Metropolitan Useum Of

Total Page:16

File Type:pdf, Size:1020Kb

Metropolitan Useum Of • "4iss Sullivan 3 THE ETROPOLITAN NEWS FOR USEUM OF ART Friday April 21 195 M RELEASE ' ' ° FIFTH AYE.at 82 STREET • NEW YORK PRESS VIEW: Tuesday, April 18 From 2 to 4:30 p.m. 400 PIECES OF T./ENTLETH-CEmURY EUROPEAN AND AMERICAN GL'\SS ON VIEW AT METROPOLITAN Outstanding twentieth-century glass designs from America and Europe are to be seen in an unusual exhibition of 400 pieces of glass which opens today at The Metropolitan Museum of Art. Loans from manufacturers and private collectors on display number nearly 300. Most of them are pieces not previously exhibited. The rest of the glass is from the Museum's extensive collections. A great variety of form and decorative technique is represented in pieces ranging from traditional [lass bowls, vases, tableware and accessories to fanciful glass animals and radiator caps. Examples of molding, cutting, enameling, and engraving are seen in the work of many craftsmen from the great glassmaking centers of France, Sweden, Austria, Holland, Belgium, Italy, England and the United. States. Hugh J. Smith, Jr., Research Associate in Glass at the Museum, who arranged the exhibition, describes the glass made in France at the close of the nineteenth century by such craftsmen as Emile Galle, Albert Dammouse and Henry Cros as the forerunner of much of today's fine glass. New techniques and designs were de­ veloped which differed radically from those of the established glass houses of the period. Rene' Lalique, distinguished Parisian jeweler of the 1890's, was one of the greatest contributors to modern glass design. Examples of his work in the exhi­ bition include several unique pieces made by the "cire perdue" process, in which glass is poured into a clay mold. Lalique was the first to use glass with ordi­ nary building materials and exploited the functional possibilities of glass in Commercially practicable doors, panels, walls, lighting fixtures and radiator caps Swedish glass on view includes pieces from three of the best-known factories- Kosta, Orrefors, and Strombergshyttan. From Kosta are designs done in colorless glass that is brilliantly cut and often relieved by delicate strands of colored . glass. Orrefors has several distinguished designers whose work is on view. These in­ clude Edward Hald, Viktor Lindstrand, Edvin Ohrstrom, and the late Simon Gate who cultivated the art of engraving to a degree of rare excellence. Hald's work has a charming lightness which emphasizes the bubble-like quality of blown glass. The work of Strombergshyttan glassworks is characterized by simplicity and elegant of form. (more) Twentieth-Century Glass — 2 Fine pieces of glass made by the Leerdam firm in Holland show crystals and colored glass in clear shades of blue, gray and green. The Val Saint Lambert glassworks of Belgium is represented by cut and blown glass in the traditional style of the country. Unique pieces by Charles Graffert include a fanciful dinosaur and bowl. Beautiful muslin glass in gold, blue and silver luster is seen among the pieces from J. and L. Lobmyr of Vienna. Outstanding contributors from the United States include the late Louis C. Tiffany and the Steuben Division of Corning Glassworks. Tiffany originated a type of glass called "Favrille" at the end of the nineteenth century. In it he produced translucent color variations similar to the irridescent effect of ancient glass. The Steuben Division of Corning was established in 1933 for the purpose of exploiting the artistic possibilities of the brilliant crystal perfected by the company. Sidney Waugh, the sculptor, was made chief designer and has produced a distinctive style employing classic forms that is thoroughly American in feeling yet comparable to the best glass design abroad. Cambridge Glass Company, Imperial Glass Corporation, Duncan and Miller, A. H. Heisey and Company, Viking Glass and Tiffin are other American firms represented. All have made noteworthy contributions to the field of modern glass design. Among the private collectors who have lent to the exhibition are: Christine Alexander; Mariasnna von Aliosch; Mrs. Samuel Dushkin; Maurice Heaton; Mr. and Mrs. Charles Liebman; Meyric R. Rogers; James J. Rorimer; Mr. and Mrs. Germain Seligman and Cyrus R. Smith. Manufacturers who have lent objects include; Baccarat and Porthault, Inc; Blenko Glass Co.; Bonniers; R. F. Brodegaard and Co., Inc.; Cambridge Glass Co.; D. Stanley Corcoran, Inc.; Duncan and Miller Glass Co.; Finland Ceramics and Glass Co.; Fisher Bruce and Co.; Fondeville and Co.; Fostoria Glass Co.; Hambro House of Design; A. H. Heisey and Co.; House of Italian Handicrafts, Inc.; Imperial Glass Co.; A.N. Khouri and Bros.; Libbey Glass Co.; Steuben Glass; United States Glass Co.; Val Saint Lambert, Inc.; Arnold Van Den Berg Co., Inc.; A.J. Van Dugteren and Sons, Inc.; Verlys of America, Inc; Viking Glass Co.; Josiah Wedgwood and Sons; and William and Thompson, Inc. -000-.
