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William Poole - the Real "Bill the Butcher"
William Poole - The Real "Bill The Butcher" William Poole was a Nativist enforcer of The Native American Party, also known as The Know Nothing Party, which was a faction of the American Republican Party. The Know Nothing was a movement created by Nativists whom believed that the overwhelming immigration of German and Irish Catholic immigrants were a threat to republican values and controlled by the Pope in Rome. They were dubbed the Know Nothings by outsiders of their semi-secret organization. This had nothing to do with them knowing anything. It had to do with their reply when asked of the organization's activities, often stating, "I know nothing." Bill the Butcher was a leader of The Bowery Boys and known for his skills as being a good bare knuckle boxer. Poole's trade was that of a butcher, and was infuriated when many butchering licenses were being handed out to Irish immigrants. William Poole was born in Sussex County, New Jersey to parents of English protestant descent. His family moved to New York City in 1832 to open a butcher shop in Washington Market, Manhattan. Bill Poole trained in his father's trade and eventually took over the family store. In the 1840s, he worked with the Howard (Red Rover) Volunteer Fire Engine Company #34, Hudson & Christopher Street. Uunlike in the movie, William "The Butcher" Poole was shot in real life. However, he was shot at Stanwix Hall, a bar on Broadway near Prince. William Poole did not die in a glorious street battle against his Irish enemies. Instead, he died from the gun wound at his home on Christopher Street. -
Youth Gangs: Legislative Issues in the 109Th Congress
Order Code RL33400 CRS Report for Congress Received through the CRS Web Youth Gangs: Legislative Issues in the 109th Congress April 21, 2006 Celinda Franco Specialist in Social Legislation Domestic Social Policy Division Congressional Research Service ˜ The Library of Congress Youth Gangs: Legislative Issues in the 109th Congress Summary Gang activity and related violence threaten public order in a diverse range of communities in the United States today. Congress has long recognized that this problem affects a number of issues of federal concern, and federal legislation has been introduced in the 109th Congress to address the subject. Youth gangs have been an endemic feature of American urban life. They are well attested as early as the 18th century and have been a recurrent subject of concern since then. Contemporary views of the problem have been formed against the background of a significant adverse secular trend in gang activity during the last four decades. In particular, the rapid growth of gang membership, geographical dispersion, and criminal involvement during the violent crime epidemic — associated with the emergence of the crack cocaine market during the mid-1980s to the early 1990s — have intensified current concerns. The experience of those years continues to mark both patterns of gang activity and public policy responses toward them. Reports about the increased activity and recent migration of a violent California- based gang, the Mara Salvatrucha (MS-13), have heightened concerns about gangs in certain areas of the country. Policy development and implementation in this area are bedeviled by discrepant uses of the term “gang” and the absence of uniform standards of statistical reporting. -
What Kubrick's Kelley O'brien University of South Florida, [email protected]
