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Trolley Ain't No Gravy Train
INSIDE: GET THE RIGHT RESULTS WITH OUR CLASSIFIEDS SECTION Yo u r World — Yo u r News BrooklynPaper.com • (718) 260–2500 • Brooklyn, NY • ©2016 Serving Brownstone Brooklyn, Williamsburg & Greenpoint AWP/14 pages • Vol. 39, No. 49 • December 2–8, 2016 • FREE BILLION $ MILE Planned BQE repairs to be most expensive in city history By Lauren Gill Brooklyn Paper It’s Brooklyn’s billion-dol- lar mile! The city’s much-needed repair of the decrepit 1.5-mile Brooklyn Heights stretch of the Brooklyn– Queens Expressway will be the most expensive project in Depart- ment of Transportation history at a whopping $1.7 billion, accord- ing to officials. That’s $17,887 an inch, or $214,646 a foot, or $704,225 a FIXING meter — any way you measure Photo by Jordan Rathkopf it, it’s a lot of money for a short the BQE Elf Emily Season poses for the perfect selfie with Cobble Hill’s Karen Moshman. stretch of road. The expressway’s triple cantile- ver bridge — a three-tiered stretch fic on the elevated roadway open that hangs below the fabled Prome- in both directions will remain open nade and carries some 140,000 ve- at any given time. hicles per day — is nearly 70 years File photo by Evan Gardner But parts of the Promenade may GO UP TO ELVEN The triple cantilever looks pretty crummy, and it is going to have to close during the repairs, old and already a decade past its expected lifespan, and engineers cost $1.7 billion to fix. agency reps said. -
Movie-Going in the Streaming Age: an Overview of Experiences and Crises in the History of Moving Image Exposition
Movie-going in the Streaming Age: An Overview of Experiences and Crises in the History of Moving Image Exposition New York University Moving Image Archiving and Preservation H72.3049—Culture of Museums, Archives and Libraries Written by: Anne-Marie Desjardins April 2018 Desjardins 1 Table of contents Introduction From Vaudeville Acts (1890s) to Nickel Madness (1900s) Defining the Experience – Attracting Patrons and Revenue (1911-1920s) Advertising as Prominent Features of Early Multiplexes The Theatres’ response to the Great Depression The Post-War Movie Experience – The Ozoner (1950s) Television as a Threat: Cinerama, Cinemascope and 3D Technology as a Threat The Streaming Age: Sociality and Spatiality Today’s Responses to Streaming Conclusion Appendix A: Employee Uniforms Appendix B: Special Stunt for An American Tragedy and White Zombie Appendix C: Nitehawk’s table chart (catering to the food service) 22 Works Cited Desjardins 2 Introduction For years, technology has posed a threat to the practice of movie-going. However, the stakes have never been quite as high as they are today in the face of the streaming age. Fear of the extinction of movie theaters along with their offerings of experience are very much present; the solutions are still in development, and the future of cinemas is still unclear. Must the recipe of theaters and their programming be altered in order to attract more people? If the production of moving images is dependent on consumerism, and that the latter is strangled by the growing streaming platforms, where does that leave filmmaking, fan culture and, as an extension, the archiving of this artform? The following essay will provide a general overview of the evolution of movie-going history via its many responses to the ongoing advent of media consumer technologies, ending with the state it is in today and some insight on potential solutions. -
COMMUNITY BOARD No. 1
COMMUNITY BOARD No. 1 435 GRAHAM AVENUE - BROOKLYN, NY 11211- 8813 PHONE: (718) 389-0009 FAX: (718) 389-0098 Email: [email protected] Website: www.nyc.gov/brooklyncb1 HON. ERIC L. ADAMS BROOKLYN BOROUGH PRESIDENT DEALICE FULLER HON. STEPHEN T. LEVIN SIMON WEISER FIRST VICE-CHAIRMAN CHAIRPERSON COUNCILMEMBER, 33rd CD DEL TEAGUE SECOND VICE-CHAIRPERSON GERALD A. ESPOSITO HON. ANTONIO REYNOSO DISTRICT MANAGER COUNCILMEMBER, 34th CD GINA BARROS THIRD VICE-CHAIRPERSON MARIA VIERA FINANCIAL SECRETARY COMBINED PUBLIC HEARING SONIA IGLESIAS RECORDING SECRETARY AND BOARD MEETING PHILIP A. CAPONEGRO JUNE 8, 2021 MEMBER-AT-LARGE VIA WEBEX ROLL