CALLING ALL DANCING QUEENS Mega Hit MAMMA
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The Dinner Theatre of Columbia P R E S E N T S
The Dinner Theatre of Columbia P r e s e n t s August 1 - September 8 Next at TOBY’S September 13 - November 3 HOWARDHUGHES.COM DOWNTOWNCOLUMBIAMD.COM 15-COL-00013 Columbia Ad Resize - Downtown Columbia Brand Ad-4.5X3.75BW.indd 1 8/27/15 2:30 PM THE DINNER THEATRE OF COLUMBIA Production of MAMMA MIA! Music and Lyrics by BENNY ANDERSSON and BJÖRN ULVAEUS And some songs with STIG ANDERSON Book by CATHERINE JOHNSON Originally Conceived by JUDY CRAYMER MAMMA MIA! Was originally produced in London by Judy Craymer, Richard East and Björn Ulvaeus for Littlestar in association with Universal. Additional Material & Arrangements MARTIN KOCH Music Published by Universal Music Publishing Group and EMI Grove Park Music Inc. And EMI Waterford Music Inc. Director & Choreographer Mark Minnick Music Director/Orchestrations Ross Scott Rawlings Scenic/Lighting Designer Sound Designer David A. Hopkins Mark Smedley Costume Designer AT Jones & Sons INC MAMMA MIA! Is presented through special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI. 421 West 54th Street, New York, NY 10019 Phone: 212-541-4684 Fax: 212-397-4684 www.MTIShows.com Video and/or audio recording of this performance is strictly prohibited. Fog, haze and strobe effects are used in this performance. Toby’s Dinner Theatre of Columbia • 5900 Symphony Woods Road • Columbia, MD 21044 Box Office (410) 730-8311 • (301) 596-6161 • (410) 995-1969 www.tobysdinnertheatre.com The CAST (In Order of Speaking) Sophie Sheridan ………………………..........................………............ Maggie Dransfield Ali ……................................................................................................................ Patricia Targete Lisa ……………………...….....................…….....……......................................Cassie Saunders Tanya …...……….......…....................................................…....................... Coby Kay Callahan Rosie ........................................................................................................... -
2019 Silent Auction List
September 22, 2019 ………………...... 10 am - 10:30 am S-1 2018 Broadway Flea Market & Grand Auction poster, signed by Ariana DeBose, Jay Armstrong Johnson, Chita Rivera and others S-2 True West opening night Playbill, signed by Paul Dano, Ethan Hawk and the company S-3 Jigsaw puzzle completed by Euan Morton backstage at Hamilton during performances, signed by Euan Morton S-4 "So Big/So Small" musical phrase from Dear Evan Hansen , handwritten and signed by Rachel Bay Jones, Benj Pasek and Justin Paul S-5 Mean Girls poster, signed by Erika Henningsen, Taylor Louderman, Ashley Park, Kate Rockwell, Barrett Wilbert Weed and the original company S-6 Williamstown Theatre Festival 1987 season poster, signed by Harry Groener, Christopher Reeve, Ann Reinking and others S-7 Love! Valour! Compassion! poster, signed by Stephen Bogardus, John Glover, John Benjamin Hickey, Nathan Lane, Joe Mantello, Terrence McNally and the company S-8 One-of-a-kind The Phantom of the Opera mask from the 30th anniversary celebration with the Council of Fashion Designers of America, designed by Christian Roth S-9 The Waverly Gallery Playbill, signed by Joan Allen, Michael Cera, Lucas Hedges, Elaine May and the company S-10 Pretty Woman poster, signed by Samantha Barks, Jason Danieley, Andy Karl, Orfeh and the company S-11 Rug used in the set of Aladdin , 103"x72" (1 of 3) Disney Theatricals requires the winner sign a release at checkout S-12 "Copacabana" musical phrase, handwritten and signed by Barry Manilow 10:30 am - 11 am S-13 2018 Red Bucket Follies poster and DVD, -
Franken I MORE THAN JUST STEPS
