JACQUES DERRIDA 3 4 5111 6 7 8 9 10111 11 2 3111 4 5 6 7 1118 ‘Excellent, Strong, Clear and Original’
º1111 2 JACQUES DERRIDA 3 4 5111 6 7 8 9 10111 11 2 3111 4 5 6 7 1118 ‘Excellent, strong, clear and original’. Jacques Derrida. 9 ‘A strong, inventive and daring book that does much more than most introductions are 20111 capable of even dreaming’. Diane Elam, Cardiff University. 1 ‘Readers couldn’t ask for a more authoritative and knowledgeable guide. Although there 2 is no playing down of the immensity of the implications of Derrida’s work, Royle’s direct and often funny mode of address will make it less threatening than it can often 3 appear to beginners’. Derek Attridge, University of York. 4 In this entertaining and provocative introduction, Royle offers lucid explanations of var- 5 ious key ideas, including deconstruction, differance and the democracy to come. He also 6 gives attention, however, to a range of perhaps less obvious topics, such as earthquakes, 7 animals and animality, ghosts, monstrosity, the poematic, drugs, gifts, secrets, war and 8 mourning. Derrida is seen as an extraordinarily inventive thinker, as well as a brilliantly 9 imaginative and often very funny writer. Other critical introductions tend to highlight the specifically philosophical nature and genealogy of his work. Royle’s book proceeds 30111 in a new and different way, in particular by focusing on the crucial but strange place of 1 literature in Derrida’s writings. He thus provides an appreciation and understanding 2 based on detailed reference to Derrida’s texts, interwoven with close readings of liter- 3 ary works. In doing so, he explores Derrida’s consistent view that deconstruction is a 4 ‘coming-to-terms with literature’.
[Show full text]