DOCSLIB.ORG

Pojmovnik LGBT Kulture Sarajevski Otvoreni Centar/Fondacija Heinrich

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Pojmovnik LGBT Kulture Sarajevski Otvoreni Centar/Fondacija Heinrich Pojmovnik LGBT kulture Sarajevski otvoreni centar/Fondacija Heinrich Böll, Sarajevo Edicija Questioning Sarajevskog otvorenog centra ediciju uređuje Saša Gavrić naslov Pojmovnik LGBT kulture priredile_i Jasmina Čaušević, Saša Gavrić autori_ce Arijana Aganović, Ena Bavčić, Emina Bošnjak, Jadranka Ćuzulan, Jakov Čaušević, Jasmina Čaušević, Slobodanka Boba Dekić, Ivana Dračo, Masha Durkalić, Nina Đikić, Bojana Đokanović, Saša Gavrić, Lejla Huremović, Admir Jugo, Bojan Krivokapić, Alma Midžić, Aida Spahić, Selma Spahić, Jelena Svirčić, Leila Šeper, Marijana Šuleić, Nermina Trbonja, Vladana Vasić, Amila Ždralović lektura Dalila Mirović POJMOVNIK indeks Jasmina Čaušević, Saša Gavrić DTP, naslovnica Feđa Bobić LGBT KULTURE izdavači Sarajevski otvoreni centar, Fondacija Heinrich Böll - ured u BiH za izdavače Saša Gavrić, Mirela Grünther-Đečević © Sarajevski otvoreni centar/Fondacija Heinrich Böll/autori_ce Nekomercijalno umnožavanje, fotokopiranje ili bilo koji drugi oblik reprodukcije cijele publikacije ili njezinih dijelova je poželjno, uz prethodno pismeno informisanje izdava- ča na mail: [email protected] Projekat je organizovan uz podršku Fondacije Heinrich Böll, Ured za Bosnu i Her- cegovinu. Stavovi i mišljenja izneseni u ovom zborniku su autorski i ne predstavljaju izričite stavove i mišljenja izdavača. Autori_ce odgovaraju za svoje tekstove. Tekstovi su pisani na bosanskom, hrvatskom i srpskom jeziku. Sarajevski otvoreni centar/ Fondacija Heinrich Böll CIP - Katalogizacija u publikaciji Nacionalna i univerzitetska biblioteka Bosne i Hercegovine, Sarajevo 305-055.3(031) POJMOVNIK lezbejske, gej, biseksualne i transrodne (LGBT) kulture / [priredili/e Jasmina Čaušević, Saša Gavrić]. - Sarajevo : Sarajevski otvoreni centar : Fondacija “Heinrich Böll”, Ured u BiH, 2012. - 521 str. : ilustr. ; 20 cm. - (Edicija Questioning Sarajevskog otvorenog centra) Autori/ce: str. 513-517. - Bibliografija uz pojedina poglavlja i uz tekst. ISBN 978-9958-577-04-8 (Fondacija “Heinrich Böll”) COBISS.BH-ID 20187654 Helena Janečić, Horny Dyke SADRŽAJ Institucionalna diskriminacija 177 Internet 185 Interseksualnost 191 UVODNA RIJEČ Jednakopravnost 198 Jasmina Čaušević i Saša Gavrić 11 Jezik 205 Kemp/ Camp 210 PREDGOVOR Književnost 219 Danijela Majstorović 15 Kultura 223 Marginalizacija 231 PREDGOVOR Matrijarhat 238 Huso Oručević 19 Medicina 245 Mediji 258 Aktivizam 25 Metroseksualnost 269 Androginost 31 Mitologija 272 Aseksualnost 37 Muzika 279 Biseksualnost 42 Nacionalizam 291 Brak 55 Nasilje 297 Coming out 64 Patrijarhat 207 Diskriminacija 73 Politika 311 Feminizmi 83 Pornografija 326 Festivali 95 Pozorište 337 Film 101 Pravo 345 Filozofija 111 Pride 363 Fotografija 121 Religija 368 Govor mržnje 129 Rod 381 Homofobija 138 Rodni identiteti 390 Homoseksualnost 151 Queer 399 Identiteti 161 Seksualne prakse 409 Inkluzija 171 Seksualnost 415 Simboli 424 Spol 433 Stereotipi 439 Strip 449 Studije 461 Transeksualnost 467 Transrodnost 476 Transvestizam 483 Umjetnost 487 Zajednica 495 Zločin iz mržnje 499 Žargon 505 O autorima_cama 513 Indeks pojmova 518 11 UVODNA RIJEČ Pred vama se nalazi Pojmovnik koji sadrži 58 interpretacija fe- nomena LGBT kulture iz 23 perspektive. Kulturu, koju vezujemo za ovaj Pojmovnik, shvaćamo semiotički, na tragu Clifforda Geertza, kao mrežu značenja u koju smo upleteni_e, kao međusobno ispre- pleteni sistem znakova koji je podložan različitim tumačenjima. Kao takva, ona nije moć - nešto što kauzalno određuje društvene događa- je, ponašanja, institucije ili procese, kultura je kontekst unutar kojeg se društveni događaji, ponašanja, institucije ili procesi