Radio Mirror 3708.Pdf

Total Page:16

File Type:pdf, Size:1020Kb

Radio Mirror 3708.Pdf A PERKINS Reveals TYRONE POWER'S Darkest Days AUGUST JEANETTE MACDONALD ADVISES NELSON EDDY ABOUT GLADYS SWARTHOUT NEW DAY- BY- DAY PROGRAM GUIDEsee p.ge 43 JIMMIE FIDLER COVERS HOLLYWOOD-see p.ge 20 EXCITING ? I've met THE MAN. HE WAS EXCITING SIMPLY WONDERFUL VACATION, ADA? TO ME. AND JUST $0 OFTEN AS RICH AS HE IS SWEET. J «AN&$ BY A T«R£AD OF COURSE YOU DO. you're EVEN MORE IT WAS fATE; ft R HAPS : YOU TO GET HE'S ASKED ME OUT OUCHT ATTRACTIVE, TONIGHT. I YOU CAPTURE MY ON HIS YACHT FOR MARRIED ADA. YOU'RE NEVER MET A WOMAN IMAOtNATION AS f£W GETTING DINNER TUESDAY. NOT ANY \ liKED SO SUODENtY. MEN HAVE. HE REAXLY SEEMS :;^ YOUNGER. AND SO WELL SERIOUS . OH I WISH <^ I'M SORRY TO DRAG TO REALLY LOVE A MAN HALITOSIS IS SUCH A YOU HOME THIS OF COURSE AND LOSE HIM OVER DELICATE SUBJECT EARLY, SUT MY HEAD THAT EVEN YOUR BEST I DO, YOU SOME TRIFLING FAULT IS SIMPLY SPLITTING. w FRIEND won't TELL FORGIVE ME. POOR DEAR, THAT ONE DOESN'T EVEN KNOW ABOUT... WHY you. well, there's DIDN'T SOMEONE TELL ME? only one remedy. WHY DIDN'T YOU ? ,^;;^^~ why hot try K ^ ''^ listerine ? ADA! HOW NO, BUT ONE MUCH THRIlllNO. NOT NICER. HE'S BEEN Beauty Experts THE MOST POPULARLAR S YOUR OLD BOY RUSHING ME All YEAR say: GIRLS I KWOW KEEP I FRIEND THAT WENT I REAllY THINK I'VE TO AUSTRALIA ? COT YOU TO THANK- THEIR BREATH SV\/EET "NEVER TAKE A j FOR THAT HINT YOU CHANCE" WITH tISTERINE 1^ --y—^^-^ OAVE ~\ ME. You never know when you have halitosis, but others do and pass you up. Why run the certain risk of Listerine quickly halts such oflfending when all you need do fermentation, then overcomes to make your breath fresher, the odors it causes. Use night and sweeter, more agreeable is to Listerine Antiseptic use Listerine Antiseptic. A morning and between major cause of bad breath is the times before social and fermentation of tiny bits of food business engagements. the tooth brush has missed. Lambert Pharmacal Co. CHECKS HALITOSIS LISTERINE (BAD BREATH) She evades close-ups... Dingy teeth and tender gums destroy her charm ... She ignored the warning of "PINK TOOTH BRUSH" HERE is a girl who should own a smile of "pink"— see your dentist and see him to a new firmness that keeps them health- like sunlight dancing on wind-swept promptly. You may not be headed for se- ier. The theory of Ipana and massage is water—a rippling, dazzling, flashing smile! rious trouble but it's safer to have your approved by many American dentists— is The merest parting of her lip^ should re- dentist's assurance. Many times, however, taught in many schoolrooms all over the veal teeth that are bright, that glisten with the verdict will be gums that are the vic- land. And right at home Ipana and mas- a beautiful lustre. tims of our modern soft foods—gums that sage can be your dentist's able assistant in But how distressing for her {attd how need more work and exercise-^and, very the care of your teeth and gums. shocking for you) if when she smiles she re- often, gums that will respond to the wak- Start today to use Ipana and massage- veals dull teeth and flabby gums, tragic ening stimulation of Ipana and massage. to help keep your gums firm and healthy— evidence of dental ignorance or deliberate For Ipana, with massage, is especially your teeth brighter. And your smile will and unforgivable neglect. designed to help benefit your gums as well then be a smile you can be proud of— as clean your teeth. Massage a little Ipana radiant, winning, lovely! NEVER NEGLECT "PINK TOOTH BRUSH" into your gums when you brush your teeth. LISTEN TO "Town Hall Tonight"- every Don't let such neglect penalize you. Any time Lazy gums awaken. Circulation quickens Wednesday night, over N. B. C. Red Net- your tooth brush shows that warning tinge and stimulates the gum tissues—helps them work, 9 o'clock E.D.S.T. teetn of yoor ^^^^^ . AUGUST. 1937 VOL 8 NO. 4 ijulckuj . Correct These Figure Faults ERNEST V. HEYN FRED R. SAMMIS Perfolastic Not Only Confines, Executive Editor Editor It Removes Ugly Bulges! WALLACE H. CAMPBELL, ART EDITOR BELLE LANDESMAN, ASS'T EDITOR Cap'n Henry Tells "Why I Decided To Come Back" Kirtley Baskette 9 Truth about the return of Show Boot's greatest star Revealing Tyrone Power's Darkest Days Virginia Payne 10 A beloved radio star writes a great story Jeanette MacDonald's Advice to Nelson Eddy About Love. Jack Smalley 12 The story of the month! The Chance Jerry Cooper Dared Take Dan Wheeler 14 He is risking life's greatest gift for stardom Behind the Hollywood Front Jimmie Fidler 20 "Another in this daring uncensored series The First Lady Makes Them Blush! Jack Sher 24 Mrs. Franklin D. Roosevelt as she really is He Who Laughs Lasta Laughs Besta Ruth Geri 26 That's what Ben Bernie's bride found out Rainbow's End Dorothy Ann Blank 