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Ieg Sponsorship Report Ieg Sponsorship Report the Latest on Sports, Arts, Cause and Entertainment Marketing
IEG SPONSORSHIP REPORT IEG SPONSORSHIP REPORT THE LATEST ON SPORTS, ARTS, CAUSE AND ENTERTAINMENT MARKETING NOVEMBER 12, 2012 WWW.IEGSR.COM WHO DOES WHAT HOTEL CHAINS CHECK INTO NEW SPONSORSHIPS Hotel chains double down on sponsorship to drive new business and engage consumers outside the hotel environment. Rising occupancy rates, the growing popularity of consumer loyalty programs and new hotels in the U.S., Asia, Middle East and other markets are driving a groundswell of new deals around the world, bringing the category back to life after taking a hit a few years ago. Those include Starwood Hotels & Resorts Worldwide, Inc. and the Mercedes AMG Petronas Formula One team; InterContinental Hotels Group and the LPGA, and Marriott International, Inc. and the Barclays Center, home to the NBA Brooklyn Nets. More recently, IHG last month announced a one-year partnership with the East Coast Hockey League, a deal HOTELS BY NUMBER OF DEALS that affords status as the league’s preferred hotel partner across the company’s various hotel chains. Those deals follow a spate of new ties over the past two years. Those include Marriott and the National Football League and IHG and the PGA Tour, Champions Tour and Web.com Tour. IHG in 2010 extended Crowne Plaza Hotels & Resort’s title of the PGA Tour Crowne Plaza Invitational at Colonial through 2015. Below, IEG SR highlights the three primary hot buttons in the hotel category: ©2012 IEG, LLC. All rights reserved. Drive bookings. To no surprise, hotel companies use sponsorship to gain new and incremental business. That includes business from fans and other frequent travelers as well as sports teams and other sponsored properties. -
Trolley Ain't No Gravy Train
INSIDE: GET THE RIGHT RESULTS WITH OUR CLASSIFIEDS SECTION Yo u r World — Yo u r News BrooklynPaper.com • (718) 260–2500 • Brooklyn, NY • ©2016 Serving Brownstone Brooklyn, Williamsburg & Greenpoint AWP/14 pages • Vol. 39, No. 49 • December 2–8, 2016 • FREE BILLION $ MILE Planned BQE repairs to be most expensive in city history By Lauren Gill Brooklyn Paper It’s Brooklyn’s billion-dol- lar mile! The city’s much-needed repair of the decrepit 1.5-mile Brooklyn Heights stretch of the Brooklyn– Queens Expressway will be the most expensive project in Depart- ment of Transportation history at a whopping $1.7 billion, accord- ing to officials. That’s $17,887 an inch, or $214,646 a foot, or $704,225 a FIXING meter — any way you measure Photo by Jordan Rathkopf it, it’s a lot of money for a short the BQE Elf Emily Season poses for the perfect selfie with Cobble Hill’s Karen Moshman. stretch of road. The expressway’s triple cantile- ver bridge — a three-tiered stretch fic on the elevated roadway open that hangs below the fabled Prome- in both directions will remain open nade and carries some 140,000 ve- at any given time. hicles per day — is nearly 70 years File photo by Evan Gardner But parts of the Promenade may GO UP TO ELVEN The triple cantilever looks pretty crummy, and it is going to have to close during the repairs, old and already a decade past its expected lifespan, and engineers cost $1.7 billion to fix. agency reps said. -
St. Francis College Terrier Magazine | Fall 2019, Volume 83, Number 1
