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English Translation of the German by Tom Hammond
Richard Strauss Susan Bullock Sally Burgess John Graham-Hall John Wegner Philharmonia Orchestra Sir Charles Mackerras CHAN 3157(2) (1864 –1949) © Lebrecht Music & Arts Library Photo Music © Lebrecht Richard Strauss Salome Opera in one act Libretto by the composer after Hedwig Lachmann’s German translation of Oscar Wilde’s play of the same name, English translation of the German by Tom Hammond Richard Strauss 3 Herod Antipas, Tetrarch of Judea John Graham-Hall tenor COMPACT DISC ONE Time Page Herodias, his wife Sally Burgess mezzo-soprano Salome, Herod’s stepdaughter Susan Bullock soprano Scene One Jokanaan (John the Baptist) John Wegner baritone 1 ‘How fair the royal Princess Salome looks tonight’ 2:43 [p. 94] Narraboth, Captain of the Guard Andrew Rees tenor Narraboth, Page, First Soldier, Second Soldier Herodias’s page Rebecca de Pont Davies mezzo-soprano 2 ‘After me shall come another’ 2:41 [p. 95] Jokanaan, Second Soldier, First Soldier, Cappadocian, Narraboth, Page First Jew Anton Rich tenor Second Jew Wynne Evans tenor Scene Two Third Jew Colin Judson tenor 3 ‘I will not stay there. I cannot stay there’ 2:09 [p. 96] Fourth Jew Alasdair Elliott tenor Salome, Page, Jokanaan Fifth Jew Jeremy White bass 4 ‘Who spoke then, who was that calling out?’ 3:51 [p. 96] First Nazarene Michael Druiett bass Salome, Second Soldier, Narraboth, Slave, First Soldier, Jokanaan, Page Second Nazarene Robert Parry tenor 5 ‘You will do this for me, Narraboth’ 3:21 [p. 98] First Soldier Graeme Broadbent bass Salome, Narraboth Second Soldier Alan Ewing bass Cappadocian Roger Begley bass Scene Three Slave Gerald Strainer tenor 6 ‘Where is he, he, whose sins are now without number?’ 5:07 [p. -
Diadem Gold Mining Co
aiyiM iwaftwfiFBywiwftBiaww1' 1,,iw Mf MJff Wednesday, May i, 1901 THE SUMPTER MINER Diadem Gold Mining Co. : OFFICERS Mines Situated on Green- This Mine is Working j President J. H. ROBBINS J Every Day j Mayor of Sumpttr a. N.C.RICHARDS horn Mountain Attorney (Uw J This Mine is a Shiping Sec'y and Treas...OTTO HERLOCKER Baker County Mine i4 At. Cathltr First Bank ol Sumpttr f Directors J. H. Robblns, N. C. J The Baker Cl!y SamplInK Works Richards, E. M. Anderson, M. D. gives the following returns (or two Supt. of Mines... DAVID O'NEIL small shipments: Lot 68-1- . 253 sacks X Of Iter P, O.. Baker County, Oregon 1,000,000 SHARES of ore, dry weight, 13,06) pounds. In addition to the officer of the company Z Gold, 7 ounces; silver, 940 ounces. J among the atockholderi are: Hon. Lee Mantle, T : PAR VALUE $1 00 EACH Gold per oz, $20; treatment cost 98. late IT. S. Senator, Hutte, Montana: Tho. R. Net price per Freight, Hindi, County Treasurer, Butte, Montana; I ton, 130.50. late of Hon. John F. Forbes, Attorney-at-La- Butte; Zi a 97 per ton. Net value lost, 9800,24. Chas. S. Warren, Speculator, Butte; los. F. Par-- T Lot No. 102. 378 sack ore; dry dee, Miner, Phllllpsburg, Montana; H. M. Grant, weight, 18,810. Gold, 6.20 ounces; Insurance Adfuster, Portland; Geo. W, McDow- - ell, Broker Portland; CB. Richardson, Contrac- - Home Office silver, q ounces; gold $20 per ounce. tor, Walla. Walla, Wash.; Hector McRea. -
A Paratextual Analysis of Nurturing Opera Audiences: Transmedia Practices, Interactivity and Historical Interpretation in the We
. Volume 16, Issue 1 May 2019 A paratextual analysis of Nurturing Opera Audiences: Transmedia practices, interactivity and historical interpretation in the Welsh National Opera’s promotion of the ‘Tudors Trilogy’1 Rachel Grainger and Márta Minier, University of South Wales, UK Abstract: This article examines contemporary opera marketing strategies in the context of paratextuality and transmedia storytelling using the case study of the Welsh National Opera’s (WNO) 2013 ‘Tudor trilogy’ (Anna Bolena, Maria Stuarda, Roberto Devereux by Gaetano Donizetti). The WNO’s marketing, and education & outreach campaigns for their Tudor opera performances build on the contemporary manifold ‘presence of the past in British society’ (Wright 2009: ix) and the widespread