Constructions of Scotland's Place and Identity Within a Changing Scottish
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Tartan As a Popular Commodity, C.1770-1830. Scottish Historical Review, 95(2), Pp
Tuckett, S. (2016) Reassessing the romance: tartan as a popular commodity, c.1770-1830. Scottish Historical Review, 95(2), pp. 182-202. (doi:10.3366/shr.2016.0295) This is the author’s final accepted version. There may be differences between this version and the published version. You are advised to consult the publisher’s version if you wish to cite from it. http://eprints.gla.ac.uk/112412/ Deposited on: 22 September 2016 Enlighten – Research publications by members of the University of Glasgow http://eprints.gla.ac.uk SALLY TUCKETT Reassessing the Romance: Tartan as a Popular Commodity, c.1770-1830 ABSTRACT Through examining the surviving records of tartan manufacturers, William Wilson & Son of Bannockburn, this article looks at the production and use of tartan in the late eighteenth and early nineteenth centuries. While it does not deny the importance of the various meanings and interpretations attached to tartan since the mid-eighteenth century, this article contends that more practical reasons for tartan’s popularity—primarily its functional and aesthetic qualities—merit greater attention. Along with evidence from contemporary newspapers and fashion manuals, this article focuses on evidence from the production and popular consumption of tartan at the turn of the nineteenth century, including its incorporation into fashionable dress and its use beyond the social elite. This article seeks to demonstrate the contemporary understanding of tartan as an attractive and useful commodity. Since the mid-eighteenth century tartan has been subjected to many varied and often confusing interpretations: it has been used as a symbol of loyalty and rebellion, as representing a fading Highland culture and heritage, as a visual reminder of the might of the British Empire, as a marker of social status, and even as a means of highlighting racial difference. -
Gaelic Scotland in the Colonial Imagination
Gaelic Scotland in the Colonial Imagination Gaelic Scotland in the Colonial Imagination Anglophone Writing from 1600 to 1900 Silke Stroh northwestern university press evanston, illinois Northwestern University Press www .nupress.northwestern .edu Copyright © 2017 by Northwestern University Press. Published 2017. All rights reserved. Printed in the United States of America 10 9 8 7 6 5 4 3 2 1 Library of Congress Cataloging-in-Publication data are available from the Library of Congress. Except where otherwise noted, this book is licensed under a Creative Commons At- tribution-NonCommercial-NoDerivatives 4.0 International License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-nd/4.0/. In all cases attribution should include the following information: Stroh, Silke. Gaelic Scotland in the Colonial Imagination: Anglophone Writing from 1600 to 1900. Evanston, Ill.: Northwestern University Press, 2017. For permissions beyond the scope of this license, visit www.nupress.northwestern.edu An electronic version of this book is freely available, thanks to the support of libraries working with Knowledge Unlatched. KU is a collaborative initiative designed to make high-quality books open access for the public good. More information about the initiative and links to the open-access version can be found at www.knowledgeunlatched.org Contents Acknowledgments vii Introduction 3 Chapter 1 The Modern Nation- State and Its Others: Civilizing Missions at Home and Abroad, ca. 1600 to 1800 33 Chapter 2 Anglophone Literature of Civilization and the Hybridized Gaelic Subject: Martin Martin’s Travel Writings 77 Chapter 3 The Reemergence of the Primitive Other? Noble Savagery and the Romantic Age 113 Chapter 4 From Flirtations with Romantic Otherness to a More Integrated National Synthesis: “Gentleman Savages” in Walter Scott’s Novel Waverley 141 Chapter 5 Of Celts and Teutons: Racial Biology and Anti- Gaelic Discourse, ca. -
Media Culture for a Modern Nation? Theatre, Cinema and Radio in Early Twentieth-Century Scotland
Media Culture for a Modern Nation? Theatre, Cinema and Radio in Early Twentieth-Century Scotland a study © Adrienne Clare Scullion Thesis submitted for the degree of PhD to the Department of Theatre, Film and Television Studies, Faculty of Arts, University of Glasgow. March 1992 ProQuest Number: 13818929 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 13818929 Published by ProQuest LLC(2018). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 Frontispiece The Clachan, Scottish Exhibition of National History, Art and Industry, 1911. (T R Annan and Sons Ltd., Glasgow) GLASGOW UNIVERSITY library Abstract This study investigates the cultural scene in Scotland in the period from the 1880s to 1939. The project focuses on the effects in Scotland of the development of the new media of film and wireless. It addresses question as to what changes, over the first decades of the twentieth century, these two revolutionary forms of public technology effect on the established entertainment system in Scotland and on the Scottish experience of culture. The study presents a broad view of the cultural scene in Scotland over the period: discusses contemporary politics; considers established and new theatrical activity; examines the development of a film culture; and investigates the expansion of broadcast wireless and its influence on indigenous theatre. -
