DOCSLIB.ORG

1937-05-09 [P E-12]

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

conceived the amazing plan of grab- with rubies, sapphires, emeralds and saw the colonel followed edge away, estimable value were frisked from their But a free the perhaps pardon might Plans bing Jewels. diamonds. him to St. Katharine’s and Diamonds were Benefit wharf, pockets. picked out turn would-be rebels Into loyal sup- In those days the jewels were not Outside he saw a man strange there locked with him. of the river mud. porters, he suggested. CROWN so strongly guarded as today. They about. he entered a STOLEN lounging Alarmed, Blood it in In face Jerked pistol, snapped the of public anger the It worked! Blood was pardoned, re- were kept on the ground floor of Mar- the tower. On the way he the face. It misfired. Other* Irishman passed guard's doughty remained cool, grew ceived Into the court and granted art tin Tower in an iron cage, and an by Blood and his confederates as they fought the weaving arms of the Irish- flippant. "Anything for a crown," he estate In Ireland, where he lived 88-year-old keeper entrusted with their until were leaving. They carried their haul man. In the melee the precious stones Joked. his death In 1680. care. STEMS AGO beneath their cloaks; the filed scep- spilled from the crown into the mud— Blood Struck Up Friendship. ter was left behind as a too-trouble- a glittering stream of fire. some The other were The keeper lived in the upper floors, Job. conspirators rounded the old man Gems in- Five New Compositions Today Is Anniversary of and Blood, now disguised as a parson, Unbound, .ran down up, kicking, shouting. of BEAUTY struck up a friendship. He soon had the steps screaming; "The crown’s Make Appearance in Time Col. Blood Got the garrulous old man elabbing ex- gone; the crown's stolen!" IN YOUR HAIR CAN only about the idea of a Bedlam broke. servants, pectantly marriage Soldiers, BE BROUGHT OUT BY AN “Service Book.” Royal Jewels. between the keeper's daughter and warders knocked into each other in LUGGAGE Blood’s “modestly rich nephew.” thh confusion, pulled their swords and “Of the Better Grade” EXPERT BY. H. J. J. SARGINT. By the Asso'cleted Press. It was a romantic hour Blood ar- nearly killed their friends. LET MR. Special Dispatch to The Star. Trunks, Gloves ANGLIN LONDON, May 8.—Tomorrow ranged for a meeting between the The colonel was a cagey soul. He Bags, marks Give Your Hair a Real LONDON. May 8 (NAN.A.).—The "nephew" and the daughter—7 o’clock Joined in the din. WARDROBE the 266th anniversary of the most , music to be played during the corona- the morning of May 9. “Stop the rogues!” he run- CASES In yelled, PERMANENT WAVE tion has now been chosen and has daring burglary British history, The old keeper peered through his ning in circles with the others and i AN exclusive machineless wave been issued in the form of a "service when a door and the $12.50™ FOR YOUR OREATER SATISFACTION swashbuckling Irishman stole admitted colonel. pointing to running figures in the • book” under the of the mas- authority the crown jewels. With the colonel were three swords- distance. Matching piece* at SPECIAL THIS WEEK ter of the King's music, Sir Walford men. The old man was knocked down But the Some of those same captain ®f the main guard price* pro- Davies, and the of Westmin- jewels which Our organist and gagged in a jiffy. had his eye glued on Blood. He soon portionately $10 will blaze from low. iter Abbey. Dr. Ernest Bullock. King George Vi's Blood got into the cage, snatched Wave °nly Five new compositions make their crown when he is formally made King the crown, took a wooden mallet $3.50 Roux Shampoo Tint, $2 appearance in the book. The first is In vaulted Westminster Abbey next and caved in its arches to make it A NAM the AS anthem, "Let My Prayer Come Wednesday slipped through the avari- easier to carry concealed beneath his Come tn and Be Satisfied for Sure Up." which is sung at the beginning cious fists of the notorious Col. cloak. CLEANED—BLEACHED Thomas BLOCKED of the communion service after the MISS KlARlE RICE, Blood on that chill day in 1671. Scepter Filed Into Three Parts. has had .2515 14th St N-W. Col. 10136 I King administered to him by Regent of the Abigail Hart- Soldier, adventurer, poseur, thief, Another seized the king’s orb, part ANGLIN_ the Archbishop of Canterbury the dec- man Rice Chapter', D. A. R., the burly Irishman gained his rank in of the regalia made for Charles II LUTZ and CO. laration act of Parlia- who is BachracH I Fitahlixhed 1R0 1 prescribed by prominent in making Cromwell's Army, and while palming in the Restoration. Pure