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Michael Jordan: a Biography
Michael Jordan: A Biography David L. Porter Greenwood Press MICHAEL JORDAN Recent Titles in Greenwood Biographies Tiger Woods: A Biography Lawrence J. Londino Mohandas K. Gandhi: A Biography Patricia Cronin Marcello Muhammad Ali: A Biography Anthony O. Edmonds Martin Luther King, Jr.: A Biography Roger Bruns Wilma Rudolph: A Biography Maureen M. Smith Condoleezza Rice: A Biography Jacqueline Edmondson Arnold Schwarzenegger: A Biography Louise Krasniewicz and Michael Blitz Billie Holiday: A Biography Meg Greene Elvis Presley: A Biography Kathleen Tracy Shaquille O’Neal: A Biography Murry R. Nelson Dr. Dre: A Biography John Borgmeyer Bonnie and Clyde: A Biography Nate Hendley Martha Stewart: A Biography Joann F. Price MICHAEL JORDAN A Biography David L. Porter GREENWOOD BIOGRAPHIES GREENWOOD PRESS WESTPORT, CONNECTICUT • LONDON Library of Congress Cataloging-in-Publication Data Porter, David L., 1941- Michael Jordan : a biography / David L. Porter. p. cm. — (Greenwood biographies, ISSN 1540–4900) Includes bibliographical references and index. ISBN-13: 978-0-313-33767-3 (alk. paper) ISBN-10: 0-313-33767-5 (alk. paper) 1. Jordan, Michael, 1963- 2. Basketball players—United States— Biography. I. Title. GV884.J67P67 2007 796.323092—dc22 [B] 2007009605 British Library Cataloguing in Publication Data is available. Copyright © 2007 by David L. Porter All rights reserved. No portion of this book may be reproduced, by any process or technique, without the express written consent of the publisher. Library of Congress Catalog Card Number: 2007009605 ISBN-13: 978–0–313–33767–3 ISBN-10: 0–313–33767–5 ISSN: 1540–4900 First published in 2007 Greenwood Press, 88 Post Road West, Westport, CT 06881 An imprint of Greenwood Publishing Group, Inc. -
Phonographic Performance Company of Australia Limited Control of Music on Hold and Public Performance Rights Schedule 2
PHONOGRAPHIC PERFORMANCE COMPANY OF AUSTRALIA LIMITED CONTROL OF MUSIC ON HOLD AND PUBLIC PERFORMANCE RIGHTS SCHEDULE 2 001 (SoundExchange) (SME US Latin) Make Money Records (The 10049735 Canada Inc. (The Orchard) 100% (BMG Rights Management (Australia) Orchard) 10049735 Canada Inc. (The Orchard) (SME US Latin) Music VIP Entertainment Inc. Pty Ltd) 10065544 Canada Inc. (The Orchard) 441 (SoundExchange) 2. (The Orchard) (SME US Latin) NRE Inc. (The Orchard) 100m Records (PPL) 777 (PPL) (SME US Latin) Ozner Entertainment Inc (The 100M Records (PPL) 786 (PPL) Orchard) 100mg Music (PPL) 1991 (Defensive Music Ltd) (SME US Latin) Regio Mex Music LLC (The 101 Production Music (101 Music Pty Ltd) 1991 (Lime Blue Music Limited) Orchard) 101 Records (PPL) !Handzup! Network (The Orchard) (SME US Latin) RVMK Records LLC (The Orchard) 104 Records (PPL) !K7 Records (!K7 Music GmbH) (SME US Latin) Up To Date Entertainment (The 10410Records (PPL) !K7 Records (PPL) Orchard) 106 Records (PPL) "12"" Monkeys" (Rights' Up SPRL) (SME US Latin) Vicktory Music Group (The 107 Records (PPL) $Profit Dolla$ Records,LLC. (PPL) Orchard) (SME US Latin) VP Records - New Masters 107 Records (SoundExchange) $treet Monopoly (SoundExchange) (The Orchard) 108 Pics llc. (SoundExchange) (Angel) 2 Publishing Company LCC (SME US Latin) VP Records Corp. (The 1080 Collective (1080 Collective) (SoundExchange) Orchard) (APC) (Apparel Music Classics) (PPL) (SZR) Music (The Orchard) 10am Records (PPL) (APD) (Apparel Music Digital) (PPL) (SZR) Music (PPL) 10Birds (SoundExchange) (APF) (Apparel Music Flash) (PPL) (The) Vinyl Stone (SoundExchange) 10E Records (PPL) (APL) (Apparel Music Ltd) (PPL) **** artistes (PPL) 10Man Productions (PPL) (ASCI) (SoundExchange) *Cutz (SoundExchange) 10T Records (SoundExchange) (Essential) Blay Vision (The Orchard) .DotBleep (SoundExchange) 10th Legion Records (The Orchard) (EV3) Evolution 3 Ent. -
Spectator 1980-01-09 Editors of the Ps Ectator
