,” in The New Grove Dictionary of American Music. 2001: “Jean Cras,” in Die Musik in Geschichte und Gegenwart (MGG). 2001: “Jean Cras,” in The Revised New Grove Dictionary of Music and Musicians. 2001: “Max d’Ollone,” in The Revised New Grove Dictionary of Music and Musicians.
Miscellaneous Articles:
4
2015: “Jean Cras, Musicien-Marin,” in Mon violon m’a sauvé la vie – Destins de musiciens dans la Grande Guerre. Musée de Meaux (France); in press. 2005: “Ravel Writes to Jean Cras,” in Liber Amicorum Isabelle Cazeaux: Pendragon Press (Hillsdale, NY), pp. 365-376. 2005: “Fair Winds and Following Seas: Jean Cras’ Symphonic Autobiography, ‘Journal de bord (1927),’ ” in Liber Amicorum Isabelle Cazeaux, Pendragon Press (Hillsdale, NY), pp. 443-457. 2000: “Naval Hero—Novel Voice: The Piano Works of Jean Cras,” Piano & Keyboard 206, September-October 2000, pp. 47-55. 2000: “Recent Repertoire Discoveries from France: Jean Cras’ ‘Sonate (1900)’ and ‘Légende (1929)’” for the Internet Cello Society: http://www.cello.org. (ca.) 10 pp. 1995: “In Memoriam Artur Balsam (1906-1994),” in Durch die Brille; Vienna: Hans Schneider, 1996.
WORKS IN PROGRESS
Recordings: 2016-2022: Ludwig van Beethoven: The Complete Piano Sonatas, annual release of one of eight compact discs. DANACORD Records, Copenhagen, Denmark.
Books: Jean Cras, Polymath of Music and Letters, 2nd edition, revised and expanded. P. Lang, 2018.
Jean Cras, musicien et scientifique. P. Lang, 2018.
Jean Cras, Mélodies de jeunesse. First critical edition of his unpublished early songs. Expected 2018.
Chopin, Scientist. Manuscript in progress, expected, June 2020.
Articles:
“Genius and Solitude: The Life and Work of Mel(anie) Bonis”: to be submitted to the Journal of the International Association of Women in the Arts; expected, December 2017.
“Duparc Dismisses Debussy: The Unpublished Pelléas Correspondence”: to be submitted to Cahiers Debussy; expected, December 2017.
PERFORMING CAREER
Since 1980, soloist and chamber musician, including masterclasses, on both sides of the Atlantic. Performances at major concert halls, including Berlin’s Konzerthaus, Meiningen’s Meininger-Theater, Boston’s Jordan Hall, Harvard University’s Sanders Theatre, Stockholm’s Konserthus; guest artist- teacher (masterclasses and lectures) at numerous North American colleges and universities; recordings at most European broadcasting houses, as well as National Public Radio in the United States and both language networks of the Canadian Broadcasting Corporation. Full details are available upon request.
Concert and Lecture Appearances 2011-17
University of Texas, Austin, November 2017
Uppsala University, October 2017
5
Royal Academy of Music, Stockholm, October 2017
Stockholm University, October 2017
Harvard University, February 2017; March 2017; April 2017 (Chopin)
Uppsala University, October 2016
Stockholm University, October 2016
Scandinavian Cultural Center, Newton, MA, October 2016
Swedish Cultural Center, Washington, DC, October 2016
Gustav Mahler Vereinigung Hamburg, July 2016
Internationale Gustav-Mahler Gesellschaft, Vienna, May 2016
Jihlava (Czech Republic) Department of Tourism, May 2016
International School of Boston, May 2016
Harvard University: Conway Concerts at Leverett House, May 2016
DePaul University, Chicago: lecture-recital, March 2015
International School of Boston, recital, March 2015
Harvard University: annual recital at The Memorial Church, April 2014
Harvard University: Conway Concert at Leverett House, April 2014
International School of Boston, recital, April 2014
Fairmont State University, West Virginia, December: Mozart, K. 503; music history lectures
Clarksburg, West Virginia, November 2013: Recital for the Clarksburg-Harrison Cultural Foundation
Centre culturel d’Olivet, France: Recital, October 2013
Université de Paris-Sorbonne: Lecture on Jean Cras, June 2013
Institut Universitaire Elie Wiesel, Paris: May-June 2013; six lectures on Jewish composers of the 19th century
Princeton, New Jersey: 11 November 2012: Recital for The Steinway Society
Helsinki, Finland: 8-10 October 2012: Lecture-recital and masterclass at the Sibelius Academy
6 Uppsala, Sweden: 4-6 October, 2012: Recital, lecture-recital and masterclass at the University
Husum, Germany: 19 August, 2012: Lecture-recital at the Festival Klavier Raritäten
Paris, France: 20 June 2012: Fundraising recital for La Maison verte, which protects at-risk children
