Bill Plympton

Total Page：16

File Type：pdf, Size：1020Kb

BILL PLYMPTON Nació en Pórtland, Oregon el que lograron ganar el prestigioso premio del jurado en el festival de Cannes en 30 de abril de 1946, lugar al 1991. Logrando recabar los fondos necesarios, logró completar su opera prima que el mismo Bill agradece su que ganó el premio especial del jurado en el Houston World Fest así como la clima gris y deprimente ya que nominación por mejor banda sonora en los Spirit Awards. Después el tremendo según sus palabras fue el factor éxito que logro con su opera primera, Plympton busco nuevos retos explorando determinante para alimentar su los terrenos de la acción en vivo, así surgió “J. LYLE” (1993) film al que le siguió imaginación y acrecentar su ha- “Guns on the Clackamas”(1995) y regresando a sus origenes en 1998 vio la luz el bilidad para el dibujo. Plympton siempre sintió fascinación por el mundo de la film animado “I married a stranger person”. “Mutant Aliens” (2001) y “Hair High” animación. Tomando la mejor decisión para su carrera, se mudó a New York en (2004) fueron sus siguientes obras animadas que lograron presentarse con gran 1968 y durante los próximos 15 años se desarrolló como ilustrador y caricaturista. éxito en festivales como Sundance y ganando importantes premios como el Grand Sus ilustraciones y caricaturas han vestido las paginas del New York times, Vanity Prix en Annecy en el año 2001. Fue con su cortometraje “Guard dog” (2004) que Fair y Vogue, así como National Lampoon, Rolling Stone y Glamour. Fue hasta Plympton logró su segunda nominación al Oscar en el año 2005, y completando 1983 que tuvo su primera oportunidad en el mundo del cine animado cuando la serie le siguieron “Guide dog” (2006) “Hot dog” (2008) y “Horn Dog” (2009). fue invitado a participar en la dirección del film “Boomtown” experiencia que lo “Idiots and Angels” (2008) y “Santa: The Fascist Years“ (2008) fueron trabajos motivó a crear sus propios films y fue gracias al cortometraje “Your Face” que me- consecuentes, pero es hasta “The Cow Who Wanted To Be A Hamburger” (2010) reció una nominación al Oscar en 1987, esto provocó un incremento en su fama que logra un nuevo premio cinematográfico en su carrera obtenido en el festival y desembocó en su éxito rotundo como creativo en el mundo de la publicidad de cine de Delray Beach. Actualmente es considerado uno de los animadores diseñando y produciendo spots televisivos para prestigiadas marcas comerciales. mas reconocidos y prestigiados en la cinematografía contemporánea y es sobre Después de realizar exitosos cortometrajes (“One of Those Days,” “How to Kiss,” todo, un referente cultural para los amantes de este genero. “25 Ways to Quit Smoking,” y “Plymptoons”) sintió que había llegado el momen- to de realizar su primer largometraje. “The Tune” (1992) proyecto financiado y realizado totalmente por el mismo, comenzó siendo dos pequeños cortometrajes TCG | Talent Campus Guadalajara 68.