Form Foreign Policy Took- Somerset and His Aims: Powers Change? Sought to Continue War with Scotland, in Hope of a Marriage Between Edward and Mary, Queen of Scots
Themes: How did relations with foreign Form foreign policy took- Somerset and his aims: powers change? Sought to continue war with Scotland, in hope of a marriage between Edward and Mary, Queen of Scots. Charles V up to 1551: The campaign against the Scots had been conducted by Somerset from 1544. Charles V unchallenged position in The ‘auld alliance’ between Franc and Scotland remained, and English fears would continue to be west since death of Francis I in dominated by the prospect of facing war on two fronts. 1547. Somerset defeated Scots at Battle of Pinkie in September 1547. Too expensive to garrison 25 border Charles won victory against forts (£200,000 a year) and failed to prevent French from relieving Edinburgh with 10,000 troops. Protestant princes of Germany at In July 1548, the French took Mary to France and married her to French heir. Battle of Muhlberg, 1547. 1549- England threatened with a French invasion. France declares war on England. August- French Ottomans turned attention to attacked Boulogne. attacking Persia. 1549- ratified the Anglo-Imperial alliance with Charles V, which was a show of friendship. Charles V from 1551-1555: October 1549- Somerset fell from power. In the west, Henry II captured Imperial towns of Metz, Toul and Verdun and attacked Charles in the Form foreign policy-Northumberland and his aims: Netherlands. 1550- negotiated a settlement with French. Treaty of In Central Europe, German princes Somerset and Boulogne. Ended war, Boulogne returned in exchange for had allied with Henry II and drove Northumberland 400,000 crowns. England pulled troops out of Scotland. -
Representations of Scotland in Edwin Morgan's Poetry
California State University, San Bernardino CSUSB ScholarWorks Theses Digitization Project John M. Pfau Library 2002 Representations of Scotland in Edwin Morgan's poetry Theresa Fernandez Mendoza-Kovich Follow this and additional works at: https://scholarworks.lib.csusb.edu/etd-project Part of the Literature in English, British Isles Commons Recommended Citation Mendoza-Kovich, Theresa Fernandez, "Representations of Scotland in Edwin Morgan's poetry" (2002). Theses Digitization Project. 2157. https://scholarworks.lib.csusb.edu/etd-project/2157 This Thesis is brought to you for free and open access by the John M. Pfau Library at CSUSB ScholarWorks. It has been accepted for inclusion in Theses Digitization Project by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. REPRESENTATIONS OF SCOTLAND IN EDWIN MORGAN'S POETRY A Thesis Presented to the Faculty of California State University, San Bernardino In Partial Fulfillment of the Requirements for the Degree Master of Arts in English Composition by Theresa Fernandez Mendoza-Kovich September 2002 REPRESENTATIONS OF SCOTLAND IN EDWIN MORGAN'S POETRY A Thesis Presented to the Faculty of California State University, San Bernardino by Theresa Fernandez Mendoza-Kovich September 2002 Approved by: Renee PrqSon, Chair, English Date Margarep Doane Cyrrchia Cotter ABSTRACT This thesis is an examination of the poetry of Edwin Morgan. It is a cultural analysis of Morgan's poetry as representation of the Scottish people. ' Morgan's poetry represents the Scottish people as determined and persistent in dealing with life's adversities while maintaining hope in a better future This hope, according to Morgan, is largely associated with the advent of technology and the more modern landscape of his native Glasgow. -
Auldalliance Thepulse Feb2012.Pdf
FEATURE 22 FEATURE VIVE LA VIELLE ALLIANCE The Scots and French share an affinity going back centuries. Yet does the Auld Alliance, that once bound them against a common foe and helped to forge relations between the two countries, have any contemporary relevance, asks Richard Mowe ention the Auld Alliance wine trade. It felt sometimes as though I to the average French per- was teaching history to the people I met in son and they will give you bars and at parties. Though they all liked a quizzical look. If you’re to joke about kilts …” lucky they will mutter Fellow scribe Ron Butlin concurs with – en passant – something that impression. “Hopefully the days of Mabout Mary Stuart, Bonnie Prince Charlie, the common enemy have passed. We the dastardly Anglais and the wine trade. Scots certainly are more active in uphold- The French who come to live, work or ing the spirit of the Auld Alliance than the study here are quick to delve into the past French, whose picture of us still seems to to ensure they are up to speed if only so be kilts, Nessie, whisky and the occasional they do not need to look embarrassed success in rugby. Maybe this will change if every time a native mentions the bond Scotland moves towards a greater level of that started as a marriage of military con- independence.” venience. The 13th-century pact, which At the time, it suited the French to have was formally adopted as the Auld Alliance an aggressor against its rival England, by Scotland and France in 1295, commit- while the canny Scots found an added ted each country to come to the other’s bonus was being able to sell French goods aid should one be attacked. -