Seattle nivU ersity ScholarWorks @ SeattleU The peS ctator 1-9-1980 Spectator 1980-01-09 Editors of The pS ectator Follow this and additional works at: http://scholarworks.seattleu.edu/spectator Recommended Citation Editors of The peS ctator, "Spectator 1980-01-09" (1980). The Spectator. 1588. http://scholarworks.seattleu.edu/spectator/1588 This Newspaper is brought to you for free and open access by ScholarWorks @ SeattleU. It has been accepted for inclusion in The peS ctator by an authorized administrator of ScholarWorks @ SeattleU. issue Inside this fah i A leakinggasmain forced theevacua- mbm tionofstudents and faculty fromS.U.s flff'fTlf'P* m fc^vL /] fJU nursing building Monday and Tuesday: U^iUl W UVlVlll^ g^ see page two. Jf H C j^A\ TheCanadianrockgroupAprilWineis A ** €> 1 W .AW beginningtogain recognitionintheUnit- # k ■ M ed States, after 10 successful years in RllSSiail WOnieil meet, MF M & , Canada:see page six. £ c_ , . M country nnw Only three programs in the iXCtCSX O.U. team /^"^ m m*- traintechniciansinthediagnosticmethod Wm m — Mxj.^.,^^ m %***-<■ ofultrasound andS.U.isone ofthem: * k* see page Ihree. p LAm k*^ ■ GeorgeBurns heads thecast of"Going *^^ Jfc 1 in Style," a new movie which demon- ■ ■ aceSpp pnOIOnhoto ieailirc,feature pagenagp 121^ J-f^W O~' IAJiJ ...^AnI stratesthatold ageis a stateofmind.The Mf^VM-, V 1 by * * comedy is reviewed John Miller: see I ■T fitffcil page four. I_l_H^gE3!l S Wk Km M r Vol. XLVIII,No. 12 TheSeattle University Spectator the spectator Wednesday, January 9, 1980 SeattleUniversity, Seattle, Wash. The '70s at S.U. Decade of demonstrations, dances, debts ends Ninedaysintothenewdecade,allkindsof magazinesandnewspapershavealreadydug through their files to writea review of the '70s.Not to beoutdone, theeditorsof The Spectatorhavedugthroughtheirfilestopre- sent aunique,if not comprehensive,viewof the decade at S.U. -
Sota Per Copy STANDARD Inside This Edition – U.S
PRESORTED Sota Per Copy STANDARD Inside this Edition – U.S. POSTAGE Tribal Law Enforcement issues warning of meth-laced marijuana PAID WILMOT, SD Special report to SWO Oyate from Tribal Planning office PERMIT NO. 1 President Obama’s budget proposal includes increases for Indian country needs Postmaster: Change service requested Credit Union offers scholarships Sota Iya Ye Yapi, P.O. Box 5, Wilmot, SD 57279 ¢ Josie Green awarded U.S. Coast Guard Silver Life-saving Medal Contents – Time-Dated News/Do Not Delay Tiospa Zina team wins Dakota Oyate hand drum game challenge this year Mailed at Wilmot, SD Tuesday, Feb. 21, 2012 Coming soon: Remember Harry and Rosemary Wong and their Effective Teacher conference 75 at Tiospa Zina last year? How local schools are implementing the ideas Publication of the Sisseton-Wahpeton Oyate Tribe of the Lake Traverse Reservation since 1968 Vol. 43 February - Anpetu Numpa Wi - “Moon of Two Days” - Anpetug de Iyamni, Feb. 22, 2012 No. 8 Josie Green, 20-year-old daughter of Jim and Bernice Green of Wilmot, SD, was presented with the U.S. Coast Guard Silver Lifesaving Medal in a ceremony held at St. Mary’s Catholic Church Saturday afternoon, February 11th. Making the presentation was Rear Admiral Michael Parks, commander of the 9th Coast Guard District (Great Lakes). By Crystal Owen Dealers will mix drugs in order to spark growth in the The Silver Lifesaving Medal, as well as the Gold SWO Meth Prevention Coordinator market. It’s been done with other drugs to encourage Lifesaving Medal, may be awarded to any person who SWO Tribal Police have issued a warning about people to get hooked. -
AMI»-/-Whjja*' 6DIT0RIRL PUBLIC Naic6s
AMI»-/-Whjja*' 6DIT0RIRL PUBLIC naic6S Australians are exposed to an "~conT€nTs RENTING A HOME? enormou.s barrage of media mess TOWARDS A MORE RESPONSIVE PRESS 5 Several agencies operate In Brisbane ages. Newspapers, magazines, radio A critical look at the Australian Press that find houses for people to rent on and television affect most people payment of a fee. If you have used one most days of their lives. Many THE SHAKY HISTORY OF TIME OFF 7 of these agencies, successfully or people read a newspaper when TIM LOW chronicles the ups-and-downs of a former campus rag, unsuccessfully, P.I.R.G. would like to eating breakfast, listen to the hear of your experience. radio while working, and watch THE BLAND, THE HYPE AND THE 'BEAUTIFUL' 9 Please contact; Paul O'Shea television much of the night. Brisbane radio offers a variety of hype and music, PETER STEINHEUER tunes in. Public Interest Research Group University of Queensland Union Yet there is very little discussion of T.E.A.S. 10 Phone: 371.1611 the value of a inedia-oriented lifestyle. Application for T.E.A.S. close on 31 March, LYN TAYLOR outlines vrays to receive the It is not in the itttercsts of the media allowance. inoguls to promote debate on their role, WARNING and as they control the airwaves and LAOS: WITH PAGE AND NOSTALGIA 13 printing presses, little is said. To postgraduate students in It is up to non-commercial operations Historian MARTIN STUART-FOX, vvittily recalls the changes communism has brought to Laos. -