mogu pojmlji- vo (pojmovima) podrobno opisivati. Semiotički pristup kulturi smo odabrali jer se kroz njega najbolje može ući u pojmovni svijet u kome LGBT osobe, događaji i artefakti egzistiraju, kako bismo, u krajnje proširenom smislu te riječi, razgovarali sa njima. Rijetko koji mainstream, bilo da je riječ o akademskom, politič- kom, umjetničkom, kulturnom ili aktivističkom, uvažava postoja- nje i omogućava značajniju vidljivost Različitosti. Kroz istraživanja stanja, na primjer - LGBT prava, suočavate se sa činjenicom da u 12 13 bosanskohercegovačkom društvu vlada poražavajuće nepoznavanje LGBT teme ostala su neobrađena. Nadamo se da će čitatelji_ce biti in- ove teme. Postojanje lezbejki i gejeva je svedeno na seksualni čin, pa spirisani ovim Pojmovnikom da sami tragaju za terminima/pojavama im se u tom obimu trebaju zagarantovati i prava da mogu da rade šta koje bi mogle biti obrađene u nekim budućim sličnim poduhvatima. hoće u svoja četiri zida. Biseksualne osobe su neodlučne i trenutno Na kraju, zahvaljujemo se svim autoricama i autorima koji su dali se nalaze u toj fazi – ili su heteroseksualne i žele samo malo da ek- veliki doprinos i bez čijeg rada danas ne bismo imali ovaj pregled LGBT sperimentišu, ili se radi o gejevima i lezbejkama koje nisu u stanju kulture. Riječi zahvalnosti dugujemo i Danijeli Majostorović i Husi da sebi priznaju svoju homoseksualnost. Transrodne i transeksualne Oručević na ohrabrujućim predgovorima, Dalili Mirović na značajnom osobe su u potpunosti gurnute na marginu, i često se svode na tran- doprinosu u jezičkom ujednačavanju i uređivanju tekstova, Feđi Bobi- dže ili seksualne radnice. Sve ovo je samo vrh stereotipnog brijega sa ću na zanimljivom dizajnerskom rješenju, te naravno Mireli Grünther kakvim se LGBT osobe susreću svakodnevno. Đečević i Ameli Sejmović iz Fondacije Heinrich Böll – Ured u Bosni i Razvoj LGBT studija, krajem 20. vijeka, i aktivizma, dosta ranije, Hercegovini, koje su od samog početka podržale ovaj projekat. preusmjerio je analitičko interesovanje s politika binarnih identiteta Drage_i čitateljice_i, nadamo se vašim komentarima i kritikama! i kultura na tzv. queer identitete i kulturu, koja prekoračuje granice, predstavljajući otpor režimu normalnog, kako to označava Michael Priređivački tim Warner. Iako je još polovinom 20. vijeka otvoreno mjesta za Druge, Jasmina Čaušević i Saša Gavrić proces prevrednovanja kulturnih vrijednosti falocentrizma još uvijek intenzivno traje. Ovaj Pojmovnik prati taj trag i skreće pažnju na deša- vanja u BiH i regiji, te pokušava da sumira neke od ključnih tema koje se tiču LGBT postojanja. Po prvi put u Bosni i Hercegovini, a i šire, nastaje jedna vrsta hrestomatije, zbornika u kojem se ključni termini predstavljaju u znatno obimnijem obliku nego što smo navikli na to. Autorice i autori iz Bosne i Hercegovine, ali i saradnici i saradnice iz Srbije i Hrvatske, njih dvadeset troje ukupno, dali su svoj doprinos ra- deći na 58 pojmova. Pokazali su usku vezu aktivizma, prava i potrebe za vidljivošću u svim oblastima, od umjetnosti i jezika, preko medici- ne i religije, pa sve do politike, književnosti i filozofije. Naravno, svjesni smo ograničenosti ovog zbornika, te on nikako nema namjeru da bude percipiran kao sveobuhvatan. Termini poput sporta, ekologije ili pogledi nekih prirodnih nauka na pitanja vezana za 15 PREDGOVOR Pred nama se nalazi pojmovnik koji pokušava da opiše, označi i pozi- cionira seksualnu raznolikost u smislu lezbijskih, homoseksualnih, bisek- sualnih, transrodnih, queer i interseksualnih identiteta, te njima pripada- jućih označitelja, diskursa i praksi u specifičnom kontekstu države Bosne i Hercegovine (BiH). U pitanju je hrabar pionirski pokušaj dvadeset tri autora_ke da opišu i objasne pedeset osam pojmova koji se odnose na ove populacije i