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Verdi Week on Operavore Program Details
Verdi Week on Operavore Program Details Listen at WQXR.ORG/OPERAVORE Monday, October, 7, 2013 Rigoletto Duke - Luciano Pavarotti, tenor Rigoletto - Leo Nucci, baritone Gilda - June Anderson, soprano Sparafucile - Nicolai Ghiaurov, bass Maddalena – Shirley Verrett, mezzo Giovanna – Vitalba Mosca, mezzo Count of Ceprano – Natale de Carolis, baritone Count of Ceprano – Carlo de Bortoli, bass The Contessa – Anna Caterina Antonacci, mezzo Marullo – Roberto Scaltriti, baritone Borsa – Piero de Palma, tenor Usher - Orazio Mori, bass Page of the duchess – Marilena Laurenza, mezzo Bologna Community Theater Orchestra Bologna Community Theater Chorus Riccardo Chailly, conductor London 425846 Nabucco Nabucco – Tito Gobbi, baritone Ismaele – Bruno Prevedi, tenor Zaccaria – Carlo Cava, bass Abigaille – Elena Souliotis, soprano Fenena – Dora Carral, mezzo Gran Sacerdote – Giovanni Foiani, baritone Abdallo – Walter Krautler, tenor Anna – Anna d’Auria, soprano Vienna Philharmonic Orchestra Vienna State Opera Chorus Lamberto Gardelli, conductor London 001615302 Aida Aida – Leontyne Price, soprano Amneris – Grace Bumbry, mezzo Radames – Placido Domingo, tenor Amonasro – Sherrill Milnes, baritone Ramfis – Ruggero Raimondi, bass-baritone The King of Egypt – Hans Sotin, bass Messenger – Bruce Brewer, tenor High Priestess – Joyce Mathis, soprano London Symphony Orchestra The John Alldis Choir Erich Leinsdorf, conductor RCA Victor Red Seal 39498 Simon Boccanegra Simon Boccanegra – Piero Cappuccilli, baritone Jacopo Fiesco - Paul Plishka, bass Paolo Albiani – Carlos Chausson, bass-baritone Pietro – Alfonso Echevarria, bass Amelia – Anna Tomowa-Sintow, soprano Gabriele Adorno – Jaume Aragall, tenor The Maid – Maria Angels Sarroca, soprano Captain of the Crossbowmen – Antonio Comas Symphony Orchestra of the Gran Teatre del Liceu, Barcelona Chorus of the Gran Teatre del Liceu, Barcelona Uwe Mund, conductor Recorded live on May 31, 1990 Falstaff Sir John Falstaff – Bryn Terfel, baritone Pistola – Anatoli Kotscherga, bass Bardolfo – Anthony Mee, tenor Dr. -
LIEDER ALIVE! 2012 Overview
LIEDER ALIVE! MASTER WORKSHOP AND CONCERT SERIES MAXINE BERNSTEIN director MASTER ARTISTS A ground-breaking program in the teaching of German Lieder Thomas Hampson 2008 Marilyn Horne 2009 June Anderson 2011 Håkan Hagegård 2012 Program Overview AFFILIATED MASTER ARTIST LIEDER ALIVE! was founded in 2007 by Maxine Bernstein to re-invigorate the teaching and Christa Ludwig performance of German Lieder, songs mainly from the Romantic Era of music composed for a solo singer and piano, and frequently set to great poetry. Our “graduate level” program brings CONTRIBUTING ARTISTS outstanding master artists together with highly accomplished emerging and established Heidi Melton, soprano Eleazar Rodriquez, tenor professionals. Such a program, devoted exclusively to this important artistic genre, is unique in Kindra Scharich, mezzo-soprano America. All of our extraordinary master artists, and our supremely gifted workshop participants, Katherine Tier, mezzo-soprano are aiding in our purpose of keeping Lieder where it belongs—alive! Ji Young Yang, soprano ADVISORY BOARD Håkan Hagegård has graciously consented to bring his innovative Singers' Studio to us for an David Bernstein, Honorary Chair intensive five-day program that will be held in the Music Salon at Salle Pianos, and concluding Alison Pybus, Executive Chair with a public Master Class in the grand Concert Hall at the San Francisco Conservatory of Music, Vice President, IMG Artists on September 8, 2012. John Parr Collaborative Pianist, Master Coach We were honored to welcome June Anderson who sang a Benefit Concert on Friday, October 14, San Francisco Opera Center then taught The Art of Singing, opening with a public Master Class on Saturday, October 15, 2011, Assistant to Music Director and Casting Director and continuing with a three-day private teaching intensive. -
