Fall 2018-2019 Season Tacoma Arts Live Encore Arts Seattle

Total Page:16

File Type:pdf, Size:1020Kb

Fall 2018-2019 Season Tacoma Arts Live Encore Arts Seattle 2019–2020 Energize Your Passion 2019–20 Season · Tacoma’s Historic Theater District Pantages Theater · Rialto Theater · Theater on the Square · Tacoma Armory My legacy. My partner. You have dreams. Goals you want to achieve during your lifetime and a legacy you want to leave behind. The Private Bank can help. Our highly specialized and experienced wealth strategists can help you navigate the complexities of estate planning and deliver the customized solutions you need to ensure your wealth is transferred according to your wishes. Take the first step in ensuring the preservation of your wealth for your lifetime and future generations. To learn more, please visit unionbank.com/theprivatebank or contact: Lisa Roberts Managing Director, Private Wealth Management [email protected] 415-705-7159 Wills, trusts, foundations, and wealth planning strategies have legal, tax, accounting, and other implications. Clients should consult a legal or tax advisor. ©2019 MUFG Union Bank, N.A. All rights reserved. Member FDIC. Union Bank is a registered trademark and brand name of MUFG Union Bank, N.A. Untitled-3 1 4/30/19 12:11 PM Welcome to the 2019–20 Season in the Theater District Tacoma Arts Live’s mission is to “energize community through live performance.” The performing 2019–2020 | Volume 6, No. 1 arts, as the pulse of the city, radiate a vital and joyful energy and engage in the momentum of social change. With 45+ events to choose from in the 2019-20 season, we hope you’ll connect and discover remarkable and transformative experiences in the year ahead. For all upcoming events, visit TacomaArtsLive.org. Engergize Your Passion. WHO WE ARE A non-profit performing arts organization, activating Tacoma’s Theater District since 1979. OUR VISION A South Sound community that honors all cultures and enjoys shared prosperity. OUR MISSION Energizing community through live performance. OUR VALUES Joy celebrating our humanity Courage smart risk-taking, learning, changing Diversity reflecting our community onstage and off Inclusiveness inviting broad access, building strong relationships Stewardship honoring the legacy we inherit, nurturing the future Tacoma Arts Live would like to respectfully acknowledge that we gather on the traditional lands of the Puyallup People. SEASON SPONSORS A Special Thanks to our Resident Arts Organizations encorespotlight.com 3 SEABURYSCHOOL 2019–2020 | Volume 6, No. 1 pre-k through 8th grade ADVENTUROUS PAUL HEPPNER President MIKE HATHAWAY Senior Vice President KAJSA PUCKETT Vice President, Sales & Marketing GENAY GENEREUX Accounting & Office Manager Production MINDS WANTED SUSAN PETERSON Vice President, Production JENNIFER SUGDEN Assistant Production Manager ANA ALVIRA, STEVIE VANBRONKHORST Production Artists and Graphic Designers Sales MARILYN KALLINS, TERRI REED San Francisco/Bay Area Account Executives DEVIN BANNON, BRIEANNA HANSEN, AMELIA HEPPNER, ANN MANNING Seattle Area Account Executives CAROL YIP Sales Coordinator Marketing SHAUN SWICK Senior Designer & Digital Lead CIARA CAYA Marketing Coordinator Encore Media Group 425 North 85th Street • Seattle, WA 98103 800.308.2898 • 206.443.0445 [email protected] encoremediagroup.com Encore Arts Programs and Encore Stages are published monthly by Encore Media Group to serve performing arts events in the San Francisco Bay Area and Greater Seattle Area. All rights reserved. ©2019 Encore Media Group. Reproduction without written permission is prohibited. seabury•org 4 Tacoma Arts Live season sponsors: IN THIS ISSUE 2019–20 PROGRAM VOLUME II Dear Friends, 6 A Christmas Carol . .December 21 Welcome to Tacoma 7 Film Focus: Disney’s Nightmare Before Christmas. December 22 Arts Live! We’re happy 8 Film Focus: Goonies. .January 5 that you’ve joined us to 8 Ozomatli . January 25 experience the power 9 The Peking Acrobats . January 26 of live performance. 