teme kroz primjere iz društvene teorije, prava i zakonodav- stva, te popularne kulture i medija. Na taj način, autori_ke na pojmovniku prave značajan korak dalje u smislu razumijevanja i prihvatanja ovih gru- pa, ali i „nas samih“, jer je odnosu prema Drugom uvijek inherentan od- nos prema samom sebi. Kako nema potlačenog bez tlačitelja, tako nema ni homoseksualnosti bez heteroseksualnosti, odnosno, bez heteronorma- tiva koji definiše šta je seksualno ili identitarno prihvatljivo, a šta nije. Ovaj heteronormativ ne samo da ima svoju politiku oličenu u spe- cifičnim metodama isključivanja i uključivanja za koje je nužno razu- mijevanje često brutalnog, mada povremeno i promjenjivog, kontek- sta unutar kojeg se o ovim identitetima govorilo ili šutjelo, ali i unutar kojeg su LGBTQI osobe bile nadzirane, disciplinovane i kažnjavane. Dok je u antici homoseksualnost bila društveno prihvaćena, šire- njem hrišćanstva, seks, u vidu čina ispovijesti o želji, postaje zapravo 16 17 diskurs. Uporedo s tim, homoseksualnost postaje stigmatizovana i moseksualnost u SFRJ zakonom je zvanično kriminalizovana 1959. tabuizirana pri čemu jedini dozvoljen čin postaje onaj između muš- godine, a muški homoseksualni čin se, prema Krivičnom zakonu karca i žene u cilju začetka djeteta. Kontrola rodnih uloga unekoliko SFRJ član 186 stav 2., kažnjavao zatvorom u trajanju od jedne go- popušta u eri prosvetiteljstva kada se pojavljuju prva „seksualna po- dine. Hrvatska ljekarska komora je skinula homoseksualnost s liste magala“, te poigravanje rodnim ulogama kad se, s diskursom roman- mentalnih poremećaja 1973. godine, a homoseksualnost je dekrimi- tične ljubavi, javlja i narativ o sebi oličen u formi romana. naliziovna novim Krivičnim zakonom SR Hrvatske, koji je stupio na Sa pojavom novih nauka, seksologije i psihijatrije, seksualnost se snagu 1977. godine, uz uslov da je homoseksualni odnos izvršen uz počinje definisati, a homoseksualne osobe se, kako stoji u pojmovniku, saglasnost odraslih muškaraca. Dok su te godine Hrvatska, Sloveni- „definišu kao pripadnici_e devijantnih kategorija – što postaje i njihov ja, Vojvodina i Crna Gora dekriminalizovale homoseksualnost,
Load more

Recommended publications
  • Published 22 February 2019 LKFF 2012
    THE LONDON KOREAN FILM FESTIVAL 제7회 런던한국영화제 1-16 NoVEMBER StARTING IN LONDON AND ON TOUR IN BOURNEMOUTH, GlASGOW AND BRISTOL 12�OZE�293 OZ Quadra Smartium(Film Festival).pdf 1 10/18/12 6:14 PM A MESSAGEUR ROM O TOR LONDON-SEOUL, DAILY F TIC DIREC ASIANA AIRLINES ARTIS is redefining It is with great pride and honour that I welcome you to the 7th London Korean Film Festival. Regardless of whether you are a connoisseur of Korean cinema or completely Business Class. new to the country’s film scene, we have created an exciting and varied C Beginning November 17th, all the comforts of programme that will delight, thrill, scare and, most importantly, entertain you. M our new premium business class seat, Y the OZ Quadra Smartium, can be yours. We start off large with our return to the Odeon West End with one of the CM There’s a wonderful new way to get back and biggest Korean films in the last ten years;The Thieves. Our presentation MY forth to Seoul everyday. Announcing Asiana Airlines’ innovative of this exciting crime caper also sees its director, Choi Dong-hoon, and new premium business class seat, the OZ Quadra Smartium, lead actor Kim Yoon-suk gracing London’s Leicester Square. CY offering you both the privacy of your own space CMY and the relaxation of a full-flat bed. From the 2nd of November through to the 10th in London (continuing until the 16th in K Glasgow, Bristol and Bournemouth) we will show everything from the big box office hits to the smallest of independents, ending with the much-lauded Masquerade, as our closing Gala feature.