University of South Florida Scholar Commons Graduate Theses and Dissertations Graduate School March 2018 "He Didn't Mean It": What Kubrick's Kelley O'Brien University of South Florida, [email protected] Follow this and additional works at: http://scholarcommons.usf.edu/etd Part of the American Studies Commons, and the Film and Media Studies Commons Scholar Commons Citation O'Brien, Kelley, ""He Didn't Mean It": What Kubrick's" (2018). Graduate Theses and Dissertations. http://scholarcommons.usf.edu/etd/7204 This Thesis is brought to you for free and open access by the Graduate School at Scholar Commons. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. “He Didn‟t Mean It”: What Kubrick‟s The Shining Can Teach Us About Domestic Violence by Kelley O‟Brien A thesis submitted in partial fulfillment of the requirements for the degree of Master of Liberal Arts With a concentration in Humanities Department of Humanities and Cultural Studies College Arts and Sciences University of South Florida Major Professor: Daniel Belgrad, Ph.D. Maria Cizmic, Ph.D. Amy Rust Ph.D. Date of Approval: March 8, 2018 Keywords: Patriarchy, Feminism, Gender Politics, Horror, American 1970s Copyright © 2018, Kelley O‟Brien Dedication I dedicate this thesis project to my mother, Terri O‟Brien. Thank you for always supporting my dreams and for your years of advocacy in the fight to end violence against women. I could not have done this without you. Acknowledgments First I‟d like to express my gratitude to my thesis advisor Dr. -
Highland Games. Kilts Galore. Help: Graduating
THEFriday, October 10, 2014 - Volume 61.5 14049 Scenic Highway,BAGPIPE Lookout Mountain, Georgia, 30750 www.bagpipeonline.com Burning at Help: Graduating and the Stage Highland Games. Kilts Galore. Headed into Law BY KRISITE JAYA BY MARK MAKKAR Burning at the Stage took place Life after Covenant can either be on Thursday (10/3) night. The exciting or foreboding, but hear- Overlook was crowded with music ing from people who are already performances, friends huddling there always helps in lighting the around straw-bales, and marshmal- path that is to come. During the lows roasting atop fire pits. Alumni Law Career Panel, organized by who happened to be in town for the Center for Calling & Career, Homecoming contributed to the students listened to three Covenant festivities, exchanging squeals and alumni who have pursued work in hugs with familiar faces. The event, the field of law since graduating. according to the Senior Class Dr. Richard R. Follet introduced Cabinet member Sam Moreland, the meeting by stating that “Cov- “has taken different forms over the enant has a list of 60 graduates that years, but tends to have the ele- have gone into some kind of law ments of music, the Overlook, fire after graduating from Covenant.” and s’mores, and relaxed fellowship Three of them were able to make as commonalities.” it to the Panel. Josh Reif, John Many have long associated the Huisman, and Pete Johnson shared event with the Homecoming tradi- stories about when they were at tion, but Burning at the Stage is an BYGARRET SISSON Around 150 people attended was featured as the announcer. -
MVP Packet 7.Pdf
Musical Visual Packet A tournament by the Purdue University Quiz Bowl Team Questions by Drew Benner, John Petrovich, Patrick Quion, Andrew Schingel, Lalit Maharjan, Pranav Veluri, and Ben Dahl ROUND 7: Finale 1) In a musical production choreographed by John Heginbotham, this scene introduces an electric guitar to the acoustic score and during it, boots fall from the rafters one by one. Gabrielle Hamilton stars in this scene in a revival that has it performed by a single dancer, barefoot, in a modern style. The film version of this scene has a tornado roaring in the background, while Susan Stroman’s choreography for this scene has the main cast perform it themselves, instead of having trained dancers play (*) avatars of them. This sequence occurs after a character consumes the “Elixir of Egypt,” and it begins with a cheerful wedding that changes tone when the bride realizes two men have suddenly switched characters. Originally choreographed by Agnes de Mille, this revolutionary scene is regarded as the first dance sequence in a musical to incorporate plot. For ten points, name this fantasy sequence from a Rodgers and Hammerstein musical, where Laurey struggles choosing between Jud and Curly after taking a sleeping drug. ANS: the dream ballet from Oklahoma! (prompt on partial, ask for “from what musical” if just dream ballet is given) <Musicals | Quion> 2) For one show, this composer created polyphonic chants in the fictional Zentraedi language and songs for the pop star Sharon Apple. Sound engineer Rudy Van Gelder, famous for recording albums like Coltrane’s A Love Supreme, recorded this composer’s tracks for their most famous show. -