it was PARK Rd. N.W. Col. 10027 gold, 1325 G St. N.W. XA. HOLLYWOOD. .1419 ment. The composer is Sir Edward the himself off as a 0241 plans for benefit bridge physician In London about 6 inches in diameter, studded 733 llth St. N.W. ^ ^ i Balrstow of York Minster. party the chapter will give ___ The music of the confortare, which Saturday evening at S o'clock. follows immediately upon the placing The proceeds will be used to of the crown on the King's head, has send several underprivileged been written by Sir Walford Davies children to a Summer camp. himself and this i£ followed by six —Harris-Eiving Photo. anthems which will be sung during the time when homage is done to the the Lawmaker Invokes Law. ANOTHER sovereign by princes and peers. HECHTCO. TRIUMPH! The new music includes a long work SALT LAKE CITY OP).—When entitled "Te Deum Laudamus," writ- patrolmen sought to arrest a man ten by Dr. Vaughan Williams. This driving with out-of-date license plates, will be sung after the blessing and will he referred them to article 6, section 8 be the final music of the ceremony of the State Constitution and drove except for the national anthem. on. He was State Representative Homage Anthems. Wayne N. Mason, who knew that mem- Great periods of English church bers of the Legislature were immune to Priced arrest for Printed music are represented in the homage misdemeanors during the anthems and Include works by Chris- legislative session. topher Tye. Purcell. Orlando Gibbons, Sfzeciatf/Higher Boyce and S. S. Wesley, while a still earlier age contributes music for the communion by William Byrd and the Pastor Noster by John Merbecke, who ■was organist of St. George's Chapel, Windsor, in 1540, and who war after- ward convicted of heresy and sen- VOILE tenced to be burned DRESSES at the stake, front which he was saved by the in- tervention of the Bishop of Win- chester, prelate of the Order of the Garter. The anthem to be sung as their majesties enter the Abbey is Sir Hubert Parry's setting of the beginning of the 122nd psalm, ‘T was glad when they said said unto me, let us go into the house of the Lord.” In this anthem, Parry has incorporated the shouts of "vivite,” with which, by ancient custom, the King s scholars of West- minster School who have places in ♦ Exclusive with us in the Abbey greet the King and Queen. Washington! Composition by Handel. There is also that impiano ♦ Thin and imposing piece CAVCSTAFF PIANETTE I 1 Pll.01. cool—for Washington weather! of music, written by Handel for the Hardman, Peck & Co. coronation of George II. entitled tole manufacturers in U. S. A. % Big flowers—new this ‘‘Zadoc the Priest and Nathan the year! Prophet.” from the first Book of Kings. Tonal excellence of a large This anthem, which has always formed piano, within dimensions ♦ With the Styling of Silk Presses! an integral part of the coronation demanded today. Sizes—33 ceremonies of monarchs since inches high, 51 inches long, English weather demands George II, is sung during the anoint- 15'4 inches deep. Cabinets Washington light, breezy summer ing. —finely finished mahogany, dresses! Here they are in a colorful array of flowered All the church bells throughout walnut, ebony or in colors. voiles—at a low the land will be ringing during the miraculously price—priced specially for coronation ceremony. At certain this sale! The finest quality voile in lovely soft styles ancient churches, such as St. Mar- Worch Hugo with fine details. Dresses with the new lower garets, Westminster, the » official necklines, SOLE AGENT church of the House of Commons, cape sleeves, puff-sleeves, grosgrain belts and big, splashy definite fees are claimed bell Home of the f :< by#the flower that are ringers on these great occasions. The prints newer—smarter—brighter than records for the 14 to show, instance, that HARDMAN PIANOS i ; ever! Sizes 44. ringers received five at the shillings — 1110 G N.W._EST. 1879 U coronation of George IV in 1821, but (Third Floor. Cotton Dress Shop. The Hetht Co.) at the crowning of William and Mary, a century and a half before, they re- SPRING— ceived only a shilling each. The same amount was paid to the bell men of PERMANENTS that church in the of days Queen ___ Elizabeth ‘'for ringing at the be- heading of Mary- Queen of Scots.” Bells of St. Clement's. Other notable churches whose bells will be heard on coronation day will be St. Clement's Dane in the Strand, which records the Danish overlordship of England a thousand years ago and more and still bears as its badge an anchor in commemoration of the overseas character of the Danes.
Recommended publications
  • The Value of Books