    [Show full text]
  • Scotti Poesie.Qxd
    in.folio.asterios 12 Giacomo Scotti I figli del vento Asterios Editore Trieste Prima edizione: aprile 2004 © Asterios Editore srl via Pigafetta, 1 - 34148 Trieste tel. 040811286 - fax 040825455 e-mail: [email protected] I diritti di memorizzazione elettronica, di riproduzione e di adattamento tota - le o parziale con qualsiasi mezzo (compresi i microfilm e le copie fotostati - che) sono riservati. Stampato in Italia ISBN: 88-86969-55-4 La storia, la diaspora, la vita dei Romi, gli uomini color del rame. Con un’antologia della loro poesia orale. Vi accingete a leggere un libro “ibrido”, diviso in due parti. La prima, suddivisa a sua volta in quattro capitoli, comincia con una mini-antologia di miti e leggende dei Romi. Questi testi, con la loro provocazione fantastica, favoriscono l’approccio con il mondo tzigano, rivelando al tempo stesso significati cul - turali profondi e connessioni con la cultura degli altri popoli. Negli altri tre capitoli il lettore compierà un rapidissimo viaggio attraverso la storia dei Romi, il loro patrimonio culturale e gli aspetti peculiari della loro vita. La seconda parte presenta una consistente antologia della poesia orale dei Romi, la prima del genere ad essere pubblicata in lingua italiana. In realtà, l’intera prima parte del volume è una presentazione che intende preparare il lettore alla comprensio - ne e al godimento della poesia dei Romi. Indice Prima parte Leggende e favole. Un po’ di storia. La cultura Leggende e favole L’origine di Dio e della vita.................................................
    [Show full text]
  • Various Stand Up, People (Gypsy Pop Songs from Tito's Yugoslavia 1964-1980) Mp3, Flac, Wma
    Various Stand Up, People (Gypsy Pop Songs From Tito's Yugoslavia 1964-1980) mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz / Folk, World, & Country Album: Stand Up, People (Gypsy Pop Songs From Tito's Yugoslavia 1964-1980) Country: Germany Released: 2013 Style: Gypsy Jazz MP3 version RAR size: 1891 mb FLAC version RAR size: 1719 mb WMA version RAR size: 1661 mb Rating: 4.8 Votes: 401 Other Formats: MP1 VQF AC3 AHX FLAC DXD DMF Tracklist A1 –Muharem Serbezovski Ramajana 4:29 A2 –Šaban Bajramović Kada Zvona Zvone 3:18 A3 –Hajra Sučurija* Miro Ostišao As Zenom Kao Turist 2:58 A4 –Esma Redžepova Durdevan, Durdevan 2:51 A5 –Duet Durić-Runjaić* Amen Sama But Roma 2:14 B1 –Muharem Serbezovski Ramu, Ramu 3:20 B2 –Usnija Redžepova Selime Ternie 3:05 B3 –Šaban Bajramović Džemila 3:06 B4 –Esma Redžepova Pesma Šeher Sarajevu 5:28 C1 –Bedrije Misin Mo Vogi Dukalla 2:46 C2 –Trajko Ajdarević Tahir Mangala 3:22 C3 –Nehat Gaši Našti Tadav Ki Šutka Tedikav 2:36 C4 –Ava Selimi Ah Bre Devla 3:11 C5 –Selime Bajrami Gilava Amare Romenge 3:23 D1 –Esma Redžepova Abre Babi Sokerdzan 3:42 D2 –Šaban Bajramović Umirem, Umirem 2:42 D3 –Nehat Gaši Alo Dive Me Romja Te Mukav 2:55 D4 –Medo Čun Žanino Kolo 4:42 D5 –Ansambl Montenegro Djelem, Djelem 2:39 Companies, etc. Licensed To – Asphalt Tango Records GmbH Copyright (c) – Vlax Records Ltd. Mastered At – The Carvery Credits Design – Venetia Thorneycroft Liner Notes [Translated From Romani] – SH Liner Notes [Translated From Serbian] – Mirko Perović Mastered By [Restoration & Mastering] – Frank Merritt Research, Liner Notes, Compiled By – Nathaniel Morris , Philip Knox Transferred By [Vinyl Transfers] – Milan Milovanović Notes Gatefold sleeve with liner notes in CD-Booklet.