The Netflix Effect: Teens, Binge Watching, and On-Demand Digital Media Trends
The Netflix Effect: Teens, Binge Watching, and On-Demand Digital Media Trends Sidneyeve Matrix Jeunesse: Young People, Texts, Cultures, Volume 6, Issue 1, Summer 2014, pp. 119-138 (Article) Published by The Centre for Research in Young People's Texts and Cultures, University of Winnipeg DOI: https://doi.org/10.1353/jeu.2014.0002 For additional information about this article https://muse.jhu.edu/article/553418 Access provided at 9 Jul 2019 13:25 GMT from University of Pittsburgh The Netflix Effect: Teens, Binge Watching, and On-Demand Digital Media Trends —Sidneyeve Matrix Introduction first time Netflix had released an entire season of an original program simultaneously and caused a Entertainment is fast becoming an all-you-can-eat nationwide video-on-demand stampede. When House buffet. Call it the Netflix effect. of Cards and Orange Is the New Black premiered in –Raju Mudhar, Toronto Star 2013, huge percentages of Netflix subscribers watched back-to-back episodes, devouring a season of content Whatever our televisual drug of choice—Battlestar in just days. Although these three shows belong to Galactica, The Wire, Homeland—we’ve all put different genres—one a sitcom and the others adult- off errands and bedtime to watch just one more, a themed melodramas—what they share is an enormous thrilling, draining, dream -influencing immersion popularity among the millennial cohort that makes up experience that has become the standard way to the majority of the subscriber base of Netflix. When consume certain TV programs. all episodes of a season -
A Clockwork Orange and Stanley Kubrick’S Film Adaptations
2016-2017 A dissertation submitted to Ghent University in partial fulfilment of the requirements for the degree of Master of Arts – Linguistics and Literature: English & Dutch THE TRUTH BETWEEN THE LINES A Comparative Analysis of Unreliable Narration in Vladimir Nabokov’s Lolita, Anthony Burgess’s A Clockwork Orange and Stanley Kubrick’s Film Adaptations Name: Isaura Vanden Berghe Student number: 01304811 Supervisor: Marco Caracciolo ACKNOWLEDGEMENTS I would first like to thank my master’s dissertation advisor Assistant Professor of English and Literary Theory, Marco Caracciolo of the Department of Literary Studies at the University of Ghent. Whenever I needed guidance or had a question about my research or writing, Prof. Caracciolo was always quick to respond, steering me in the right direction whenever he thought I needed it. Then, I must also express my very profound gratitude to my parents and to my brother for providing me with continuous encouragement and unfailing support throughout my years of study and through the process of writing and researching this dissertation. This accomplishment would not have been possible without them. Thank you. TABLE OF CONTENT INTRODUCTION 1 THEORETICAL FRAMEWORK 5 THEORY OF UNRELIABLE NARRATION 5 UNRELIABLE NARRATION IN FILM 9 LOLITA 12 LOLITA: THE NOVEL (1955) 12 IN HUMBERT HUMBERT’S DEFENSE: A SUMMARY 12 UNRELIABLE NARRATION IN THE NOVEL 15 LOLITA: THE FILM (1962) 35 STANLEY KUBRICK AND ‘CINEMIZING’ THE NOVEL 35 UNRELIABLE NARRATION IN THE FILM 36 A CLOCKWORK ORANGE 47 A CLOCKWORK ORANGE: THE NOVEL (1962) 47 ALEX’S ULTRA-VIOLENT RETELLING: A SUMMARY 47 UNRELIABLE NARRATION IN THE NOVEL 50 A CLOCKWORK ORANGE: THE FILM (1972) 63 STANLEY KUBRICK’S ADAPTATION 63 UNRELIABLE NARRATION IN THE FILM 64 CONCLUSION 75 REFERENCES APPENDIX A APPENDIX B APPENDIX C INTRODUCTION In 2011, Mark Jacobs launched a campaign ad for a new fragrance of his, called ‘Oh, Lola!’1. -
Sandspur, Vol 89, No 09, January 25, 1983