Michael Jordan: a Biography
Michael Jordan: A Biography David L. Porter Greenwood Press MICHAEL JORDAN Recent Titles in Greenwood Biographies Tiger Woods: A Biography Lawrence J. Londino Mohandas K. Gandhi: A Biography Patricia Cronin Marcello Muhammad Ali: A Biography Anthony O. Edmonds Martin Luther King, Jr.: A Biography Roger Bruns Wilma Rudolph: A Biography Maureen M. Smith Condoleezza Rice: A Biography Jacqueline Edmondson Arnold Schwarzenegger: A Biography Louise Krasniewicz and Michael Blitz Billie Holiday: A Biography Meg Greene Elvis Presley: A Biography Kathleen Tracy Shaquille O’Neal: A Biography Murry R. Nelson Dr. Dre: A Biography John Borgmeyer Bonnie and Clyde: A Biography Nate Hendley Martha Stewart: A Biography Joann F. Price MICHAEL JORDAN A Biography David L. Porter GREENWOOD BIOGRAPHIES GREENWOOD PRESS WESTPORT, CONNECTICUT • LONDON Library of Congress Cataloging-in-Publication Data Porter, David L., 1941- Michael Jordan : a biography / David L. Porter. p. cm. — (Greenwood biographies, ISSN 1540–4900) Includes bibliographical references and index. ISBN-13: 978-0-313-33767-3 (alk. paper) ISBN-10: 0-313-33767-5 (alk. paper) 1. Jordan, Michael, 1963- 2. Basketball players—United States— Biography. I. Title. GV884.J67P67 2007 796.323092—dc22 [B] 2007009605 British Library Cataloguing in Publication Data is available. Copyright © 2007 by David L. Porter All rights reserved. No portion of this book may be reproduced, by any process or technique, without the express written consent of the publisher. Library of Congress Catalog Card Number: 2007009605 ISBN-13: 978–0–313–33767–3 ISBN-10: 0–313–33767–5 ISSN: 1540–4900 First published in 2007 Greenwood Press, 88 Post Road West, Westport, CT 06881 An imprint of Greenwood Publishing Group, Inc. -
Boston Symphony Orchestra Concert Programs, Season 110, 1990-1991
June Anderson, soprano and Alfredo Kraus, tenor Julius Rudel, conductor Members of the Boston Symphony Orchestra Sn Presented by the BOSTON OPERA ASSOCIATION Monday, March 11, 1991, at 8:15 p.m. Symphony Hall, Boston t f Benefactors, Patrons, and Sponsors for the Boston Opera Association Opera Gala at Symphony Mrs. Weston W. Adams Mr. and Mrs. Richard I. Johnson Mr. A. Samuel Adler Mr. and Mrs. Bela T. Kalman Mrs. Frank G. Allen* Mr. and Mrs. John M. Kucharski Mr. Frank G. Allen, Jr.* Mr. and Mrs. R. Willis Leith, Jr. Prof, and Mrs. Rae D. Anderson Mr. and Mrs. J. Peter Lyons Mr. and Mrs. David B. Arnold, Jr.| Hon. Charles Francis Mahoneyt Bierly-Drake Associates, Inc. Mr. Donald M. Manzelli 1 Mrs. Mary Louise Cabot Mrs. Barbara M. Marshall Mrs. Angelica Lloyd Clagett Merrill Lynch, Pierce, Fenner & Smith Inc. Mr. David C. Crockett* Miss Les J. Miller* Mr. and Mrs. William R. Cuming Mr. and Mrs. Wells Morss Selectman and Mrs. Luster Delany Mr. and Mrs. Albert L. Nickerson Dr. and Mrs. Charles C. Dickinsonf Miss Mary-Catherine O'Neill* Miss Catherine-Mary Donovan Hon. and Mrs. Lawrence T. Perera Dr. Richard W. Dwight Mr. and Mrs. William J. Poorvu Dynatech Corporation* Ms. Mattina R. Proctor Dr. and Mrs. Dean S. Edmonds, Jr.* Mr. and Mrs. Jerome Rosenfeld Mr. and Mrs. George Ellison Dr. and Mrs. Russell J. Rowell* Mrs. Harris Fahnestockt Mr. and Mrs. James D. St. Clair Ms. Anna E. Finnertyt Mrs. George Lee Sargent Mr. Raymond C. Foster Dr. and Mrs. Lawrence T. Shields Mr. -