    [Show full text]
  • Domaće Pesme
    SPISAK KARAOKE PESAMA Domaće pesme Sanja - Sindy 064 / 11 55 735 www.facebook.com/SindyKaraoke www.sindykaraoke.com [email protected] DOMAĆE PESME SINDY KARAOKE Sanja 064/11-55-735 najveći izbor domaćih i stranih karaoke pesama (engleskih, italijanskih, francuskih, španskih, ruskih) IZVOĐAČ PESMA IZVOĐAČ PESMA 187 Nikada nećeš znati Aleksandra Radović Ako nikada Aca i Mira Vrati nam se, druže Aleksandra Radović Čuvaj moje srce * Aca Ilić Lepe oči zelene Aleksandra Radović Jesam te pustila Aca Lukas Bele ruže Aleksandra Radović Još danas Aca Lukas Burbon Aleksandra Radović Kao so u moru Aca Lukas Čaše moje polomljene Aleksandra Radović Karta za jug Aca Lukas Dijabolik Aleksandra Radović Nisi moj Aca Lukas Hiljadu puta Aleksandra Radović Zažmuri Aca Lukas Imate li dušu tamburaši Aleksandra Ristanović Dočekaj me sa osmehom Aca Lukas Ista kao ja Alen Islamović Ispod kaputa Aca Lukas Ja živim sam Alen Slavica Dao sam ti dušu Aca Lukas Jagnje moje Alen Vitasović Bura Aca Lukas Koma Alisa Sanja Aca Lukas Kuda idu ljudi kao ja Alka i Džej Da si sada tu Aca Lukas Lična karta Alka i Stavros Zrak, zemlja, zrak Aca Lukas Na žalost Alka i Vuco Kad bi opet Aca Lukas Ne pitaj Alka Vuica Bolje bi ti bilo Aca Lukas Nešto protiv bolova Alka Vuica Ej, šta mi radiš Aca Lukas Niko jedan, dva i tri Alka Vuica Kriva Aca Lukas Otrov sipala Alka Vuica Laži me Aca Lukas Pao sam na dno Alka Vuica Nek’ ti jutro miriše na mene Aca Lukas Pesma od bola Alka Vuica Od kad te nema Aca Lukas Poljem se širi miris tamjana Alka Vuica Profesionalka Aca Lukas Pustinja
    [Show full text]
  • Logging Into Horror's Closet
    Logging into Horror’s Closet: Gay Fans, the Horror Film and Online Culture Adam Christopher Scales Thesis submitted for the degree of Doctor of Philosophy University of East Anglia School of Art, Media and American Studies September 2015 © This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with the author and that use of any information derived there from must be in accordance with current UK Copyright Law. In addition, any quotation or extract must include full attribution. Abstract Harry Benshoff has boldly proclaimed that ‘horror stories and monster movies, perhaps more than any other genre, actively invoke queer readings’ (1997, p. 6). For Benshoff, gay audiences have forged cultural identifications with the counter-hegemonic figure of the ‘monster queer’ who disrupts the heterosexual status quo. However, beyond identification with the monstrous outsider, there is at present little understanding of the interpretations that gay fans mobilise around different forms and features of horror and the cultural connections they establish with other horror fans online. In addressing this gap, this thesis employs a multi-sited netnographic method to study gay horror fandom. This holistic approach seeks to investigate spaces created by and for gay horror fans, in addition to their presence on a mainstream horror site and a gay online forum. In doing so, this study argues that gay fans forge deep emotional connections with horror that links particular textual features to the construction and articulation of their sexual and fannish identities. In developing the concept of ‘emotional capital’ that establishes intersubjective recognition between gay fans, this thesis argues that this capital is destabilised in much larger spaces of fandom where gay fans perform the successful ‘doing of being’ a horror fan (Hills, 2005).
