2016 Next Wave Festival
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Smash Hits Volume 60
35p USA $1 75 March I9-April 1 1981 W I including MIND OFATOY RESPECTABLE STREE CAR TROUBLE TOYAH _ TALKING HEADS in colour FREEEZ/LINX BEGGAR &CO , <0$& Of A Toy Mar 19-Apr 1 1981 Vol. 3 No. 6 By Visage on Polydor Records My painted face is chipped and cracked My mind seems to fade too fast ^Pg?TF^U=iS Clutching straws, sinking slow Nothing less, nothing less A puppet's motion 's controlled by a string By a stranger I've never met A nod ofthe head and a pull of the thread on. Play it I Go again. Don't mind me. just work here. I don't know. Soon as a free I can't say no, can't say no flexi-disc comes along, does anyone want to know the poor old intro column? Oh, no. Know what they call me round here? Do you know? The flannel panel! The When a child throws down a toy (when child) humiliation, my dears, would be the finish of a more sensitive column. When I was new you wanted me (down me) Well, I can see you're busy so I won't waste your time. I don't suppose I can drag Now I'm old you no longer see you away from that blessed record long enough to interest you in the Ritchie (now see) me Blackmore Story or part one of our close up on the individual members of The Jam When a child throws down a toy (when toy) (and Mark Ellen worked so hard), never mind our survey of the British funk scene. -
The Medical Humanities Journal of Boston College
THE MEDICAL HUMANITIES JOURNAL OF BOSTON COLLEGE Volume 5 MISSION STATEMENT The Medical Humanities Journal of Boston College seeks to: • Initiate and engage in conversation in the Boston College community and beyond about the emergent field of Medical Humanities, Health and Culture. • Provide students at Boston College with the opportunity to publish original work. • Feature a variety of work from several disciplines. • Examine critically and represent creatively ideas of health, illness, caregiving, and medicine. • Con- nect students with alumni, professionals, and other Medical Humanities programs to extend and to engage in conversation beyond Boston College. EDITORIAL STAFF EDITORS’ NOTE We all enter university eager to become specialists in our own fields of interest, be it chemistry, econom- EDITORS-IN-CHIEF ADVISORS ics, nursing, or art history. We are often driven by our passions, which prompt us to take separate paths towards Aleksandra Qilleri Amy Boesky, Department Chair, Professor of English the attainment of our goals. In light of our individualized engagements, we tend to forget what keeps us intercon- Heena Nissaraly and Director of the Medical Humanities, Health, and nected; one of our shared experiences is that of health and illness. Culture Minor MANAGING EDITOR The Medical Humanities Journal of Boston College seeks to bring all of our experiences to light in an Michaila Kaufmann effort to communicate the breadth of the medical humanities. Through pieces like Cailin MacQuarrie’s op-ed Colleen Taylor, Ph.D. Candidate in -
Fall 2018-2019 Season Tacoma Arts Live Encore Arts Seattle
2019–2020 Energize Your Passion 2019–20 Season · Tacoma’s Historic Theater District Pantages Theater · Rialto Theater · Theater on the Square · Tacoma Armory My legacy. My partner. You have dreams. Goals you want to achieve during your lifetime and a legacy you want to leave behind. The Private Bank can help. Our highly specialized and experienced wealth strategists can help you navigate the complexities of estate planning and deliver the customized solutions you need to ensure your wealth is transferred according to your wishes. Take the first step in ensuring the preservation of your wealth for your lifetime and future generations. To learn more, please visit unionbank.com/theprivatebank or contact: Lisa Roberts Managing Director, Private Wealth Management [email protected] 415-705-7159 Wills, trusts, foundations, and wealth planning strategies have legal, tax, accounting, and other implications. Clients should consult a legal or tax advisor. ©2019 MUFG Union Bank, N.A. All rights reserved. Member FDIC. Union Bank is a registered trademark and brand name of MUFG Union Bank, N.A. Untitled-3 1 4/30/19 12:11 PM Welcome to the 2019–20 Season in the Theater District Tacoma Arts Live’s mission is to “energize community through live performance.” The performing 2019–2020 | Volume 6, No. 1 arts, as the pulse of the city, radiate a vital and joyful energy and engage in the momentum of social change. With 45+ events to choose from in the 2019-20 season, we hope you’ll connect and discover remarkable and transformative experiences in the year ahead. For all upcoming events, visit TacomaArtsLive.org. -