Princeton, New Jersey: 1 April 2012: Mozart, Concerto in C major, K. 415, Princeton University Chamber Ensemble
Princeton, New Jersey: 4 December 2011: Schubert-Liszt Recital, Unitararian-Universalist Congregation
St. Francis College, Brooklyn, New York: 21 November 2011: Mendelssohn-Liszt-Chopin-Schumann Recital, St. Francis College
*
TEACHING CAREER
Courses of Instruction
History/Music History/Musicology Courses:
Multicultural America Beethoven Fanny and Felix Mendelssohn and Their Worlds Film Music French Literature as Opera History of American Musical Theater History of Chamber Music Impressionism Introduction to Musicology The Legacy of Chopin Medieval-Renaissance Survey The Mendelssohn Family Mozart Music and Society Nationalism in Music Piano Literature Vienna: Its Glories, Its Paradoxes World History to 1500 Women Composers and their Legacies
Specially Developed Courses and Seminars:
African-American Literary and Musical Legacies Asia in the Western Operatic Tradition Brittany and Her Impressionists Jean Cras The Faust Myth in Literature and Music
7 From Judaism to Christianity: A Continuum
Instrumental Instruction:
Piano, Chamber Music (with and without piano)
ACADEMIC, ADMINISTRATIVE AND BUSINESS EXPERIENCE
Lyrica Society (2004 to date)
Since 2004, I have been President of the Lyrica Society for Word-Music Relations. My appointment has entailed transforming a dormant academic society into a highly respected organization. I have created a series of annual conferences and conference presentations at major venues, such as the national conventions of the American Musicological Society and the American Comparative Literature Association. This has required diplomatically restructuring the Society’s governing boards and the Editorial Board of our peer-reviewed journal, Ars Lyrica. Beyond the planning and coordination of events and travel, my responsibilities have included public speaking on behalf of the Society, fundraising, volunteer recruitment and coordination, creation and dissemination of publicity materials.
Arts and Programming Consultancies (1982-date)
I am regularly solicited as an advisor and/or consultant to arts agencies with regard to program development, fund-raising and public relations strategies. Most recently (May 2012), the Northwest Language and Cultural Center, Langley, Washington.
MusicArts Canada (1982-1990)
In 1982, founded and directed, with colleagues, a small performing arts agency based in Montreal. MusicArts Canada handled our careers through effective marketing, career development and event planning. As a team, we designed brochures, publicity materials and program strategies beneficial to all. The bulk of my administrative responsibilities entailed developing and maintaining overseas contacts and working relationships with diplomatic missions and media in Canada and the U.S.
SERVICE TO THE ACADEMIC PROFESSION
2016 to date: Series Editor, Nationalism in Music, Peter Lang Academic Publishers 2013 to date: Editorial Consultant, Peter Lang Publishing 2004 to date: Lyrica Society for Word-Music Relations, President 2003-2011: Editorial Board, The Opera Journal (National Opera Association) 2003-2011: Scholarly Papers Committee, National Opera Association
CONFERENCE PAPERS (most recent)
September 2011: “Mendelssohn’s Reformation Symphony and the Culture of Assimilation,” presented at the German Studies Association’s Annual Conference, Louisville, KY April 2011: “Mendelssohn’s Reformation Symphony and the Culture of Assimilation,” presented at the Library of Congress for the Spring meeting of the National Capital Chapter of the American Musicological Society, Washington, DC. February 2011: “Mendelssohn’s Reformation Symphony and the Culture of Assimilation,” presented at
8 the Harvard Hillel Association. January 2011: “Mendelssohn’s Reformation Symphony and the Culture of Assimilation,” presented at the Winter meeting of the Greater New York Chapter of the American Musicological Society, Stonybrook Graduate Center, New York, NY. January 2011: “The Incarnation of Symbols in the Songs of Jean Cras,” presented at the annual Convention of the National Opera Association, San Antonio, Texas. January 2011: “Der Rosenkavalier at 100: A Centenary Perspective,” presented at the annual Convention of the National Opera Association, San Antonio, Texas. October 2010: “Jean Cras and his Paysages,” a lecture-recital presented at the Fall meeting of the Greater New York Chapter of the American Musicological