Copy Link

Recommended publications

Info Fair Resources
………………………………………………………………………………………………….………………………………………………….………………………………………………….………………………………………………….………………………………………………….………………………………………………….………………………………………………….…………… Info Fair Resources ………………………………………………………………………………………………….………………………………………………….………………………………………………….………………………………………………….………………………………………………….………………………………………………….………………………………………………….…………… SCHOOL OF VISUAL ARTS 209 East 23 Street, New York, NY 10010-3994 212.592.2100 sva.edu Table of Contents Admissions……………...……………………………………………………………………………………… 1 Transfer FAQ…………………………………………………….…………………………………………….. 2 Alumni Aﬀairs and Development………………………….…………………………………………. 4 Notable Alumni………………………….……………………………………………………………………. 7 Career Development………………………….……………………………………………………………. 24 Disability Resources………………………….…………………………………………………………….. 26 Financial Aid…………………………………………………...………………………….…………………… 30 Financial Aid Resources for International Students……………...…………….…………… 32 International Students Oﬃce………………………….………………………………………………. 33 Registrar………………………….………………………………………………………………………………. 34 Residence Life………………………….……………………………………………………………………... 37 Student Accounts………………………….…………………………………………………………………. 41 Student Engagement and Leadership………………………….………………………………….. 43 Student Health and Counseling………………………….……………………………………………. 46 SVA Campus Store Coupon……………….……………….…………………………………………….. 48 Undergraduate Admissions 342 East 24th Street, 1st Floor, New York, NY 10010 Tel: 212.592.2100 Email: [email protected] Admissions What We Do SVA Admissions guides prospective students along their path to SVA. Reach out
[Show full text]
Animayo. Una Apuesta Audiovisual Del Cabildo De Gran Canaria
ANIMAYO. UNA APUESTA AUDIOVISUAL DEL CABILDO DE GRAN CANARIA La animación como propuesta audiovisual vive unos momentos de auge en Canarias especialmente interesantes. La Consejería de Cultura y Patrimonio Histórico del Cabildo de Gran Canaria ha colaborado con diversos autores para ayudarles a desarrollar sus producciones: con Guillermo Bueno para su obra Las Aventuras de Carlos Orugo; con Damián Perea para Podría ser Peor, candidata al Goya, o en su actual trabajo Año Cero; con Chedey Reyes en su actual producción Cool City; y próximamente con Juan Padrón para su proyecto Darkstone. Además, en el Festival Canariasmediafest se ha recogido puntualmente, en su categoría de infografía y animación, las distintas producciones que, tanto con técnicas de animación más tradicional como con herramientas digitales, han sido realizadas por los creadores de las Islas. Una vez más, a través de Animayo, Muestra Internacional de Animación que se desarrolla en Gran Canaria Espacio Digital, se pretende colaborar con el conocimiento y difusión de una parte de la más interesante animación que se produce en el mundo y reunir diversos trabajos de autores canarios. La gran cantidad de producción de animación en nuestros días no solo es debida a la gran voracidad de contenidos de las televisiones, sino a su capacidad de llegar y captar la emoción de grandes y pequeños. Como concepto artístico tiene la particularidad de haber entrado en el museo, como producto televisivo sigue siendo la estrella del horario infantil. Si a ello unimos su posibilidad de deslocalización y trabajo cooperativo, y su independencia respecto a los centros tradicionales de producción de contenidos, entenderemos más fácilmente el interés de las regiones periféricas por desarrollar iniciativas que alienten este género.
[Show full text]
The Animated Movie Guide
THE ANIMATED MOVIE GUIDE Jerry Beck Contributing Writers Martin Goodman Andrew Leal W. R. Miller Fred Patten An A Cappella Book Library of Congress Cataloging-in-Publication Data Beck, Jerry. The animated movie guide / Jerry Beck.— 1st ed. p. cm. “An A Cappella book.” Includes index. ISBN 1-55652-591-5 1. Animated films—Catalogs. I. Title. NC1765.B367 2005 016.79143’75—dc22 2005008629 Front cover design: Leslie Cabarga Interior design: Rattray Design All images courtesy of Cartoon Research Inc. Front cover images (clockwise from top left): Photograph from the motion picture Shrek ™ & © 2001 DreamWorks L.L.C. and PDI, reprinted with permission by DreamWorks Animation; Photograph from the motion picture Ghost in the Shell 2 ™ & © 2004 DreamWorks L.L.C. and PDI, reprinted with permission by DreamWorks Animation; Mutant Aliens © Bill Plympton; Gulliver’s Travels. Back cover images (left to right): Johnny the Giant Killer, Gulliver’s Travels, The Snow Queen © 2005 by Jerry Beck All rights reserved First edition Published by A Cappella Books An Imprint of Chicago Review Press, Incorporated 814 North Franklin Street Chicago, Illinois 60610 ISBN 1-55652-591-5 Printed in the United States of America 5 4 3 2 1 For Marea Contents Acknowledgments vii Introduction ix About the Author and Contributors’ Biographies xiii Chronological List of Animated Features xv Alphabetical Entries 1 Appendix 1: Limited Release Animated Features 325 Appendix 2: Top 60 Animated Features Never Theatrically Released in the United States 327 Appendix 3: Top 20 Live-Action Films Featuring Great Animation 333 Index 335 Acknowledgments his book would not be as complete, as accurate, or as fun without the help of my ded- icated friends and enthusiastic colleagues.