Keplers-Trial-Programme-Va-17.Pdf
Tim Watts EPLER’S TRIAL 9th November 2017 Lydia and Manfred Gorvy Lecture Theatre Victoria & Albert Museum KEPLER PRODUCTIONS would like to thank our sponsors: Our heartfelt thanks, too, goes to the participants in the discussion meetings at St John’s College, Cambridge, out of which much of the material for the opera emerged: Dr John Adamson Dr Mark Nicholls Dr Matthew Champion Prof Mignon Nixon Dr Adam Chau Prof John Rink Dr Stefan Hanss Prof Jacqueline Rose Prof Nick Jardine Prof Simon Schaffer Prof Sachiko Kusukawa Dr Ruth Scurr Prof John Toland Dr David Stuart Prof Juliet Mitchell Dr Charlotte Woodford Pre-performance discussion with Dame Marina Warner, Prof Ulinka Rublack, Prof Simon Schaffer, Dr Aura Satz and Tim Watts. EPLER’S TRIAL An opera by TIM WATTS with film by AURA SATZ based on The Astronomer and the Witch by ULINKA RUBLACK WILLIAM ASHFORD , director GRAHAM WALKER , conductor Cerys purser , Katharina Kepler TheoTheoDOREDORE Platt , Johannes Kepler Hugh Cutting , Daemon JOHN LOFTHOUSE , Einhorn / Magistrate Michael Bell , Schoolmaster / Gabelkhover LYNETTE ALCANTáALCANTáRARARARA , Ursula Reinbold OSIAN GUTHRIE , Young Johannes GESUALDO SIX & GUESTS Soprano: Ana Beard Fernández ( Dorothea Klebl ), Lucy Cox Countertenor: Guy James, Hamish McClaren Tenor: Josh Cooter, Michael Craddock Bass: Samuel Mitchell, Owain Park orchestra Flute – Charlotte Eves Oboe – Rachel Becker Cornetts – Jeremy West, Darren Moore Sackbut –Ellie Chambers Percussion – Carl Wikeley Harp – Tanya Houghton Organ / Harpsichord – Richard Gowers Violins –Julia Hwang, Stephanie Childress, Laura Rickard, Margaret Faultless Cello – Ghislaine McMullin Repetiteur: Richard Gowers Production KATE ROMANO , producer Vicky zenetzi , stage manager OLIVER ORWELL, AV Technician WILLIAM ASHFORD, costume & set design IZZY DABIRI, costume consultant opening soundscape by William Ashford introduction Born in 1571, Johannes Kepler is still one of the most admired astronomers who ever lived. -
Siouxsie and the Banshees the Scream Mp3, Flac, Wma
Siouxsie And The Banshees The Scream mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: The Scream Country: UK & Europe Released: 1989 Style: Post-Punk MP3 version RAR size: 1552 mb FLAC version RAR size: 1738 mb WMA version RAR size: 1738 mb Rating: 4.6 Votes: 514 Other Formats: APE VOX MOD DXD MP2 MP4 MMF Tracklist Hide Credits Pure 1 1:50 Music By – McKay*, Morris*, Sioux*, Severin* Jigsaw Feeling 2 4:37 Lyrics By – Severin*Music By – McKay*, Severin* Overground 3 3:48 Lyrics By – Severin*Music By – McKay* Carcass 4 3:49 Lyrics By – Sioux*, Severin*Music By – Fenton*, Sioux*Written-By – Fenton* Helter Skelter 5 3:46 Written-By – Lennon/McCartney* Mirage 6 2:48 Lyrics By – Severin*Music By – McKay* Metal Postcard 7 4:13 Lyrics By – Sioux*Music By – McKay* Nicotine Stain 8 2:57 Lyrics By – Sioux*Music By – Severin* Suburban Relapse 9 4:10 Lyrics By – Sioux*Music By – McKay* Switch 10 6:51 Lyrics By – Sioux*Music By – McKay* Companies, etc. Distributed By – Polydor Ltd. Marketed By – Polydor Ltd. Phonographic Copyright (p) – Polydor Ltd. (UK) Copyright (c) – Polydor Ltd. (UK) Recorded At – RAK Studios Mixed At – De Lane Lea Studios Published By – Dreamhouse Music Published By – Chappell Music Ltd. Published By – Sparta Florida Music Group Ltd. Published By – Northern Songs Credits Bass Guitar – Steven Severin Design [Concept] – Siouxsie And The Banshees* Drums, Percussion – Kenny Morris Guitar, Saxophone – John McKay Mixed By – Steve Lillywhite Photography By – Paul Wakefield Producer – Siouxsie And The Banshees*, Steve Lillywhite Voice – Siouxsie-Sioux* Written-By – McKay* (tracks: 1 to 4, 6 to 10), Morris* (tracks: 1 to 4, 6 to 10), Sioux* (tracks: 1 to 4, 6 to 10), Severin* (tracks: 1 to 4, 6 to 10) Notes ℗ 1978 Polydor Ltd (UK) © 1989 Polydor Ltd (UK) Original Sound Recording Made By Polydor Ltd (UK) Recorded at RAK. -