Recommended publications
  • Proceedings MFHS 2014 Conference
    2nd International Conference on MicroFluidic Handling Systems 8.-10. October 2014 University of Freiburg Germany Proceedings 2nd International Conference on MicroFluidic Handling Systems 1 8 { 10 October 2014, University of Freiburg, Germany Welcome to the 2nd International Conference on Microfluidic Handling Systems Dear colleagues, We are pleased to welcome you to the 2nd International Conference on Microfluidic Handling Systems (MFHS 2014) in Freiburg, as a follow-up to the successful first conference in Enschede in 2012. Worldwide, accurate handling – i.e. analysis, dosage, measurement and control – of small and extremely small mass flow rates of both gases and liquids is becoming more and more important, driven by numerous applications. Examples of economically and societally relevant applications are e.g. improvement of medical infusion pump systems, increasing the efficiency of processes that extract oil from oil wells (enhanced oil recovery), systems that measure the energy content (calorific value or Wobbe Index) of natural gas and bio- gas, monitoring of ground water pollution and the production of pharmaceuticals by means of flow chemistry. Whether in analytical instrumentation, flow chemistry, energy, semiconductor industry, food & beverage or life sciences – microfluidic handling systems are facing two major trends: (1) a need for accurate measure- ment and calibration facilities and (2) a need for complete functional systems rather than for the individual components. In the future, the impact of this field of research may become bigger and potentially large target markets may arise, especially when spin-off companies start manufacturing and selling their products, systems or pilot plants. The MFHS 2014 focuses mainly on the technology, components, devices and systems that enable the application in microfluidic systems.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Summer, 2001, Tanglewood
    SEMI OIAWA MUSIC DIRECTOR BERNARD HAITINK PRINCIPAL GUEST CONDUCTOR • i DALE CHIHULY INSTALLATIONS AND SCULPTURE / "^ik \ *t HOLSTEN GALLERIES CONTEMPORARY GLASS SCULPTURE ELM STREET, STOCKBRIDGE, MA 01262 . ( 41 3.298.3044 www. holstenga I leries * Save up to 70% off retail everyday! Allen-Edmoi. Nick Hilton C Baccarat Brooks Brothers msSPiSNEff3svS^:-A Coach ' 1 'Jv Cole-Haan v2^o im&. Crabtree & Evelyn OB^ Dansk Dockers Outlet by Designs Escada Garnet Hill Giorgio Armani .*, . >; General Store Godiva Chocolatier Hickey-Freeman/ "' ft & */ Bobby Jones '.-[ J. Crew At Historic Manch Johnston & Murphy Jones New York Levi's Outlet by Designs Manchester Lion's Share Bakery Maidenform Designer Outlets Mikasa Movado Visit us online at stervermo OshKosh B'Gosh Overland iMrt Peruvian Connection Polo/Ralph Lauren Seiko The Company Store Timberland Tumi/Kipling Versace Company Store Yves Delorme JUh** ! for Palais Royal Phone (800) 955 SHOP WS »'" A *Wtev : s-:s. 54 <M 5 "J* "^^SShfcjiy ORIGINS GAUCftV formerly TRIBAL ARTS GALLERY, NYC Ceremonial and modern sculpture for new and advanced collectors Open 7 Days 36 Main St. POB 905 413-298-0002 Stockbridge, MA 01262 Seiji Ozawa, Music Director Ray and Maria Stata Music Directorship Bernard Haitink, Principal Guest Conductor One Hundred and Twentieth Season, 2000-2001 SYMPHONY HALL CENTENNIAL SEASON Trustees of the Boston Symphony Orchestra, Inc. Peter A. Brooke, Chairman Dr. Nicholas T. Zervas, President Julian Cohen, Vice-Chairman Harvey Chet Krentzman, Vice-Chairman Deborah B. Davis, Vice-Chairman Vincent M. O'Reilly, Treasurer Nina L. Doggett, Vice-Chairman Ray Stata, Vice-Chairman Harlan E. Anderson John F. Cogan, Jr. Edna S.