use of technologically aided branding in the arts world. We will argue that the WNO’s creative and heritagising recourse to the Tudor period as ‘usable past’ (Jordanova 2006, Smith 1997: 37) and ‘playable past’ (Kapell and Elliott 2013: 362) not only determines the main branding context for the performed opera trilogy as a cultural product but that there is also a lucrative case of one brand supporting another: the Tudor brand as a phenomenon of contemporary retro-culture bolstering the WNO brand as a not exclusively upper class but accessible and chic brand. WNO’s Tudors performance cluster is a project where significant agencies and configurations of the contemporary heritage industry converge: high opera meets Tudormania, digital marketing company Yello brick and the National Trust as -
From the Garden of Eden to the New Creation in Christ : a Theological Investigation Into the Significance and Function of the Ol
The University of Notre Dame Australia ResearchOnline@ND Theses 2017 From the Garden of Eden to the new creation in Christ : A theological investigation into the significance and function of the Old estamentT imagery of Eden within the New Testament James Cregan The University of Notre Dame Australia Follow this and additional works at: https://researchonline.nd.edu.au/theses Part of the Religion Commons COMMONWEALTH OF AUSTRALIA Copyright Regulations 1969 WARNING The material in this communication may be subject to copyright under the Act. Any further copying or communication of this material by you may be the subject of copyright protection under the Act. Do not remove this notice. Publication Details Cregan, J. (2017). From the Garden of Eden to the new creation in Christ : A theological investigation into the significance and function of the Old Testament imagery of Eden within the New Testament (Doctor of Philosophy (College of Philosophy and Theology)). University of Notre Dame Australia. https://researchonline.nd.edu.au/theses/181 This dissertation/thesis is brought to you by ResearchOnline@ND. It has been accepted for inclusion in Theses by an authorized administrator of ResearchOnline@ND. For more information, please contact [email protected]. FROM THE GARDEN OF EDEN TO THE NEW CREATION IN CHRIST: A THEOLOGICAL INVESTIGATION INTO THE SIGNIFICANCE AND FUNCTION OF OLD TESTAMENT IMAGERY OF EDEN WITHIN THE NEW TESTAMENT. James M. Cregan A thesis submitted for the degree of Doctor of Philosophy at the University of Notre Dame, Australia. School of Philosophy and Theology, Fremantle. November 2017 “It is thus that the bridge of eternity does its spanning for us: from the starry heaven of the promise which arches over that moment of revelation whence sprang the river of our eternal life, into the limitless sands of the promise washed by the sea into which that river empties, the sea out of which will rise the Star of Redemption when once the earth froths over, like its flood tides, with the knowledge of the Lord. -
Design Iterations Through Fusion of Additive and Subtractive Design
DESIGN ITERATIONS THROUGH FUSION OF ADDITIVE AND SUBTRACTIVE DESIGN A thesis submitted to the College of the Arts of Kent State University in partial fulfillment of the requirements for the degree of Master of Arts by Gordon Stumpo May 2016 i Thesis written by Gordon Stumpo B.A., Washington State University, 2014 M.A., Kent State University, 2016 Approved by Vince Quevedo, Thesis Supervisor Brian Peters, Committee Member Margarita Benitez, Committee Member Dr. Catherine Amoroso Leslie, Graduate Studies Coordinator, The Fashion School Dr. Linda Hoeptner Poling, Graduate Studies Coordinator, The School of Art Mr. J.R. Campbell, Director, The Fashion School Dr. Christine Havice, Director, The School of Art Dr. John Crawford-Spinelli, Dean, College of the Arts ii TABLE OF CONTENTS Page LIST OF FIGURES ……………………………………………………………………………………….……….…….….vi LIST OF TABLES………………………………………………………………………………………...……….………..xi ACKNOWLEDGMENTS……………………………………………………………………………...………..………..xii CHAPTER I. INTRODUCTION…………………………………………………………………………………………..………….13 Concept……………………………………………………………………………………...................................13 Design Framework…………………………………………………………………………………………..…13 Surface and Structure Frameworks…………………………………………………………….….……14 Additive Design…………………………………………………………………………………………..…..….18 Subtractive Design……………………………………………………….……………………………....….…18 Tension…………….……………………………………………………………………………….…………..…..18 Price Point…………….…………………………….………………………………………………………...…..19 Personal Skills & Background…………….……………………………………………………….…..…..19 Problem Statement & -