Spectator 1980-01-09 Editors of the Ps Ectator
Seattle nivU ersity ScholarWorks @ SeattleU The peS ctator 1-9-1980 Spectator 1980-01-09 Editors of The pS ectator Follow this and additional works at: http://scholarworks.seattleu.edu/spectator Recommended Citation Editors of The peS ctator, "Spectator 1980-01-09" (1980). The Spectator. 1588. http://scholarworks.seattleu.edu/spectator/1588 This Newspaper is brought to you for free and open access by ScholarWorks @ SeattleU. It has been accepted for inclusion in The peS ctator by an authorized administrator of ScholarWorks @ SeattleU. issue Inside this fah i A leakinggasmain forced theevacua- mbm tionofstudents and faculty fromS.U.s flff'fTlf'P* m fc^vL /] fJU nursing building Monday and Tuesday: U^iUl W UVlVlll^ g^ see page two. Jf H C j^A\ TheCanadianrockgroupAprilWineis A ** €> 1 W .AW beginningtogain recognitionintheUnit- # k ■ M ed States, after 10 successful years in RllSSiail WOnieil meet, MF M & , Canada:see page six. £ c_ , . M country nnw Only three programs in the iXCtCSX O.U. team /^"^ m m*- traintechniciansinthediagnosticmethod Wm m — Mxj.^.,^^ m %***-<■ ofultrasound andS.U.isone ofthem: * k* see page Ihree. p LAm k*^ ■ GeorgeBurns heads thecast of"Going *^^ Jfc 1 in Style," a new movie which demon- ■ ■ aceSpp pnOIOnhoto ieailirc,feature pagenagp 121^ J-f^W O~' IAJiJ ...^AnI stratesthatold ageis a stateofmind.The Mf^VM-, V 1 by * * comedy is reviewed John Miller: see I ■T fitffcil page four. I_l_H^gE3!l S Wk Km M r Vol. XLVIII,No. 12 TheSeattle University Spectator the spectator Wednesday, January 9, 1980 SeattleUniversity, Seattle, Wash. The '70s at S.U. Decade of demonstrations, dances, debts ends Ninedaysintothenewdecade,allkindsof magazinesandnewspapershavealreadydug through their files to writea review of the '70s.Not to beoutdone, theeditorsof The Spectatorhavedugthroughtheirfilestopre- sent aunique,if not comprehensive,viewof the decade at S.U. -
D'una Féirfeiabionda Gastronomia • Ballo -Paninoteca Pesca Egiochi Vari Sorpresa Tedesca Al 41* Festival Di Locamo
CULTURA E SPETTACOLI Si inaugura martedì con l'edizione critica Il festival A Torre del Lago dell'opera di Rossini il festival di Pesaro. Sul podio John Pritchard, regia di Pizzi, Com'è lunare con June Anderson i tenori Merritt e Blake questo Puccini ALBERTO PALOSCIA •• TORRE DEL UGO. Pucci dedicato alle liriche da came ni e dintorni: questa potrebbe ra di Catalani, Mascagni e essere la sigla delle ultime edi Puccini: i tre esponenti tosca » zioni del Festival pucclniano, ni della Giovane Scuota - due che da qualche anno sta pro lucchesi contro un livornese - gressivamente ampliando l saranno uniti per la prima vol propri orizzonti ad altri musi ta in un unico programma. cisti, quasi tutti contempora C'è state anche una serate bielle* inaugura martedì 16 il Rossini Opera Festi re tutto più agevole. I cantanti rebbe da presuntuosi e da le variazioni integralmente nei o in qualche modo debito di teatro musicale da camera, val, ormai tradotto ih Ror. mentre il 20 agosto ci sono ormai degli habitué, Pier sciocchi. Però vorremmo of sulla partitura. Secondo altri ri di Puccini. Nell'85 toccò al intitolata Al Pierrot Lunoire, sarà la ripresa de // signor Bruschino. Un altro Luigi Pizzi non ha saltato un frire, come abbiamo fatto per le note che si possono leggere Britten del Ciro di vite, l'anno con cui il festiva! ha concimo debutto il 2 settembre con l'edizione critica de La anno, o quasi; solo II maestro il passato, criteri interpretativi sui suoi manoscritti non sono scorso il Ravel di Heurt espa felicemente la serie degli spet John Pritchard che dirigerà che possono anche essere in tutte quelle che poi i fortunati gnole lece compagnia al Puc tacoli. -
