What to Find in the Museums of Rome

Total Page：16

File Type：pdf, Size：1020Kb

INDEX 5 ARCHAEOLOGICAL MUSEUMS 6 ROMAN NATIONAL MUSEUM: 8 MASSIMO PALACE 16 BATHS OF DIOCLETIAN 18 OCTAGON HALL OR MINERVA'S 20 ALTEMPS PALACE 26 BALBI CRYPT 27 CAPITOLINE MUSEUMS: 29 CONSERVATORS PALACE 34 NEW PALACE 38 CAPITOLINE COLLECTIONS IN THE MONTEMARTINI POWER STATION 40 ARA PACIS MUSEUM 41 MUNICIPAL ANTIQUARIUM 41 ROMAN HOUSES AT THE COELIAN HILL 42 FORENSIC ANTIQUARIUM 42 PALATINE ANTIQUARIUM 44 BARRACCO MUSEUM 45 ORIENTAL ART NATIONAL MUSEUM 46 WALLS MUSEUM 46 MUSEUM IN VIA OSTIENSE 47 OSTIENSE ARCHAEOLOGICAL MUSEUM 49 MODERN AND MEDIAEVAL MUSEUMS 50 ANCIENT ART NATIONAL GALLERY IN BARBERINI PALACE 58 NATIONAL GALLERY IN CORSINI PALACE 62 ST LUKE NATIONAL ACADEMY GALLERY ?.!BL!OTHEK 65 NATIONAL MUSEUM IN VENICE PALACE •tIDELBERG 68 CAPITOLINE PICTURE GALLERY 73 ST ANGEL'S CASTLE NATIONAL MUSEUM 76 DORIA PAMPHILJ GALLERY 81 COLONNA GALLERY 84 SPADA GALLERY 88 CASINO DELL'AURORA PALLAVTCINI 88 CASINO DELL'AURORA LUDOVISI BONCOMPAGNI 89 VILLA BORGHESE MUSEUMS 91 VILLA GIULIA ETRUSCAN MUSEUM 96 BORGHESE GALLERY 106 CARLO BILOTTI MUSEUM 106 CANONICA MUSEUM 108 CIVIC MUSEUM OF ZOOLOGY 109 NATIONAL GALLERY OF MODERN ART (G.N.A.M.) 114 CONTEMPORARY TEMPORARY 114 MAXXI - NATIONAL MUSEUM OF THE ARTS OF THE 2V CENTURY 115 ART AND HISTORY MUSEUMS OF ROME 116 MUSEUM OF ROME 118 MUSEUM OF ROME IN TRASTEVERE 119 MODERN ART MUNICIPAL GALLERY 120 CONTEMPORARY ART MUSEUM IN ROME 120 OPERA PAESE 121 MEMORIAL HOUSES KEATS-SHELLEY MEMORIAL HOUSE GIORGIO DE CHIRICO MEMORIAL HOUSE GOETHE'S HOUSE CANOVA-TADOLINI MUSEUM HENDRICK CHRISTIAN ANDERSEN MUSEUM UMBERTO MASTROIANNI DONATION MUSEUM NAPOLEONIC MUSEUM MARIO PRAZ MUSEUM ANDREA AND BLANCEFI.OR BONCOMPAGNI LUDOVISI MUSEUM FOR DECORATIVE ARTS 130 PIRANDELLO'S HOUSE 130 TORQUATO TASSO MUSEUM 131 MUSEUMS OF VILLA TORLONIA CASINO NOBILE MUSEUM OF THE ROMAN SCHOOL CASINO DEI PRINCIPI CASINA DELLE CIVETTE MUSEUM TECHNOTOWN 135 EUR MUSEUMS 137 FOLK NATIONAL MUSEUM 138 LUIGI PIGORINI MUSEUM OF ETHNOGRAPHY AND PREHISTORY 139 EARLY MIDDLE AGES MUSEUM 140 MUSEUM OF ROMAN CULTURE, PLANETARIUM AND ASTRONOMICAL MUSEUM 141 VATICAN MUSEUMS VATICAN PICTURE GALLERY ETHNOLOGICAL MISSIONARY MUSEUM GREGORIAN MUSEUM OF PAGAN ANTIQUITIES PIUS CHRISTIAN MUSEUM COURT OF THE PIGNA PIUS-CLEMENTINE MUSEUM CHIARAMONTI MUSEUM, NEW WING AND LAPIDARY GALLERY TOWARDS THE ROOMS. ETRUSCAN GREGORIAN MUSEUM 164 GALLERY OF MAPS 166 RAPHAEL'S ROOMS 172 NICHOLAS' CHAPEL AND BORGIA APARTMENT 175 SISTINE CHAPEL 180 TOWARDS THE EXIT 181 HISTORICAL ARTISTIC MUSEUM - TREASURE OF SAINT PETER 182 VATICAN HISTORICAL MUSEUM AND PAPAL APARTMENT 183 OTHER MUSEUMS 184 Music, THEATRE AND SHOW MUSEUMS 185 VARIOUS MUSEUMS 187 TECHNICAL-SCIENTIFIC MUSEUMS 188 RELIGIOUS MUSEUMS 189 UNIVERSITY MUSEUMS 191 MILITARY MUSEUMS 192 SPACES FOR TEMPORARY EXHIBITIONS.