First Master of Fine Arts Degrees Awarded 2019 SFC Literary Prize Arts at SFC The McGuire Scholars: First Class Graduates President Miguel Martinez-Saenz, Ph.D., and McGuire Scholar Antonia Meditz ’19, the 2019 Spring Commencement THE ST. FRANCIS COLLEGE MAGAZINE | FALL 2019, VOLUME 83, NUMBER 1 TERRIER BOARD OF TRUSTEES ALUMNI BOARD OF DIRECTORS Fall 2019 Volume 83, Number 1 CHAIRMAN PRESIDENT Terrier, the magazine of St. Francis College, Denis Salamone ’75 Robert L. Smith ’72 is published by the Office of Marketing and Communications for alumni and friends of TRUSTEES VICE PRESIDENT St. Francis College. Hector Batista ’84, P’17 Patricia Moffatt Lesser ’77 Bro. William Boslet, OSF ’70 Linda Werbel Dashefsky SECRETARY Rev. Msgr. John J. Bracken Vice President for Kevin T. Conlon ’11 Government and Community Relations Kate Cooney Burke Thomas F. Flood Timothy Cecere P’20 DIRECTORS Vice President for Advancement William Cline Joseph M. Acciarito ’12 Bro. Leonard Conway, OSF ’71 James Bozart ’86 Tearanny Street John J. Casey ’70 Executive Director, Edward N. Constantino ’68 Marketing and Communications Kenneth D. Daly ’88 Salvatore Demma ’09 and ’11 Mary Beth Dawson, Ph.D. Joseph Hemway ’84 EDITOR William F. Dawson, Jr. ’86 Dorothy Henigman-Gurreri ’79 Leah Schmerl Jean S. Desravines ’94 Sarah Bratton Hughes ’07 Director of Integrated Communications, Gene Donnelly ’79 Mary Anne Killeen ’78 Marketing and Communications Catherine Greene Josephine B. Leone ’08 CONTRIBUTORS Leslie S. Jacobson, Ph.D. Alfonso Lopez ’06 Rob DeVita ’15 Penelope Kokkinides James H. McDonald ’69 Kathleen A. Mills ’09 Joey Jarzynka Barbara G. Koster ’76 Jesus F. -
Movie-Going in the Streaming Age: an Overview of Experiences and Crises in the History of Moving Image Exposition
Movie-going in the Streaming Age: An Overview of Experiences and Crises in the History of Moving Image Exposition New York University Moving Image Archiving and Preservation H72.3049—Culture of Museums, Archives and Libraries Written by: Anne-Marie Desjardins April 2018 Desjardins 1 Table of contents Introduction From Vaudeville Acts (1890s) to Nickel Madness (1900s) Defining the Experience – Attracting Patrons and Revenue (1911-1920s) Advertising as Prominent Features of Early Multiplexes The Theatres’ response to the Great Depression The Post-War Movie Experience – The Ozoner (1950s) Television as a Threat: Cinerama, Cinemascope and 3D Technology as a Threat The Streaming Age: Sociality and Spatiality Today’s Responses to Streaming Conclusion Appendix A: Employee Uniforms Appendix B: Special Stunt for An American Tragedy and White Zombie Appendix C: Nitehawk’s table chart (catering to the food service) 22 Works Cited Desjardins 2 Introduction For years, technology has posed a threat to the practice of movie-going. However, the stakes have never been quite as high as they are today in the face of the streaming age. Fear of the extinction of movie theaters along with their offerings of experience are very much present; the solutions are still in development, and the future of cinemas is still unclear. Must the recipe of theaters and their programming be altered in order to attract more people? If the production of moving images is dependent on consumerism, and that the latter is strangled by the growing streaming platforms, where does that leave filmmaking, fan culture and, as an extension, the archiving of this artform? The following essay will provide a general overview of the evolution of movie-going history via its many responses to the ongoing advent of media consumer technologies, ending with the state it is in today and some insight on potential solutions. -
COMMUNITY BOARD No. 1
COMMUNITY BOARD No. 1 435 GRAHAM AVENUE - BROOKLYN, NY 11211- 8813 PHONE: (718) 389-0009 FAX: (718) 389-0098 Email: [email protected] Website: www.nyc.gov/brooklyncb1 HON. ERIC L. ADAMS BROOKLYN BOROUGH PRESIDENT DEALICE FULLER HON. STEPHEN T. LEVIN SIMON WEISER FIRST VICE-CHAIRMAN CHAIRPERSON COUNCILMEMBER, 33rd CD DEL TEAGUE SECOND VICE-CHAIRPERSON GERALD A. ESPOSITO HON. ANTONIO REYNOSO DISTRICT MANAGER COUNCILMEMBER, 34th CD GINA BARROS THIRD VICE-CHAIRPERSON MARIA VIERA FINANCIAL SECRETARY COMBINED PUBLIC HEARING SONIA IGLESIAS RECORDING SECRETARY AND BOARD MEETING PHILIP A. CAPONEGRO JUNE 8, 2021 MEMBER-AT-LARGE VIA WEBEX ROLL CALL Chairperson Ms. Dealice