    [Show full text]
  • Belgian Laces
    Belgian Laces Eric Delvaux’s Crystal Rocket at the 2010 Shanghai Expo Crystal designer Eric Delvaux poses besides his crystal work "Rocket" in eastern Belgian city Liege, April 4, 2010. The crystal rocket, 2.6m high and 200 kg in weight, was shipped to China to be part of the exhibit at the Belgian pavilion during the 2010 Shanghai Expo. It claims to be the highest crystal creation in the world and has applied to the Guinness Book of Records. “Vivre à Saint-Georges”, June 2010 Volume 32 - #125 September 2010 BELGIAN LACES: Official Quarterly Bulletin of Our principal THE BELGIAN RESEARCHERS objective is: Belgian American Heritage Association Keep the Belgian IN MEMORIAM: Heritage alive Milton “Clyde” Delforge, 82, passed away on Friday, September 3, 2010 surrounded by his family at home. Clyde was born on April 22, 1928 to Alvin and Clara (Reince) Delforge. He served in the U.S. Army from 1950 until 1952 spending time in in our hearts and in Korea. He worked as the store keeper for UW Oshkosh until his retirement in 1990. Clyde married Joanne Weber on July 5, the hearts of our 1975 at St. Joseph Catholic Church in Kellnersville, WI, and together they enjoyed traveling in the United States and abroad in posterity pursuit of their family histories, and spending summers in Baileys Harbor. He grew up as a Green Bay Packer Fan and saw his Dear Members first game in 1938 and held season tickets since 1952, spending many memorable times at the games. He was also a general sports trivia buff.
    [Show full text]
  • 6 X 10.Long New.P65 .P65
    Cambridge University Press 978-0-521-51385-2 - Japan Rising: The Iwakura Embassy to the USA and Europe 1871-1873 Kume Kunitake Index More information Index Aden, 107, 496f., 498f., 508 Bismarck, Otto von, 230, 293, 298f., 306f., 372 agriculture, Bonaparte:, see Napoleon I Britain: improvement societies, 206f. Boston, 84ff., 102ff. Denmark: cattle-breeding and dairy farming, Bradford, 182, 186, 363 356 Brazil, 433, 458, 474 Germany: crop rotation and fertiliser, 291f. Bremen, 299, 353, 372 Russia: Agricultural Museum, 333f. Brighton, 121f. United States:, 54 Britain, 10, 12f., 343, 349f., 413, 429, 431, 433, Bureau of Agriculture, 69 457f., 467, 477, 484 farm machinery, 53 colonies, 107, 517 water-control, 48 government, 127ff., 158 Alabama arbitration (1871), 90f., 242, 457f. land and climate, 107f. Albert, Prince, 120, 161, 430 manufacture and trade, 108f., 208 Alexander II (tsar), 336 political parties, 128f. Amsterdam, 274, 279, 282ff., 315, 471, 484 religion, 112 Antwerp, 260, 271f. wealth and poverty, 110f. armies, British Museum, 136f., 305 Belgian, 264 Brussels, 260, 262f., 268, 271 British, 131 Buckingham Palace, 126 French, 220, 228, 237f., 240ff. Buddhism/Buddhists, 13, 98f., 339, 393, 399, 467, German/Prussian, 220, 226, 242, 270, 310f. 502f., 505 Russian, 346, 348 Zen Buddhism, 324 Swiss, 397f., 442f. 17 24 44 61 73 77 United States, , , , , , f. Calais, 107, 215, 218 175 190 241 Armstrong, Sir William, f., , California, 13, 17, 27, 28ff., 31, 39, 44f. 159 166 168 Atholl, duke of, , , Catholic Church, 13, 112, 222, 289, 217 241 287 299 Austria/Austrian Empire, , , f., , 298f., 324f., 337f., 377, 379, 386, 393ff., 306 349 361 381 412 413 415 417 432 , , , , , f., , ff., , 488, 515 436 473 f., Chicago, 20, 45, 47, 48ff., 52 China, 26ff., 48, 95, 107, 122, 127, 130, 137, Baltimore, 54, 100 163, 189, 207, 228, 253, 255, 281, 309, 341, Bank of England, 117, 247 371, 382, 393, 401, 439, 461ff., 465f., 503, 513, Banque de France, 246ff.