12 The Choir of Man . January 30 In December, we’ll LISA MONET PHOTOGRAPHY 13 Oleanna . Feb 6 – Feb 23 get into the holiday 14 The Naked Magicians . February 7 spirit with Charles 15 The Good Humor Men . February 22 Dicken’s classic tale, A Christmas Carol, 18 Lyle Lovett and his Acoustic Group . February 25 before settling in for some family favorite 18 Shane Koyczan . February 28 film screenings, Disney’s Nightmare Before 20 B - The Underwater Bubble Show . .March 1 Christmas and The Goonies. Ozomatli kicks off 22 The SpongeBob Musical . March 5 the New Year in the Pantages Theater with their 23 Film Focus: Labyrinth . March 8 blended sound of classic and modern Latino, 24 Disenchanted! . .March 14 urban, hip-hop, and reggae! Crowd favorite The Peking Acrobats return to perform incredible 2019–20 TACOMA ARTS LIVE BOARD OF TRUSTEES balancing acts and extraordinary stunts. Then, raise a glass at Choir of Man, the high-energy Mark D. Pinto – President Jon Bowser – Secretary Clint Johnson – Vice President Mike Hutchinson – Treasurer show featuring a cappella renditions of Adele, Queen, Guns’N’Roses, and many others. In Christopher Algeo Tiffany T. Harmon Lisa Kremer Mike R. Wark February, our Regional Theater Program will Alison Beason Holly Hayes Connie Ladenburg David Fischer, Executive Brian Bergren Bill Hulseman Darriel Menefee Director present Oleanna, by David Mamet, an award- Holly Bocchi Lisa R. Jangard Alisa O’Hanlon winning drama that shines a light on privilege, Loren Cohen Genie Jefferson Jumi Sakurai James Crawford Kathy S. Keele Kristen Sawin status and power. Maia Espinoza Ron Klein Danene Spaeth Join us for The Naked Magicians, the TACOMA ARTS LIVE STAFF amazing magic show that strips away the Executive Gini Sommer, Volunteer Coordinator* top hats, capes, and inhibitions in this adults- David Fischer, Executive Director** Jeff Jainga, Front of House Manager* only hit. The Good Humor Men is one night Holly Klindt, Executive Assistant Sarah Koestler, Front of House Manager* Rachel Leahy, Front of House Manager with three comedians and a thousand laughs, Box Office Paul Richter, Front of House Manager Box Office Manager and internationally acclaimed spoken word Amanda Oliver, Carissa Daniels, Front of House Team Member Assistant Box Office Manager Sara Judy, Jamie Goddard, Front of House Team Member artist Shane Koyczan challenges the traditional Box Office Sales Lead Mollie Parce, Kaiya Rodriguez, Front of House Team Member Box Office Sales Lead definition of a poet with his influential and Andy Stark, Rochelle Wells, Front of House Team Member Box Office Sales Representative Megan Fricke, Eugeniu Sargu, Front of House Team Member powerful words addressing life as he sees Box Office Representative & Philanthropy Nate Jensen, Nicole Terlaje, Front of House Team Member Assistant it. B – The Underwater Bubble Show is a Kaiya Holtzman, Front of House Team Member Box Office Sales Representative Whitney McNear, Drew Gorospe, Front of House Team Member foam-tastic visual spectacle full of family fun. Philanthropy Carly Bersin, Front of House Team Member The Broadway award-winning hit Kristine Finch, Donor Engagement Manager* Paige Janosi, Front of House Team Member Nicole Hume, Philanthropy Manager, Grants & Gala Blaire Miller, Front of House Team Member Nickelodeon’s The SpongeBob Musical comes Ciara Colon, Front