Johannes Brahms and the Vier Ernste Gesänge (Op
LIEDER ALIVE! SPRING LIEDERABEND SERIES 2012 Kirk Eichelberger, bass John Boyajy, piano The Music Salon at Salle Pianos Saturday, April 14, 2012 at 7:30 p.m. ! LIEDER! ALIVE! MASTER WORKSHOP AND CONCERT SERIES ! MASTER ARTISTS Bass KIRK EICHELBERGER was recently seen as Thomas Hampson 2008 The Emperor in Tan Dun’s Tea with the Opera Company Marilyn Horne 2009 of Philadelphia, Mephistopheles in Faust with Opera June Anderson 2011 Grand Rapids, Sparafucile in Rigoletto with the Vancouver Håkan Hagegård 2012 Opera and Ferrando in Il Trovatore with Opera Manitoba. In recent years he has sung Timur in Turandot, Bottom in AFFILIATED MASTER ARTIST A Midsummer Night’s Dream and Ferrando in Il Trovatore Christa Ludwig with the Festival Opera of Walnut Creek. CONTRIBUTING ARTISTS Other opera highlights have included Don Fernando in Heidi Melton, soprano Ji Young Yang, soprano Fidelio with the Opera Company of Philadelphia, The Four Kindra Scharich, mezzo-soprano Villains in The Tales of Hoffman with the Opera Theatre Katherine Tier, mezzo-soprano of Saint Louis, the title role in Le Nozze di Figaro for Eleazar Rodriquez, tenor Opera Memphis, Alidoro in La Cenerentola for Kirk Eichelberger, bass Sacramento Opera and the title role in West Bay Opera’s Don Giovanni. ADVISORY BOARD David Bernstein, Honorary Chair On the concert stage, Mr. Eichelberger has performed the title role in Mendelssohn’s Elijah with Alison Pybus, Executive Chair Oakland East Bay Symphony and San Francisco Choral Society and has performed as a principal Vice President, IMG Artists soloist in presentations of Mozart’s Requiem, Beethoven's 9th Symphony, Handel’s Messiah, John Parr Brahms' Ein Deutsches Requiem, Bach’s B-minor Mass, Haydn’s Creation, Pärt’s Litany, Collaborative Pianist, Master Coach Rossini’s Stabat Mater, Kodály’s Budavári Te Deum and Einhorn’s Voices of Light. -
Press Release
Maxine Bernstein, Director Media Contact: Chris Wybenga, (562) 413-7416 [email protected] FOR IMMEDIATE RELEASE April 13, 2014 LIEDER ALIVE! presents Peter Grünberg’s SongStage in “An Evening of Brahms and Liszt” with Erin Johnson, soprano Peter Grünberg, piano Saturday, May 3 at 8:00 pm (Doors open at 7:30 pm) The Music Salon at Salle Pianos 1632C Market Street, San Francisco Full calendar listing below San Francisco – LIEDER ALIVE! will continue its third annual Liederabend (literally, “Evening of Lieder”) Recital Series on Saturday, May 3, 2014 with a special program presented in partnership with Peter Grünberg’s SongStage, featuring performances of works by Johannes Brahms and Franz Liszt by soprano Erin Johnson and pianist Peter Grünberg. Ms. Johnson is a second-year Adler Fellow at the San Francisco Opera Center who made her Company debut in March 2013 as Mrs. Medlock in the World Premiere of The Secret Garden at UC Berkeley’s Zellerbach Hall; since then, she has appeared in various roles in the World Premiere of The Gospel of Mary Magdalene, and as Marta in Mephistopheles and as Mary in The Flying Dutchman. Mr. Grünberg is former Head of Music Staff at the San Francisco Opera and currently serves as Musical Assistant to Michael Tilson Thomas at the San Francisco Symphony; he is active as a solo performer and has collaborated in recital with such artists as Frederica von Stade, Thomas Hampson, and Joshua Bell. The program will open with the pianist performing a set of early variations by Brahms, as a prelude to the two artists offering the composer’s passionate and evocative cycle of eight Zigeunerlieder (Gypsy Songs): the second half of the program will include one of Liszt’s Hungarian Rhapsodies, culminating with a set of Lieder by Liszt. -