Copy Link

Recommended publications

Rome: a Pilgrim’S Guide to the Eternal City James L
Rome: A Pilgrim’s Guide to the Eternal City James L. Papandrea, Ph.D. Checklist of Things to See at the Sites Capitoline Museums Building 1 Pieces of the Colossal Statue of Constantine Statue of Mars Bronze She-wolf with Twins Romulus and Remus Bernini’s Head of Medusa Statue of the Emperor Commodus dressed as Hercules Marcus Aurelius Equestrian Statue Statue of Hercules Foundation of the Temple of Jupiter Optimus Maximus In the Tunnel Grave Markers, Some with Christian Symbols Tabularium Balconies with View of the Forum Building 2 Hall of the Philosophers Hall of the Emperors National Museum @ Baths of Diocletian (Therme) Early Roman Empire Wall Paintings Roman Mosaic Floors Statue of Augustus as Pontifex Maximus (main floor atrium) Ancient Coins and Jewelry (in the basement) Vatican Museums Christian Sarcophagi (Early Christian Room) Painting of the Battle at the Milvian Bridge (Constantine Room) Painting of Pope Leo meeting Attila the Hun (Raphael Rooms) Raphael’s School of Athens (Raphael Rooms) The painting Fire in the Borgo, showing old St. Peter’s (Fire Room) Sistine Chapel San Clemente In the Current Church Seams in the schola cantorum Where it was Cut to Fit the Smaller Basilica The Bishop’s Chair is Made from the Tomb Marker of a Martyr Apse Mosaic with “Tree of Life” Cross In the Scavi Fourth Century Basilica with Ninth/Tenth Century Frescos Mithraeum Alleyway between Warehouse and Public Building/Roman House Santa Croce in Gerusalemme Find the Original Fourth Century Columns (look for the seams in the bases) Altar Tomb: St. Caesarius of Arles, Presider at the Council of Orange, 529 Titulus Crucis Brick, Found in 1492 In the St.
[Show full text]
Rome: Portrait of a City 2019
Rome: Portrait of a City 2019 28 OCT – 9 NOV 2019 Code: 21941 Tour Leaders Em. Prof. Bernard Hoffert Physical Ratings Explore the treasures of the Eternal City, from the Etruscans through to the 21st century, with art history expert Emeritus Professor Bernard Hoffert. Overview Join Emeritus Professor Bernard Hoffert in Rome on a program that explores the enduring yet ever- changing nature of this extraordinary city. In Tarquinia, north of Rome, discover the exquisite beauty of Etruscan wall painting at the UNESCO site of the Necropoli dei Monterozzi and view fine Etruscan sculpture at the Villa Giulia. Marvel at the extraordinary ancient Roman architectural and engineering feats like the Pantheon and the revolutionary Roman documentary realism in the sculpture of Augustus’ Ara Pacis Augustae. Admire the glistening Early Christian and medieval mosaics that convey a sense of a transcendent world in churches such as Santa Prassede, Santa Maria Maggiore, San Clemente and Santa Maria in Trastevere. View Michelangelo’s awesome God of Creation on the Sistine Ceiling and his terrifying Just Christ of the Last Judgement, as well as Raphael’s superb frescoes in the Vatican Stanze and the Villa Farnesina. Outside Rome, wander through the exquisite pentagonal Villa Farnese at Caprarola with its extensive park adorned with fountains, walled gardens and a casino; and explore the garden masterpiece of the Renaissance, Vignola’s Villa Lante at Bagnaia. Contemplate Caravaggio’s portrayal of deep spiritual awakening in his St Matthew cycle in the church of San Luigi dei Francesi, and his Crucifixion of Saint Peter and Conversion of St Paul at Santa Maria del Popolo, and witness the revolutionary illusionism and high drama of Gian Lorenzo Bernini’s sculptures at the Villa Borghese.