    [Show full text]
  • Satyriasis: the Pornographic Afterlife of Vaslav Nijinsky
    UCLA Thinking Gender Papers Title Satyriasis: The Pornographic Afterlife of Vaslav Nijinsky Permalink https://escholarship.org/uc/item/2xx4f4vc Author Horowitz, Katie R. Publication Date 2008-02-01 eScholarship.org Powered by the California Digital Library University of California Katie Horowitz Thinking Gender 2008 The Pornographic Afterlife of Vaslav Nijinsky On May 29, 1912, the world’s first male ballet star launched an assault on the proprieties of Paris’ cultural elite. For three years, Vaslav Nijinsky had garnered international acclaim for his unparalleled virtuosity and emotive performances. He had also earned a degree of “lilac-hued notoriety”1 for a rather public affair with his director, Serge Diaghilev. But on this late spring evening, Nijinsky’s queer eroticism began to outstrip his technical prowess in the public imaginary. For on this night, he abandoned the pirouettes and grand jetés for which he was famed and feigned masturbation on the stage of the Théâtre du Châtelet. Inspired by Mallarmé’s poem of the same name, Nijinsky’s daring choreographic debut, Afternoon of a Faun featured a forest-dwelling satyr entranced by a passing nymph. Ineluctably drawn to the disrobing Nymph, he attempts to seduce her, but she escapes, leaving behind only a scarf, which he spirits away to his lair. In the final moments of the dance, the Faun thrusts himself suggestively upon the abandoned token. Despite the scandal of Nijinsky’s simulated autoeroticism, the premiere of Afternoon of a Faun was and is widely recognized as the first modern ballet and as such created a new paradigm for viewing bodies in motion.
    [Show full text]
  • Prodigals in Love: Narrating Gay Identity and Collectivity on the Early Internet in China
    Prodigals in Love: Narrating Gay Identity and Collectivity on the Early Internet in China by Gang Pan A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Department of East Asian Studies University of Toronto © Copyright by Gang Pan 2015 Prodigals in Love: Narrating Gay Identity and Collectivity on the Early Internet in China Gang Pan Doctor of Philosophy Department of East Asian Studies University of Toronto 2015 Abstract This dissertation concerns itself with the eruption of a large number of gay narratives on the Chinese internet in its first decade. There are two central arguments. First, the composing and sharing of narratives online played the role of a social movement that led to the formation of gay identity and collectivity in a society where open challenges to the authorities were minimal. Four factors, 1) the primacy of the internet, 2) the vernacular as an avenue of creativity and interpretation, 3) the transitional experience of the generation of the internet, and 4) the evolution of gay narratives, catalyzed by the internet, enhanced, amplified, and interacted with each other in a highly complicated and accelerated dynamic, engendered a virtual gay social movement. Second, many online gay narratives fall into what I term “prodigal romance,” which depicts gay love as parent-obligated sons in love with each other, weaving in violent conflicts between desire and duty in its indigenous context. The prodigal part of this model invokes the archetype of the Chinese prodigal, who can only return home having excelled and with the triumph of his journey.