The Cure — Wikipédia
The Cure — Wikipédia https://fr.wikipedia.org/wiki/The_Cure The Cure 1 The Cure [ðə ˈkjʊə(ɹ)] est un groupe de rock britannique, originaire de Crawley, dans le Sussex The Cure de l'Ouest, en Angleterre. Formé en 1976, le groupe comprend actuellement Robert Smith, Roger O'Donnell aux claviers, Simon Gallup à la basse, Reeves Gabrels à la guitare et Jason Cooper à la batterie. Robert Smith est la figure emblématique du groupe. Il en est le chanteur et le guitariste (il joue également de la basse ou des claviers), le parolier et le principal compositeur. Par ailleurs, il est le seul membre présent depuis l'origine du groupe. The Cure, à Singapour le 1er août 2007. Associé au mouvement new wave, The Cure a Informations générales développé un son qui lui est propre, aux ambiances 2, 3 Pays d'origine Royaume-Uni tour à tour mélancoliques, rock, pop, gothiques Genre musical Cold wave, new wave, et psychédéliques, créant de forts contrastes, où la post-punk, rock alternatif, basse est mise en avant et n’est pas seulement un rock gothique instrument d’accompagnement. Elle est, Années actives Depuis 1976 notamment en raison du jeu particulier de Simon Gallup une composante essentielle de la musique de Labels Fiction Records, Geffen The Cure. L'utilisation conjointe d'une basse six Records cordes (souvent une Fender VI), au son Site officiel www.thecure.com caractéristique, très souvent utilisée dans les motifs (http://www.thecure.com) mélodiques, contribue pour beaucoup à la signature Composition du groupe sonore si singulière du groupe. Membres Robert Smith Cette identité musicale, ainsi qu'une identité Simon Gallup visuelle véhiculée par des clips, contribuent à la Roger O'Donnell popularité du groupe qui atteint son sommet dans Jason Cooper les années 1980. -
The Music of the Goth Subculture: Postmodernism and Aesthetics Charles Allen Mueller
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2008 The Music of the Goth Subculture: Postmodernism and Aesthetics Charles Allen Mueller Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC THE MUSIC OF THE GOTH SUBCULTURE: POSTMODERNISM AND AESTHETICS By CHARLES ALLEN MUELLER A Dissertation submitted to the College of Music In partial fulfillment of the Requirements for the degree of Doctor of Philosophy Degree Awarded: Summer Semester, 2008 Copyright 2008 Charles Mueller All Rights Reserved The members of the Committee approve the dissertation of Charles Allen Mueller defended on June 12, 2008. __________________________ Charles E. Brewer Professor Directing Dissertation __________________________ Barry Faulk Outside Committee Member __________________________ Denise Von Glahn Committee Member __________________________ Douglass Seaton Committee Member The Office of Graduate Studies has verified and approved the above named committee members. ii ACKNOLEDGEMENTS I would like to extend my most sincere gratitude to the Presser Foundation who funded my research in Great Britain. I would also like to thank journalist Mick Mercer and the staff at Rough Trade in London who provided me with important insights into the development of goth music. All of the past and present goth participants and musicians who took the time to share with me their passion for music and life experiences also -
Psaudio Copper