University to Build Off-Campus Park by BOB YATES - Alth H Firm H B ' " ,", ' Aquinas ,Managing Editor Oug No
•..Serving the, _Univ,ersity and ',- ·· .Something special, the Co~munity... page 7... UNIYERSITY OF SCRANTON Thursday, Sept. 23, 1982 .-Abuses spark crackdown _BY BOB YATES cancelled at midpoint due to vandalism Aquinas Managing Editor and excessive drinking on the outdoor Following apparent abus~s of the campus. University's alcohol policy, the Student Specifically, the alcohol policy as st,ated Personnel Office is attempting to "more in the handbook prohibits the strictly enforce" those rules set forth in consumption of alcoholic beverages on' the Student Handbook, said John the outdoor campus, in public buildings, Gavigan, vice president for student and in the common areas of the personnel. residence halls. The policy also forbids "We're simply trying to enforce kegs of beer anywhere on campus. already existing rules," Gavigan said. He Gavigan noted that, beyond this policy, noted that the Student Handbook responsibilty for observance of the laws explicitly states the University's alcohol of Pennsylvania remains with each policy. individual student. Gavigan said that the crackdown is due Under state law "it is illegal for any to irresponsibility on the part of many pe~son under 21 to possess alcoholic students. He pointed to recent abuses of beverages or to attempt to purchase, or the policy, especially at the Student to consume or transport any alcoholic Government-sponsored mini-concert on beverages within Pennsylvania." September 11. Permission to hold events on campus At the event, many students openly where alcohol is served remains at the drank beer on the out~oor campus, a discretion of the Student Personnel strict violation of the alcohol policy. -
The Original Joe Jackson Band—Lead Vocalist/Songwr
A Conversation with Joe Jackson by Barry Gutman (Puremusic.com 5/2003) The original Joe Jackson band—lead vocalist/songwriter/keyboard player Jackson, bassist Graham Maby, guitarist Gary Sanford, and drummer Dave Houghton—rode the musical New Wave out of England to international success in 1979 on a pair of classic albums on A&M Records, Look Sharp! and I’m the Man, and tireless touring. The world fell hard for the band’s spare-yet-full sound, featuring Sanford’s stuttering, insistent rhythm guitar chords, Houghton’s swift, precise and solid drumming, and, especially, Maby’s amazingly intricate bass—the band’s true lead instrument. And then, of course, there were Jackson’s infrequent piano and melodica solos that, along with his rich musical vocabulary which, at that time, emphasized not only powerful rock but also bouncy ska, melodic pop, and lyrics that were alternately scathing and vulnerable. The Joe Jackson Band worked relentlessly throughout 1980, coming off the road just long enough to record their most experimental and least warmly received album, Beat Crazy. By the end of that year, they’d called it a day. Over the next 20 years, Jackson recorded several more albums that were cast in various shades of rock, pop, jazz, blues, and even classical music, as the muse and mood struck him. The results of his eclectic efforts ranged from 1982’s Night and Day, Jackson’s pop commercial peak, featuring adult contemporary standbys “Stepping Out” and “Breaking Us in Two,” to, for Sony Classical, 1997’s Heaven and Hell, a somewhat challenging interpretation of the seven deadly sins that’s best described, on Jackson’s own Web site, as “not quite classical, not quite jazz, and not quite rock.” Some of Jackson’s other albums featured big band covers (1981’s extremely enjoyable Jumpin’ Jive), instrumental orchestral music (1987’s Willpower), and various film soundtracks, including 1983’s Mike Murder, which contained several fine songs and a score wasted on an indifferently edited and marketed movie. -
Apropulsive Groove Laced with an Irresistible