of House Team Member Education Angie Thompson, Front of House Team Member Tacoma for its first national tour – and only Director of Education** Katie Lappier, Melissa Dominguez, Front of House Team Member stop in Washington State! The classic ‘80s film Tony Gomez, Associate Director of Education & Grants Marsha Walner, Education Manager* Finance Labyrinth brings together creative minds of Jim Tiffany Lemmon, Senior Coordinator of Expanded Learning Robyn Engleking, Director of Finance Jill Heinecke, Education Coordinator* Shannon Johnson, Associate Director of Finance* Henson and George Lucas at Theater on the Darlene Anderson, Master Teaching Artist Aimee Takayoshi, Finance Assistant* Square. Finally, catch the new musical comedy C. Rosalind Bell, Master Teaching Artist Alan Uhlemann, Human Resources Manager Disenchanted, Aubrey Cearley, Master Teaching Artist as fairy tale royal renegades toss Master Teaching Artist Marketing & Presenting Citlali Garcia-Rolon, Lacey Wright, Associate Executive Director** off their tiaras while turning traditional princess Master Teaching Artist LaNita Hudson, Jared Wigert, Interim Director of Marketing** Master Teaching Artist stories upside down. Deanna Martinez, Katie Engel, Associate Director of Data and Patron Services* Master Teaching Artist Gabe McPherson, Vanessa Cadungug, Marketing Manager* We look forward to sharing this energy with Master Teaching Artist* Jake Nix, Kyleigh Palmer, Sponsorship & Presenting Manager Amanda Nixon, Master Teaching Artist you throughout the season ahead. Let’s gather Mara Offengender, Master Teaching Artist Operations to experience art, community, and life together Jimmy Shields, Master Teaching Artist Scott Painter, Director of Operations** Nick Shellman, Stage Department Coordinator* in Tacoma’s vibrant Theater District. Events & Venue Rentals Warren Crain, Head Carpenter** Associate Director of Sales & Events* Chris Tubig, Jackie Richter, Lead Technician (Theater on the Square) Rental Sales Manager Sincerely, Akida Dancer, Josh Holcomb, Head Flyman* Maintenance Coordinator* Sean Blacketer, Rich Tocher, Lead Technician (Rialto)* Maintenance Assistant Alec Borchardt, Don Littrell, Sound Technician* Events Manager* Jake Nix, Thomas Haman, Master Electrician Events Manager Darquita Wallace, Kendall Mahoney, Trainee David Fischer
Recommended publications
  • Smash Hits Volume 60
    35p USA $1 75 March I9-April 1 1981 W I including MIND OFATOY RESPECTABLE STREE CAR TROUBLE TOYAH _ TALKING HEADS in colour FREEEZ/LINX BEGGAR &CO , <0$& Of A Toy Mar 19-Apr 1 1981 Vol. 3 No. 6 By Visage on Polydor Records My painted face is chipped and cracked My mind seems to fade too fast ^Pg?TF^U=iS Clutching straws, sinking slow Nothing less, nothing less A puppet's motion 's controlled by a string By a stranger I've never met A nod ofthe head and a pull of the thread on. Play it I Go again. Don't mind me. just work here. I don't know. Soon as a free I can't say no, can't say no flexi-disc comes along, does anyone want to know the poor old intro column? Oh, no. Know what they call me round here? Do you know? The flannel panel! The When a child throws down a toy (when child) humiliation, my dears, would be the finish of a more sensitive column. When I was new you wanted me (down me) Well, I can see you're busy so I won't waste your time. I don't suppose I can drag Now I'm old you no longer see you away from that blessed record long enough to interest you in the Ritchie (now see) me Blackmore Story or part one of our close up on the individual members of The Jam When a child throws down a toy (when toy) (and Mark Ellen worked so hard), never mind our survey of the British funk scene.
