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Rhizomatiks Research X Elevenplay: Border”(2016/YCAM) See by Your Ears Concept With advanced artistry of sound artist evala who explores sound and space, by fusion of advanced technology, A project that produces an unprecedented hearing experience. As the name “look in the ear” implies, it started in 2017 with the concept of “looking at the world from the sound (ears) and designing the world from the sound” as a concept. Until today, the creation of visual superiority had been sweeping through, but now the “era of designing invisible things” has already arrived. For example, an electric car that does not generate engine sound changes its design icon from “shape” to “sound”, and it is also strongly conscious of the importance of sound design as an important factor to support public space and corporate identity I’m starting. In these times [See by Your Ears], while developing a sharp art experience in various parts of the world, it has developed into a project that changes the thinking of ideas and ideas of society and corporate technology and creative. Sound Lab introduces an experimental platform that proposes new architecture and urban design, focusing on music / sound and art, with Music x Art x Architecture as the theme. 音と空間を探求するサウンドアーティストevalaの 高度な作曲力と、先端テクノロジーの融合により、 かつてない聴覚体験を生み出すプロジェクト。 「耳で視る」という名が表す通り、「音 (耳) から世界を見つめ、音から 世界をデザインする」をコンセプトに、2017年に始動しました。 今日まで、視覚優位のクリエーションが席巻していましたが、現在は「目 に見えないものをデザインする時代」が既に到来しています。たとえば、 エンジン音を発生しない電気自動車はそのデザインアイコンが「かたち」 から「サウンド」へと変化し、同様に公共空間や企業のアイデンティティ を支える重要な要素として、サウンドデザインの重要性が強く意識され始 めています。 こうした時代に発信する[See by Your Ears] は、先鋭的なアート体験 を世界各地で展開するとともに、社会や企業のテクノロジーやクリエイ ティブの思考、発想そのものを変革するようなプロジェクトへと発展して います。 2018年4月、渋谷のEDGEofに誕生したSound Labでは、Music x Art x Architectureをテーマに、音楽/サウンドとアートを中心としな がら、新たな建築や都市設計をも提案していく実験プラットフォームを発 信します。 http://seebyyourears.jp Profile evala Sound artist / Musician / Composer Born 1976 in Kyoto, Japan. Has been creating and performing edgy works of electronic music, while at once engaging in prismatic sound design with the use of cutting-edge technology. He has been exploring music experiences by playing the multi- channel sound system as new instruments. and developed a whole new acoustic experience and a new way of spatial composition, which based on his primary project called "See by Your Ears." In the project, he exhibited his main piece “Octyon Megalotis”(Sonar+D Spain, 2017) “Our Muse” (ACC, Korea 2018), a spatial audio experience collaborated with Sonic Surf VR of Sony “Acoustic Vessel Odyssey”(SXSW, Austin 2018). 音楽家、サウンドアーティスト。先鋭的な電子音楽作品を国内外で発表するほか、立 体音響のサウンドシステムを新たな楽器として駆使し、2016年より「耳で視る」とい う新たな聴覚体験を創出するプロジェクト「See by Your Ears」を始動。 音が生き物のように躍動的にふるまう現象を構築し、新たな音楽手法としての“空間 的作曲”を提示する。代表作に「大きな耳を持ったキツネ」(Sonar+D, Barcelona 2017) 「Our Muse」 (ACC, Gwangju Korea 2018)のほか、SonyのSonic Surf VRと コラボした時空を旅する音響体験「Acoustic Vessel Odyssey」（SXSW, Austin 2018)などを展開。 また舞台、映画、公共空間などにおいて、先端テクノロジーを用いた多彩なサウンド プロデュースを手掛けている。 