    [Show full text]
  • View This Year's Acquisitions
    Yale University Art Gallery Bulletin 2017 Recent Acquisitions online supplement Within these lists, objects in the Circa (ca.) is used to denote that a Acquisitions departments of American Decorative work was executed sometime within or July 1, 2016– Arts, American Paintings and Sculpture, around the date given. For all objects, Asian Art, European Art, Modern and principal medium is given first, followed June 30, 2017 Contemporary Art, Photography, and by other media in order of prevalence. Prints and Drawings are alphabetized Dimensions are given in inches followed by artist, then ordered by date, then by centimeters in parentheses; height alphabetized by title, then ordered by precedes width. For three-dimensional accession number. Objects in the sculpture and most decorative objects, departments of African Art, Ancient such as furniture, height precedes Art, Art of the Ancient Americas, Indo- width precedes depth. For drawings, Pacific Art, and Numismatics are ordered dimensions are of the sheet; for relief chronologically, then alphabetized by and intaglio prints, the matrix; and for title, then ordered by accession number. screenprints, planographic prints, and photographs, the image, unless otherwise noted. For coins and medals, weight is given in grams, axis in clock hours, and diameter in millimeters. If an object is shaped irregularly, maximum measure- ments are given. 2 African Art Unidentified Sapi artists Unidentified Vai artist Unidentified Dan artists 3 figures Female Ancestral Mask (Ndoli Jowi/Nòwo) 3 necklaces Sierra Leone, 14th–15th century Liberia, 19th to mid-20th century Liberia, late 19th–early 20th century Stone, ranging from 3 x 1½ x 2⅝ in. Wood, 18 x 9½ x 13 in.
    [Show full text]
  • Baccarat Hotel & Residences New York
    Hospitality Awards Submission Best Innovation In Concept Prepared by HL Group Table of Contents • Summary • Presentation Document • Representative Information • Hotel Photography Summary Baccarat has long been a symbol of elegance in the lives & homes of kings, queens, sultans, tsars, moguls and rock stars. Intimately entwined with the fine art of living, its translation from luxury product to sumptuous hotel, from glittering objet to gracious lifestyle, is a natural evolution of the brand’s unique culture of craft and impeccable provenance. Baccarat Hotel & Residences New York is industry titan Barry Sternlicht’s stunning return to the hospitality space. Opened on March 18, 2015, Baccarat Hotel & Residences New York was an instant classic, offering French glamour and design through the lens of New York City. As the first hotel and global flagship for Baccarat Hotels & Resorts, Baccarat Hotel & Residences New York is a thoughtful and elegant homage to the 250 year-old heritage Baccarat crystal brand. The property boasts 114 elegantly appointed guest rooms and suites, two opulent lobby salons, a 60-foot barrel-vaulted bar, the first Spa de La Mer in the world and a new modern French restaurant, Chevalier, overseen by Michelin-starred Executive Chef Shea Gallante. Legendary New York restaurateur Charles Masson curated the style and service for Chevalier during launch. Paris-based interior design firm Gilles & Boissier led the creation of the hotel’s interiors, which combine Baccarat’s French classic aesthetics with a fanciful modern sensibility. Celebrated decorator Stephen Sills created the elegant setting for the street-level Chevalier restaurant and Skidmore, Owings & Merrill served as architects for the 50-story tower.