Robert Burns Dinner at the Frontenac Hilton See Attached Flier Plan Now and Ask Some Friends
SCOTTISH ST. ANDREW SOCIETY OF GREATER ST. LOUIS PRESIDENT'S MESSAGE Dear Members & Friends, We skipped Hallowe'en, but within a week were hosting the Kinlochard Ceilidh Band as part of their KC/St. Louis/Chicago tour. Fergus Wood and his talented young musicians led us in another great St. Andrew's Day celebration. The next day, piper Finlay's playing added color to the Jefferson Barracks "Remembrance Day" service, with a good Society presence this year. At recent events, attractive Games T-shirts ($15), Souvenir Pins ($5), Programs and Posters ($1) were on display and can be ordered through macmail@scottish games.com or at 314-821-1286. Advance orders are also being taken for the profes sional Oct 12-13 Games video @ $20 - I've seen clips and this is a must have! Also, for new Society merchandise, classy "Made to Order" polo shirts with logo are on offer - for details call Chris Fulton (314-962-1478). Visit Union Station before Jan 2nd to see our Scottish Christmas Tree in the In ternational Folklore Federation's display. Snow cancelled our Christmas Party last year, but torrential rain last week didn't prevent 30 youngsters from getting on Santa's knee in front of their carol-singing parents and friends. Check inside about our flagship event, Bums Nicht, along with other fun gather ings through Spring. Compliments of the season to all- and a Happy Ne'erday on the 1st. Yours aye, Bill Nicoll. MERRY CHRISTMAS inside... Upcoming Events Scottish Traditions & A HAPPY GJ~flf Caledonia Corner NEWYEAR ~~ Membership News Lang mae yer lum reek! ~ ~ Toasts & Things: R. -
French Travellers to Scotland, 1780-1830
French Travellers to Scotland, 1780-1830: An Analysis of Some Travel Journals. Elizabeth Anne McFarlane Submitted according to regulations of University of Stirling January 2015 Abstract. This study examines the value of travellers’ written records of their trips with specific reference to the journals of five French travellers who visited Scotland between 1780 and 1830. The thesis argues that they contain material which demonstrates the merit of journals as historical documents. The themes chosen for scrutiny, life in the rural areas, agriculture, industry, transport and towns, are examined and assessed across the journals and against the social, economic and literary scene in France and Scotland. Through the evidence presented in the journals, the thesis explores aspects of the tourist experience of the Enlightenment and post - Enlightenment periods. The viewpoint of knowledgeable French Anglophiles and their receptiveness to Scottish influences, grants a perspective of the position of France in the economic, social and power structure of Europe and the New World vis-à-vis Scotland. The thesis adopts a narrow, focussed analysis of the journals which is compared and contrasted to a broad brush approach adopted in other studies. ii Dedication. For Angus, Mhairi and Brent, who are all scientists. iii Acknowledgements. I would like to thank my husband, Angus, and my daughter, Mhairi, for all the support over the many years it has taken to complete this thesis. I would like to mention in particular the help Angus gave me in the layout of the maps and the table. I would like to express my appreciation for the patience and perseverance of my supervisors and second supervisors over the years. -
Scotland and the Early Modern Naval Revolution, 1488-1603
Scotland and the Early Modern Naval Revolution, 1488-1603 by Sean K. Grant A Thesis Presented to The University of Guelph In partial fulfillment of requirements for the degree of Master of Arts in History Guelph, Ontario, Canada © Sean K. Grant, October 2014 ABSTRACT SCOTLAND AND THE EARLY MODERN NAVAL REVOLUTION, 1488-1603 Sean Kevin Grant Advisor: University of Guelph, 2014 Professor E. Ewan By re-examining the circumstances surrounding the establishment and disestablishment of the Scots Navy, this thesis challenges existing scholarship which suggests that Scotland was neither an active participant in, or greatly impacted by, the early modern naval revolution. The Scots Navy did not disappear in the middle of the sixteenth century because Scotland no longer had need for a means of conducting maritime warfare, nor was a lack of fiscal capacity on the part of the Scottish state to blame, as has been suggested. In fact, the kingdom faced a constant series of maritime threats throughout the period, and these had compelled the Scots to accept the value of seapower and to embrace the technological innovations of the naval revolution. And as had occurred in other states impacted by the revolution, the Scottish fiscal system went through a structural transition that gave the Crown the capacity to acquire and maintain a permanent fleet. However, by mid-century the need for such a fleet had dissipated due to a shift in strategic focus which merged Crown and mercantile interests. This merger solved the principal-agent problem of military contracting – the dilemma that had led James IV to found the Navy in the first place – and this meant that Scottish maritime warfare could be conducted by privateers alone thereafter. -