Half-Price Sale of Madeira Linens
The Brandeis Store Restaurant, Tenth will Mail Early Floor, not be open New Year's Eve. Buy Early* W« make this early announcement in order Attend the Hour Sales Monday that if desired, reservations may be made 9 to 10 A. M. 10 to 11 A. M.—300 10 to 11 A. M—360 So the Postal Employes at other placea. The Brandeis Rests u ants |[ will be open during tb regular hours New Can Have a ' Character Dolls China Celery Set Silk Vests ear's day—Monday, Entrance on 17th Baby Jersey street. Worth 50c Regular 1.25 Value Worth 1.59 Full Holiday Christmas Quantities No Phone are 25c 69c 1.00 limited; or Mail Bodice-topped vests we reserve dolls, This set consists of Art Novelties Sleeping baby with ribbon or Jersey Orders Only 12 More the right some with wigs, some oblong celery tray silk straps in dainty Metal Boudoir six individual salt dishes to flesh shades. All sizes m medium and ex- to with bald heads. All are with No limit jointed. tra lengths. First and second qualities. Days Lamps~01d ivory Eifhth Floor match* Fifth Floor—East Shopping purchases. Toird Floor—Center Deliveries finish with Dres- NO PHONE OR MAIL ORDERS—NO DELIVERIES Before Christmas— den decorations Shades lined with Shop Early rose or blue silk. Complete— ■ ■■ ■' j j .. 6.00 for Smokers' Stands of Solid Mahogany— Jewelry With heavy glass tray, glass match holder, cigar rests and O CA snuffers. Christmas Imported Nickel and Glass Ash Trays selections —Single trays and in sets. -
Seven Lengths
PAGE 14 TUCSON DAILY CITIZEN FRIDAY, NOVEMBER (0, 1967 FROM CHOKER TO ROPE Mother, To Clean Renl or Purchase Baby Care Fine Carpets Tuxedos, Dinner Jackets Pearl Necklaces Be safe. Be satisfied. Get the one carpet cleaner that makes WEDDING CONSULTANTS beaten-down nap bright, open Classes Set and fiufl'y again.— at door- Phone 624-7497 ways, wall-to-wall or spots Go To All Lengths A new series of mother and and traffic paths. Blue Lustre baby care classes will begin is today's most-talked-about 2435 E. Broadway carpel cleaner. Top efficiency next to Bob's Big Boy Monday at the Tucson chap- in any shampooev.BlueLustra Open 9 AM to 6 PM ter of the - American Red shampooers rent for U. Gal- Monday & Friday To Flatter Cross. lant-Carroll, 2525 E. 6tb Si. til 9 PM By MARY GERDAN Syndicate, is 18 inches strung Six 2-hour ssssions will be Asst. Woman's Editor and clasped. held from 9:30 to 11:30 a.m. There's a special quality in on Mondays and Wednesdays The matinee length, 22 to a woman's voice when, in an- at the chapter, 222 S. Cherry 23 inches, is fast catching up swer to the question, "What Ave. with the choker in popularity. TOP-RATED would you really like?" she The instruction includes in- replies, "Pearls." The double matinee is most often worn after five and i! is formation on and discussion Westinghouse But many women do not this length that is usually en- of the development of a baby understand how pearls are hanced with clasps or pear) before and after birth, the measured and sold, to what and precious stone pins. -
PENINSULA DAILY NEWS Bridal Show