    [Show full text]
  • The Medical Humanities Journal of Boston College
    THE MEDICAL HUMANITIES JOURNAL OF BOSTON COLLEGE Volume 5 MISSION STATEMENT The Medical Humanities Journal of Boston College seeks to: • Initiate and engage in conversation in the Boston College community and beyond about the emergent field of Medical Humanities, Health and Culture. • Provide students at Boston College with the opportunity to publish original work. • Feature a variety of work from several disciplines. • Examine critically and represent creatively ideas of health, illness, caregiving, and medicine. • Con- nect students with alumni, professionals, and other Medical Humanities programs to extend and to engage in conversation beyond Boston College. EDITORIAL STAFF EDITORS’ NOTE We all enter university eager to become specialists in our own fields of interest, be it chemistry, econom- EDITORS-IN-CHIEF ADVISORS ics, nursing, or art history. We are often driven by our passions, which prompt us to take separate paths towards Aleksandra Qilleri Amy Boesky, Department Chair, Professor of English the attainment of our goals. In light of our individualized engagements, we tend to forget what keeps us intercon- Heena Nissaraly and Director of the Medical Humanities, Health, and nected; one of our shared experiences is that of health and illness. Culture Minor MANAGING EDITOR The Medical Humanities Journal of Boston College seeks to bring all of our experiences to light in an Michaila Kaufmann effort to communicate the breadth of the medical humanities. Through pieces like Cailin MacQuarrie’s op-ed Colleen Taylor, Ph.D. Candidate in
    [Show full text]
  • Fall 2018-2019 Season Tacoma Arts Live Encore Arts Seattle
    2019–2020 Energize Your Passion 2019–20 Season · Tacoma’s Historic Theater District Pantages Theater · Rialto Theater · Theater on the Square · Tacoma Armory My legacy. My partner. You have dreams. Goals you want to achieve during your lifetime and a legacy you want to leave behind. The Private Bank can help. Our highly specialized and experienced wealth strategists can help you navigate the complexities of estate planning and deliver the customized solutions you need to ensure your wealth is transferred according to your wishes. Take the first step in ensuring the preservation of your wealth for your lifetime and future generations. To learn more, please visit unionbank.com/theprivatebank or contact: Lisa Roberts Managing Director, Private Wealth Management [email protected] 415-705-7159 Wills, trusts, foundations, and wealth planning strategies have legal, tax, accounting, and other implications. Clients should consult a legal or tax advisor. ©2019 MUFG Union Bank, N.A. All rights reserved. Member FDIC. Union Bank is a registered trademark and brand name of MUFG Union Bank, N.A. Untitled-3 1 4/30/19 12:11 PM Welcome to the 2019–20 Season in the Theater District Tacoma Arts Live’s mission is to “energize community through live performance.” The performing 2019–2020 | Volume 6, No. 1 arts, as the pulse of the city, radiate a vital and joyful energy and engage in the momentum of social change. With 45+ events to choose from in the 2019-20 season, we hope you’ll connect and discover remarkable and transformative experiences in the year ahead. For all upcoming events, visit TacomaArtsLive.org.
    [Show full text]
  • Keplers-Trial-Programme-Va-17.Pdf
    Tim Watts EPLER’S TRIAL 9th November 2017 Lydia and Manfred Gorvy Lecture Theatre Victoria & Albert Museum KEPLER PRODUCTIONS would like to thank our sponsors: Our heartfelt thanks, too, goes to the participants in the discussion meetings at St John’s College, Cambridge, out of which much of the material for the opera emerged: Dr John Adamson Dr Mark Nicholls Dr Matthew Champion Prof Mignon Nixon Dr Adam Chau Prof John Rink Dr Stefan Hanss Prof Jacqueline Rose Prof Nick Jardine Prof Simon Schaffer Prof Sachiko Kusukawa Dr Ruth Scurr Prof John Toland Dr David Stuart Prof Juliet Mitchell Dr Charlotte Woodford Pre-performance discussion with Dame Marina Warner, Prof Ulinka Rublack, Prof Simon Schaffer, Dr Aura Satz and Tim Watts. EPLER’S TRIAL An opera by TIM WATTS with film by AURA SATZ based on The Astronomer and the Witch by ULINKA RUBLACK WILLIAM ASHFORD , director GRAHAM WALKER , conductor Cerys purser , Katharina Kepler TheoTheoDOREDORE Platt , Johannes Kepler Hugh Cutting , Daemon JOHN LOFTHOUSE , Einhorn / Magistrate Michael Bell , Schoolmaster / Gabelkhover LYNETTE ALCANTáALCANTáRARARARA , Ursula Reinbold OSIAN GUTHRIE , Young Johannes GESUALDO SIX & GUESTS Soprano: Ana Beard Fernández ( Dorothea Klebl ), Lucy Cox Countertenor: Guy James, Hamish McClaren Tenor: Josh Cooter, Michael Craddock Bass: Samuel Mitchell, Owain Park orchestra Flute – Charlotte Eves Oboe – Rachel Becker Cornetts – Jeremy West, Darren Moore Sackbut –Ellie Chambers Percussion – Carl Wikeley Harp – Tanya Houghton Organ / Harpsichord – Richard Gowers Violins –Julia Hwang, Stephanie Childress, Laura Rickard, Margaret Faultless Cello – Ghislaine McMullin Repetiteur: Richard Gowers Production KATE ROMANO , producer Vicky zenetzi , stage manager OLIVER ORWELL, AV Technician WILLIAM ASHFORD, costume & set design IZZY DABIRI, costume consultant opening soundscape by William Ashford introduction Born in 1571, Johannes Kepler is still one of the most admired astronomers who ever lived.