University of Central Florida STARS The Rollins Sandspur Newspapers and Weeklies of Central Florida 1-25-1983 Sandspur, Vol 89, No 09, January 25, 1983 Rollins College Find similar works at: https://stars.library.ucf.edu/cfm-sandspur University of Central Florida Libraries http://library.ucf.edu This Newspaper is brought to you for free and open access by the Newspapers and Weeklies of Central Florida at STARS. It has been accepted for inclusion in The Rollins Sandspur by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Rollins College, "Sandspur, Vol 89, No 09, January 25, 1983" (1983). The Rollins Sandspur. 1605. https://stars.library.ucf.edu/cfm-sandspur/1605 21st Century Theatre Showtimes7:00&9:15 Super Large Screen Four Channel Sound System Fresh Deli Foods and Pizza Domestic and Imported Beer and Wine Happy Hour 4- 6 PM Reserved Box Seating Colonial (Rt. 50) Fashion Square Mall THEATRE 740 Bennett Road, Orlando Corrine 1 Mile East Of-Fashion Square Mall Every Tuesday Is Student Night Holt mt SUPPORT OUR ADVERTISERS Aida Grey Judy's Business Service Rollins Concert Series Annie Russel Theatre Kaplan V. Rand Saltsgaver, P. A. Computer Word Processing lily Ann's Taylor's Pharmacyt Cracker Jet Ski On Stage 21st Century Theatre Decades Pappagallo Whamarama Herbal World Park Avenue Hair Design Zack's His and Hers Hair Design Park Avenue Records January 25, 1983 vol. 89 no. 9 EDITOR diana chrissis MANAGING EDITOR emily goss FEATURES EDITOR judy jones ©©OifQDDDgl Y© & © Ooflfe N\®m V@Qfl SPORTS EDITOR I david greenberg ARTS EDITOR John tamow PHOTO EDITOR david reed M " M COPY EDITOR JC *e *F lizzjacobson SHERRY UNDERWOOD WORDS PROPRIETRESS 102 PARK AVE N. -
Six Projects Selected for 2013 Rawi Screenwriters Lab in Jordan
FOR IMMEDIATE RELEASE Media Contact: November 1, 2013 Casey De La Rosa 310.360.1981 [email protected] Six Projects Selected for 2013 Rawi Screenwriters Lab in Jordan Led By The Royal Film Commission-Jordan in Consultation with Sundance Institute, Lab Supports Emerging Filmmakers in Egypt, Jordan, Lebanon and Palestine Los Angeles, CA — Screenwriting fellows for the ninth edition of the Rawi Screenwriters Lab (November 1-5) were announced today by The Royal Film Commission-Jordan and Sundance Institute. The Lab is an example of Sundance Institute’s longstanding work to support emerging filmmakers around the world. Former Rawi Fellows include Cherien Dabis (Amreeka), Mohammed Al Daradji (Son of Babylon), Sally El Hosaini (My Brother The Devil) and Haifaa Al Mansour (Wadjda). Launched in 2005, the Lab is led by the Royal Film Commission of Jordan (RFC) and managed by Deema Azar, in consultation with Sundance Institute’s Feature Film Program, under the direction of Michelle Satter. The Lab provides an opportunity for filmmakers from the region to develop their work under the guidance of accomplished Creative Advisors—this year including Jeremy Pikser (Bulworth), Najwa Najjar (Pomegranates & Myrrh), Mo Ogrodnick (Deep Powder). Aseel Mansour (Line Of Sight), Rose Troche (The L Word, The Safety Of Objects) and Jerome Boivin (La cloche a sonné)—in an environment that encourages storytelling at the highest level. George David, General Manager of the RFC, said, “For the ninth consecutive year, RAWI continues to unveil the regions’ exceptional talent and narratives as part of the RFC’s goal to champion a new generation of Arab film professionals who will represent our noble culture and values, our triumphs and struggles and our hopes and dreams through their films.” Paul Federbush, International Director of the Sundance Institute Feature Film Program, said, “We’ve had the privilege to help give voice to some extraordinary new filmmakers in the region over our nine-year partnership with the RFC. -
My Bloody Valentine's Loveless David R
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2006 My Bloody Valentine's Loveless David R. Fisher Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC MY BLOODY VALENTINE’S LOVELESS By David R. Fisher A thesis submitted to the College of Music In partial fulfillment of the requirements for the degree of Master of Music Degree Awarded: Spring Semester, 2006 The members of the Committee approve the thesis of David Fisher on March 29, 2006. ______________________________ Charles E. Brewer Professor Directing Thesis ______________________________ Frank Gunderson Committee Member ______________________________ Evan Jones Outside Committee M ember The Office of Graduate Studies has verified and approved the above named committee members. ii TABLE OF CONTENTS List of Tables......................................................................................................................iv Abstract................................................................................................................................v 1. THE ORIGINS OF THE SHOEGAZER.........................................................................1 2. A BIOGRAPHICAL ACCOUNT OF MY BLOODY VALENTINE.