    [Show full text]
  • Porn-Presentation.Pdf
    PORN FROM WARHOL TO X-TUBE Coffeetable Book Dr. Kevin Clarke Porn from Warhol to X-Tube The history of gay porn with hundreds of color-plates and fascinating facts. The history of porn is damn exciting. It has come a long way from the discrete beginnings in the early sixties to pay per minute porn which we can see direct- ly on our screen at home. This anthology leads us through the decades. It only shows us how the industry developed but also how the porn stars themselves have changed. From Pop Art to homemade 3 minute porn videos that we upload on x-tube, from dark cinemas to glamorous galas, the world is porn! 260 full-color pages, hardback with dust-jacket. PORN AS POP ART It wasn’t till the mid-sixties that porn truly started to happen and be noti- ced as a general cultural phenomenon. The Vietnam War had broken out in 1964 and caused some serious social turmoil out of which a countercul- ture emerged, not just in the US but the whole world over. It was a coun- terculture that was to radically challenge the old order of things and throw many of its time honored moral values overboard. Bildunterschrift, Ugiam irit nos dolor summy nostiscil ullut vullaor sum zzriusc i Bildunterschrift, Ugiam irit nos dolor summy nostiscil ullut vullaor sum zzriusc i Liquatuer ing eraestin ut amet vullum in hent luptat. Nim iusto odolore modolor periust iscilis sequat. “The popularity of rock music, the increased Put accum dolore venim volore mincili quissi use of marijuana, LSD, and other drugs ecte velis adit, venit wisi.
    [Show full text]
  • Connolly .Indd
    Matt Connolly Solidification and Flux on the “Gay White Way”: Gay Porn Theaters in Post-Stonewall New York City Abstract This paper traces the exhibition strategies of two gay porn theaters in New York City from 1969-1973: the 55th Street Playhouse and the Eros I. It draws upon contemporaneous advertising and trade press to reconstruct these histories, and does so in the pursuit of two interconnected goals. First, by analyzing two venues whose exhibition protocols shifted over the course of this time period, this paper seeks a more nuanced understanding of how gay porn theaters established, maintained, and augmented their market identities. Second, it attempts to use these shifts to consider more broadly what role exhibition practices played in the shaping of gay men’s experiences within the porn theater itself – a key site of spectatorial, erotic, and social engagement. The 1970s saw the proliferation of theaters in major my conclusions in some ways, but that will also urban centers specializing in the exhibition of gay provide the opportunity to investigate exhibition pornography.1 Buoyed by both seismic shifts in spaces within a city that is central to histories of both LGBT visibility in the wake of the 1969 Stonewall LGBT culture and pornographic exhibition.3 I will riots and larger trends in industry, law, and culture track two Manhattan theaters across this time period that increasingly brought pornography of all stripes to observe what films they screened and how they into the mainstream, these theaters provided a public advertised their releases: the 55th Street Playhouse venue for audiences of primarily gay men to view gay and the Eros I.
    [Show full text]
  • Željko Barišić PIŠEM TI PISMO DA VIŠE ZAJEDNO NISMO
    Željko Barišić PIŠEM TI PISMO DA VIŠE ZAJEDNO NISMO Nakladnik: „DADAnti“ – Udruga za promicanje Eksperimentalne Umjetnosti Biblioteka: DADAnti Knjiga 17 Proza 2 Likovni i tehnički urednik: Franko Bušić Urednik: Marijo Krajinović Knjiga je objavljena uz financijsku potporu Grada Splita PODACI O UDRUZI DADAnti: upisani u registar udruga RH pod brojem 17004113, OIB 17027060868, Matični broj 2744414, RNO: 231280, Šifra djelatnosti 9499, Godina osnivanja 2011. Sjedište udruge: Mažuranićevo šetalište 9, 21000 Split, Hrvatska, Mobitel: 098/189-2101, e-mail: [email protected] i [email protected], IBAN: HR5923400091110483103, SWIFT: PBZGHR2X. Predsjedništvo: predsjednik Franko Bušić, dopredsjednik Željko Barišić, tajnik prof. Mario Krajinović, voditelj glazbenog odjela Hrvoje Bubić. Osnivači: Franko Bušić, Ozren Ćatović, Bruno Pavletić i Jelena Borozan. Broj registriranih članova: 72. Facebook stranica: https://www.facebook.com/pages/DADAnti-Udruga-za-promicanje- Eksperimentalne-Umjetnosti/141782259215608 ---------------------------------------------------- CIP - Katalogizacija u publikaciji S V E U Č I L I Š N A K N J I Ž N I C A U S P L I T U UDK 821.163.42-4 BARIŠIĆ, Željko Pišem ti pismo da više zajedno nismo / Željko Barišić. - Split : DADAnti - Udruga za promicanje eksperimentalne umjetnosti, 2017. - (Biblioteka DADAnti. Proza ; knj. 17) ISBN 978-953-8088-06-3 170115092 ---------------------------------------------------- ŽELJKO BARIŠIĆ PIŠEM TI PISMO DA VIŠE ZAJEDNO NISMO DADAnti, Split 2017. PIŠEM TI PISMO DA VIŠE ZAJEDNO NISMO Željko Barišić PIŠEM TI PISMO DA VIŠE ZAJEDNO NISMO 5 BORN IN THE HERZEGOVINA Start Me Up Pekar , lekar, apotekar, Mogao sam biti ja , bilo šta! ...Al’ nisam mogao bet rock’n’rolla! Riblja Čorba Navedeni stihovi nalaze se na trećem albumu grupe.