a propulsive groove laced with an irresistible lad, ends up feeling as schematic and dutiful "as-oneness" of the duo is most evident). female chorus, and the sonic charmer "Girls as a snapshot. an exercise meant to pass the Hersch's laneology" is pointillistic bop 8c Boys," featuring gutsy baritone sax ejacu- time until Jackson's attention clicks to the (the model is Thelonious Monk's "Evi- lations complete with solo. Using a sharp next scene. Worse, instead of tossing off dence"). Bloom's "Waiting for Daylight" is snare roll as a springboard, a marvelously these songs like the sketches they are. Jack- a fairly conventional piece with a lovely, ex- stripped-down track featuring Sheila E. on son the singer bears down on them with the pectant melody that serves Hersch particu- drums, and an anxious vocal, "Girls & Boys" same inflexible petulance he has used larly well—his delicately woven strands nev- remains focused in both direction and pur- throughout his career, regardless of the sub- er become cloying. The duo seems inhibited pose: to keep the body up. At 5:30, though, ject. The tone of his voice often communi- by the responsibility of interpreting other it's too short. It has one of those endings that cates moral superiority: When he asks in people's songs. Wayne Shorter's "Miyako" says, "You want the rest, come see the "Right and Wrong," the best track here, and Alec Wilder's "Winter of My Discon- show!" "Right and wrong—do you know the differ- tent" are only pleasant. After the backlash his fans dealt him last ence?," the unavoidable message is that Despite the questions that such a pot- year when his overzealous bodyguards be- Jackson does, his audience doesn't, and he's pourri prompts, As One is a good album —for haved rudely after the American Musk here to tell them. -
We Understand That the U.S. Department of Labor Announced a Proposed Rule That Would “Update and Clarify” the Department of Labor’S Investment Duties Regulation
July 26, 2020 Office of Regulations and Interpretations Employee Benefits Security Administration, Room N-5655, U.S. Department of Labor 200 Constitution Avenue NW Washington, DC 20210 Attention: Financial Factors in Selecting Plan Investments Proposed Regulation. Document Citation: 85 FR 39113 Page: 39113-39128 (16 pages) CFR: 29 CFR 2550 RIN: 1210-AB95 Document Number: 2020-13705 Dear Sir/Madam: We understand that the U.S. Department of Labor announced a proposed rule that would “update and clarify” the Department of Labor’s investment duties regulation. According to the news release issued announcing this proposed rule, “Private employer-sponsored retirement plans are not vehicles for furthering social goals or policy objectives that are not in the financial interest of the plan,” said Secretary of Labor Eugene Scalia. “Rather, ERISA plans should be managed with unwavering focus on a single, very important social goal: providing for the retirement security of American workers.” We are writing to provide comments on this proposed rule. Background The core idea behind the work of William Michael Cunningham at Creative Investment Research is the recognition that mainstream market-based solutions do not maximize social return. This leads to an underappreciation for the value of human life. We develop market-based innovations to counter this. The elevation of “Chicago-school” economic theories has led to a focus on celebrity and money worship. These magnify and worsen the misallocation of economic resources identified above. Our development of social return investment technologies and the subsequent rise of social entrepreneurs are the methods we have used in this effort. We have radically augmented the development of new investment theories that are the key, we believe, to a higher level of human development. -
Joint Publication the Cleveland Journal