    The Value of Books

    The Value of Books: The York Minster Library as a social arena for commodity exchange. Master’s thesis, 60 credits, Spring 2018 Author: Luke Kelly Supervisor: Gudrun Andersson Seminar chair: Dag Lindström Date: 12/01/2018 HISTORISKA INSTITUTIONEN It would be the height of ignorance, and a great irony, if within a work focused on the donations of books, that the author fails to acknowledge and thank those who assisted in its production. Having been distant from both Uppsala and close friends whilst writing this thesis, (and missing dearly the chances to talk to others in person), it goes without saying that this work would not be possible if I had not had the support of many generous and wonderful people. Although to attempt to thank all those who assisted would, I am sure, fail to acknowledge everyone, a few names should be highlighted: Firstly, thank you to all of my fellow EMS students – the time spent in conversation over coffees shaped more of this thesis than you would ever realise. Secondly, to Steven Newman and all in the York Minster Library – without your direction and encouragement I would have failed to start, let alone finish, this thesis. Thirdly, to all members of History Node, especially Mikael Alm – the continued enthusiasm felt from you all reaches further than you know. Fourthly, to my family and closest – thank you for supporting (and proof reading, Maja Drakenberg) me throughout this process. Any success of the work can be attributed to your assistance. Finally, to Gudrun Andersson – thank you for offering guidance and support throughout this thesis’ production.
  • The Anniversary Tour to London 2011

    The Anniversary Tour to London 2011

    The Anniversary Tour to London 2011 Welcome to the first assembly of the new school year! I welcome in particular the new teachers, the Form 1 boys and Form 6 students who joined in September and for whom this is their first assembly at SPC. It has been a long time since the Hall was closed for renovation last June. There are still a few jobs to be completed and some specific items to be added and these details will be carried out in the near future. It is our aim to have the Hall fully operational by Speech Day on the 2nd of December. I imagine that you have been disappointed not hearing my talks at assembly on Monday mornings! However, you must have been pleased to see that I continued to write a weekly address and that they were uploaded onto the College website each Monday afternoon. If you have not had an opportunity as yet to read these talks you can still find them on the website! Last week we were very fortunate in hosting five students and two teachers from Trinity Pawling School in New York State. Trinity Pawling is a boarding school for boys located about 100 kilometres to the north of New York City. Earlier this year Mr. Ryan, Miss Chan and six of your classmates spent a week at Trinity Pawling and returned with wonderful experiences and many memories from their trip. Last week was our turn to extend this warm hospitality. Last week’s visit was also a first for our College in that it was the first time that we have provided homestay to our visitors.
  • York Minster Timeline There Has Been a Minster in York Since AD 627

    York Minster Timeline There Has Been a Minster in York Since AD 627

    York Minster Timeline There has been a Minster in York since AD 627. Earlier Minster buildings may have looked like this. The exact location of York Minster the Saxon Minster is not known. From AD 71 From AD 627 Treasure Hunt Discover Where the Minster stands today was The first Minster in York, was small and the treasure once the site of the Roman HQ building. It was in wooden. It was built for the baptism of Edwin, map inside! the middle of a Roman fort. the Saxon King of Northumbria. By AD 640 AD 1080 to AD 1100 A stone Minster had replaced the wooden building. Archbishop Thomas of Bayeux built a This was probably enlarged and improved several Norman Cathedral on the present site. This Minster times before the coming of the Normans. was altered in the 1160s by Archbishop Roger of Pont l’Evéque. AD 1220 Archbishop Walter Gray started to rebuild the South Transept in the Gothic style. (Look at the front page to see it.) Over the next 250 years, the whole of the Minster was slowly rebuilt. The Cathedral you see today was finished in 1472. Welcome to our magnificent Cathedral. This Follow the instructions on your map inside. You Minster or cathedral? What’s the difference? place of Christian worship has been here for will need a pencil to mark the position of each A cathedral church is the mother church of the diocese. It’s where the centuries. It is full of beautiful things waiting treasure. bishop has his seat or ‘cathedra’.
  • Books Available to Buy