Wedding Planner PENINSULA DAILY NEWS Bridal Show Produced by the PENINSULA DAILY NEWS Special Sections Department © 2007 2 SUNDAY,JAN. 14, 2007 Bride and Groom ADVERTISING SUPPLEMENT TO PENINSULA DAILY NEWS Table of Contents Jumpstart your wedding planning with the Bridal Show Bridal Show information 2 BY CARRIE HEATON The fashion shows, each around the stage are being SPECIAL SECTIONS EDITOR lasting about 20 minutes, produced by Avant Garde Cakes with Raindrop Desserts 18 will begin at 11 a.m., 12:30 Botanical in Sequim. There’s no better way to p.m. and 2 p.m. In addition to the fashion get into the wedding plan- The fashion show not show, 15 exhibitors will be Choosing a diamond 16 ning spirit than attending only will feature wedding present with booths and dis- the annual Peninsula Daily gowns, but also the latest plays offering gifts and dis- Dress designer Belva Bodey 19 News Bridal Show. in bridesmaid, flower girl counts on a variety of ser- From dresses and tuxe- and mother-of bride and vices. Music options 12 dos to diamonds and gifts, groom dresses as well. Professionals from across exhibitors at the show will The show will feature all the North Olympic Penin- show you what the North sizes of models and the sula will help make plan- Scrapbooking 7 Olympic Peninsula has to basic dress styles. ning your BIG day that offer brides-to-be. New this year, Bodey will much easier. Seasonal flowers 6 Belva Bodey of Black be taking the stage between You have a chance to Diamond Bridal is once fashion shows to demon- meet with photographers again hosting a fashion strate how an off-the-rack and see examples of their Tips for the groom 13 show featuring both custom dress can be altered to work, while enjoying cake and pre-made dresses, some become the perfect dress sample and looking at wed- Wedding destinations on the coming from Italian design- right before your eyes. -
Leg Avenue Holiday 2009 Leg Avenue Holiday 2009 83603 2 PC
83604 3 PC. Rock-N-Roll Santa, includes plush trimmed lame mini dress, belt with oversized grommets and matching hat. Size: SM, ML. Color: Red. 83606 3 PC. Hot Rod Elf, includes plush trimmed lame mini dress, belt with oversized grommets and matching hat. Size: SM, ML. Color: Green. 2 3 Leg Avenue Holiday 2009 Leg Avenue Holiday 2009 83603 2 PC. Holiday Hottie, includes plush trimmed lame halter dress and matching hat. Size: SM, ML. Color: Red, Green. 16B Extra long satin gloves. Color: Black. One Size. 4 5 Leg Avenue Holiday 2009 Leg Avenue Holiday 2009 83386 Sequined halter mini dress with plush trim and polka dot bow with candy cane. Size: S, M, L. Color: Red/White. 83475 2 PC. Christmas Belle, includes asymmetrical jersey sequined dress with plush trim and matching Santa hat. Size: SM, ML. Color: Red/White. 6 7 Leg Avenue Holiday 2009 Leg Avenue Holiday 2009 83137 2 PC. Missy Claus, includes plush trimmed crushed velvet dress with deep-V lace up front and striped stockings. Size: SM, ML, XL. Color: Red/White. A1003 Velvet Santa hat. 83597 Sleigh Bell Beauty, features plush trimmed velvet halter dress with bell accents. Size: SM, ML. Color: Green. 8B Satin elbow length gloves. A1054 Elf hat. 9018 Fishnet thigh highs with satin bow. 8 9 Leg Avenue Holiday 2009 Leg Avenue Holiday 2009 83594 2 PC. Sugar Plum Princess, includes plush trimmed velvet mini dress with sequin bow accents and matching plush shrug. Size: SM, ML. Color: Red/White. 31018 Nylon striped stockings with belt buckle top. -
Outer Garments: Copes, Cloaks and Mantles
CHAPTER 2 Outer Garments: Copes, Cloaks and Mantles Introduction was very much the province of the highest ranks, secular or ecclesiastical, in Europe. The cope is a form of vestment which has changed very In its ecclesiastical history the earliest use of the little over the centuries. It originated (like the chasuble, cope seems to have been as a hooded garment worn see chapter 3) from a Roman garment, the earliest form by monks and priests in church, probably for warmth of which was not particularly grand, called the paenula. and for protection against the weather. The Catholic This was a semi-circular cloak, open down the front, Encyclopedia notes some interesting eighth- to ninth- worn as everyday clothing by the ordinary citizen, and century mentions of a garment called a cappa (still an apparently by women and the upper classes as a pro- alternative name for a cope) which make clear that tection from the weather when travelling. This latter some were indeed everyday cloaks, others more suit- version could be made of splendid rather than merely able for liturgical wear – and in one instance that the practical material, and it was this which gradually, in garment called by some a cuculla (cowl) was the same fact very slowly, became part of ecclesiastical dress, and as that called by others a cappa, and was part of monas- even more slowly developed a ceremonial use. Because tic dress.1 This casts an interesting light on the ultimate of its originally protective function it was usually volu- origins of the Franciscan cowl of later centuries (see the minous, so that it could be wrapped around the body cowl of St Francis of Assissi, 4.4). -