[Show full text]
CAT-2020-Web.Pdf
1 3 Índice PRESENTACIÓN.................................................................................. 11 COMITÉ DE DIRECCIÓN Y DE SELECCIÓN DE CORTOS....................... 12 INSTITUCIONES COLABORADORAS.................................................... 13 7 ORGANIZACIÓN................................................................................. 15 JURADO JOVEN.................................................................................. 19 ACTIVIDADES PARALELAS.................................................................. 25 LARGOMETRAJES A CONCURSO........................................................ 28 2067.................................................................................................... 29 Alone.................................................................................................. 30 Archive................................................................................................ 31 Come True............................................................................................ 32 Mandibules.......................................................................................... 33 Post Mortem........................................................................................ 34 Rent-A-Pal........................................................................................... 35 Scare Me............................................................................................. 36 The Wave............................................................................................
[Show full text]
March 15 – 25, 2007
15TH ANNUAL MARCH 15 – 25, 2007 115 documentary, feature, animated, archival, experimental and children’s films Most screenings include discussion and are FREE Special Pre-Festival Event on March 9 WWW.DCENVIRONMENTALFILMFEST.ORG Phone: 202.342.2564 Fax: 202.298.8518 Email: [email protected] STAFF 15 Festival Years and Counting Artistic Director & Founder: Flo Stone t the end of 2006, New York Times columnist Thomas L. Friedman wrote: “We reached Managing Director: a tipping point this year – where living, acting, designing, investing and manufacturing Helen Strong A green came to be understood by a critical mass of citizens, entrepreneurs and officials as the Executive Director: Annie Kaempfer most patriotic, capitalistic, geopolitical, healthy and competitive thing they could do. Hence Associate Director & my own motto: ‘Green is the new red, white and blue.’” We hope the green momentum Children’s Program: continues throughout 2007, the 15th year of the Environmental Film Festival, and well Mary McCracken beyond. From its inception in 1993 with a small planning grant, the Festival has evolved as Associate Director: a collaborative effort presenting a wide variety of quality films all around the nation’s capital. Georgina Owen The Festival is inclusive and welcoming, engaging audiences through the artistry of film. Program Associates: Alanna Bornstein John Hanshaw As the visionary Canadian scientist and communicator Dr. David Suzuki states in the Development Consultant: acknowledgements of his new autobiography, “With deepest gratitude, I thank and dedicate Janet S. Curtis this book to the general public, who made my life’s work possible. You watched and listened Consultant: to my programs….” Reflecting Dr.
[Show full text]
SLIFF Program 2011
2 STELLA ARTOIS ST. LOUIS INTERNATIONAL FILM FESTIVAL www.cinemastlouis.org CONTENTS Venue/Ticket Info 16 STAFF ARTISTS/FILMMAKERS Executive Director Cliff Froehlich Program Cover/Poster Tim Lane Artistic Director Chris Clark Filmmaker Awards Tom Huck Special Events 17 Operations Supervisor Brian Spath Steve James Tribute Program RD Zurick CSL Fellow David Rocco Free Events 21 Sidebar Co-Curators FESTIVAL TRAILER CREW Bobbie Lautenschlager Produced by First Punch Film Productions Sidebars 22 (New Filmmakers Forum) (www.ﬁ rstpunchﬁ lm.com) Neal Sokol (Children’s Film Showcase) Animated by Ryan Frank Brian Woodman (Documentaries) BOARD OF DIRECTORS Awards 27 Web Designer/Developer Brett Smith Chair J. Kim Tucci Transportation Supervisor Andrea Sporcic Vice Chair/Development Jilanne Barnes Cinema for Students Consultant Sponsors 31 Vice Chair/Membership Sharon Tucci Cheri Hutchings/Claire de Lune Treasurer Roy H. Kramer Productions Secretary Delcia Corlew Film Descriptions PR Consultant Marla Stoker Board Members Program Book Design/Production Anthony Bartlett, Chris Benson, David Kroll Kathy Corley, Amit Dhawan, Gerald Early, Features Documentaries Shorts Program Book Ad Designer A.J. Trujillo Carrie Houk, David Houlle, David Johnson, Venue Supervisors/Plaza Frontenac Christopher B. Jones, Jay Kanzler, 35 62 76 Ariane Cameron, Brian Woodman Kevin J. Kelley, Andrew Leonard, Venue Supervisor/Tivoli Mia Signorino Jon Mendelson, Guy Phillips, Venue Supervisor/Wildey Lynn Venhaus Paul A. Randolph, Jane Robert, Chip Rosenbloom, Joni Tackette, Interns Katie Adams, Nicole Bauer, Vince Volpe, Jane von Kaenel, Ryan Natoli, Lindsey Shapiro, Sue Wallace, Scott Wibbenmeyer Special Events Schedule 51 Jacob Siwak, Suzanne Williams Full Festival Schedule 52 New Year’s eve in Grand Center Performances, Fireworks and festivities grandcenter.org www.cinemastlouis.org STELLA ARTOIS ST.