http://evala.jp Awards 受賞歴 ・2019 アルスエレクトロニカ STARTS Prize Nomination 『Journey on the Tongue』諏訪綾子、evala、筧康明 ・2018 文化庁メディア芸術祭 エンタテイメント部門｜審査委員推薦賞 『Acoustic Vessel Odyssey』ソニー株式会社、evala、Kimchi&Chips ・2018 アルスエレクトロニカ｜Honorary Mention 『phosphere』Rhizomatiks Research、ELEVENPLAY、evala、Takayuki Fujimoto ・2018 VRクリエイティブアワード｜優秀賞 『hearing things #Metronome』evala Sound Produce 舞台音楽 楽曲提供 ・川口隆夫(ダムタイプ)『TABLEMIND』（2011年） •Perfume『Opening - 4th Tour in Dome - 』（2014年） ・GRINDER-MAN『MIRAGE』（2012年） •Perfume『Opening - World Tour 2nd -』（2014年） ・ELEVENPLAY『MOSAIC』（2014年） •初音ミク『High-energy Particle』（2015年） •Perfume『Recollect』（2018年） ・安藤洋子 ＋YCAM InterLab『Dividual Plays』（2015年） •Perfume『Three Walks』（2018年） ・Rhizomatiks Research＋ELEVENPLAY『border』（2015年） ・Rhizomatiks Research＋ELEVENPLAY『phosphere』（2017年） 3Dサウンド/リミックス 音響演出 •倖田來未『「Dance In The Rain 」VR Music Video』（2014年） ・ボーカロイド・オペラ『THE END』（2012年~） •ONE OK ROCK 『Mighty Long Hall』（2015年) ・杉本博司『Lost Human Genetic Archive展』（2014年） •サカナクション 『Aoi』NHK 8K×3D×22.2ch version（2015年） ・蜷川実花『Self-imag展』（2015年） ・野村萬斎 x 真鍋大度『FORM』（2017年） Sound Produce 音楽／サウンドプロデュース ・日本科学未来館 『世界の終わりのものがたり展』（2012年） ・セガ 新CI (コーポレートアイデンティティ) サウンド（2017年～） ・ルイ・ヴィトン 『Timeless Muse展』（2013年） ・ドン・ペリニヨン Vintage 2009 Limited Edition (2017年) ・エルメス『Leather Forever』（2014年） ・ドコモ FUTURE-EXPERIMENT (2018年) ・ハウステンボス『NIGHTMARE LABORATORY』（2015年~） ・JINS MEME『MIND UNIVERSE』（2015年/Milano Salone） - 佐藤卓+Rhizomatiks ・Audi Japan 『Audi TT Landing, Japan』（2015年） ・TOYOTA 『Toyota New Global Architecture』 (2015年) ・CITIZEN『time is TIME』 (2016年/Milano Salone) - 田根剛-空間設計 ・NHKスペシャル『天使か悪魔か 羽生善治 人工知能を探る』- (2016年5月放映) テーマソング ・CeBIT 2017 Opening Ceremony, Japan Show Act『Breathing with BIT』（2017年） “Anechoic Sphere” Sound Installation in an anechoic chamber 「耳で視る」という新たな知覚体験を導き 空間を変容させるサウンドアート evala - See by Your Ears “Anechoic Sphere” Sound Installation with an anechoic chamber “Anechoic Sphere” Sound Installation with an anechoic chamber “See by Your Ears” is a sound project by the Japanese sound artist evala, which takes the audience to a whole new auditory experience. When the audience enter the entirely dark anechoic room alone, he/she will enjoy a 10 minutes 3D sound piece. Listening to its resonant system carefully, images rise into the mind without the need of vision creating an acoustic illusion that construct various objects. This phenomena is described as “seeing with your ears”, the sound illusion immerses the audience in a subtle and profound virtual reality. 「耳で視る」という新たな知覚体験を導き、 空間を変容させるサウンドアート。 体験者が1人ずつ小さな無響室の中に入ると、次第に暗闇が訪れ、360度から音が鳴り響く 楽曲がスタートする。 その音はまるで生き物のように飛び回り、体中を弄ったかと思えば、時に森林や浜辺や、 または宇宙の中にいるようなイメージを導く。 「何かが視えた」と多くの体験者が口にするこの不思議な現象を、 evalaは「耳で視る」と表現する。本シリーズでは、『大きな耳をもったキツネ』『hearing things #Metronome』『Our Muse』など様々な楽曲を発表し、それぞれ独自の世界観を構築 している。 多彩で豊穣な音が響き渡るとき、その「音」は自分の体の内側にも 宿っていることを知るだろう。 展示歴 2020 -[Haze] 十和田市現代美術館 インター＋プレイ展 (Aomori/Japan) 2019 - [Infraction/Refraction] 中津万象園・丸亀美術館「聴象発景」 (Kagawa/Japan) 2018 - [Our Muse] Asia Culture Center (Gwangju/ Korea) 2017 - [大きな耳をもったキツネ] Sónar+D (Barcelona/ Spain) 2017 - [Our Muse] NTTインターコミュニケーション・センター[ICC] 2016 - [hearing things #Metronome] WIRED Lab. (Tokyo/ Japan) 2016 - [hearing things #Metronome] OKAZAKI LOOPS (Kyoto/ Japan) 2015 - [hearing things #Metronome] 先端コンテンツ産業展（Tokyo/ Japan) 2013 - [大きな耳をもったキツネ]ほか NTTインターコミュニケーション・センター[ICC] “Anechoic Sphere” Sound Installation with an anechoic chamber This program can bring one’s sense just as if he/she has co-sensuous perception. However, interestingly this complex program will not always be able to produce the similar phenomena