Winter 2007 Edition of TThehe ClevelandCleveland JournalJournal A publication of the CLEVELAND HIGH SCHOOL ALUMNI ASSOCIATION A Memorable Past, A Promising Future Meet some amazing grads Grand Open House reports Wayne Floyd on CHS Inside: And more, more, more Photo by Helen C. Sing ’70 Ed Landon: A Teacher for the Ages by Don Duncan ’43 In his best years, he left the house at 6 OR., with his daughter Marlys Alger, one Q: Where did you go to school and did t age 92, Ed Landon is Cleveland High a.m., returned at 9 p.m. and earned $250 of four Landon children to graduate from you play sports? ASchool’s “living legend,” a man who a month, plus $5 extra for his master’s Cleveland. “I’m always amazed that people A: I graduated from little Moclips High spent a quarter of a century (1948-1973) degree. still remember me and want to talk about School, down in Grays Harbor County. I teaching young Eagles about the past and, But, Landon says, what he gained in my classes and the teams I coached.” wasn’t very big, maybe 5-91/2 and 155 in the process, giving them invaluable memories from his interaction with stu- Th e essence of Ed Landon, as his former pounds. Baseball was my favorite sport. tools – curiosity, fair play, social values dents was “priceless.” students know, cannot be distilled into a Our teams were pretty good. We lost just – with which to deal with the future. “I think I’ve been invited to something simple news story. -
Michael Jordan Gains Full Clarity Now, Flashing His Tongue at the Defender Like He Is Shiva Himself, the Ancient God of Death and Destruction, Driving the Lane
Begin Reading Table of Contents Photos Newsletters Copyright Page In accordance with the U.S. Copyright Act of 1976, the scanning, uploading, and electronic sharing of any part of this book without the permission of the publisher constitute unlawful piracy and theft of the author’s intellectual property. If you would like to use material from the book (other than for review purposes), prior written permission must be obtained by contacting the publisher at [email protected]. Thank you for your support of the author’s rights. Dedicated to the memory of Tony Travis, Roy Stanley Miller, Lacy Banks, L. J. Beaty, and Ed McPherson, brothers one and all Prologue THE DEFENDER’S EYES grow wide, as they well should. He’s about to face the kind of kinesthetic brilliance that first motivated humans to invent slow- motion technology—something, anything, that would allow them to review exactly what happens when movement plays tricks on the mind. The setting is painfully familiar. Something in the offensive structure has broken down at the other end of the floor, igniting a fast break. The entire defense is retreating. The defender has sprinted back down the floor and, as he turns, he sees the blur. The dark form in red has the ball, dribbling and winding his way through the chaos at great speed. He crosses the ball over from right to left and draws it up in two hands just off his left hip in midstride. At this exact moment, the tongue falls out of his face. Sometimes, it shows just slightly between the teeth, but at this moment, the full tongue drops grotesquely, like some comic doll silently mocking the defender. -
Joe Jackson „Live at Rockpalast“
Joe Jackson „Live At Rockpalast“ Elisabeth Richter Hildesheimer Straße 83 30169 Hannover GERMANY Tel.: 0049‐511‐806916‐16 Fax: 0049‐511‐806916‐29 Cell: 0049‐177‐7218403 elisabeth.richter@mig‐music.de Release : 24.02.2012 Cat. No.: MIG 90447 Barcode: 885513904478 Format: 2 DVD Digipack Genre: Rock There are very few documents on film that present rock artists at the zenith of their career – and even fewer that cast a light on the beginning. In the run-up to DVD there were merely promotion videos, clips of concerts and video recordings. Of all things it was the much maligned television that captured these unique moments – with the WDR “Rockpalast” leading the way. Apart from only BBC’s "Old Grey Whistle Test" this series established during the seventies a forum for contemporary artists some of which are forgotten today, others obscure – and several legendary. Joe Jackson is one of these legends but a highly industrious one. He continues to record albums, surprises with concerts in shifting line-ups, is living some time in Berlin, another time on the Isle of Wight and one suitcase he left in New York. He already had a career before 1979 when his debut album "Look Sharp!" was released: In his retrospective book "A Cure for Gravity" you can read how Jackson and his band travelled through England and played in pubs to indifferent audiences songs by David Bowie. Glam and punk went by and now Joe Jackson‘s time had finally come: Within a few days he penned a dozen songs for his trio, borrowed the snotty attitude from the hip New Wave geezers and fed the press with slogans like “I hate the crappy trees”.