    [Show full text]
  • Siouxsie and the Banshees the Scream Mp3, Flac, Wma
    Siouxsie And The Banshees The Scream mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: The Scream Country: UK & Europe Released: 1989 Style: Post-Punk MP3 version RAR size: 1552 mb FLAC version RAR size: 1738 mb WMA version RAR size: 1738 mb Rating: 4.6 Votes: 514 Other Formats: APE VOX MOD DXD MP2 MP4 MMF Tracklist Hide Credits Pure 1 1:50 Music By – McKay*, Morris*, Sioux*, Severin* Jigsaw Feeling 2 4:37 Lyrics By – Severin*Music By – McKay*, Severin* Overground 3 3:48 Lyrics By – Severin*Music By – McKay* Carcass 4 3:49 Lyrics By – Sioux*, Severin*Music By – Fenton*, Sioux*Written-By – Fenton* Helter Skelter 5 3:46 Written-By – Lennon/McCartney* Mirage 6 2:48 Lyrics By – Severin*Music By – McKay* Metal Postcard 7 4:13 Lyrics By – Sioux*Music By – McKay* Nicotine Stain 8 2:57 Lyrics By – Sioux*Music By – Severin* Suburban Relapse 9 4:10 Lyrics By – Sioux*Music By – McKay* Switch 10 6:51 Lyrics By – Sioux*Music By – McKay* Companies, etc. Distributed By – Polydor Ltd. Marketed By – Polydor Ltd. Phonographic Copyright (p) – Polydor Ltd. (UK) Copyright (c) – Polydor Ltd. (UK) Recorded At – RAK Studios Mixed At – De Lane Lea Studios Published By – Dreamhouse Music Published By – Chappell Music Ltd. Published By – Sparta Florida Music Group Ltd. Published By – Northern Songs Credits Bass Guitar – Steven Severin Design [Concept] – Siouxsie And The Banshees* Drums, Percussion – Kenny Morris Guitar, Saxophone – John McKay Mixed By – Steve Lillywhite Photography By – Paul Wakefield Producer – Siouxsie And The Banshees*, Steve Lillywhite Voice – Siouxsie-Sioux* Written-By – McKay* (tracks: 1 to 4, 6 to 10), Morris* (tracks: 1 to 4, 6 to 10), Sioux* (tracks: 1 to 4, 6 to 10), Severin* (tracks: 1 to 4, 6 to 10) Notes ℗ 1978 Polydor Ltd (UK) © 1989 Polydor Ltd (UK) Original Sound Recording Made By Polydor Ltd (UK) Recorded at RAK.