CALL Chairperson Ms. Dealice Fuller requested a roll call to establish a quorum. There were 28 members who answered the call at 6:07 PM to open the public hearing (sheet attached). Chairperson Ms. Fuller provided an overview on process for the meeting. She asked all to be brief. She noted that questions could be entered in the chat. PRESENTATIONS PRESENTATION: 824 Metropolitan Avenue N 200314 ZMK & N 200315 ZRK -Private application for a Zoning Map Amendment to facilitate the development of a eight-story mixed use residential building of 36 dwelling units, of which 11 would be permanently affordable under MIH Option 2, and 7,000 square feet of commercial use at 824 Metropolitan Avenue (Block 2916, Lots p/o 8, 14, 16 & p/o 17) in Greenpoint Williamsburg, Community District 1. Presented by Lauren George, Senior Vice President, Constantinople & Vallone Consulting LLC. (Item to be Voted on 7/13/21.). A presentation was provided (attached). Ms. Lauren George, representative for the application, spoke. -
Meet Bunny Yeager, the Iconic Pinup Model Turned Photographer”, the Huffington Post, July 31, 2015
Priscilla Frank, “Meet Bunny Yeager, The Iconic Pinup Model Turned Photographer”, The Huffington Post, July 31, 2015. Meet Bunny Yeager, The Iconic Pinup Model Turned Photographer "I’m not doing it to titillate anybody’s interests," photographer and model Bunny Yeager said of her work in an interview with The New York Times. "I want to show off how beautiful my subjects are, whether it’s a cheetah or a live girl or two of them together." Yeager, the famed model-turned-photographer, is known for her light-drenched stills of pinup women oozing self-assured sexuality. Working in an age where men captured and controlled most distributed images of women, Yeager flipped the switch, creating sultry self-portraits and pinup shots from a woman's point of view. An exhibition of Yeager's work, entitled "How I Photograph Myself," is now on view atGavlak Los Angeles. The show offers a deeper look at the iconic photographer, who passed away in 2014, probing beyond the seductive surfaces of her images into their artistic and feminist repercussions. Born Eleanor Linnea Yeager in Pittsburgh, Pennsylvania., the artist moved to Miami at 17 years old, determined to shed her shy persona and reinvent herself. She adopted the name Bunny from Lana Turner’s character in the 1945 film "Week-End at the Waldorf" and began modeling and competing in beauty pageants. At five foot nine with platinum blonde hair, Yeager was a stunner, a Marilyn Monroe type with a bold vision and bewitching smile. In Miami, Yeager also studied photography at the Lindsey-Hopkins Technical College, and even sold one of her homework assignments to a men's magazine. -
Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress
INVENTORY TO ARCHIVAL BOXES IN THE MOTION PICTURE, BROADCASTING, AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by MBRS Staff (Last Update December 2017) Introduction The following is an inventory of film and television related paper and manuscript materials held by the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. Our collection of paper materials includes continuities, scripts, tie-in-books, scrapbooks, press releases, newsreel summaries, publicity notebooks, press books, lobby cards, theater programs, production notes, and much more. These items have been acquired through copyright deposit, purchased, or gifted to the division. How to Use this Inventory The inventory is organized by box number with each letter representing a specific box type. The majority of the boxes listed include content information. Please note that over the years, the content of the boxes has been described in different ways and are not consistent. The “card” column used to refer to a set of card catalogs that documented our holdings of particular paper materials: press book, posters, continuity, reviews, and other. The majority of this information has been entered into our Merged Audiovisual Information System (MAVIS) database. Boxes indicating “MAVIS” in the last column have catalog records within the new database. To locate material, use the CTRL-F function to search the document by keyword, title, or format. Paper and manuscript materials are also listed in the MAVIS database. This database is only accessible on-site in the Moving Image Research Center. If you are unable to locate a specific item in this inventory, please contact the reading room. -