Fuller requested a roll call to establish a quorum. There were 28 members who answered the call at 6:07 PM to open the public hearing (sheet attached). Chairperson Ms. Fuller provided an overview on process for the meeting. She asked all to be brief. She noted that questions could be entered in the chat. PRESENTATIONS PRESENTATION: 824 Metropolitan Avenue N 200314 ZMK & N 200315 ZRK -Private application for a Zoning Map Amendment to facilitate the development of a eight-story mixed use residential building of 36 dwelling units, of which 11 would be permanently affordable under MIH Option 2, and 7,000 square feet of commercial use at 824 Metropolitan Avenue (Block 2916, Lots p/o 8, 14, 16 & p/o 17) in Greenpoint Williamsburg, Community District 1. Presented by Lauren George, Senior Vice President, Constantinople & Vallone Consulting LLC. (Item to be Voted on 7/13/21.). A presentation was provided (attached). Ms. Lauren George, representative for the application, spoke. -
St Francis College Annual Donor Report 2012-2013
THE ST. FRANCIS COLLEGE MAGAZINE | WINTER 2013-2014; VOLUME 77, NUMBER 2 St . Francis College 2013 Literary Prize And the Winner is… Page 4 Also Inside: Campus News . 2 Affinity Groups: New Ways to Connect . 10 New Four Year Nursing Program . 2 SFC Athletics . 13 Sara Sooy ’14—Balancing Work, Play, and Religion . 3 Alumni Events . 16 St . Clare and St . Francis Week . 6 Class Notes . 18 The Center for Entrepreneurship is Open for All Businesses . 8 Fashion Forward with Tabitha St . Bernard ’04 . 18 Getting in Tune with History . 9 St . Francis College 2012–2013 Annual Donor Report . 22 TERRIER BOARD OF TRUSTEES ALUMNI BOARD OF DIRECTORS Winter 2013-2014 Vol. 77, Number 2 CHAIRMAN PRESIDENT Terrier , the magazine of St. Francis College, is John F. Tully ’67 Joseph M. Hemway ’84 published by the Office of College Relations for alumni and friends of St. Francis College. TRUSTEES VICE PRESIDENT Hector Batista ’84 Robert L. Smith ’72 Linda Werbel Dashefsky Bro. William A. Boslet, OSF ’70 Vice President for DIRECTORS Msgr. John J. Bracken Government and Community Relations James Bozart ’86 John B. Clark, Ph.D. Dennis J. McDermott ’74 Sarah Bratton ’07 Edward N. Constantino ’68 Director of Alumni Relations Brendan J. Cahalan ’92 Bro. Leonard Conway, OSF ’71 Rosmery Camilo ’06 Thomas F. Flood Orville W. Dale Vice President for Development John J. Casey ’70 Kenneth Daly ’88 Salvatore Demma ’09 Mary Beth Dawson, Ph.D. EDITOR: Patrick Dugan ’01 William Dawson ’86 Richard Relkin John Kiely ’76 Brendan J. Dugan ’68** Director of Media Relations Mary Anne Killeen ’78 Catherine Greene PHOTO EDITOR: Alfonso Lopez ’06 Michael Henning ’61 Lorraine M. -
A Live Documentary by Sam Green and Kronos Quartet
Wexner Center for the Arts School Programs Resources A Thousand Thoughts: a Live Documentary by Sam Green and Kronos Quartet “I've always wanted the string quartet to be vital, and energetic, and alive, and cool, and not afraid to kick ass and be absolutely beautiful and ugly if it has to be. But it has to be expressive of life. To tell the story with grace and humor and depth. And to tell the whole story, if possible." –David Harrington, Kronos Quartet ABOUT THE PERFORMANCE: After 45 years since their inception the ever-forward thinking Kronos Quartet embrace a moment of reflection with this special Wexner Center commissioned collaboration with filmmaker Sam Green, for which they have won an Artist Residency Award at the Wexner. A live cinema documentary about Kronos’ past, present, and future, A Thousand Thoughts--conceptualized and directed by Green--will take on an expansive exploration of form as it tells the story of Kronos’ history through live narration, archival footage, interviews with Kronos collaborators such as Philip Glass, Terry Riley, Tanya Tagaq, and Wu Man among others, and live music performed by