[Show full text]
Michelangelo's Locations
1 3 4 He also adds the central balcony and the pope’s Michelangelo modifies the facades of Palazzo dei The project was completed by Tiberio Calcagni Cupola and Basilica di San Pietro Cappella Sistina Cappella Paolina crest, surmounted by the keys and tiara, on the Conservatori by adding a portico, and Palazzo and Giacomo Della Porta. The brothers Piazza San Pietro Musei Vaticani, Città del Vaticano Musei Vaticani, Città del Vaticano facade. Michelangelo also plans a bridge across Senatorio with a staircase leading straight to the Guido Ascanio and Alessandro Sforza, who the Tiber that connects the Palace with villa Chigi first floor. He then builds Palazzo Nuovo giving commissioned the work, are buried in the two The long lasting works to build Saint Peter’s Basilica The chapel, dedicated to the Assumption, was Few steps from the Sistine Chapel, in the heart of (Farnesina). The work was never completed due a slightly trapezoidal shape to the square and big side niches of the chapel. Its elliptical-shaped as we know it today, started at the beginning of built on the upper floor of a fortified area of the Apostolic Palaces, is the Chapel of Saints Peter to the high costs, only a first part remains, known plans the marble basement in the middle of it, space with its sail vaults and its domes supported the XVI century, at the behest of Julius II, whose Vatican Apostolic Palace, under pope Sixtus and Paul also known as Pauline Chapel, which is as Arco dei Farnesi, along the beautiful Via Giulia.
[Show full text]
On the Spiritual Matter of Art Curated by Bartolomeo Pietromarchi 17 October 2019 – 8 March 2020
on the spiritual matter of art curated by Bartolomeo Pietromarchi 17 October 2019 – 8 March 2020 JOHN ARMLEDER | MATILDE CASSANI | FRANCESCO CLEMENTE | ENZO CUCCHI | ELISABETTA DI MAGGIO | JIMMIE DURHAM | HARIS EPAMINONDA | HASSAN KHAN | KIMSOOJA | ABDOULAYE KONATÉ | VICTOR MAN | SHIRIN NESHAT | YOKO ONO | MICHAL ROVNER | REMO SALVADORI | TOMÁS SARACENO | SEAN SCULLY | JEREMY SHAW | NAMSAL SIEDLECKI with loans from: Vatican Museums | National Roman Museum | National Etruscan Museum - Villa Giulia | Capitoline Museums dedicated to Lea Mattarella www.maxxi.art #spiritualealMAXXI Rome, 16 October 2019. What does it mean today to talk about spirituality? Where does spirituality fit into a world dominated by a digital and technological culture and an ultra-deterministic mentality? Is there still a spiritual dimension underpinning the demands of art? In order to reflect on these and other questions MAXXI, the National Museum of XXI Century Arts, is bringing together a number of leading figures from the contemporary art scene in the major group show on the spiritual matter of art, strongly supported by the President of the Fondazione MAXXI Giovanna Melandri and curated by Bartolomeo Pietromarchi (from 17 October 2019 to 8 March 2020). Main partner Enel, which for the period of the exhibition is supporting the initiative Enel Tuesdays with a special ticket price reduction every Tuesday. Sponsor Inwit. on the spiritual matter of art is a project that investigates the issue of the spiritual through the lens of contemporary art and, at the same time, that of the ancient history of Rome. In a layout offering diverse possible paths, the exhibition features the works of 19 artists, leading names on the international scene from very different backgrounds and cultures.