Newsletter • Bulletin Summer 2006 Été 2006
NATIONAL CAPITAL OPERA SOCIETY • SOCIÉTÉ D'OPÉRA DE LA CAPITALE NATIONALE Newsletter • Bulletin Summer 2006 Été 2006 P.O. Box 8347, Main Terminal, Ottawa, Ontario K1G 3H8 • C.P. 8347, Succursale principale, Ottawa (Ontario) K1G 3H8 Spectacular Shooting Stars in World Premiere by Shelagh Williams How often does one get the chance to attend a world as appropriate props! The studio star of the evening, premiere opera with the composer not only in atten- in only her third year of voice training, was surely dance but actually Valentina Cuden. Besides being assistant rehearsal accompanying his accompanist she stepped in at almost the last mo- work? Well, if you ment as the wicked stepmother Queen in Snow had attended this White, which role she portrayed with chillingly de- year’s 11th Annual licious evil, as well as singing her assigned role of Shooting Stars Op- Mme. Goldentrill, one of the two battling would-be eratic Showcase, prima donnas in The Impressario! We saw her win with Yoriko Tanno two classes the next week in the Kiwanis Festival and her Studio, at and she went on to represent Ottawa in the Ontario Carleton Provincial Competition. Each year this Operatic University’s Showcase produces an interesting staged opera - Lacroix Alumni Theatre, Suor Angelica and Gianni Schicchi recently - usu- ally with Stuart Hamilton as M.C. and you would have enjoyed Ottawan often one or two professional sing- Frederic Lacroix’s brand new opera, ers to round out the cast. We find Snow White, as well as Mozart’s The these productions well worth attend- Impressario! The staged and cos- ing, both for themselves and to hear tumed production was professionally up and coming singers. -
Carmengeorges BIZET
Carmen GEORGES BIZET THEATER 15/16 Five Hundred Twenty-Second Program of the 2015-16 Season _______________________ Indiana University Opera Theater presents as its 447th production Carmen Opéra Comique in Four Acts Music by Georges Bizet Libretto by Henri Meilhac and Lucovic Halévy Based on the novel by Prosper Mérimée David Effron, Conductor Jeffrey Buchman, Stage Director Robert O’Hearn, Set and Costume Designer Dana Tzvetkov, Costumer Patrick Mero, Lighting Designer Walter Huff, Chorus Master Brent Gault, Children’s Chorus Master Rosa Mercedes, Dance Choreographer Matt Herndon, Fight Choreographer Gary Arvin, Diction Coach Daniela Siena, Supertitles Author _________________ Musical Arts Center Friday Evening, February Twenty-Sixth Saturday Evening, February Twenty-Seventh Friday Evening, March Fourth Saturday Evening, March Fifth Seven-Thirty O’Clock music.indiana.edu Cast of Characters Friday, February 26 Saturday, February 27 Saturday, March 5 Friday, March 4 Don José . Trey Smagur Justin Stolz Carmen . Courtney Bray Patricia Illera Micaëla . Yuji Bae Claire Lopatka Escamillo . Ross Coughanour Jianan Huang Zuniga . Andrew Richardson Jeremy Gussin Moralès . Mark Billy Teofil Munteanu Frasquita . Emma Donahue Madeline Ley Mercédès . Marianthi Hatzis Chelsea DeLorenz Le Dancaïre . Benjamin Seiwert Andres Acosta Le Remendado . Max Zander Darian Clonts Supernumeraries . Zach Decker, Kara Dual-Fowler, Norm Holy Antonio Houck, Moses Mayabilo, Ben Monticue Jim Nelson, Andrew Nine, Tod Wicks Opera Chorus Walter Huff, Chorus Master Women Women -