    [Show full text]
  • Narodne Pjesme
    Narodne pjesme Naziv Pjesme Izvođač Jesen prođe ja se ne oženim Radiša Urošević Dijana ljubavi Ferid Avdić Šoferska je tuga pregolema Predrag Živković - Tozovac Golubice bijela Narodne Bolje da sam sijede kose plela Narodne O majko majko što me rodi Meho Puzić Siromah sam al volim da živim Predrag Živković - Tozovac Teško mi je zato patim Milivoje Stefanović - Macan Topla zima, Plava žena Sejo Pitić Po selu se priča da se ženim ja Žika Ivković Prođe ljeto trideseto Novica Negovanović Trepetiljka trepetala Narodne, (Safet Isović) Ljubila je prvi put Mitar Mirić Pune čaše ispijam Mate Bulić Sedamdeset i dva dana Meho Puzić Tebi majko misli lete Safet Isović Đelem đelem Šaban Bajramović Ja još uvijek kao momak živim Mate Bulić Dva života imam ja Slavko Pavlović Bez tebe je gorko vino Duško Kuliš Ljepotica od sirotana Bora Skuzić - Kvaka Sad mi trebaš više nego ikad Nada Obrić Prokleta je Amerika Šaban Bajramović Sliku tvoju ljubim Toma Zdravković Golube Lepa Brena Jedan dan života Lepa Brena i Miroslav Ilić Poznat ćeš me i po mraku Haris Džinović Zlatne strune Halid Bešlić Mnogo je bola podnjela ova duša Duško Kuliš Nije ona svemu kriva Meho Puzić Noći besane Meho Puzić Ja sam zadnji gost u kavani Duško Kuliš Kad se smiješ mila kćeri Nedžad Salković Zlatnu mi čašu nalijte Halid Bešlić Željo moja najslađi otrove Zoran Kalezić Ti si žena mog života Miroslav Radovanović Srebrni mjesec Halid Bešlić Nije mi lako stari se polako Nedžad Salković Oči su moje mutne od dima Miloš Milošević Ranjeni junak Nazif Gljiva Narodne pjesme Naziv Pjesme Izvođač
    [Show full text]
  • Pornographic Film and Video: Gay Male by Joe A
    Pornographic Film and Video: Gay Male by Joe A. Thomas Encyclopedia Copyright © 2015, glbtq, Inc. Entry Copyright © 2002, glbtq, Inc. Reprinted from http://www.glbtq.com Pornographic film and video have played an important role in gay male culture. Whereas heterosexual pornography has been accompanied by a serious stigma in the "straight" world, gay pornography has been characterized partly by the high esteem in which it is held in the gay male subculture. As a group that is both defined by its sexual activity and rejected by the majority culture for it, gay men have often seen in pornography an all-too-rare positive image of gay sexuality. Similarly, they have found in the exaggerated sexuality and marginal artistry of porn a campy rejection of the hierarchies of the heterosexual majority. As with straight pornography, gay male pornography can be divided into two categories, hardcore and softcore. Hardcore is the genre commonly associated with the term pornography. It includes explicit imagery of actual sexual activity to the point of climax, including visible penetration and ejaculation. Softcore is a less explicit alternative, generally focusing on nude or nearly nude bodies in sexual or sensual situations, but without views of penetration or visible climax. The sex is nearly always simulated in softcore, and it is often filmed with an emphasis on romance or mood. As porn diva Gloria Leonard once humorously proclaimed, "The difference between pornography and erotica is lighting." Because both the production and consumption of pornographic film and video are dependent on relatively high levels of technology, the genre's development has taken place primarily in the industrialized West.
    [Show full text]