A Live Documentary by Sam Green and Kronos Quartet
Wexner Center for the Arts School Programs Resources A Thousand Thoughts: a Live Documentary by Sam Green and Kronos Quartet “I've always wanted the string quartet to be vital, and energetic, and alive, and cool, and not afraid to kick ass and be absolutely beautiful and ugly if it has to be. But it has to be expressive of life. To tell the story with grace and humor and depth. And to tell the whole story, if possible." –David Harrington, Kronos Quartet ABOUT THE PERFORMANCE: After 45 years since their inception the ever-forward thinking Kronos Quartet embrace a moment of reflection with this special Wexner Center commissioned collaboration with filmmaker Sam Green, for which they have won an Artist Residency Award at the Wexner. A live cinema documentary about Kronos’ past, present, and future, A Thousand Thoughts--conceptualized and directed by Green--will take on an expansive exploration of form as it tells the story of Kronos’ history through live narration, archival footage, interviews with Kronos collaborators such as Philip Glass, Terry Riley, Tanya Tagaq, and Wu Man among others, and live music performed by Kronos. Sam Green’s insightful narration will highlight telling moments from Kronos’ early days in San Francisco as upstarts in the world of classical music seeking new ways to perform chamber music with a hip edge while championing music from Jimi Hendrix and Astor Piazzolla to their place today as widely acclaimed artists and trailblazers of the vibrant indie chamber scene. The meta quality of this work—a live documentary about Kronos as Kronos performs the soundtrack—allows audiences to reflect on the nature of liveness, presence, and the collective experience of art, while also deepening their understanding of Kronos’ music, story, and legacy. -
The Cultural Histories of Bettie Page Merchandise Circulation 11/26/18, 10)56 AM
From AIDS-era Queer Icon to Sanitized Nostalgic Property: THe Cultural Histories of Bettie Page MercHandise Circulation 11/26/18, 10)56 AM From AIDS-era Queer Icon to Sanitized Nostalgic Property: The Cultural Histories of Bettie Page Merchandise Circulation Finley Freibert Volume 42, Issue 2: Film and Merchandise , November 2018 DOI: http://dx.doi.org/10.3998/fc.13761232.0042.203 [http://creativecommons.org/licenses/by-nc-nd/4.0/] Abstract The merchandising of Bettie Page since the mid-20th century has evinced her diverse cultural associations at a variety of historical moments. Yet from a contemporary standpoint, the historical narratives prompted in the licensing of her name and image flatten her past into a palatable emblem of 1950s pin-up culture. In this article, I interrogate the ways Page’s image has been mobilized since the 1950s. I propose a cultural biography of Bettie Page attuned to her queer communitarian circulation in order to counter the nostalgic sanitation of her image since the 1990s. In November of 2017, several media industry and gay press news outlets announced that Violet Chachki, drag performer and 2015 RuPaul’s Drag Race season seven champion, would front an advertising campaign for a Bettie Page-inspired lingerie line by London-based brand Playful Promises. [1] [#N1] The campaign featured photography by Anna Swiczeniuk, in which Chachki’s poses, makeup, hairstyle, and apparel evoked a contemporary nostalgic view of Bettie Page’s pin-up style. While the campaign was largely applauded, there was a degree of negative criticism in the form of cis chauvinist comments that usually misgendered Chachki, who self-identifies as genderqueer, and asserted that lingerie should be exclusively worn by cis women. -
Playboy Magazine Collection an Inventory