Opera 101 – an Introduction to Opera
OPERA 101 – AN INTRODUCTION TO OPERA A Syllabus for March-April 2021 Loving Opera Thursdays, March 11, 18, 25, and April 1; 10:00 - 11:30am Opera has always been intended as a glorious entertainment - one that beguiles all the senses. If you’ve ever been tempted to find out what opera’s attractions are, but have been put off by seemingly incomprehensible conventions, then this is the course for you. Focusing on the operas of the late 18th, the 19th, and the early 20th centuries, members will discover together those elements that continue to attract opera audiences who love a great tale well told, thrilling sound, the dance, passions on display, and the arts working together to move the heart and lift the spirit. I, Steve Dubrow ([email protected]), have been a devotee of opera since my childhood, attending, over the years, many hundreds of opera and vocal recital performances in the U.S. and Europe and maintaining an extensive CD collection focused on the classical vocal arts. Having graduated summa cum laude from Columbia, I did graduate work in Romance Languages and Literatures at Princeton and taught French at Brown University. A specialist in press and cultural affairs, I served for 25 years as a U.S. Foreign Service Officer, worKing in Serbia, Bosnia, Croatia, Slovenia, Congo, Poland, Belgium, France, Austria, and – of course – in Washington, DC. I retired in 1998 as a member of the Senior Foreign Service. From 2000 until 2019, I taught world languages (French, Latin, Spanish, Italian) in high school in Montgomery County, MD, where I became a National Board Certified Teacher. -
Michael Jordan Gains Full Clarity Now, Flashing His Tongue at the Defender Like He Is Shiva Himself, the Ancient God of Death and Destruction, Driving the Lane
Begin Reading Table of Contents Photos Newsletters Copyright Page In accordance with the U.S. Copyright Act of 1976, the scanning, uploading, and electronic sharing of any part of this book without the permission of the publisher constitute unlawful piracy and theft of the author’s intellectual property. If you would like to use material from the book (other than for review purposes), prior written permission must be obtained by contacting the publisher at [email protected]. Thank you for your support of the author’s rights. Dedicated to the memory of Tony Travis, Roy Stanley Miller, Lacy Banks, L. J. Beaty, and Ed McPherson, brothers one and all Prologue THE DEFENDER’S EYES grow wide, as they well should. He’s about to face the kind of kinesthetic brilliance that first motivated humans to invent slow- motion technology—something, anything, that would allow them to review exactly what happens when movement plays tricks on the mind. The setting is painfully familiar. Something in the offensive structure has broken down at the other end of the floor, igniting a fast break. The entire defense is retreating. The defender has sprinted back down the floor and, as he turns, he sees the blur. The dark form in red has the ball, dribbling and winding his way through the chaos at great speed. He crosses the ball over from right to left and draws it up in two hands just off his left hip in midstride. At this exact moment, the tongue falls out of his face. Sometimes, it shows just slightly between the teeth, but at this moment, the full tongue drops grotesquely, like some comic doll silently mocking the defender.