Synthetic Worlds Nature, Art and the Chemical Industry
Synthetic Worlds Nature, Art and the Chemical Industry Esther Leslie Synthetic Worlds Synthetic Worlds Nature, Art and the Chemical Industry Esther Leslie reaktion books Published by reaktion books ltd www.reaktionbooks.co.uk First published 2005 Copyright © Esther Leslie 2005 All rights reserved No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the publishers. Colour printed by Creative Print and Design Group, Harmondsworth, Middlesex Printed and bound in Great Britain by Biddles Ltd, Kings Lynn British Library Cataloguing in Publication Data Leslie, Esther, 1964– Synthetic worlds: nature, art and the chemical industry 1.Art and science 2.Chemical industry - Social aspects 3.Nature (Aesthetics) I. Title 7-1'.05 isbn 1 86189 248 9 Contents introduction: Glints, Facets and Essence 7 one Substance and Philosophy, Coal and Poetry 25 two Eyelike Blots and Synthetic Colour 48 three Shimmer and Shine, Waste and Effort in the Exchange Economy 79 four Twinkle and Extra-terrestriality: A Utopian Interlude 95 five Class Struggle in Colour 118 six Nazi Rainbows 167 seven Abstraction and Extraction in the Third Reich 193 eight After Germany: Pollutants, Aura and Colours That Glow 218 conclusion: Nature’s Beautiful Corpse 248 References 254 Select Bibliography 270 Acknowledgements 274 Index 275 introduction Glints, Facets and Essence opposites and origins In Thomas Pynchon’s novel Gravity’s Rainbow a character remarks on an exploding missile whose approaching noise is heard only afterwards. The horror that the rocket induces is not just terror at its destructive power, but is a result of its reversal of the natural order of things.
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