    [Show full text]
  • Volume 18 # 66 March 1996 BELGIAN LACES ISSN 1046-0462
    Belgian Laces Town Hall in Eekloo built in 1609 http://www.eeklo.be/?mod=contentpage&key=talen_engels Volume 18 # 66 March 1996 BELGIAN LACES ISSN 1046-0462 Official Quarterly Bulletin of THE BELGIAN RESEARCHERS Belgian American Heritage Association Founded in 1976 Our principal objective is: Keep the Belgian Heritage alive in our hearts and in the hearts of our posterity President Pierre Inghels Vice-President Micheline Gaudette Assistant VP Leen Inghels Treasurer Marlena Bellavia Secretary Patricia Robinson Dues to THE BELGIAN RESEARCHERS with subscription to BELGIAN LACES Are: In the US $12.00 a year In Canada $12.00 a year in US funds Other Countries $14.00 a year in US funds Subscribers in Europe, please add US $4.00 if you wish to receive your magazine per airmail. All subscriptions are for the calendar year. New subscribers receive the four issues of the current year, regardless when paid. Opinions expressed in Belgian Laces are not necessarily those of The Belgian Researchers or of the staff. TABLE OF CONTENTS Belgians in the Civil War, John MERTENS 2 The "Meetjesland", Carol HAZLEWOOD 3 The Wisconsin Corner, by Mary Ann DEFNET 5 Cathedral Murals Create Controversy, Lilian PEREYRA 7 It's not just a beer. It's a Lambic!, Hans Michael VERMEERSCH 9 Belgium in Cyberspace, Hans Michael VERMEERSCH 10 Northwest News, Hans Michael VERMEERSCH 10 A Visit to the VANHOUWE Towns, Bob VOISINET 11 Sacred Encounters, Leen INGHELS 14 He Taught his People to Sing, Karel DENYS 15 WWII Memories, Albertina DEPROST 16 Info for Music Lovers 18 Val St Lambert, Gazette van Detroit 18 Passenger Lists, M.
    [Show full text]
  • 3Rd Annoucement.Indd
    INTERNATIONAL COMMISSION ON GLASS ICG 2007 XXIst International Congress on Glass STRASBOURG July 1-6, 2007 Palais des Congrès Strasbourg France « rdAnnouncement www.icg2007.org and preliminary program 3 1/24 ICG 2007 PRELIMINARY LIST OF SPONSORS THE INTERNATIONAL COMMISSION ON GLASS « The International Commission on Glass (ICG) was founded in 1933 with the purpose of promoting international collaboration and facilitating the exchange of information within the glass community. Nowadays, it gathers reknown universities, scientific establishements, glass industries as well as suppliers. The ICG leads technical committees upon different aspects of glass science and technology. One of the ICG’s projects is organising the triennial International Congress on Glass. The event was last held in France in 1971. Hervé Arribart Jean-Pierre Houdaer ICG President Congress Chairman ICG 2/24 3/24 ICG 2007 2007 THE CONGRESS THE COMMITTEES « « INTERNATIONAL CONFERENCE CHAIRMAN The up-coming International Congress on ADVISORY BOARD Jean-Pierre Houdaer Glass 2007 will take place in Strasbourg from M. Aegerter (Inst. für Neue Materialen, Germany) (Glass Expert, Formerly Directeur Général, 1st to 6th July 2007. R. Akçakaya (Şişecam, Turkey) Institut du Verre, France) R. Almeida (IST Lisbonne, Portugal) This triennial event, organized under the M.H. Chopinet (Saint-Gobain, France) SCIENTIFIC COMMITTEE auspices of the International Commission on M. Delaney (Owens-Illinois, USA) Glass (ICG) will bring together key players in N. Greaves (Univ. of Wales, United Kingdom) R. Vacher (CNRS, France), Chairman glass science, technology and production: R. Hand (Sheffield Univ., United Kingdom) H. Arribart (Saint-Gobain, France) glass manufacturers, providers, researchers, K. Hirao (Kyoto Univ., Japan) K.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season 101, 1981