    [Show full text]
  • The Cure — Wikipédia
    The Cure — Wikipédia https://fr.wikipedia.org/wiki/The_Cure The Cure 1 The Cure [ðə ˈkjʊə(ɹ)] est un groupe de rock britannique, originaire de Crawley, dans le Sussex The Cure de l'Ouest, en Angleterre. Formé en 1976, le groupe comprend actuellement Robert Smith, Roger O'Donnell aux claviers, Simon Gallup à la basse, Reeves Gabrels à la guitare et Jason Cooper à la batterie. Robert Smith est la figure emblématique du groupe. Il en est le chanteur et le guitariste (il joue également de la basse ou des claviers), le parolier et le principal compositeur. Par ailleurs, il est le seul membre présent depuis l'origine du groupe. The Cure, à Singapour le 1er août 2007. Associé au mouvement new wave, The Cure a Informations générales développé un son qui lui est propre, aux ambiances 2, 3 Pays d'origine Royaume-Uni tour à tour mélancoliques, rock, pop, gothiques Genre musical Cold wave, new wave, et psychédéliques, créant de forts contrastes, où la post-punk, rock alternatif, basse est mise en avant et n’est pas seulement un rock gothique instrument d’accompagnement. Elle est, Années actives Depuis 1976 notamment en raison du jeu particulier de Simon Gallup une composante essentielle de la musique de Labels Fiction Records, Geffen The Cure. L'utilisation conjointe d'une basse six Records cordes (souvent une Fender VI), au son Site officiel www.thecure.com caractéristique, très souvent utilisée dans les motifs (http://www.thecure.com) mélodiques, contribue pour beaucoup à la signature Composition du groupe sonore si singulière du groupe. Membres Robert Smith Cette identité musicale, ainsi qu'une identité Simon Gallup visuelle véhiculée par des clips, contribuent à la Roger O'Donnell popularité du groupe qui atteint son sommet dans Jason Cooper les années 1980.
    [Show full text]
  • The Music of the Goth Subculture: Postmodernism and Aesthetics Charles Allen Mueller
    Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2008 The Music of the Goth Subculture: Postmodernism and Aesthetics Charles Allen Mueller Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC THE MUSIC OF THE GOTH SUBCULTURE: POSTMODERNISM AND AESTHETICS By CHARLES ALLEN MUELLER A Dissertation submitted to the College of Music In partial fulfillment of the Requirements for the degree of Doctor of Philosophy Degree Awarded: Summer Semester, 2008 Copyright 2008 Charles Mueller All Rights Reserved The members of the Committee approve the dissertation of Charles Allen Mueller defended on June 12, 2008. __________________________ Charles E. Brewer Professor Directing Dissertation __________________________ Barry Faulk Outside Committee Member __________________________ Denise Von Glahn Committee Member __________________________ Douglass Seaton Committee Member The Office of Graduate Studies has verified and approved the above named committee members. ii ACKNOLEDGEMENTS I would like to extend my most sincere gratitude to the Presser Foundation who funded my research in Great Britain. I would also like to thank journalist Mick Mercer and the staff at Rough Trade in London who provided me with important insights into the development of goth music. All of the past and present goth participants and musicians who took the time to share with me their passion for music and life experiences also
    [Show full text]
  • Psaudio Copper
    Issue 94 SEPTEMBER 23RD, 2019 Welcome to Copper #94! As this issue goes live, I'll have just returned from a quick trip to NY and back----so sorry, no analysis of the Phil Collins song. I'll leave that to our busy friend, Christian James Hand. In this issue, Professor Larry Schenbeck looks at copycats---long before the "My Sweet Lord" debacle; Dan Schwartz examines an amazing gift from a famous friend; Richard Murison explores his family tree; Roy Hall remembers his (very active!!) dating life; Anne E. Johnson’s Off the Charts brings us lesser-known cuts from Siouxsie and the Banshees; J.I. Agnew goes into meticulous detail on the meticulous process of record quality control; Woody Woodward begins a new series on guitar god Jeff Beck; Anne’s Something Old/Something New brings us several recent recordings of Haydn Symphonies; the batting average of Tom Gibbs' record reviews drops from .800 last issue to .666 in this issue; and I look at inevitability in The Audio Cynic, and examine direct-drive turntables in Vintage Whine. I'm pleased to welcome a new contributor: Bob Wood will be telling stories of his long career in radio, and as a voice-over artist. I think you'll enjoy Bob's True-Life Radio Tales. Rocky Mountain Audio Fest is the subject of a feature, written by moi. And finally---- Copper #94 wraps up with Charles Rodrigues on divine intervention, and another stunning Parting Shot from our friend, James Schrimpf. Until next time, Leebs. In The Beginning TRUE-LIFE RADIO TALES Written by Bob Wood Believe it or not, several people have encouraged me to write about my time in radio.