[Show full text]
Ist. Arts & Culture Festival First Global Edition Kicks
IST. ARTS & CULTURE FESTIVAL FIRST GLOBAL EDITION KICKS OFF IN ROME, ITALY ON MAY 31 ISTANBUL ’74 C o - Founders Demet Muftuoglu Eseli & Alphan Esel i to Co - curate IST.FEST.ROME With Delfina Delettrez Fendi and Nico Vascellari Demet Muftuoglu Eseli & Alphan Eseli , Co - Founders of ISTANBUL’74 launch the first global edition of IST. Arts & Culture Festival i n the city of Rome , the artistic an d cultural center of the world that has played host to some of the most impressive art and architecture achieved by human civilization , on May 31 st - June 2 nd 2019. Co - c urated by Demet Muftuoglu Eseli, Alphan Eseli, with Delfina Delettrez Fendi and Nico Vascellari , the IST.FEST. ROME will bring together some of the world’s most talented and creative minds , and leading cultural figures around an inspiring program of panels, talks, exhibitions, performances, screenings and workshops while maintaining its admission - free format. IST. FEST. ROME will focus on the theme: “Self - Expression in the Post - Truth World.” This edition of IST. F estival sets out to explore the ways in which constant changes in our surrounding habitats affect crea tive minds and artistic output. The core mission of the theme is to invoke lively debate around the struggle between reality and make - believe while acknow ledging digital technology and its undeniable power and vast reach as the ultimate tool for self - expression. IST.FEST.ROME will be presented in collaboration with MAXXI, the National Museum of 21st Century Arts , the first Italian national institution dev oted to contemporary creativity designed by the acclaimed architect Zaha Hadid , and Galleria Borghese , one the most respected museums over the world with masterpieces by Bernini and Caravaggio in its collection.
[Show full text]
The Virtuoso of Compassion Ingrid D
The Virtuoso of Compassion Ingrid D. Rowland MAY 11, 2017 ISSUE The Guardian of Mercy: How an Extraordinary Painting by Caravaggio Changed an Ordinary Life Today by Terence Ward Arcade, 183 pp., $24.99 Valentin de Boulogne: Beyond Caravaggio an exhibition at the Metropolitan Museum of Art, New York City, October 7, 2016–January 22, 2017; and the Musée du Louvre, Paris, February 20–May 22, 2017 Catalog of the exhibition by Annick Lemoine and Keith Christiansen Metropolitan Museum of Art, 276 pp., $65.00 (distributed by Yale University Press) Beyond Caravaggio an exhibition at the National Gallery, London, October 12, 2016–January 15, 2017; the National Gallery of Ireland, Dublin, February 11–May 14, 2017 Catalog of the exhibition by Letizia Treves and others London: National Gallery, 208 pp., $40.00 (distributed by Yale University Press) The Seven Acts of Mercy a play by Anders Lustgarten, produced by the Royal Shakespeare Company, Stratford-upon- Avon, November 24, 2016–February 10, 2017 Caravaggio: The Seven Acts of Mercy, 1607 Pio Monte della Misericordia, Naples Two museums, London’s National Gallery and New York’s Metropolitan Museum of Art, mounted exhibitions in the fall of 2016 with the title “Beyond Caravaggio,” proof that the foul-tempered, short-lived Milanese painter (1571–1610) still has us in his thrall. The New York show, “Valentin de Boulogne: Beyond Caravaggio,” concentrated its attention on the French immigrant to Rome who became one of Caravaggio’s most important artistic successors. The National Gallery, for its part, ventured “beyond Caravaggio” with a choice display of Baroque paintings from the National Galleries of London, Dublin, and Edinburgh as well as other collections, many of them taken to be works by Caravaggio when they were first imported from Italy.
[Show full text]
Ancient Cities: the Archaeology of Urban Life in the Ancient Near East, Egypt, Greece and Rome, Second Edition
ART 2311: Art and Architecture in Rome Fall 2016 A Days (Mondays and Wednesdays), 11:30am-1:00pm Aula Magna (plus site visits on some Wednesday afternoons) COURSE DESCRIPTION: This course gives students the unique opportunity to immerse themselves in the development of the city of Rome through a study of its art, architecture and urban transformation. It focuses on the major artistic and architectural movements occurring primarily in Italy (as well as their Greek antecedents) from roughly the 8th century BCE to the 20th century CE. In the study of each period we will strive to understand Rome’s artistic and architectural works within the contexts in which they were created. Our study of art, architecture and urban planning will therefore take into account the historical, political, social, religious and cultural contexts of the patrons, artists and viewers. Particular emphasis will be placed on ancient Greece and Rome, early Christianity, the Renaissance and the Baroque periods. We will also explore the reuse, borrowing and revival of ancient artistic and architectural themes in later periods. Instructor: Office Hours: Dr. Elizabeth Robinson Monday 4:00-6:00pm, or by appointment. [email protected] If you cannot make it to these office hours, Office: 560 please let me know and we can work out Office Phone: extension 560 another time to meet. REQUIRED TEXTS: (G) Gates, C.F. Ancient Cities: The archaeology of Urban Life in the Ancient Near East, Egypt, Greece and Rome, second edition. (Routledge, 2011). (C) Claridge, A. Rome. An Oxford Archaeological Guide. (Oxford 1998). (CP) Coursepack (consisting of several different readings assembled specifically for this course) ADDITIONAL READINGS: Occasionally texts, articles and handouts that will supplement the texts listed above may be assigned.