Franken i MORE THAN JUST STEPS: A BEHIND THE SCENES ACCOUNT OF CHOREOGRAPHING THEATRE TCU'S MAINSTAGE MUSICAL “SISTER ACT!” By Alli Franken Submitted in Partial Fulfillment of the Requirements for Departmental Honors in the Department of Theatre at Texas Christian University Fort Worth, TX May 4, 2020 Franken ii MORE THAN JUST STEPS: A BEHIND THE SCENES ACCOUNT OF CHOREOGRAPHING THEATRE TCU'S MAINSTAGE MUSICAL SISTER ACT! Project Approved: Supervising Professor: Jennifer Engler, MFA Department of Theatre Penny Maas, MFA Department of Theatre Sarah Newton, MFA Department of Dance Franken iii ABSTRACT This project analyzes the creative process of choreographing a musical; specifically, my journey within my debut as the sole choreographer of Sister Act! with Theatre TCU. I will describe my journey to becoming a choreographer, challenges and surprises I faced, problem solving tactics I used, and an analysis of the final outcome. I’ll share details from the casting process, rehearsals, production meetings, choreography sessions, and actual performances. Through this journey, I have learned more about myself and how to create and communicate artistic vision, as well as methods to use choreography as a tool to enhance storytelling. The account being shared must always be the priority for storytellers. Collaboration is key, and having the opportunity to work with the professional artists widened my perspective to the possibilities for creative expression and strategies to generating meaningful works of high quality entertainment. Franken iv Table -
The-Music-Of-Andrew-Lloyd-Webber Programme.Pdf
Photograph: Yash Rao We’re thrilled to welcome you safely back to Curve for production, in particular Team Curve and Associate this very special Made at Curve concert production of Director Lee Proud, who has been instrumental in The Music of Andrew Lloyd Webber. bringing this show to life. Over the course of his astonishing career, Andrew It’s a joy to welcome Curve Youth and Community has brought to life countless incredible characters Company (CYCC) members back to our stage. Young and stories with his thrilling music, bringing the joy of people are the beating heart of Curve and after such MUSIC BY theatre to millions of people across the world. In the a long time away from the building, it’s wonderful to ANDREW LLOYD WEBBER last 15 months, Andrew has been at the forefront of have them back and part of this production. Guiding conversations surrounding the importance of theatre, our young ensemble with movement direction is our fighting for the survival of our industry and we are Curve Associate Mel Knott and we’re also thrilled CYCC LYRICS BY indebted to him for his tireless advocacy and also for alumna Alyshia Dhakk joins us to perform Pie Jesu, in TIM RICE, DON BLACK, CHARLES HART, CHRISTOPHER HAMPTON, this gift of a show, celebrating musical theatre, artists memory of all those we have lost to the pandemic. GLENN SLATER, DAVID ZIPPEL, RICHARD STILGOE AND JIM STEINMAN and our brilliant, resilient city. Known for its longstanding Through reopening our theatre we are not only able to appreciation of musicals, Leicester plays a key role make live work once more and employ 100s of freelance in this production through Andrew’s pre-recorded DIRECTED BY theatre workers, but we are also able to play an active scenes, filmed on-location in and around Curve by our role in helping our city begin to recover from the impact NIKOLAI FOSTER colleagues at Crosscut Media. -
Amazon Adventure 3D Press Kit
Amazon Adventure 3D Press Kit SK Films: Facebook/Instagram/Youtube: Amber Hawtin @AmazonAdventureFilm Director, Sales & Marketing Twitter: @SKFilms Phone: 416.367.0440 ext. 3033 Cell: 416.930.5524 Email: [email protected] Website: www.amazonadventurefilm.com 1 National Press Release: FOR IMMEDIATE RELEASE AMAZON ADVENTURE 3D BRINGS AN EPIC AND INSPIRATIONAL STORY SET IN THE HEART OF THE AMAZON RAINFOREST TO IMAX® SCREENS WITH ITS WORLD PREMIERE AT THE SMITHSONIAN’S NATIONAL MUSEUM OF NATURAL HISTORY ON APRIL 18th. April 2017 -- SK Films, an award-winning producer and distributor of natural history entertainment, and HHMI Tangled Bank Studios, the acclaimed film production unit of the Howard Hughes Medical Institute, announced today the IMAX/Giant Screen film AMAZON ADVENTURE will launch on April 18, 2017 at the World Premiere event at the Smithsonian’s National Museum of Natural History in Washington, D.C. The film traces the extraordinary journey of