    BOSTON SOYMPHONY OWRCHESTRA n b J- sv^h°ony^ Hundredth1UNDREDTH BirthdayOIRTHDAY OEASONSi LORCHESTRAj SBJIOZAWA 1881 -OCTOBER 22 -1981 V.S.O.P., ./0* -.h**** ^S.QP COGNAC -^or** &**t> ' "* 1 BOTTLim hv * «•*.* 1 T" ^fagl FI NE CHAMPAGNE COGN^ THE FIRST NAME IN COGNAC SINCE 1724 EXCLUSIVELY FINE CHAMPAGNE FROM THE TWO "PREMIERS CRUS" OF THE COGNAC REGION /£> ^'BOSTON "^^^N? OBs'i mphon> (_) [O^K,ORCHESTRAJ^P ~~j*-j Seiji Ozawa, Music Director Sir Colin Davis, Principal Guest Conductor Joseph Silverstein, Assistant Conductor Hundredth Birthday Season, 1981-82 Trustees of the Boston Symphony Orchestra, Inc. Abram T. Collier, Chairman Nelson J. Darling, Jr., President Leo L. Beranek, Vice-President George H. Kidder, Vice-President Mrs. Harris Fahnestock, Vice-President Sidney Stoneman, Vice-President Roderick M. MacDougall, Treasurer John Ex Rodgers, Assistant Treasurer Vernon R. Alden Archie C. Epps III Thomas D. Perry, Jr. J. P. Barger Mrs. John L. Grandin Irving W Rabb Mrs. John M. Bradley Edward M. Kennedy Mrs. George Lee Sargent Mrs. Norman L. Cahners David G. Mugar William A. Selke George H.A. Clowes, Jr. Albert L. Nickerson John Hoyt Stookey Trustees Emeriti Talcott M. Banks, Chairman of the Board Emeritus Philip K. Allen E. Morton Jennings, Jr. Mrs. James H. Perkins Allen G. Barry Edward G. Murray Paul C. Reardon Richard P Chapman John T. Noonan John L. Thorndike Administration of the Boston Symphony Orchestra Thomas W. Morris General Manager William Bernell Edward R. Birdwell Daniel R. Gustin Artistic Administrator Orchestra Manager Assistant Manager Caroline Smedvig Walter D. Hill Joseph M. Hobbs Director of Director of Director of Promotion Business Affairs Development Judith Gordon Joyce M.
    [Show full text]
  • Antecedentes De La Escultura Del Studio Glass Movement En El Vidrio Artístico Soplado Del Periodo 1800-19501
    ARTÍCULOS Arte, Individuo y Sociedad ISSN: 1131-5598 http://dx.doi.org/10.5209/ARIS.47613 Antecedentes de la escultura del Studio Glass Movement en el vidrio artístico soplado del periodo 1800-19501 María Ángeles Villegas-Broncano2; Jorge Alberto Durán-Suárez3;Antonio Sorroche-Cruz4 Recibido: 24 de diciembre de 2015 / Aceptado: 16 de noviembre de 2016 Resumen. En este trabajo se realiza un análisis histórico-artístico de las influencias de carácter tecnológico y cultural de las obras de arte en vidrio del periodo 1800-1950 en el denominado Studio Glass Movement. Los objetos artísticos de vidrio realizados por soplado dependen tanto del estado de la tecnología vidriera como de la experiencia y sentido creativo del artista. Dichas obras de arte experimentaron un gran impulso en el periodo mencionado como consecuencia del desarrollo técnico del vidrio en el ámbito industrial y del avance de las investigaciones científicas. El vidrio se erigió protagonista del Art Nouveau y Art Déco, y actualmente ocupa un lugar preferente en la escultura y las artes decorativas contemporáneas. Estas obras en vidrio han contribuido contundentemente al nacimiento y expansión del Studio Glass Movement, la tendencia contemporánea de arte en vidrio de mayor repercusión escultórica. Se describen las propiedades técnicas y artísticas de las obras representativas de las fábricas, talleres o escuelas de los países donde obtuvieron un mayor desarrollo. Asimismo, se desvelan las características de la escultura contemporánea en vidrio deudoras de las técnicas de ejecución tradicionales y de la trasmisión de la experiencia artística entre vidrieros. Palabras clave: Vidrio; escultura; siglo XIX; siglo XX. [en] Background of the Studio Glass Movement sculpture from the blown glass artworks of 1800-1950 Abstract.