Kronos. Sam Green’s insightful narration will highlight telling moments from Kronos’ early days in San Francisco as upstarts in the world of classical music seeking new ways to perform chamber music with a hip edge while championing music from Jimi Hendrix and Astor Piazzolla to their place today as widely acclaimed artists and trailblazers of the vibrant indie chamber scene. The meta quality of this work—a live documentary about Kronos as Kronos performs the soundtrack—allows audiences to reflect on the nature of liveness, presence, and the collective experience of art, while also deepening their understanding of Kronos’ music, story, and legacy. -
Brooklyn Law Notes Law Brooklyn the Passion of Pips Pips of Passion The
Brooklyn Law Notes THE MAGAZINE OF BROOKLYN LAW SCHOOL | FALL 2016 Brooklyn Law Notes FALL 2016 The Passion of PipS Race, Technology, and New Faculty Build Fellows at Work the Future of Policing on Excellence Brooklyn Law Notes Dean’s Message Vol. 21, No. 2 We the People Editor-in-Chief Clorinda Valenti Director of Communications Managing Editor Kaitlin Ugolik Class Notes Editor Andrea Polci Associate Director of Alumni Relations Faculty Notes Editor John Mackin Public Relations Manager Contributors Dominick DeGaetano Jesse Sherwood Andrea Strong Peggy Swisher Art Director Ron Hester Photographers Todd France Ron Hester Will O’Hare Peter Tannenbaum Joe Vericker Printer Allied Printing Contact us n a beautiful sun-splashed September day in We welcome letters and comments about Washington, D.C., it was an exquisitely memorable articles in Brooklyn Law Notes. We will experience to be part of the large crowd celebrat- consider reprinting brief submissions ing the opening of the new Smithsonian National in print issues and on our website. OMuseum of African American History and Culture. Words alone tel: 718-780-7966 cannot capture the museum’s full impact, from the metal lattice e mail: [email protected] exterior walls that recall iconic figures once serving as symbolic Web: brooklaw.edu guardians protecting African villages, to the large welcoming m ailing address front porch and the exhibition halls filled with artifacts, art, and Managing Editor Brooklyn Law Notes displays that are vibrant, moving, and often painful and horri- 250 Joralemon Street fying reminders of the struggles, as well as contributions and Brooklyn, New York 11201 triumphs, of African Americans. -
2008 Next BAM Endowment Trust Wave Festival
BAMAnnual2oo6—2oo8 MUSIC, THEATER, FILM, COmmUNITY, ART, DANCE Brooklyn, New York Since 1861 2 BAM Chair Letter 4 President & Exec. Producer Letter 6 2006 Next Wave Festival 8 2007 Next Wave Festival 10 BAM Dance 12 BAM Music/Opera 14 BAM Theater 16 BAM Rose Cinemas BAMcinématek 20 Sundance Institute at BAM 21 Takeover 22 Between the Lines 23 The Met: Live in HD 24 BAMart 26 BAMcafé Live 30 Community 32 Education 34 Humanities 38 Hamm Archives 40 BAM Next Stage Campaign 50 Staff 52 Mission Statement 53 Board 62 Financial Statements Amjad, 2008 Next BAM ENDOWMENT TRUST Wave Festival. A-1 BET Chair Letter Photo courtesy Édouard Lock A-3 BET Mission Statement A-4 BET Board A-5 BET Financial Statements Alan H. Fishman To the BAM family: The past two performance seasons once In 2007, major milestone anniversaries Building. This building will be a much- valued leadership. I welcome the new again demonstrated the excellence of were celebrated by two of our anchor needed facility used to introduce emerging members who have joined since July BAM’s programming and the family of programs: the Next Wave Festival and artists to our audience as well as expand 2006: Linda Chinn, William Edwards, artists, patrons, audiences, and staff DanceAfrica. The Next Wave Festival our community and arts education pro- Richard Feldman, Derek Jenkins, Gary whose dedication and effort make it all celebrated its 25th season and its 25th grams. I encourage all of you to join me in Lynch, Donald R. Mullen, Jr., Brian Nigito, possible. The achievements delineated on consecutive year of sponsorship and part- supporting this landmark fundraising effort Steven Sachs, Timothy Sebunya, Jessica the following pages would not be possible nership from Altria Group, Inc. -