naturalist and explorer Henry Walter Bates - the most influential scientist you’ve never heard of – who provided “the beautiful proof” to Charles Darwin for his then controversial theory of natural selection, the scientific explanation for the development of life on Earth. As a young man, Bates risked his life for science during his 11-year expedition into the Amazon rainforest. AMAZON ADVENTURE is a compelling detective story of peril, perseverance and, ultimately, success, drawing audiences into the fascinating world of animal mimicry, the astonishing phenomenon where one animal adopts the look of another, gaining an advantage to survive. "The Giant Screen is the ideal format to take audiences to places that they might not normally go and to see amazing creatures they might not normally see,” said Executive Producer Jonathan Barker, CEO of SK Films. -
King and Country: Shakespeare’S Great Cycle of Kings Richard II • Henry IV Part I Henry IV Part II • Henry V Royal Shakespeare Company
2016 BAM Winter/Spring #KingandCountry Brooklyn Academy of Music Alan H. Fishman, Chairman of the Board William I. Campbell, Vice Chairman of the Board BAM, the Royal Shakespeare Company, and Adam E. Max, Vice Chairman of the Board The Ohio State University present Katy Clark, President Joseph V. Melillo, Executive Producer King and Country: Shakespeare’s Great Cycle of Kings Richard II • Henry IV Part I Henry IV Part II • Henry V Royal Shakespeare Company BAM Harvey Theater Mar 24—May 1 Season Sponsor: Directed by Gregory Doran Set design by Stephen Brimson Lewis Global Tour Premier Partner Lighting design by Tim Mitchell Music by Paul Englishby Leadership support for King and Country Sound design by Martin Slavin provided by the Jerome L. Greene Foundation. Movement by Michael Ashcroft Fights by Terry King Major support for Henry V provided by Mark Pigott KBE. Major support provided by Alan Jones & Ashley Garrett; Frederick Iseman; Katheryn C. Patterson & Thomas L. Kempner Jr.; and Jewish Communal Fund. Additional support provided by Mercedes T. Bass; and Robert & Teresa Lindsay. #KingandCountry Royal Shakespeare Company King and Country: Shakespeare’s Great Cycle of Kings BAM Harvey Theater RICHARD II—Mar 24, Apr 1, 5, 8, 12, 14, 19, 26 & 29 at 7:30pm; Apr 17 at 3pm HENRY IV PART I—Mar 26, Apr 6, 15 & 20 at 7:30pm; Apr 2, 9, 23, 27 & 30 at 2pm HENRY IV PART II—Mar 28, Apr 2, 7, 9, 21, 23, 27 & 30 at 7:30pm; Apr 16 at 2pm HENRY V—Mar 31, Apr 13, 16, 22 & 28 at 7:30pm; Apr 3, 10, 24 & May 1 at 3pm ADDITIONAL CREATIVE TEAM Company Voice -
Elevating Voices Across Stage and Screen
Elevating voices across stage and screen clients include beginners, aspiring singers Based in London, Fiona continued to coach and performing arts students as well as singers and, in 2010, started working for top-tier professionals. Passionate about Andrew Lloyd Webber and his production vocal health and technique, Fiona believes company, the Really Useful Group. She that anyone can sing and tailors each worked on her first major international lesson to the client’s needs. She works production in 2012, as the vocal coach on remotely via Skype and in person from her Lloyd Webber’s Jesus Christ Superstar, studio at the London Palladium. and has since worked on dozens of major shows across television, film and theatre Fiona grew up on a farm outside around the world. Edinburgh where she immersed herself in music from a young age, initially training Fiona is always at the leading edge of in dance. In 2006, she left Scotland to vocal education. She travels globally to FIONA study Music at the Paul McCartney conferences that are advancing the field Liverpool Institute for Performing Arts, of vocal science and is supported by MCDOUGAL where her vocal coach inspired her to a network of exceptional ENT doctors, study voice education alongside her speech and language therapists, and degree. When she graduated with a first physiotherapists. She is considered a Fiona has worked with some of the biggest class honours degree in 2010, she already valuable link between singers and industry names in the entertainment industry, from had three years of coaching experience. representatives and consults for record Glenn Close to Taylor Swift, Judi Dench to She was the lead singer in a pop duo labels, agents, managers, performing Jennifer Hudson – but her busy studio also called Untouched (along with songwriting arts colleges, choreographers, directors, embraces people who sing for pleasure partner David Wilson), which later signed songwriters, film studios, musicians and and want to improve their voice. -