    Books Available to Buy

    The Stained Glass Centre: Books Available to Buy If you are interested in purchasing any of the books listed below, please get in contact with the Friends Administrator by post or email: The Stained Glass Centre Friends Administrator, c/o York Glaziers Trust, 6 Deangate, York YO1 7JB, or [email protected] Books can be picked up from the centre by arrangement, made available to collect at any of our upcoming events, or will be posted to you. Postage and packaging prices will be dependent on the weight and size of purchase. Many thanks The Stained Glass Centre Author Title Price Stock History of York Minster (no cover so title and author £1.00 1 unknown) Albutt, R. Stained Glass Windows of AJ Davies of the £25.00 1 Bromsgrove Guild, Worcestershire Albutt, R. Stained Glass Windows of Bromsgrove and Redditch, £8.00 1 Worcestershire Angus, M. Modern Stained Glass in British Churches £5.00 3 Archer, M. Introduction to English Stained Glass £2.00 7 Archer, M. Stained Glass £1.00 4 Armitage, L. Stained Glass £10.00 1 Atterbury, P. Pugin £25.00 2 Aubert, M. Stained Glass of the Xiith and Xiiith Centuries from £12.00 1 French Cathedrals Aubert, M. Le Vitrail en France £5.00 1 Baker, E. Church Archaeology £5.00 1 Baker, J. English Stained Glass of the Medieval Period (83 £10.00 3 Plates) Beaulah, K. Church Tiles of the Nineteenth Century £1.00 1 Beckett, L. & A. York Minster £3.00 1 Hornak Beckett, W. & G. Pains of Glass: The Story of the Passion from King's £2.00 2 Pattison College Chapel, Cambridgeshire Bell, C.C.
  • AWN Pugin's “True Principles” Gothic Furniture

    AWN Pugin's “True Principles” Gothic Furniture

    A.W.N. Pugin’s “True Principles” Gothic Furniture Evolutionary, Revolutionary, Reactionary? Peter N. Lindfeld However much we may be indebted to lustrations laid down for the frst time the 15.1 Illustration of the extravagant style those ancient supporters of Pointed Ar- design principles that were to establish the of modern Gothic furniture and decora- chitecture who, faithfully adhering to its genuinely structural and medievally based tion, published in A.W.N. Pugin, Te True Principles of Pointed or traditions at a period when the style fell Gothic, as opposed to the decorative and Christian Architecture. into general disuse, strove earnestly, and fanciful Gothic, as the primary style of the [New Haven, CT, Yale Center for in some instances ably, to preserve its nineteenth century”.2 British Art: NA440 P9 1841] character; whatever value in the cause Te importance and infuence of Con- which we may attach to the crude and trasts and Te True Principles can not be isolated examples of Gothic which be- disputed.3 Unpublished manuscript sources, long to the eighteenth century, or to the however, indicate that the core idea in Pu- eforts of such men as Nash and Wyatt, gin’s polemical outpourings in Te True there can be little doubt that the revival Principles - the identifcation and restoration of Mediæval design received its chief of medieval design’s essential nature - is not impulse in our own day from the en- particularly revolutionary. Tis is especially ergy and talents of one architect whose the case when examining his and other ar- name marks an epoch in the history of British art, which, while art exists at all, chitects’ designs for furniture.
  • 'Daylight Upon Magic': Stained Glass and the Victorian Monarchy