[Show full text]
Program 2016 27–31 Januar
PROGRAM 2016 27–31 JANUAR | 3 INTERNATIONAL ANIMATION FILM FESTIVAL COPENHAGEN 2016 JANUARY 27 – 31 PRAKTISK INFO | SIDE 4 FORORD | SIDE 5 LAUNCH | SIDE 6 FRIDAY LATE NIGHT | SIDE 7 ÅBNINGSFILM | SIDE 8 HOVEDPROGRAM A – Z | SIDE 9 BILL PLYMPTON | SIDE 26 THE ANIMATION WORKSHOP | SIDE 36 INDEX | SIDE 38 KALENDER | SIDE 40 KOLOFON | SIDE 42 4 | Praktisk info Praktisk Info Festivalen finder sted i Cinemateket, Gothersgade 55, København K Billetter koster 70 kr., og 45 kr. for medlemmer af Cinemateket Der kan købes rabatkort, som giver seks billetter for fem billetters pris (350 kr.) Billetter og rabatkort købes i Cinematekets billetsalg, telefon 3374 3412 eller på cinemateket.dk Reserverede billetter skal hentes senest 45 min inden filmen, Friday Late Night senest 3 dage før Alle film vises med enten engelsk tale eller engelske undertekster The festival takes place at Cinemateket, Gothersgade 55, Copenhagen C Tickets are 70 kr., and 45 kr. for members of Cinemateket A discount card is available, six tickets for the price of five (350 kr.) Tickets and discount cards are sold at the ticket office at Cinemateket, (+45) 3374 3412 or at cinemateket.dk Reservations need to be picked up no later than 45 minutes before the film, Friday Late Night 3 days before All films are screened in English or with English subtitles voidfilmfestival.com facebook.com/voidfilmfestival #voidfilmfest Forord | 5 Velkommen! Animation er filmkunst med frie tøjler. Det er fortællinger, hvor alt kan ske og verdener skabes ud af ingenting. Det kunstneriske udtryk er nøjagtigt så grovkornet og kantet eller fintfølende elegant, som fortællingen og instruktøren kræver.
[Show full text]
History of Pranks Has Serious Roots
MARIAN LIBRARY- D A E M B ICO U fG E April 2004 INDEX History of Pranks Has Serious Roots P g i History of Pranks By Amy Dehn back then, news either didn't travel good pranks played on them, ranging in has Serious Roots fast enough, or, for those who knew, topics from imaginary sports It's no joke that we Americans love they refused to accept the Pope's cal- - figures to fast food mergers with nation to poke fun. And the fact that there's endar change, thus continuing to cele al monuments. In a look back at April Fool’s Day an entire day in our nation devoted to brate the New Year on April 1st. These America's history, you can pinpoint Pranks prank-playing gives the concept even people were labeled "fools," were sub some of the greatest jokes ever played on more universal appeal. ject to ridicule, and often sent on April Fool's Day. But most people don't realize that "fools errands" or were just simply the It might be a stretch, but maybe you Who Has More April Fool's Day actually has a serious butt of practical jokes. The harass remember hearing about a baseball Fun? origin; it stems from a calendar ment gradually evolved into an annu player named Sidd Finch planning to change in the late 1500s. al tradition of prank-playing, and play for the Mets back in April of 1985? Previously, ancient cultures, like the soon spread into England and Well, featured in that month's issue of P g 2 Romans and Hindus, celebrated New Scotland in the eighteenth century, Sports Illustrated was a story about this My Stupid Year's Day on April 1st, following the and eventually the American colonies.