SMHF Scandinavian Championships 2015
RESULTS - Ieniemienie Miniatures- SMHF Scandinavian Championships 2015 Saturday: 1. Halter Obstacle 1 Name: Lymricks Pure Platinum 2 Name: Samis Two Timer Regalaire 3 Name: Highlight The Royal Affair 4 Name: Lotsafuns Truly Flamboyant 5 Name: 2 B Patsy Cline 2. Youth Halter Obstacle 3. Multi-color mares (Pinto and Appaloosa only) 1 Name:LE Angels To Embace After Dark 4. Solid color mares (open to all other colors) 1 Name: PP Shine Of Lily 5. Multi-color stallions and geldings 1 Name: La Vista Top Of The Mark 6. Solid color stallions and geldings 1 Name: Jean Dark Silver Lining 2 Name: Marielunds Superstars Magneficent 3 Name: LE Angels In Command 4 Name: Ekelund Tango Cavalier 5 Name: MJ Delicate Blue Moon Winsemall 7. Roadster 1 Name:Samis Two Timer Regalaire 8. Golden age Mares (10 years and older) 1 Name: 2 B Patsy Cline 9. Golden Age Stallions (10 years and older) 1 Name: Arions Destiny Gold Charm 2 Name: Marystowns Echo Royale 3 Name: Grosshills Dandys Cheating Heart 10. Golden Age Geldings (10 years and older) 11. Oversized Mares 12. Oversized Stallions 13. Oversized Geldings 14. Three by One Owner - 3 horses owned by the same person, or farm. Each horse in the group is to be judged individually. Name: Grasscorners Lucky Charm 1 Name: Arions Destiny Gold Charm Name: Grasscorners Flashdance Name: LE Angels Inky Grace 2 Name: LE Angels In Command Name: LE Angels To Embrace After Dark AMATEUR 15. Amateur Weanling mares - 30” and under 1 Name: Grasscorners Flashdance 16. Amateur Yearling mares - 28” and under 17. -
Elijah Siegler, Coen. Framing Religion in Amoral Order Baylor University Press, 2016
Christian Wessely Elijah Siegler, Coen. Framing Religion in Amoral Order Baylor University Press, 2016 I would hardly seem the most likely candidate to review a book on the Coen brothers. I have not seen all of their films, and the ones I saw … well, either I did not understand them or they are really as shallow as I thought them to be. With one exception: I did enjoy O Brother, Where Art Thou? (2000). And I like A Serious Man (2009). So, two exceptions. And, of course, True Grit (2010) – so, all in all three exceptions1 … come to think of it, there are more that have stuck in my mind in a positive way, obfuscated by Barton Fink (1991) or Burn After Reading (2008). Therefore, I was curious wheth- er Elijah Siegler’s edited collection would change my view on the Coens. Having goog- led for existing reviews of the book that might inspire me, I discovered that none are to be found online, apart from the usual flattery in four lines on the website of Baylor University Press, mostly phrases about the unrivalled quality of Siegler’s book. Turns out I have do all the work by myself. Given that I am not familiar with some of the films used to exemplify some of this book’s theses, I will be brief on some chapters and give more space to those that deal with the films I know. FORMAL ASPECTS Baylor University Press is well established in the fields of philosophy, religion, theol- ogy, and sociology. So far, they have scarcely published in the media field, although personally I found two of their books (Sacred Space, by Douglas E. -
Do You Think You're What They Say You Are? Reflections on Jesus Christ Superstar