Society, Wagner College, Staten Island, New York. January 2009: “The Renaissance of Jean Cras,” delivered at the annual convention of the National Opera Association, held in Arlington, VA. November 2008: “Duparc Dismisses Debussy: The Unpublished Pelléas Correspondence,” delivered for the Lyrica Society’s seminar at the annual meeting of the American Musicological Society, Nashville. Also organizer of the seminar. October 2006: “Beethoven, Folklorist or Mercenary?,” delivered at the 26th Harvard Celtic Coloquium. October 2005: “Breaking the Wagnerian Curse: Guy Ropartz’ and Charles Le Goffic’s Le Pays (1908- 1912),” delivered at the 25th Harvard Celtic Colloquium. November 2004: “How Russian Nationalism Inspired “The Breton Eight”: Paul Ladmirault’s Artistic Manifesto of 1928,” delivered at the annual meeting of the American Musicological Society. October 2004: “The Abergavenny Eisteddfod of 1838 and the Birth of Barzaz Breiz,” delivered at the 24th Harvard Celtic Colloquium. October 2003: “The Breton Compositions of Jean Cras;” 23rd Harvard Celtic Colloquium. March 2003: “Toward a Breton Musical Patrimony: Symbiosis and Synthesis of the Folkloric, the Classical and the Impressionistic,” delivered at the Spring meeting of the New England Chapter of the American Musicological Society. October 2003: “Dependence – Independence – Interdependence: Brittany’s Musical Patrimony in Transition,” delivered at the International Symposium on Nationalism and Romanticism in Music, held at the Ionian University, Corfu (Greece). October 2002: “Toward a Breton Musial Patrimony: Symbiosis and Synthesis of the Folkloric, the Classical and the Impressionistic,” delivered at the 22nd Harvard Celtic Colloquium. January 1998: “Parallels and Parodoxes in the Genesis of ‘Polyphème,’” delivered at the annual convention of the National Opera Association.
CONFERENCE CHAIRS AND SESSIONS ORGANIZED
2013-14: Scholarly papers sessions organized at national meetings of the American Musicological Society, Modern Language Association, and Harvard-Lyrica Dialogues. 2012-13: Scholarly papers sessions organized at national meetings of the American Musicological Society, Modern Language Association, and Harvard-Lyrica Dialogues. 2011-12: Scholarly papers sessions organized at national meetings of the American Musicological Society, Modern Language Association, and Harvard-Lyrica Dialogues. 2010-11: Scholarly papers sessions organized at national meetings of the American Musicological Society, Modern Language Association, and Harvard-Lyrica Dialogues. 2009-10: Scholarly papers sessions organized at national meetings of the American Musicological Society, Modern Language Association, and Harvard-Lyrica Dialogues. 2008-09: Scholarly papers sessions organized at national meetings of the American Musicological Society, National Opera Association, American Comparative Literature Association, and Harvard-Lyrica Dialogues.
9 2007-08: Scholarly papers sessions organized at national meetings of the American Musicological Society, Modern Language Association, Renaissance Society of America, American Comparative Literature Association, and Harvard-Lyrica Dialogues. Organization (with Professor George Gopen, Duke University) of the Lyrica Society’s Biennial Scholarly Papers Competition. 2006-07: Scholarly papers sessions organized at the national meetings of American Musicological Society, Modern Language Association, National Opera Association, American Comparative Literature Association, Harvard-Lyrica Dialogues. January 2007: Scholarly Papers Competition Committee, National Opera Association, New York City. June 2006: Lyrica Society session, at the National Association of Teachers of Singing Convention, Minneapolis. April 2006: Lyrica Society session, “Music and the Asian Diaspora,” Rider University. January 2006: Scholarly Papers Competition Committee, National Opera Association, University of Michigan, Ann Arbor. January 2006: Lyrica Society for Word-Music Relations Session on African-American Composers, National Opera Association’s Convention, University of Michigan. December 2005: The Arthurian Myth in Music and Literature, Special Session, Modern Language Association’s Annual Convention, Washington, D.C. October 2005: Lyrica Society Session, American Musicological Society’s Annual Convention, Washington, D.C. October 2003: International Symposium on Nationalism and Romanticism in Music, Ionian University, Corfu, Greece.