    [Show full text]
  • Notre Dame Scholastic, Vol. 133, No. 02
    COME SEE ............ · THE JUGGLING VARIETY ACT OF: WEDNESDAY SEPTEMBER 11 WASHINGTON HALL 8:00 PM TICKETS ON SALE AT THE LAFORTUNE INFO. DESK-$3 BROUGHT TO YOU BY STUDENT UNION BOARD 1867 - 1992 CONTENTS A century ahead of the competition. NOTRE DAME'S STUDENT MAGAZINE' ENTERTAINMENT Parents - Alumni - Fans 5 Music 6 Movies Subscribe to NEWS 7 Off-Campus Crime I 10 Durgans Pressured to l I Resign I i olastic ! I SPORTS II Notre Dame's Weekly Student Magazine ! ~ i 14 Another Chapter Begins !" Follow the Fighting Irish 17 The Battle For Bragging and keep up with caJnpus events as Rights Scholastic celebrates our 125th anniversary! 18 National Champions: 1'920 Your subscription includes our annual football review issue, published in February 1992. DEPARTMENTS ~----------------------------------~---- 2 Editor's Notes Please send years of Scholastic to: 4 CampusWatch Name: ________________ 12 Coming Distractions 19 On Other Campuses Address: ______~ _______~ 20 Behavior Modification City: _______ State: __ ZIP code: ___ 21 Week In Distortion Enclosed is a check payable to Scholastic Magazine for $25.00 x __ years = $, __ 22 ~Iancing Back , , 24 Final Word , i Please send this form with payment to: Business Manager : ! , j Scholastic Magazine , I , j 303 LaFortune Student Center On The Cover: The Notre Dame football team will ,take on Indiana Notre Dame, IN 46556 University this Saturday. Cover photo by Ian Johanson. SEPTEMBER 5, 1991 1 ;". • ...... ";~: .;: .!•. -:, 1867 - 1992 CONTENTS A century ahead of the competition. NOTRE DAME'S STUDENT MAGAZINE' ENTERTAINMENT Parents - Alumni - Fans 5 Music 6 Movies Subscribe to NEWS 7 Off-Campus Crime I 10 Durgans Pressured to l I Resign I i olastic ! I SPORTS II Notre Dame's Weekly Student Magazine ! ~ i 14 Another Chapter Begins !" Follow the Fighting Irish 17 The Battle For Bragging and keep up with caJnpus events as Rights Scholastic celebrates our 125th anniversary! 18 National Champions: 1'920 Your subscription includes our annual football review issue, published in February 1992.
    [Show full text]
  • 2016 Next Wave Festival
    SEP 2016 2016 NEXT WAVE FESTIVAL Ellen Carey, Dings and Shadows, 2012 Published by: Season Sponsor: 2016 BAM Next Wave Festival #monumentalBAM Brooklyn Academy of Music Alan H. Fishman, Chairman of the Board William I. Campbell, Vice Chairman of the Board Adam E. Max, Vice Chairman of the Board Katy Clark, President Joseph V. Melillo, Executive Producer monumental BAM Howard Gilman Opera House Sep 16 & 17 at 7:30pm Running time: approx. one hour & 25 minutes, no intermission The Holy Body Tattoo Music by Godspeed You! Black Emperor Choreography by Dana Gingras and Noam Gagnon Direction Dana Gingras Text by Jenny Holzer Films by William Morrison Lighting design by Marc Parent BY YOUR RESPONSE TO DANGER IT IS EASY TO TELL HOW YOU HAVE LIVED AND WHAT HAS BEEN DONE TO YOU. YOU SHOW WHETHER YOU WANT TO STAY ALIVE, WHETHER YOU THINK YOU DESERVE TO AND WHETHER YOU BELIEVE IT’S ANY GOOD TO ACT. —Jenny Holzer Season Sponsor: Support for the Signature Artist Series provided by Howard Gilman Foundation. Leadership support for dance at BAM provided by the Doris Duke Charitable Foundation and The Harkness Foundation for Dance. Major support for dance at BAM provided by The SHS Foundation. monumental DANCERS Caroline Gravel Louis-Elyan Martin Louise-Michel Jackson Esther Rousseau-Morin Kim de Jong Sovann Prom Tep Shay Kuebler Jamie Wright Nic Lydiate Choreographic remount & rehearsal director Sarah Williams Costumes Marilène Bastien Costume assistant Chantal Bachand Technical director Dave Bourdages Stage manager Claudia Couture Sound Yann Dupuis Producer Sarah Rogers Produced by Animals of Distinction Live collaboration initiated by David Sefton The choreographers wish to gratefully acknowledge the creative contribution of the original cast to the choreographic process and development of monumental: Ric Brown, Sarah Doucet, David Flewelling, Andrea Gunnlaugson, Day Helesic, Farley Johansson, Blair Neufeld, Sonja Perreten, and Sarah Williams.