Journal of Religion & Film Volume 3 Issue 2 October 1999 Article 2 October 1999 Do You Think You're What They Say You Are? Reflections on Jesus Christ Superstar Mark Goodacre University of Birmingham, [email protected] Follow this and additional works at: https://digitalcommons.unomaha.edu/jrf Recommended Citation Goodacre, Mark (1999) "Do You Think You're What They Say You Are? Reflections on Jesus Christ Superstar," Journal of Religion & Film: Vol. 3 : Iss. 2 , Article 2. Available at: https://digitalcommons.unomaha.edu/jrf/vol3/iss2/2 This Article is brought to you for free and open access by DigitalCommons@UNO. It has been accepted for inclusion in Journal of Religion & Film by an authorized editor of DigitalCommons@UNO. For more information, please contact [email protected]. Do You Think You're What They Say You Are? Reflections on Jesus Christ Superstar Abstract Jesus Christ Superstar (dir. Norman Jewison, 1973) is a hybrid which, though influenced yb Jesus films, also transcends them. Its rock opera format and its focus on Holy Week make it congenial to the adaptation of the Gospels and its characterization of a plausible, non-stereotypical Jesus capable of change sets it apart from the traditional films and aligns it with The Last Temptation of Christ and Jesus of Montreal. It uses its depiction of Jesus as a means not of reverence but of interrogation, asking him questions by placing him in a context full of overtones of the culture of the early 1970s, English-speaking West, attempting to understand him by converting him into a pop-idol, with adoring groupies among whom Jesus struggles, out of context, in an alien culture that ultimately crushes him, crucifies him and leaves him behind. -
CAKES: Crowdsourced Automatic Keyword Extraction
CAKES: Crowdsourced Automatic Keyword Extraction Daniel Erenrich Chris Kennelly [email protected] [email protected] ABSTRACT Sixty-five years ago, Vannevar Bush presented a vision for an We present progress towards applying \Games With A Pur- automated system of data organization entitled\the Memex"[1]. pose" (GWAP) techniques to extract keywords which de- Since then, the task of automatically organizing, summariz- scribe films. We discuss the use of machine learning algo- ing, and indexing information still remains. While search rithms to automatically extract keywords from movie scripts. engines perform much of the task of indexing, automatic The data collected from the game is used to generate sim- summarization is a work in progress [2]. Like image recogni- ilarity metrics between the films which eventually can be tion, keyword assignment to text challenges machines, both used to recommend films. Finally, we discuss the merits of in describing a large piece of content with relevant keywords GWAP as a system and make recommendations concerning as well as ascertaining the importance of each keyword. This its use. task is important for content recommendation systems and search relevance. Categories and Subject Descriptors Game-playing humans provide a potential audience for this I.2.7 [Natural Language Processing]: Text Analysis; H.5.2 task. The dataset produced by gameplay can be used to [User Interfaces]: Natural language assess the relatedness of films and quality of keywords de- scribing films. Additionally, possible keyword generation al- General Terms gorithms can be validated on-the-fly by emulating an op- Measurement ponent. Rather than summarize widely available texts, we chose keyword generation. -
The Case of Burn After Reading
UvA-DARE (Digital Academic Repository) Before or beyond narrative? Towards a complex systems theory of contemporary films Poulaki, M. Publication date 2011 Link to publication Citation for published version (APA): Poulaki, M. (2011). Before or beyond narrative? Towards a complex systems theory of contemporary films. Rozenberg. General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:24 Sep 2021 PART 2: EMERGENCE The second part of this dissertation, like Part 1, will begin with a plot-oriented analysis of an individual film, Burn After Reading (Joel and Ethan Coen, 2008, US/UK/France). Although individual characters and their trajectories will be separately introduced, what will gradually become apparent is that three levels of agency—the individuals, their aggregates and relations (the ‘network’ that their interactions create), and the film narration itself—are in this film constituted through a mutual causal mechanism, characteristic of complex systems.