under the same situation. It’s not until evala “tuned" the computer program carefully at the site, it’s just like a piano tuner. Then The resonance of the sounds will alter depending on the environment of the location. So this phenomenon occurs from a magical chemical reaction with evala's sophisticated sound program and the resonance of the space. Behind the philosophical core of this project, evala’s arisic exploraion proceeded the next stage of music experience. He describes "something invisible” as “unknown life.” It's related to the animisic view of life, and the non-human-centered world. The project is, therefore, a challenge to design the world via sound thinking. Installation at Asia Culture Center (Gwangju, Korea/2018) “Anechoic Sphere” Sound Installation with an anechoic chamber Pieces All Sound Composition, Recording, 3D Sound Programming by evala Octyon Megalotis (2013) A first music series of See By Your Ears has shown since 2013. #1 Octyon Megalotis was composed with sounds recorded around the forests and mountains of Kyoto, Japan. #3 Kugiuchi & Water #4 Glass Harmonica consist of recorded sounds for Japan.Also the performance of Japanese sound artist Akio Suzuki. #1 Octyon Megalotis “Refelection” (7:47) #2 Metamorphose (05:55) #3 Kugichi & Water Bottle (07:05) Performance by Akio Suzuki #4 Glass Harmonica (06:10) Performance by Akio Suzuki hearing things #Metronome (2016) Inside the dark chamber, three spotlighted metronomes regular and accurately counting a simple rhythm. However with the visitor’s vision completely darkened and blocked, the metronomes’ sounds (picked up by small microphones) are gradually amplified, crushed, and expanded to the chaos composed by evala’s sophisticated computer algorithm, which expressed by multi-channel speakers. That is to say, the complex sound installation shall consist of the metronome’s real- time sounds, which can be defined as a kind of live show at the site. “Anechoic Sphere” Sound Installation with an anechoic chamber Pieces All Sound Composition, Recording, 3D Sound Programming by evala Our Muse (2017) Composed with various sounds recorded at Evala’s private room, as well as a holy place in Taketomi-island of Okinawa. This title “Our Muse” related with his past piece "Our child's play" (2016). It was composed as a theme song for a TV program titled "Whether AI is our angel or devil?" This idea inspired Evala, and he created an orchestra song using the artificial voice. So he includes his concept for AI in this title, AI might be "our child" not only angel or devil for human beings. Then, he expects to hear a subtle whisper spilled out from a computer shortly. Therefore, he asks a question, what will be the concept of "Muse" in this age? *Related work Our Child’s Play -A whisper of the anaplastic life- (2016) https://soundcloud.com/evalaport/our-childs-play “Anechoic Sphere” Sound Installation with an anechoic chamber Pieces All Sound Composition, Recording, 3D Sound Programming by evala Reflection/Inflection #観潮楼-聴象発景 (2019) Sound Installation in the Oldest Japanese Tea House 香川県丸亀美術館/中津万象園にてサウンドアートの世界的パイオニア鈴木昭男とともに開催。コンピュー タ・ジェネレートプログラムと独自の立体音響技術、AI技術などを用いた先端的な音響空間と庭園を融合 させ、新感覚の「音の展覧会」を開催。
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