[Show full text]
California State University, Northridge
CALIFORNIA STATE UNIVERSITY, NORTHRIDGE The Palazzo del Te: Art, Power, and Giulio Romano’s Gigantic, yet Subtle, Game in the Age of Charles V and Federico Gonzaga A thesis submitted in partial fulfillment of the requirements For the degree of Master of Arts in Interdisciplinary Studies with emphases in Art History and Political Science By Diana L. Michiulis December 2016 The thesis of Diana L. Michiulis is approved: ___________________________________ _____________________ Dr. Jean-Luc Bordeaux Date ___________________________________ _____________________ Dr. David Leitch Date ___________________________________ _____________________ Dr. Margaret Shiffrar, Chair Date California State University, Northridge ii ACKNOWLEDGEMENTS I would like to convey my deepest, sincere gratitude to my Thesis Committee Chair, Dr. Margaret Shiffrar, for all of her guidance, insights, patience, and encourage- ments. A massive "merci beaucoup" to Dr. Jean-Luc Bordeaux, without whom completion of my Master’s degree thesis would never have been fulfilled. It was through Dr. Bordeaux’s leadership, patience, as well as his tremendous knowledge of Renaissance art, Mannerist art, and museum art collections that I was able to achieve this ultimate goal in spite of numerous obstacles. My most heart-felt, gigantic appreciation to Dr. David Leitch, for his leadership, patience, innovative ideas, vast knowledge of political-theory, as well as political science at the intersection of aesthetic theory. Thank you also to Dr. Owen Doonan, for his amazing assistance with aesthetic theory and classical mythology. I am very grateful as well to Dr. Mario Ontiveros, for his advice, passion, and incredible knowledge of political art and art theory. And many thanks to Dr. Peri Klemm, for her counsel and spectacular help with the role of "spectacle" in art history.
[Show full text]
AH/CU/MU 340 CITIES AS LIVING MUSEUMS IES Abroad Paris BIA – Rome – Madrid
AH/CU/MU 340 CITIES AS LIVING MUSEUMS IES Abroad Paris BIA – Rome – Madrid COURSE DESCRIPTION: Through an interdisciplinary approach, students will be able to appreciate how throughout their long histories the cities of Paris, Rome and Madrid have developed around the central idea of cultural heritage and patrimony. The program offers a unique opportunity to examine how art, architecture and monuments have at different times and in different ways affected urban development, life and culture in three European capitals. The complex relationship between artistic development, politics, economics and ideology will be analyzed in detail by considering how museums, monuments and archaeological sites developed in different periods of modern European history. The course considers the history of art collections, museum centers and attitudes towards antiquities, monuments and archaeological sites. Special attention is given to how underlying concepts in conservation and preservation theory and cultural management have evolved through time. CREDITS: 3 LANGUAGE OF INSTRUCTION: English PREREQUISITES: None ADDITIONAL COST: None METHOD OF PRESENTATION: Lectures, class discussions, course-related trips to monuments, museums and archaeological sites REQUIRED WORK AND FORMS OF ASSESSMENT: Paris Portion: 25% • Class participation: 10% • Daily comment on visit (Journal): 40% • Paris City Exam: 50% Rome Portion: 25% • Class participation: 10% • Daily comment on visit (Journal): 40% • Rome City Exam: 50% Madrid Portion: 25% • Class participation: 10% • Daily comment on visit (Journal): 40% • Madrid City Exam: 50% Cumulative Final Paper: 25% The final paper will be a cumulative, take-home essay. It should be turned into Moodle. Work will be assessed on the basis of students’ visual observations, mastery of course material, and critical interventions.
[Show full text]
Roma Aeterna I: Ancient and Medieval Rome
Dr. Max Grossman Art History 3399 ACCENT Rome Study Abroad Center Summer 2020 [email protected] CRN# ????? Cell +39 340-4586937 T/Th 9:00am-1:00pm Roma Aeterna I: Ancient and Medieval Rome Art History 3399 is a specialized upper-division course on the urbanism, architecture, sculpture and painting of the city of Rome from the founding of the city in 753 BC through 1420. Through its artistic treasures, we will trace the rise of Rome from an obscure village to the largest and most populous metropolis on earth, to its medieval transformation into a modest community of less than thirty thousand inhabitants—from the political and administrative capital of the Roman Empire to the spiritual epicenter of medieval Europe. The first part of the course will cover the ancient period (up until 476 AD) and will focus on the artistic patronage of the Roman state and its leading citizens, and on the historic, social and political context of the artworks they produced. We will investigate the use of art for propagandistic and ideological purposes on the part of the emperors and their families, and on the stylistic and iconographic trends in the capital city. Moreover, we will explore what Roman artworks reveal about the complex interconnections among social classes, the relationship between Rome and its subject territories, the role of the military and the official state religion, and the emergence of Christianity and its rapid spread throughout the West. The second part of the course will treat the development of the Catholic Church and the papacy; the artistic patronage of popes, cardinals, monasteries, and seignorial families; the cult of relics and the institution of pilgrimage; and the careers of various masters, both local and foreign, who were active in the city.