    'Daylight Upon Magic': Stained Glass and the Victorian Monarchy

    ‘Daylight upon magic’: Stained Glass and the Victorian Monarchy Michael Ledger-Lomas If it help, through the senses, to bring home to the heart one more true idea of the glory and the tenderness of God, to stir up one deeper feeling of love, and thankfulness for an example so noble, to mould one life to more earnest walking after such a pattern of self-devotion, or to cast one gleam of brightness and hope over sorrow, by its witness to a continuous life in Christ, in and beyond the grave, their end will have been attained.1 Thus Canon Charles Leslie Courtenay (1816–1894) ended his account of the memorial window to the Prince Consort which the chapter of St George’s Chapel, Windsor had commissioned from George Gilbert Scott and Clayton and Bell. Erected in time for the wedding of Albert’s son the Prince of Wales in 1863, the window attempted to ‘combine the two ele- ments, the purely memorial and the purely religious […] giving to the strictly memorial part, a religious, whilst fully preserving in the strictly religious part, a memorial character’. For Courtenay, a former chaplain- in-ordinary to Queen Victoria, the window asserted the significance of the ‘domestic chapel of the Sovereign’s residence’ in the cult of the Prince Consort, even if Albert’s body had only briefly rested there before being moved to the private mausoleum Victoria was building at Frogmore. This window not only staked a claim but preached a sermon. It proclaimed the ‘Incarnation of the Son of God’, which is the ‘source of all human holiness, the security of the continuousness of life and love in Him, the assurance of the Communion of Saints’.
  • Myfanwy Mynyddog (Richard Davies), Joseph Parry

    Myfanwy Mynyddog (Richard Davies), Joseph Parry

    CANTABILE – THE LONDON QUARTET THE GREAT BRITISH A CAPPELLA SONGBOOK EIGENTUM DES VERLEGERS · ALLE RECHTE VORBEHALTEN ALL RIGHTS RESERVED PETERS EDITION LTD A member of the Edition Peters Group FRANKFURT/M. · LEIPZIG · LONDON · NEW YORK CCantabileantabile AAnthologynthology LLAYOUT.inddAYOUT.indd 1 110/8/20120/8/2012 1:06:361:06:36 PPMM Cantabile − The London Quartet is managed by artist management A Foggy Day. Music and Lyrics by George Gershwin and Ira Gershwin. Arranged by Cantabile − The London Quartet. © 1937 (renewed) Chappell & Co Inc, USA. This arrangement © 2012 Chappell & Co Inc, USA. Warner/Chappell North America Ltd, London W6 8BS. Reproduced by permission of Faber Music Ltd. All Rights Reserved. Pomp and Circumstance by Edward Elgar. Words © 2012 by Margarete and Julian Forsyth. Lullaby (‘Hush Macushla’) by Cantabile − The London Quartet. © Copyright 2012 by Cantabile − The London Quartet. All other arrangements in this collection © Copyright 2012 by Cantabile − The London Quartet. Peters Edition Limited 2−6 Baches Street London N1 6DN Tel: +44 (0)20 7553 4000 Fax: +44 (0)20 7490 4921 Email: [email protected] Internet: www.editionpeters.com CCantabileantabile AAnthologynthology LLAYOUT.inddAYOUT.indd 2 110/8/20120/8/2012 1:07:041:07:04 PPMM CONTENTS Foreword . 4 Vorwort . 5 About the Songs . 6 Über die Stücke . 8 Pastime with Good Company King Henry VIII of England . 11 Greensleeves Traditional English . 14 Oranges and Lemons Traditional English . 22 Myfanwy Mynyddog (Richard Davies), Joseph Parry . 30 Danny Boy, ‘I Would be True’ Traditional Irish (Londonderry Air) Frederic E. Weatherly, Howard Walter . 35 A Man’s a Man for A’ That Traditional Scottish / Robert Burns (‘Lady McIntosh’s Reel’) .
  • Wren and the English Baroque