1 Playboy Magazine Collection An Inventory Creator: Hefner, Hugh (1926-2017) Title: Playboy Magazine Collection Dates: 1955-1994 Abstract: This collection consists of issues of Playboy and OUI magazines ranging from December 1955-June 2018. Playboy is unique among other erotic magazines of its time for its role as a purveyor of culture through political commentary, literature, and interviews with prominent activists, politicians, authors, and artists. The bulk of the collection dates from the 1960s-1970s and includes articles and interviews related to political debates such as the Cold War, Communism, Vietnam, the Civil Rights Movement, second-wave feminism, LGBTQ rights, and the depiction and consumption of the body. Researchers studying American Culture in the 1960s/70s, Gender & Sexuality, History of Advertising, and History of Photography will find this material of particular interest. Extent: 15 boxes, 6.25 linear feet Language: English Repository: Drew University Library, Madison NJ Biographical and History Note: Hugh Hefner, (April 9, 1926 – September 27, 2017), the founder and editor-in-chief of Playboy magazine, was known as a free speech activist, philanthropist, and proponent of sexual freedom. He founded Playboy magazine in 1953 with $1,000 seed money provided by his mother, Grace Hefner, a devout Methodist. The magazine quickly became known for its subversive visual, literary, and political content. Playboy is unique among other erotic magazines of the same time period for its role as a purveyor of culture through political commentary, literature, and interviews with prominent activists, politicians, authors, and artists. As a lifestyle magazine, Playboy curated and commodified the image of the modern bachelor of leisure. -
Scattered Storms Bring Hail County Sunday Evening, While Other Storm Systems from the East Skirt- Rain Gauges Read Zero Areas Saw Little to No Precipitation
SCHOOLS IN PICTURES Team Roping Fort White is ‘Wild More photos from the Champs About Reading,’ 5A. Folk Festival, 6A. Sports, 1B. TUESDAY, MAY 27, 2014 | YOUR COMMUNITY NEWSPAPER SINCE 1874 | 75¢ Lake City Reporter LAKECITYREPORTER.COM Scattered storms bring hail County Sunday evening, while other Storm systems from the east skirt- Rain gauges read zero areas saw little to no precipitation. No ed Columbia County Sunday but to five inches across damage was reported. didn’t score a direct hit. Columbia County. “It was kind of an odd situation,” “If you saw the radar, we were kind said Shayne Morgan, the county’s of in a hole,” Morgan said. By ROBERT BRIDGES emergency management director. But places that got hit, got hit hard. [email protected] Extreme western Columbia County Linda Dowling was driving down near the Baker County line saw 2-5 Bascom Norris to her Burnett Road Widely-scattered thunderstorms inches of rain according to radar home when the hail started. dropped up to five inches of rain – estimates, Morgan said, while areas “I thought it was going to break the DAVID TANNENBAUM/Special to the Reporter and hail – on some parts of Columbia to the extreme north saw 3-5 inches. Hail fell at the Lake City home of Linda Dowling Sunday eve- HAIL continued on 3A ning. As 5 inches of rain fell insome areas, officials said. A reason to remember Winning Fantasy 5 ticket sold in county From staff reports A winning Fantasy 5 ticket worth $256,934.82 was sold in Columbia County Saturday night, Florida Lottery officials said. -
Jaffas in the Suburbs – the Cinemas of Sydney's Eastern Fringe
Jaffas in the suburbs – the cinemas of Sydney’s eastern fringe John Walter Ross “The showing of cinematograph pictures has now developed into a permanent business of extensive proportions, and temporary structures which were erected in the suburban areas during the speculative period of the business and which are of a more or less make-shift character have served their purpose. The time has arrived when these temporary structures in the interests of the public should be replaced with permanent up-to-date buildings…for the safety, health and comfort of the public”. Under Secretary, Chief Secretary’s Department, 15 September 1920. Cover photograph: Premier Theatre, Surry Hills, 1942 (State Library of NSW). Contents Foreword ................................................................................................................................................. 