[Show full text]
ANIMAÇÃO AUTORAL Projeto E Realização Individuais
UNIVERSIDADE DE LISBOA FACULDADE DE BELAS-ARTES ANIMAÇÃO AUTORAL Projeto e realização individuais Diana Maria Silva Gomes Trabalho de Projeto Mestrado em Desenho Trabalho de Projeto orientado pelo Prof. Doutor Henrique Antunes Prata Dias da Costa ANO 2018 DECLARAÇÃO DE AUTORIA Eu Diana Maria Silva Gomes, declaro que o presente trabalho de projeto de mestrado intitulado “Animação Autoral: Projeto e realização individuais”, é o resultado da minha investigação pessoal e independente. O conteúdo é original e todas as fontes consultadas estão devidamente mencionadas na bibliografia ou outras listagens de fontes documentais, tal como todas as citações diretas ou indiretas têm devida indicação ao longo do trabalho segundo as normas académicas. A Candidata Lisboa, 29 de Outubro de 2018 ii RESUMO Este trabalho de projeto pretende acompanhar o processo de realização de uma curta-metragem de animação de caráter autoral e em tempo limitado. Deste modo serão descritas todas as fases necessárias para a concretização da curta de animação, desde a conceção da ideia para a história ao desenvolvimento técnico e até à pós-produção. Visto o trabalho ser de ordem singular são também referidas todas as dificuldades que se manifestaram ao longo da sua produção tal como o trabalho autoral diverge das obras de animação produzidas pelos grandes estúdios. O trabalho encontra-se subdividido em duas vertentes: vertente prática e vertente teórica. Dentro da vertente teórica abordaram-se as temáticas do estado da arte, história e guião, pré-produção, personagens, estilo gráfico, animação e por fim a pós-produção. A temática do estado da arte contextualiza o trabalho de animação independente existente tanto a nível nacional como internacional, tal como os desafios e dificuldades que existem neste tipo de produção.
[Show full text]
Wff 04Program
Dedicated to Elmer Bernstein (1922-2004) It was with great sadness that we recently marked the passing of Elmer Bernstein, the legendary Academy Award-winning composer and great friend and mentor to the Woodstock Film Festival. Elmer was a longtime Woodstocker whose artistry, integrity, and personal kindness will forever live on in the magnificent scores he composed over a career that spanned more than half a century. Known as one of the titans of Hollywood’s golden age, Bernstein was nominated fourteen times for an Oscar, having written the scores for more than 200 films including The Ten Commandments, The Man with the Golden Arm, The Magnificent Seven, To Kill a Mockingbird, True Grit, The Great Escape, Animal House, and The Age of Innocence. Elmer remained on the cutting edge of his profession into his eighties. In 2002, he was nom- inated for an Oscar for his brilliant score for Far from Heaven. We join the world in celebrating the man and his music and are thankful to have known him. “For over a hundred years, Woodstock has been a place of dreams and magic. It was a place of dreams for visual art, for crafts, for music, for popular music, for theater, for political philosophy, for alternative lifestyles, and it is entirely fitting that Woodstock should become a place of dreams and magic for films at this time.” (ELMER BERNSTEIN, COMPOSER, WFF HONORARY CHAIR, FRIEND, MENTOR) Catskill MOuntain Foundation TABLE OF CONTENTS Join us for our Fiercely Independent The Woodstock Film Festival is a not-for-profit, 501 (C)(3) organization with a mission to present an annu- al program and year-round schedule of film, music, and art-related activities that promote artists, culture, inspired learning, and diversity.
[Show full text]