RECENT INVITED RADIO APPEARANCES, LECTURES AND LECTURE-RECITALS:
December 2011: All-Schubert recital, Unitarian-Universalist Church, Princeton, New Jersey November 2011: Recital at the College of Saint Francis, Brookly, New York August 2011: All-SchubertRecital at Westminster Choir College, Princeton, New Jersey. August 2011: Interview with David Osenberg on “Cadenza,” WWFM, The Classical Network April 2011: “The Location of Mendelssohn’s Culture,” National Capital Chapter of the American Musicological Society April 2011: Reading and signing of Jean Cras, Polymath of Music and Letters at Schoenhof Foreign Books, Cambridge, Massachusetts February 2011: “The Location of Mendelssohn’s Culture,” Harvard Hillel. January 2011: “The Location of Mendelssohn’s Culture,” Greater New York Chapter of the American Musicological Society. May 2007: “Marot après Marot: Poet to the Courts, Muse to the Muses,” Harvard University, Humanities Center’s Seminar on the Renaissance. February 2007: “Sense and Sensibility: The Songs of Earl Kim” (a reworking of the previous lecture), for the inaugural Harvard-Lyrica Dialogues at Memorial Church, February 2007: “Rabindranath Tagore and European Art Song: Ecumenism and Conciliation,” Harvard University, Humanities Center Seminar on Cross-Cultural Poetics and Rhetoric. October 2006: Harvard Celtic Colloquium: “Beethoven, Folklorist or Mercenary?” September 2006: American Musicological Society, Northeast Chapter Meeting, Providence College: “The Voices of Earl Kim.” April 2006: Lyrica Society Lecture at Rider University’s symposium “Music and the Asian Diaspora.” December 2005: Seminar at Harvard University’s Department of Romance Languages and Literatures comparing Mozart’s Don Giovanni and Molière’s Dom Juan.
10 November 2005: Duquesne University on Jean Cras (his string compositions) and on Breton and other nationalist expressions through Impressionism in Europe. November 2005: Intermission presentation, of Jean Cras’ rhapsody for ‘cello and orchestra, Légende (1929), at its U.S. première by the Duquesne University Symphony Orchestra, Sidney Harth, conducting; broadcast live on WQED-FM. Prepared program notes for this work and for Paul Juon’s Triple Concerto, also on the program.
A complete list of invited lectures (1990-2002) available on request.
PROFESSIONAL AFFILIATIONS
American Comparative Literature Association American Musicological Society Celtic Studies Association of North America College Music Society German Studies Association of North America Haydn Society of North America Lyrica Society for Word-Music Relations, President Modern Language Association National Opera Association
REFERENCES
Dr. Elliott Antokoletz, Distinguished Professor of Musicology Butler School of Music, College of Fine Arts The University of Texas, Austin; Austin, Texas 78712 [email protected]; (512) 471-0698
Dr. Michael Griffel, Head, Music History Programs The Juilliard School, Lincoln Center Plaza, New York, New York 10024 [email protected]; (212) 799-5000
Dr. Lin Haire-Sargent, Chair Department of Liberal Arts Massachusetts College of Art and Design 621 Huntington Avenue, Boston, MA 02115; [email protected]; (617) 879-7599
Dr. Rufus Hallmark, Chair, Department of Musicology Rutgers University, Marryott Music Building, 125 George Street, New Brunswick, NJ 08901 [email protected]; (732) 932-8860
Dr. Timothy Jackson, Distinguished Research Professor of Music, College of Music University of North Texas, 1155 Union Circle #311367, Denton, TX 76203-5017 [email protected] / (940) 565-3748
Dr. Edward Jones, Gund University Organist, Harvard University Cambridge, Massachusetts 02138; [email protected]; (617) 496-3192
Dr. Anthony Kosar, Chair, Music History and Theory Programs, Westminster Choir College 101 Walnut Lane, Princeton, New Jersey 08540; [email protected]; (609) 921-7000
11
Dr. Charles Maier, Leverett Saltonstall Professor of History, Harvard University Center for European Studies, 27 Kirkland Street, Cambridge, MA 02138 [email protected]; (617) 495-4303, ext. 273
Dr. Jürgen Thym, Professor Emeritus (Musicology), Eastman School of Music 452 N Main Street, Mansfield, PA 16933; [email protected]; (570) 662-1055