    Wren and the English Baroque

    What is English Baroque? • An architectural style promoted by Christopher Wren (1632-1723) that developed between the Great Fire (1666) and the Treaty of Utrecht (1713). It is associated with the new freedom of the Restoration following the Cromwell’s puritan restrictions and the Great Fire of London provided a blank canvas for architects. In France the repeal of the Edict of Nantes in 1685 revived religious conflict and caused many French Huguenot craftsmen to move to England. • In total Wren built 52 churches in London of which his most famous is St Paul’s Cathedral (1675-1711). Wren met Gian Lorenzo Bernini (1598-1680) in Paris in August 1665 and Wren’s later designs tempered the exuberant articulation of Bernini’s and Francesco Borromini’s (1599-1667) architecture in Italy with the sober, strict classical architecture of Inigo Jones. • The first truly Baroque English country house was Chatsworth, started in 1687 and designed by William Talman. • The culmination of English Baroque came with Sir John Vanbrugh (1664-1726) and Nicholas Hawksmoor (1661-1736), Castle Howard (1699, flamboyant assemble of restless masses), Blenheim Palace (1705, vast belvederes of massed stone with curious finials), and Appuldurcombe House, Isle of Wight (now in ruins). Vanburgh’s final work was Seaton Delaval Hall (1718, unique in its structural audacity). Vanburgh was a Restoration playwright and the English Baroque is a theatrical creation. In the early 18th century the English Baroque went out of fashion. It was associated with Toryism, the Continent and Popery by the dominant Protestant Whig aristocracy. The Whig Thomas Watson-Wentworth, 1st Marquess of Rockingham, built a Baroque house in the 1720s but criticism resulted in the huge new Palladian building, Wentworth Woodhouse, we see today.
  • Stained Glass Windows Stained Glass and Banners • Stained Glass Windows and Banners Bring Colour to a Church

    Stained Glass Windows Stained Glass and Banners • Stained Glass Windows and Banners Bring Colour to a Church

    Stained Glass Windows Stained Glass and Banners • Stained glass windows and banners bring colour to a church. They also remind people of stories in the Bible or of important truths. • Before TVs or LCD projectors, stained glass windows could be used as visual aids. This is the risen Christ in the window of a church in the Cotswolds. What are the small black marks in the palms of his hands? Modern Stained Glass Window • This modern stained glass window is in memory of a young man. He died while mountaineering aged 19. • The mountain in the window - the Eiger - is on the last photo that he took. When looking at this window – what do you think people think about? This window may help people to think about their own lives, too. What does the bird in the sky make you think of? Can you see the Do you think that cross? this is a good Look closely at what memorial for a is behind the base of young person? it ... What do you think the cross towering over the town represents? About stained glass • Stained glass is simply coloured glass but the term stained glass is normally used in referring to pictorial windwos such as are to be found in some churches. The colours are produced by adding a metallic oxide to the glass. • The means of colouring glass was understood in the early years of the Common Era. The earliest stained glass in Europe has been found at Jarrow at the monastery where Bede lived, prayed, taught and wrote.
  • The Heart of the Empire

    The Heart of the Empire

    The heart of the Empire A self-guided walk along the Strand ww.discoverin w gbrita in.o the stories of our rg lands discovered th cape rough w s alks 2 Contents Introduction 4 Route map 5 Practical information 6 Commentary 8 Credits 30 © The Royal Geographical Society with the Institute of British Geographers, London, 2015 Discovering Britain is a project of the Royal Geographical Society (with IBG) The digital and print maps used for Discovering Britain are licensed to the RGS-IBG from Ordnance Survey Cover image: Detail of South Africa House © Mike jackson RGS-IBG Discovering Britain 3 The heart of the Empire Discover London’s Strand and its imperial connections At its height, Britain’s Empire covered one-quarter of the Earth’s land area and one-third of the world’s population. It was the largest Empire in history. If the Empire’s beating heart was London, then The Strand was one of its major arteries. This mile- long street beside the River Thames was home to some of the Empire’s administrative, legal and commercial functions. The days of Empire are long gone but its legacy remains in the landscape. A walk down this modern London street is a fascinating journey through Britain’s imperial history. This walk was created in 2012 by Mike Jackson and Gary Gray, both Fellows of the Royal Geographical Society (with IBG). It was originally part of a series that explored how our towns and cities have been shaped for many centuries by some of the 206 participating nations in the 2012 Olympic and Paralympic Games.
  • Choir of St John's College, Cambridge Andrew Nethsingha