    [Show full text]
  • The Comment, April 16, 1987
    Bridgewater State University Virtual Commons - Bridgewater State University The ommeC nt Campus Journals and Publications 1987 The ommeC nt, April 16, 1987 Bridgewater State College Volume 64 Number 10 Recommended Citation Bridgewater State College. (1987). The Comment, April 16, 1987. 64(10). Retrieved from: http://vc.bridgew.edu/comment/606 This item is available as part of Virtual Commons, the open-access institutional repository of Bridgewater State University, Bridgewater, Massachusetts. The Comment Bridgewater State College April 16, 198-Z Vol LXIV No 10 Bridgewater, MA Dunfey's case heard again by Student Court Respondents appeal decision By held responsible for effecting the agreed to hear the case on Mon­ Bill Bilodeau necessary restoration of the stu­ day, April 13, under criticism of and Ed Ward dent activities fund. In closing its this being a case of "double jeo­ decision, the Court, under the pardy", and stated, "The deci­ A move was made this week to direction of then Chief Justice sion of last year (2-86) called for sentence the three people who Steven Melo, called upon all the administration to render a were tried last May for their part those students who showed con­ judgement on the case. How­ in the SGA's infamous "Dun­ cern to petition the proper col­ ever, the administration's deci­ fey's case." lege administrators for the sion dealt only with the retrieval The SGA Student Court implementation of the actions of monies illegally used. The heard the case of Students against those persons held punishment of individuals Against the Abuse of Power ver­ responsible for the misuse of involved.
    [Show full text]
  • Siouxsie Takes NYC Back in Time Banshees Offer Bitters and Sweets in Reunion Show Posted Apr 22, 2002 12:00 AM
    http://www.rollingstone.com/artists/siouxsieandthebanshees/articles/story/5934700/sGioouxsie_takes_nycM_AbaYck_iDn_EtCime JUN Close 4 captures 22 Help 12 May 06 - 4 Jun 11 2006 2007 2011 Get the Newsletter! Subscribe to Magazine Concert Tickets RSS Feeds ARTISTS NEWS REVIEWS PHOTOS VIDEOS POLITICS LISTEN Main Artist Directory ALL S E A R C H Welcome Login New User BROWSE BY NAME: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z # Siouxsie and the Banshees Main | Articles | Album Reviews | Photos | Videos | Discography Articles Siouxsie Takes NYC Back in Time Banshees offer bitters and sweets in reunion show Posted Apr 22, 2002 12:00 AM Some 2,500 black-clad fans packed into New York Photo City's Roseland Ballroom on Friday night to catch a resurrected Siouxsie and the Banshees on their 7 Year Itch tour. And though the ninety-plus-minute set was heavy on the atmospherics, the Banshees' roots in punk ("art punk," as some clever music guidebook writers like to distinguish it) weren't entirely neglected, either. Contradiction, or maybe just dichotomy, has always been an element of the Banshees' appeal, both musically and especially in singer Siouxsie Sioux's Peep show More Photos demeanor and delivery. During "Night Shift," the theatrical frontwoman threaded her arms into a ADVERTISEMENT backward white long-sleeved shirt she had previously removed. Mimicking a loony in a straightjacket, she yelped "I'm out of my mind with you . .," flailing between verses. Standing, squatting, crawling, rolling, writhing, nearly floating at times, her
    [Show full text]