………..………17 3. AN ANALYSIS OF MY BLOODY VALENTINE’S LOVELESS...............................28 4. LOVELESS AND ITS LEGACY...................................................................................50 BIBLIOGRAPHY..............................................................................................................63 -
Icons of Music Auction Ii to Benefit Music Rising on Saturday May 31, 2008 to Be Held at Hard Rock Cafe New York
For Immediate Release: Caroline Galloway Meredith Miesieski Lori Earl Music Rising/Gibson Guitar Coyne PR CodeBlue Media 615-423-4904 973-316-1665/732-619-4355 818-704-1200 [email protected] [email protected] [email protected] ICONS OF MUSIC AUCTION II TO BENEFIT MUSIC RISING ON SATURDAY MAY 31, 2008 TO BE HELD AT HARD ROCK CAFE NEW YORK UNPRECEDENTED COLLECTION OF MUSIC MEMORABILIA TO BE OFFERED IN A LIVE AND TELEVISED AUCTION EVENT Hosted by U2’s the Edge with special performance by Aaron Neville New York, NY, April 24, 2008 -- U2’s the Edge announced the Icons of Music Sale II to benefit Music Rising to be held on Saturday, May 31, 2008 at Hard Rock Cafe New York in Times Square. This second annual auction event, hosted by Julien’s Auctions (www.juliensauctions.com), will of fer one of the most significant collections of music memorabilia from many of m usic’s greatest legends with proceeds benefiting Music Rising (www.musicrising.org), a cam paign co-founded by U2’s the Edge, legendary producer Bob Ezrin and Gibson Guitar Chairman and CEO Henry Juszkiewicz in 2005 to aid m usicians of the Gulf Coast Regi on in regaining thei r livelihood after the devastation of Hurricanes Katrina and Rita. Four time Grammy Award winner Aaron Neville, who h as joined the Music Rising campaign and helped bring m ajor attention to some of the charity work being done in New Orleans today, will appear at th e Icons of Music Sale II and pe rform at the evening session. -
Embargoed Until 12:00PM ET / 9:00AM PT on Tuesday, April 23Rd, 2019
Embargoed Until 12:00PM ET / 9:00AM PT on Tuesday, April 23rd, 2019 FOR IMMEDIATE RELEASE 24th ANNUAL NANTUCKET FILM FESTIVAL ANNOUNCES FEATURE FILM LINEUP DANNY BOYLE’S YESTERDAY TO OPEN FESTIVAL ALEX HOLMES’ MAIDEN TO CLOSE FESTIVAL LULU WANG’S THE FAREWELL TO SCREEN AS CENTERPIECE DISNEY•PIXAR’S TOY STORY 4 PRESENTED AS OPENING FAMILY FILM IMAGES AVAILABLE HERE New York, NY (April 23, 2019) – The Nantucket Film Festival (NFF) proudly announced its feature film lineup today. The opening night selection for its 2019 festival is Universal Pictures’ YESTERDAY, a Working Title production written by Oscar nominee Richard Curtis (Four Weddings and a Funeral, Love Actually, and Notting Hill) from a story by Jack Barth and Richard Curtis, and directed by Academy Award® winner Danny Boyle (Slumdog Millionaire, Trainspotting, 28 Days Later). The film tells the story of Jack Malik (Himesh Patel), a struggling singer-songwriter in a tiny English seaside town who wakes up after a freak accident to discover that The Beatles have never existed, and only he remembers their songs. Sony Pictures Classics’ MAIDEN, directed by Alex Holmes, will close the festival. This immersive documentary recounts the thrilling story of Tracy Edwards, a 24-year-old charter boat cook who became the skipper of the first ever all-female crew to enter the Whitbread Round the World Yacht Race. The 24th Nantucket Film Festival runs June 19-24, 2019, and celebrates the art of screenwriting and storytelling in cinema. A24’s THE FAREWELL, written and directed by Lulu Wang, will screen as the festival’s Centerpiece film.