7 Between vaudeville and television - cinema in Sydney .......................................................................... 9 Darlinghurst .......................................................................................................................................... 17 Australian Picture Palace/Tatler/Park/Paris, 203-207 Liverpool Street ........................................... 17 Burlington Picture Theatre, 276 Liverpool Street ............................................................................. 22 Empire/Australian/Emu/Trudamite/Gaiety, 17a Oxford Street ....................................................... 24 Filmmakers’ Cinema, St Peter’s -
How Bunny Yeager Made Bettie Page Blaze
AÏE MAGAZINE AÏE MAGAZINE the sweat issue JAMIE REID KATHARINE HAMNETT GUS VAN SANT DREW CAROLAN AYA TAKANO BUNNY YEAGER NOBUHIKO KITAMURA PAZ DE LA HUERTA WALTER VAN BEIRENDONCK SIR QUENTIN BLAKE … Watercolour by Safia Bahmed-Schwartz Venice in Veronique Leroy Portrait by Daniele Nalesso at Le Metropole Hotel Venezia Editor - in - chief Alexandra Birchall - White [email protected] Art directors Alice Maitre + Jérémy Vitté Contributing editors Chloe Wilk - Martin + Erin Genevieve Conry Webb Correspondents Angela Reynolds + Rico Washington Tessa Dickinson Photographers Bunny Yeager + Gilles Jacob Julien Vallon + Manfredi Gioacchini Pierre Thorreton + Rebecca Thomas Shuhei Shine + David Ledoux Tom de Peyret + Jorgen Axelvall Stylists Ax + Ines Fravezzi + Chloe Wilk - Martin AÏE MAGAZINE 37 avenue de Paris, 78000 Versailles, France www.aiemagazine.com Distribution International Export Press Tel. +33 (0) 1 40 29 14 51 www.exportpress.com Siret 52144115400015 + ISSN 2107-5611 Dépôt Légal À Parution, June 2014 + All Rights Reserved. Cover by Gilles Jacob Thank you Filip Skrapic, Carine Decroi, Erin Conry Webb, Margot Guelfi, Mom, Sven Clymans, Al Moran, Galerie Emmanuel Perrotin, Mat O’Brien, David Ledoux, Drew Carolan, Ottavia Palomba, Nicolas Martin and Chloe Wilk - Martin at Western Promises, Colin Green and Gabi Whitfield at Jaguar, Stephanie Reynolds, Nicolas Aksil, Christophe Victoor, Mark Gonzales, Gilles Jacob, Ariann Costa at the Standard Hotel, Helmut Schuster at Galerie Schuster Berlin, Paz de la Huerta, Gilles Moorghen at l’Espace Culturel Louis Vuitton, The Little Bear Company, Ambre Dahan at Walk In My Closet, Isabel Mössinger at Karla Otto, Vincent Tsouderos at Le Studio Montmartre, Com’on Ouest retouching, Angela Reynolds, Mark Fast, Carlos Bettancourt, Lucie Hugary, Lucille Moulin… And all whom made this issue happen, forgive me if you deserve to be thanked and weren’t. -
Jon Dieringer
Jon Dieringer 367 Cumberland St. #3, Brooklyn, NY 11238 | 330.265.3875 | jondotd.com | [email protected] Selected Work Technical Director New York, NY Experience Electronic Arts Intermix Jan. ‘14 – Present ● Overseeing the technical stewardship of a collection of 4,000+ media artworks ● Working closely with artists to facilitate post-production of new works ● Preservation planning and migrating of analog and complex digital media artworks ● Strategic long term planning for physical and digital conservation and storage ● Research and writing related to grants, collection management, and curatorial projects Founder/Publisher/Editor-in-Chief New York, NY Screen Slate (screenslate.com) Feb. ‘11 – Present ● Developing an online platform for listing New York’s repertory & gallery film/video screenings ● Authoring hundreds of daily pieces of editorial commentary ● Organizing the work of fellow volunteer writers and listings editors ● Sharing content via daily and weekly emails to a list of more than 2,500 subscribers ● Interfacing with programmers, curators, and publicists about upcoming screenings and events Head Programmer/Administrator Brooklyn, NY Spectacle Theater Apr. ‘11 – Aug. ‘15 ● Arranging 200+ film and video programs in a collaborative microcinema setting ● Authoring program text and audiovisual promotional materials such as custom trailers ● Setting policy and organizing a staff of dozens of fellow volunteers ● Interfacing with distributors, filmmakers, artists, and guest programmers ● Coordinating guest residencies at venues