[Show full text]
Top Attractions
TOP ROME ATTRACTIONS The Pantheon Constructed to honor all pagan gods, this best preserved temple of ancient Rome was rebuilt in the 2nd century AD by Emperor Hadrian, and to him much of the credit is due for the perfect dimensions: 141 feet high by 141 feet wide, with a vast dome that was the largest ever designed until the 20th century. The Vatican Though its population numbers only in the few hundreds, the Vatican—home base for the Catholic Church and the pope—makes up for them with the millions who visit each year. Embraced by the arms of the colonnades of St. Peter’s Square, they attend Papal Mass, marvel at St. Peter’s Basilica, and savor Michelangelo’s Sistine Ceiling. The Colosseum Legend has it that as long as the Colosseum stands, Rome will stand; and when Rome falls, so will the world. One of the seven wonders of the world, the mammoth amphitheater was begun by Emperor Vespasian and inaugurated by Titus in the year 80. For “the grandeur that was Rome,” this obstinate oval can’t be topped. Piazza Navona You couldn’t concoct a more Roman street scene: caffè and crowded tables at street level, coral- and rust-color houses above, most lined with wrought-iron balconies, street performers and artists and, at the center of this urban “living room,” Bernini’s spectacular Fountain of the Four Rivers and Borromini’s super-theatrical Sant’Agnese. Roman Forum This fabled labyrinth of ruins variously served as a political playground, a commerce mart, and a place where justice was dispensed during the days of the emperors (500 BC to 400 AD).
[Show full text]
ROME : ART and HISTORY OPENAIR 2020-2021, 2Nd Semester Meeting 1 – 13.03.2021 the Eternal City
University of Rome Tor Vergata School of Global Governance Prof. Anna Vyazemtseva ROME : ART AND HISTORY OPENAIR 2020-2021, 2nd semester Meeting 1 – 13.03.2021 The Eternal City 10 am – 5 pm :, The Palatine (Domus Augustana, Horti Farnesiani), Roman and Imperial Forums, The Colosseum, Vittoriano Complex, Musei Capitolini. 1 - 2pm:Lunch Meeting 2 – 20.03.2021 Introduction to the Renaissance 10 am – 5 pm: St. Peter’s Basilica, Vatican Museums (Sistine Chapel by Michelangelo, Stanze by Raphael). 1 - 2pm: Lunch Meeting 3 – 27.03.2021 Architecture and Power: Palaces of Rome 10 am – 5 pm: Villa Farnesina, Via Giulia, Palazzo Farnese, Palazzo Spada-Capodiferro, Palazzo della Cancelleria, Palazzo Mattei, Palazzo Venezia 1 - 2pm: Lunch Meeting 4 – 10.04.2021 Society, Politics and Art in Rome in XV-XVIII cc. 10 am – 5 pm: Santa Maria del Popolo, Piazza di Spagna, Barberini Palace and Gallery, Fon tana di Trevi, San Carlino alle Quattro Fontane, Sant’Andrea al Quirinale, Palazzo del Quirinale 1 - 2pm:Lunch Meeting 5 – 14.04.2021 The Re-use of the Past 10 am – 5 pm: Pantheon, Piazza di Pietra, Piazza Navona, Baths of Diocletian, National Archeological Museum Palazzo Massimo alle Terme. 1 - 2pm: Lunch Meeting 6 – 08.03.2021 Contemporary Architecture in Rome 10 am – 5pm: EUR district, MAXXI – Museum of Arts of XXI c. (Zaha Hadid Architects), Ara Pacis Museum. 1 – 2 pm: Lunch Proposals and Requirements The course consists of 6 open air lectures on artistic heritage of Rome. The direct contact with sites, buildings and works of art provides not only a better comprehension of their historical and artistic importance but also helps to understand the role of heritage in contemporary society.
[Show full text]