Subducted Carbonates, Metasomatism of Mantle Wedges, and Possible Connections to Diamond Formation: an Example from California
American Mineralogist, Volume 90, pages xxx–xxx, 2005 Subducted carbonates, metasomatism of mantle wedges, and possible connections to diamond formation: An example from California MIHAI N. DUCEA,1,* JASON SALEEBY,2 JEAN MORRISON,3 AND VICTOR VALENCIA1 1University of Arizona, Department of Geosciences, Tucson, Arizona 85721, U.S.A. 2California Institute of Technology, Division of Geological and Planetary Sciences, Pasadena, California 91125, U.S.A. 3University of Southern California, Department of Earth Sciences, Los Angeles, California 90089, U.S.A. ABSTRACT We investigated calcite globules and veins in two spinel-garnet peridotite xenoliths from the sub- Sierra Nevada mantle. The studied xenoliths were entrained in a Miocene (11 Ma) volcanic plug. These carbonates are associated spatially with silicate glass inclusions, suggesting that they are primary inclusions—inclusions that formed at high temperature in the mantle and not at or close to the Earthʼs surface. The host peridotites represent samples of the lithospheric mantle wedge beneath the Meso- zoic California magmatic arc, as indicated by radiogenic isotopic ratios measured on clinopyroxene 87 86 separates [ Sr/ Sr(11 Ma) = 0.7058–0.7061, εNd (11 Ma) = –1.9 to –0.7]. Mineral chemistry of the peridotite major phases is typical of a mantle section that was depleted of melt. The δ18O values of olivine and orthopyroxene from the two samples are also typical of mantle rocks (δ18O = 6–6.5‰). In contrast, calcite veins have δ18O of 18–20‰ and δ13C of –14‰, arguing for a subducted sedimentary origin for these carbonates. Presumably, the carbonates were expelled from the downgoing slab and fluxed into the overlying mantle wedge as CO2- or CO2-H2O-rich fluids or melts. -
On Site Opera Press Kit 2016
PRESS KIT 2016 P.O. Box 231480 | New York, NY 10023 347-394-3050 | [email protected] | www.osopera.org QUOTES Gregg Kallor's The Tell-Tale Heart • “The starkly simple production by Sarah Meyers, which placed Pojanowski in the merciless glare of a single spotlight, proved one of the most effective stagings I've seen from the always-inventive On Site Opera” –The Observer • “Part of the draw of The Crypt Sessions is its unique venue. Performances happen in the Crypt Chapel...an inspired setting for The Tell-Tale Heart—the vaulted, cloistered qualities well suited for a meditation on entombment.” –Parterre Box Dominick Argento’s Miss Havisham’s Wedding Night & Hector Berlioz’s La Mort de Cléopâtre • “I would not have wanted to hear either opera anywhere else....Without that separation from the audience, Partridge and Gaissert leveraged the closeness, relying on the transparency of their characters’ damaged psyches, indulging in murmured pianissimos and quick turns that might get lost in a bigger house. The result was both lavish and intimate.” — NY Magazine • “There was the gobsmacking experience of having the performers right there at one’s elbow, inches away – Cleopatra’s gown wafting against your shoulder as she passed, Miss Havisham’s old lace perfuming the air as her doleful countenance met yours in a transfixing intimacy. And, above all, there was the sound!” La Scena Musicale Marcos Portugal's The Marriage of Figaro • “So Much More Than Sleep No More. On Site Opera's immersive version of Marriage of Figaro is on point. This lively young cast was so irresistible that you wouldn’t ever want them to stop singing.” –The Observer • “On Site Opera presents the ultimate in intimate productions by performing works in spaces that fit the setting of the story.