Issue 94 SEPTEMBER 23RD, 2019 Welcome to Copper #94! As this issue goes live, I'll have just returned from a quick trip to NY and back----so sorry, no analysis of the Phil Collins song. I'll leave that to our busy friend, Christian James Hand. In this issue, Professor Larry Schenbeck looks at copycats---long before the "My Sweet Lord" debacle; Dan Schwartz examines an amazing gift from a famous friend; Richard Murison explores his family tree; Roy Hall remembers his (very active!!) dating life; Anne E. Johnson’s Off the Charts brings us lesser-known cuts from Siouxsie and the Banshees; J.I. Agnew goes into meticulous detail on the meticulous process of record quality control; Woody Woodward begins a new series on guitar god Jeff Beck; Anne’s Something Old/Something New brings us several recent recordings of Haydn Symphonies; the batting average of Tom Gibbs' record reviews drops from .800 last issue to .666 in this issue; and I look at inevitability in The Audio Cynic, and examine direct-drive turntables in Vintage Whine. I'm pleased to welcome a new contributor: Bob Wood will be telling stories of his long career in radio, and as a voice-over artist. I think you'll enjoy Bob's True-Life Radio Tales. Rocky Mountain Audio Fest is the subject of a feature, written by moi. And finally---- Copper #94 wraps up with Charles Rodrigues on divine intervention, and another stunning Parting Shot from our friend, James Schrimpf. Until next time, Leebs. In The Beginning TRUE-LIFE RADIO TALES Written by Bob Wood Believe it or not, several people have encouraged me to write about my time in radio. -
Notre Dame Scholastic, Vol. 133, No. 02
COME SEE ............ · THE JUGGLING VARIETY ACT OF: WEDNESDAY SEPTEMBER 11 WASHINGTON HALL 8:00 PM TICKETS ON SALE AT THE LAFORTUNE INFO. DESK-$3 BROUGHT TO YOU BY STUDENT UNION BOARD 1867 - 1992 CONTENTS A century ahead of the competition. NOTRE DAME'S STUDENT MAGAZINE' ENTERTAINMENT Parents - Alumni - Fans 5 Music 6 Movies Subscribe to NEWS 7 Off-Campus Crime I 10 Durgans Pressured to l I Resign I i olastic ! I SPORTS II Notre Dame's Weekly Student Magazine ! ~ i 14 Another Chapter Begins !" Follow the Fighting Irish 17 The Battle For Bragging and keep up with caJnpus events as Rights Scholastic celebrates our 125th anniversary! 18 National Champions: 1'920 Your subscription includes our annual football review issue, published in February 1992. DEPARTMENTS ~----------------------------------~---- 2 Editor's Notes Please send years of Scholastic to: 4 CampusWatch Name: ________________ 12 Coming Distractions 19 On Other Campuses Address: ______~ _______~ 20 Behavior Modification City: _______ State: __ ZIP code: ___ 21 Week In Distortion Enclosed is a check payable to Scholastic Magazine for $25.00 x __ years = $, __ 22 ~Iancing Back , , 24 Final Word , i Please send this form with payment to: Business Manager : ! , j Scholastic Magazine , I , j 303 LaFortune Student Center On The Cover: The Notre Dame football team will ,take on Indiana Notre Dame, IN 46556 University this Saturday. Cover photo by Ian Johanson. SEPTEMBER 5, 1991 1 ;". • ...... ";~: .;: .!•. -:, 1867 - 1992 CONTENTS A century ahead of the competition. NOTRE DAME'S STUDENT MAGAZINE' ENTERTAINMENT Parents - Alumni - Fans 5 Music 6 Movies Subscribe to NEWS 7 Off-Campus Crime I 10 Durgans Pressured to l I Resign I i olastic ! I SPORTS II Notre Dame's Weekly Student Magazine ! ~ i 14 Another Chapter Begins !" Follow the Fighting Irish 17 The Battle For Bragging and keep up with caJnpus events as Rights Scholastic celebrates our 125th anniversary! 18 National Champions: 1'920 Your subscription includes our annual football review issue, published in February 1992. -
The Comment, April 16, 1987
Bridgewater State University Virtual Commons - Bridgewater State University The ommeC nt Campus Journals and Publications 1987 The ommeC nt, April 16, 1987 Bridgewater State College Volume 64 Number 10 Recommended Citation Bridgewater State College. (1987). The Comment, April 16, 1987. 