Marnie Weber
MARNIE WEBER BIOGRAPHY Born 1959 in Bridgeport, CT Lives and works in Los Angeles, CA EDUCATION 1977-1979 B.A., University of Southern California, Los Angeles, CA 1981 B.A., University of California, Los Angeles, CA FORTHCOMING EXHIBITIONS 2019 Eldorado, lille3000, Lille, France SELECTED SOLO EXHIBITIONS 2019 Twisted Refrain: The Work of Marnie Weber, Boone Family Art Gallery, Pasadena City College, Pasadena, CA 2018 Storyboards from Day of Forevermore, Concordia University, Montreal, QC 2016 Chapel of The Moon, Gavlak Gallery, Hollywood, CA Once Upon a Time in Forevermore, MAMCO, Geneva, Switzerland (exh. cat) 2015 The Ghost Train, Mattress Factory, Pittsburgh, PA (curated by Owen Smith) 2013 The Day After Forevermore, Cardi Black Box, Milan The Nature of Time, Praz-Delavallade, Paris, France 2012 The Whispering Chamber, Lille3000 Festival, Lille, France The Night of Forevermore, Marc Jancou Contemporary, New York, NY 2011 Marnie Weber: The Autumn Bear, Palais de Tokyo, Paris, France 2010 Marnie Weber: Forever Free, The Cinema Show: A Film Retrospective and Installations, Sculpture and Collage, curated by Yves Aupetitallot, Le Magasin Centre National d'Art Contemporain de Grenoble, France (exh. cat) Eternity Forever, curated by Emi Fontana, presented by West of Rome Public Art (WOR), The Mountain View Cemetery and Mausoleum Project, Altadena, CA 2009 The Truth Speakers, The Sea of Silence, Simon Lee Gallery, London, UK The Campfire Song, Sint-Lukas Galerie, Brussels, Belgium The Bondage of Decay, Marc Jancou Contemporary, New York, NY 2008 The Melancholy Circus, Praz-Delavallade, Paris, France Saving the Farm, Bernier/Eliades Gallery, Athens, Greece 2007 A Western Song, Utställningar Hösten 07, Vita Kuben, Umea, Sweden Sing Me A Western Song, Patrick Painter Gallery, Santa Monica, CA (exh. -
Brooklyn Family October 2014
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Jaffas in the Suburbs – the Cinemas of Sydney's Eastern Fringe
Jaffas in the suburbs – the cinemas of Sydney’s eastern fringe John Walter Ross “The showing of cinematograph pictures has now developed into a permanent business of extensive proportions, and temporary structures which were erected in the suburban areas during the speculative period of the business and which are of a more or less make-shift character have served their purpose. The time has arrived when these temporary structures in the interests of the public should be replaced with permanent up-to-date buildings…for the safety, health and comfort of the public”. Under Secretary, Chief Secretary’s Department, 15 September 1920. Cover photograph: Premier Theatre, Surry Hills, 1942 (State Library of NSW). Contents Foreword ................................................................................................................................................. 7 Between vaudeville and television - cinema in Sydney .......................................................................... 9 Darlinghurst .......................................................................................................................................... 17 Australian Picture Palace/Tatler/Park/Paris, 203-207 Liverpool Street ........................................... 17 Burlington Picture Theatre, 276 Liverpool Street ............................................................................. 22 Empire/Australian/Emu/Trudamite/Gaiety, 17a Oxford Street ....................................................... 24 Filmmakers’ Cinema, St Peter’s