    [Show full text]
  • Opemmundi E Ljbope
    OpemMundi E lJBOPE A WEEKLY REPORT ON THE ECONOMY OF THE COMMON MARKET ----- ------- -- �--- --· ------ -- - -----·-----·--·-------- of ooo oo oo 0000000000 ��-ONTENTt-4.oo o_Q';)o o oq ooo oo 0000001 g�!. ·----- ---·--····-············· ······-----· __ :__ --- ------ - - - . : g 0 I 0 o I : o / o I : o o I : o 0g I /ffJ ;1 r'i\J : og o INDEX f .i trr rtn "� o _ _, ;.;,·� Jt\J T 0 '-"' 1.•'- l",, 0 , ...4 �� ..1' ., . 0 ft iii 0 0 0 0 JO 0 I 0 0 0 0o To Euroflash 0o 0 0 0 0 0 0 ,0 0 , g from No 468 to No 492 inclusive g .,0 0 !o o 1 o o 0 0 0 0 0 o July 4, 1968 - December 19 , 1963 °o 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 · t;tlllOFLA.SH: llusiness 11enetration U('ross Europe o 01 0 0 :o g January 1969 Index No 11 · l g 0 :o 0 ,o 0 :o O :o 0 :o 0 :o 01 : 0 0 0 ooo -----------------------------------------------------o o oo o oo o oo oo oo o o_o oo o oo_o o o o o== oo--=:�� o o------o o o=:o -------------- oo o o oo oo �=� o-----o o o o Opera Mundi ElfR OPE A WEEKLY REPORT ON THE ECONOMY OF THE COMMON MARKET PUBLISHED ON BEHALF OF OPERA MUNDI BY EUROPEAN INTELLIGENCE LIMITED EUROPA HOUSE ROYAL TUNBRIDGE WELLS KENT TEL 25202/4 TELEX 95114 OPERA MUNDI EUROPE 100 Avenue Raymond Poincar� - PARIS 16e TEL: KLE 54-12 34-21 - CCP PARIS 3235-50 EDITOR & PUBLISHER .
    [Show full text]
  • VAL SAINT LAMBERT by Alan Thornton
    VAL SAINT LAMBERT by Alan Thornton The Belgian company Val Saint Lambert Below are six examples of Val Saint Lambert paperweights from the 19th Century, are probably most famous for their cut showing typical designs that can include millefiori canes, sulphides, plaques, and crystal ware, but they have made a wide twisted ribbons, set on a range of solid coloured or mica grounds. variety of paperweights throughout the last 150 years. The main factory is based in Seraing, near Liège, on the River Meuse, but for much of their history they owned additional glass factories. One was nearby at Jemeppe (from 1883 to 1952) and two were near Namur: d'Herbatte (from 1879 to 1935) and Jambes (from 1880 to 1931). The main factory produced heavy lead crystal items, Herbatte used 'semi-crystal', Jambes made lamp glasses, and Jemeppe a range of products. Paperweights were made at Seraing, and almost certainly at Jemeppe and Herbatte on occasions. Figure 3. Heart plaque Figure 4. Spaced millefiori The 19th century paperweights are probably the largest, and include various designs with millefiori canes, lampwork, and sulphides - sometimes combined. One common feature is a multi-coloured torsade, often set so low in the dome it is hidden from above (Figure 1). Figure 5. Religious sulphide Figure 6. Three pigeons sulphide Figure 1. Typical multi-coloured VSL torsade Another characteristic is the flat ground base which shows clear signs of the thick encasement glass, much as if one polished down the base of a Whitefriars paperweight (Figure 2). Figure 7. Butterfly design. Courtesy Figure 8.
    [Show full text]