64(10). Retrieved from: http://vc.bridgew.edu/comment/606 This item is available as part of Virtual Commons, the open-access institutional repository of Bridgewater State University, Bridgewater, Massachusetts. The Comment Bridgewater State College April 16, 198-Z Vol LXIV No 10 Bridgewater, MA Dunfey's case heard again by Student Court Respondents appeal decision By held responsible for effecting the agreed to hear the case on Mon Bill Bilodeau necessary restoration of the stu day, April 13, under criticism of and Ed Ward dent activities fund. In closing its this being a case of "double jeo decision, the Court, under the pardy", and stated, "The deci A move was made this week to direction of then Chief Justice sion of last year (2-86) called for sentence the three people who Steven Melo, called upon all the administration to render a were tried last May for their part those students who showed con judgement on the case. How in the SGA's infamous "Dun cern to petition the proper col ever, the administration's deci fey's case." lege administrators for the sion dealt only with the retrieval The SGA Student Court implementation of the actions of monies illegally used. The heard the case of Students against those persons held punishment of individuals Against the Abuse of Power ver responsible for the misuse of involved. -
Siouxsie Takes NYC Back in Time Banshees Offer Bitters and Sweets in Reunion Show Posted Apr 22, 2002 12:00 AM
http://www.rollingstone.com/artists/siouxsieandthebanshees/articles/story/5934700/sGioouxsie_takes_nycM_AbaYck_iDn_EtCime JUN Close 4 captures 22 Help 12 May 06 - 4 Jun 11 2006 2007 2011 Get the Newsletter! Subscribe to Magazine Concert Tickets RSS Feeds ARTISTS NEWS REVIEWS PHOTOS VIDEOS POLITICS LISTEN Main Artist Directory ALL S E A R C H Welcome Login New User BROWSE BY NAME: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z # Siouxsie and the Banshees Main | Articles | Album Reviews | Photos | Videos | Discography Articles Siouxsie Takes NYC Back in Time Banshees offer bitters and sweets in reunion show Posted Apr 22, 2002 12:00 AM Some 2,500 black-clad fans packed into New York Photo City's Roseland Ballroom on Friday night to catch a resurrected Siouxsie and the Banshees on their 7 Year Itch tour. And though the ninety-plus-minute set was heavy on the atmospherics, the Banshees' roots in punk ("art punk," as some clever music guidebook writers like to distinguish it) weren't entirely neglected, either. Contradiction, or maybe just dichotomy, has always been an element of the Banshees' appeal, both musically and especially in singer Siouxsie Sioux's Peep show More Photos demeanor and delivery. During "Night Shift," the theatrical frontwoman threaded her arms into a ADVERTISEMENT backward white long-sleeved shirt she had previously removed. Mimicking a loony in a straightjacket, she yelped "I'm out of my mind with you . .," flailing between verses. Standing, squatting, crawling, rolling, writhing, nearly floating at times, her -
Fall 2018-2019 Season Tacoma Arts Live Encore Arts Seattle
2019–2020 Energize Your Passion 2019–20 Season · Tacoma’s Historic Theater District Pantages Theater · Rialto Theater · Theater on the Square · Tacoma Armory My legacy. My partner. You have dreams. Goals you want to achieve during your lifetime and a legacy you want to leave behind. The Private Bank can help. Our highly specialized and experienced wealth strategists can help you navigate the complexities of estate planning and deliver the customized solutions you need to ensure your wealth is transferred according to your wishes. Take the first step in ensuring the preservation of your wealth for your lifetime and future generations. To learn more, please visit unionbank.com/theprivatebank or contact: Lisa Roberts Managing Director, Private Wealth Management [email protected] 415-705-7159 Wills, trusts, foundations, and wealth planning strategies have legal, tax, accounting, and other implications. Clients should consult a legal or tax advisor. ©2019 MUFG Union Bank, N.A. All rights reserved. Member FDIC. Union Bank is a registered trademark and brand name of MUFG Union Bank, N.A. Untitled-3 1 4/30/19 12:11 PM Welcome to the 2019–20 Season in the Theater District Tacoma Arts Live’s mission is to “energize community through live performance.” The performing 2019–2020 | Volume 6, No. 1 arts, as the pulse of the city, radiate a vital and joyful energy and engage in the momentum of social change. With 45+ events to choose from in the 2019-20 season, we hope you’ll connect and discover remarkable and transformative experiences in the year ahead. For all upcoming events, visit TacomaArtsLive.org.