Scotland in the World – Learning Journey
How others see us in film Scotland in the world – learning journey Introduction This social studies project uses cinema to explore how Scotland’s identity can be understood, not only in terms of the nation but also in terms of the identities which variously overlap it. Overall, these identities, sometimes called ‘transnational’, are various and varied. In cinema, they include expressions of ‘Scottishness’ constructed in the USA, Canada, England, France, India, Hong Kong (amongst others), which indicate the complexity of Scotland’s position in the world’s imagination. Exploring such films, the discourses that surround them, and how they intertwine with the global flows of people into and out of Scotland, enables students to consider how global citizenship ‘starts at home’. Social studies significant aspects of learning understanding the place, history, heritage and culture of Scotland and appreciating local and national heritage within the world becoming aware of change, cause and effect, sequence and chronology locating, exploring and linking periods, people, events and features in time and place Social studies experiences and outcomes I can make links between my current and previous studies, and show my understanding of how people and events have contributed to the development of the Scottish nation. SOC 3-02a I have developed a sense of my heritage and identity as a British, European or global citizen and can present arguments about the importance of respecting the heritage and identity of others. SOC 4-02a Responsibility of all areas that could be addressed in this learning journey: To help me develop an informed view, I am exploring the techniques used to influence my opinion. -
Projecting the Nation: Constructions of Scotland in Film Since 1979
Projecting the Nation: Constructions of Scotland in Film Since 1979 Emily Torricelli PhD University of York Theatre, Film and Television January 2016 Abstract This thesis examines questions of the continued significance of national cinemas and identities, focussing on the case of Scottish cinema. As a small, devolved nation with relative autonomy from the United Kingdom, Scotland presents an interesting case for how films are labelled with a national identity, as Scottish films can also often be understood in a British, European, and even global context. Rather than attempting to construct a working model of Scottish cinema based on representation or production context, I ask how films have been constructed as Scottish. I approach the concepts of Scotland and Scottish film as sets of meanings that are subject to change over time and in different contexts. This facilitates a perspective which asks in what ways Scotland and Scottishness is constructed in film. I examine how multiple identities are balanced in the filmic construction of Scotland first by considering how Scottish films—both those made in and which are about Scotland—from the early 1980s to the present construct Scottish identities. I will consider the way these films explored ‘traditional’ Scottish identities in the 1980s, Scottish masculinity in the 1990s, and Scottish identities based on ethnicity and gender in the 2000s and 2010s. Second, I look at how these films are received as Scottish by examining reviews and other press materials to determine how the Scottishness -
Bonnie Scotland and La Belle France: Commonalites and Cultural Links
Oglethorpe Journal of Undergraduate Research Volume 2 | Issue 1 Article 5 May 2013 Bonnie Scotland and La Belle France: Commonalites and cultural links. Moira Speirs MS Oglethorpe University, [email protected] Follow this and additional works at: https://digitalcommons.kennesaw.edu/ojur Part of the European History Commons, Medieval History Commons, and the Social History Commons Recommended Citation Speirs, Moira MS (2013) "Bonnie Scotland and La Belle France: Commonalites and cultural links.," Oglethorpe Journal of Undergraduate Research: Vol. 2 : Iss. 1 , Article 5. Available at: https://digitalcommons.kennesaw.edu/ojur/vol2/iss1/5 This Article is brought to you for free and open access by DigitalCommons@Kennesaw State University. It has been accepted for inclusion in Oglethorpe Journal of Undergraduate Research by an authorized editor of DigitalCommons@Kennesaw State University. For more information, please contact [email protected]. Bonnie Scotland and La Belle France: Commonalites and cultural links. Cover Page Footnote With thanks to Emily Winkler, Jesus college, Oxford and Anne Salter, Oglethorpe University, Atlanta Georgia This article is available in Oglethorpe Journal of Undergraduate Research: https://digitalcommons.kennesaw.edu/ojur/vol2/iss1/5 Speirs: Scotland and France: Commonalites and cultural links. The Auld Alliance between Scotland and France was ratified by treaty many times in history.1After 1603 with the union of the crowns of Scotland and England, it was never again a formal alliance. However the Auld Alliance did not die, the continuing links between the two countries shaped many aspects of their society. Trade, education, language, law, and philosophy were influenced by the cultural links and friendships between Scotland and France.