    Choir of St John's College, Cambridge Andrew Nethsingha

    Choir of St John’S COLLEGE, CAMBRIDGE ANDREW NETHSINGHA Felix Mendelssohn, 1847 Mendelssohn, Felix Painting by Wilhelm Hensel (1794 – 1861) / AKG Images, London The Call: More Choral Classics from St John’s John Ireland (1879 – 1962) 1 Greater Love hath no man* 6:02 Motet for Treble, Baritone, Chorus, and Organ Alexander Tomkinson treble Augustus Perkins Ray bass-baritone Moderato – Poco più moto – Tempo I – Con moto – Meno mosso Douglas Guest (1916 – 1996) 2 For the Fallen 1:21 No. 1 from Two Anthems for Remembrance for Unaccompanied Chorus Slow Sir Charles Hubert Hastings Parry (1848 – 1918) 3 My soul, there is a country 4:00 No. 1 from Songs of Farewell, Six Motets for Unaccompanied Chorus Slow – Daintily – Slower – Animato – Slower – Tempo – Animato – Slower – Slower 3 Roxanna Panufnik (b. 1968) 4 The Call† 4:21 for Chorus and Harp For Andrew Nethsingha and the Choir of St John’s College, Cambridge Felix Mendelssohn (1809 – 1847) Hear my prayer* 11:21 Hymn for Solo Soprano, Chorus, and Organ Wilhelm Taubert gewidmet Oliver Brown treble 5 ‘Hear my prayer’. Andante – Allegro moderato – Recitativ – Sostenuto – 5:51 6 ‘O for the wings of a dove’. Con un poco più di moto 5:29 Sir Charles Hubert Hastings Parry 7 I was glad* 5:28 Coronation Anthem for Edward VII for Chorus and Organ Revised for George V Maestoso – Slower – Alla marcia 4 Sir Charles Villiers Stanford (1852 – 1924) 8 Beati quorum via 3:39 No. 3 from Three [Latin] Motets, Op. 38 for Unaccompanied Chorus To Alan Gray and the Choir of Trinity College, Cambridge Con moto tranquillo ma non troppo lento Sir John Tavener (1944 – 2013) 9 Song for Athene 5:31 for Unaccompanied Chorus Very tender, with great inner stillness and serenity – With resplendent joy in the Resurrection Sir Charles Villiers Stanford 10 Te Deum laudamus* 6:47 in B flat major • in B-Dur • en si bémol majeur from Morning, Communion, and Evening Services, Op.
  • RSCM Honorary Awards 1936-2020 Hon

    RSCM Honorary Awards 1936-2020 Hon

    FRSCM (220) ARSCM (196) Hon. Life RSCM (62) RSCM Honorary Awards 1936-2020 Hon. RSCM (111) Cert. Special Service (193) Total 782 Award Year Name Dates Position FRSCM 1936 Sir Arthur Somervell 1863-1937 A Fellow of the College of St Nicolas in 1936. Chairman of Council SECM FRSCM 1936 Sir Stanley Robert Marchant 1883-1949 A Fellow of the College of St Nicolas in 1936. Principal of the Royal Academy of College FRSCM 1936 Sir Walter Galpin Alcock 1861-1947 A Fellow of the College of St Nicolas in 1936. Organist of Salisbury Cathedral FRSCM 1936 Sir Edward Bairstow 1874-1946 A Fellow of the College of St Nicolas in 1936. Organist of York Minster FRSCM 1936 Sir Hugh Percy Allen 1869-1946 A Fellow of the College of St Nicolas in 1936. Director of the Royal College of Music FRSCM 1936 The Revd Dr.Edmund Horace Fellowes 1870-1951 A Fellow of the College of St Nicolas in 1936. Choirmaster of St George's, Windsor and Musicologist FRSCM 1936 Sir Henry Walford Davies 1869-1941 A Fellow of the College of St Nicolas in 1936. Organist of the Temple Church FRSCM (i) 1936 Dr Henry George Ley 1887-1962 A Fellow of the College of St Nicolas in 1936. Precentor of Eton FRSCM (i) 1936 Sir Ivor Algernon Atkins 1869-1953 A Fellow of the College of St Nicolas in 1936. Organist of Worcester Cathedral FRSCM (i) 1936 Sir Ernest Bullock 1890-1979 A Fellow of the College of St Nicolas in 1936. Organist of Westminster Abbey FRSCM (iii) 1937 Sir William Harris 1883-1973 A Fellow of the College of St Nicolas in 1937.