28 Continue Don Ameche's amazing success story Girdle or Give Me a Moment Please 30 Brassiere may be worn leparotely Free! Rubinoff's theme song Thousands of women today owe their slim youthful figures to the quick, safe Will Vallee Marry Again? Norton Russell 38 way to reduce . Perfolastic. The only man who knows tells "Hips 1 2 inches smaller," says Miss Richardson. "Lost 60 pounds and 9 inches," writes Mrs. Derr. Radio Mirror Almanac 43 Why don'tyou, too, test the Perfolastic Reducing Girdle and Brassiere at our expense ? Use this new eight-page program guide every day IF you DO NOT REDUCE 3 INCHES in 10 DAYS ... it will cost you nothing! Questions. Personality Close-Ups 22 Because so many Perfolastic wearers reduce Prof. Quiz' Twenty mart than 3 inches we believe we are justified in making you the above unqualified agreement. Coast-to-Coast Highlights Who Swiped That Joke? 32 IMMEDIATELY APPEAR INCHES SLIMMER I Russ King —You appear inches smaller at ottce, and yet are Pose Please 34 so comfortable you can scarcely realize that every minute you wear the Perfolastic garments you ate The Reviewing Stand. By Selector actually reducing at hips, waist, thighs and dia- Facing the Music. ; Ken Alden 36 phragm. Every move you make puts the massage- like action to work at just the spots where fat first What's New? Tony Seymour I accumulates. You will be thrilled with the results Don't Let Your Charm Insurance ... as are other Perfolastic wearers! Lapse Joyce Anderson 40 PERFOLASTIC REDUCES SAFELY ... QUICKLY Gallery of Beauty WITHOUT DIET, DRUGS OR EXERCISE I Durelle Alexander Joy Hodges 16 Gelatin's Your Menu Lifesaver You do not have to risk your health or change — your comfortable mode of living. No strenuous ri •- Mrs. Margaret Simpson 52 r- I ^ exercise to wear you out ... no dangerous drugs riorence t7eorge—Jessica ^ . diet to face and to take and no reduce neck to ' Dragonette 17 wrinkled flabbiness. The Perforations and soft, What Do You Want To Say? ... 54 silky lining make Perfolastic delightful to wear. And with the loss of excess fat will come increased Jane Pickens IS You To pep and energy. What Do Want Know? Send For Ten Day Free Trial Offer Harriet Hilliard 19 The Oracle 64 See for yourself the wonderful quality of the material! Read the astonishing experiences of PAINTED prominent women who have reduced many inches COVER—GLADYS SWARTHOUT— BY TCHETCHET in a few weeks . safely! You risk nothing. Mail coupon now/ SUMMER IS THE IDEAL TIME TO REDUCE ! RADIO MIRROR (Copyright, 1937, by Macfadden Publications, Inc.). The contents of this magazine may not be reprinted, either wholly or in part without permission. Published monthly by Macfadden PERFOLASTIC INC. Publications, Inc., Washington and .South Avenues, Dunellen, New Jersey. General offices, 205 East Dept. 288 41 EAST 42nd ST., NEW YORK. N.Y. 42nd -Street, New York N. Y. Editorial and advertising offices, Chanin Building, 122 East 42nd Street, New York, N. V. Bernarr Macfadden, President; Wesley F. Pape, Secretary; Irene T. Kennedy, Please send FREE BOOK.LET describing and me Treasurer; Walter Hanlon, Advertising Director. Entered as second-class matter September 14, 1933, illustratingthenew Perfolastic Girdleand Brassiere, at the Post Office at Uunellen, New Jersey, under the Act of March 3, 1879. Ptice in United States also sample of perforated material and particulars $1.00 a year; 10c a copy. In U. S. Possessions, Canada, Newfoundland, Cuba, Mexico, Haiti, of your 1 DAY^FREE TRIAL OFFER. i)ominican Republic, Spain and Po,<;sessions, and Central and South American countries excepting Name British Honduras, British, Dutch and French Guiana, $1.50 a year; all other countries $2.50 a year. While Manuscripts, Photographs and Drawings are submitted at the owners' risk, every effort will be Addrest made to return those found unavailable if accompanied liy 1st class postage. But we will not be responsible for any losses of such matter contributed. Contributors are especially advised to be sure Vie coupon or tenJ lutme andaddress on penny postcard to retain copies of their contributions; otherwise they are taking unnecessary risk. Printed in the U. S. A. by Art Color Printing Company, liunellen, N. J. PROFESSOR How could he UIZ tell her TWENTY QUESTIONS '? vi^t/a^e'O^t Prof. Quiz dic- tates a tough one. 1. What famed movie star, making a guest radio appearance, grabbed the baton away from the orchestra leader, giving the excuse that he'd always wanted to lead a band? 2.
Recommended publications
  • Hitchcock's Appetites
    McKittrick, Casey. "The pleasures and pangs of Hitchcockian consumption." Hitchcock’s Appetites: The corpulent plots of desire and dread. New York: Bloomsbury Academic, 2016. 65–99. Bloomsbury Collections. Web. 28 Sep. 2021. <http:// dx.doi.org/10.5040/9781501311642.0007>. Downloaded from Bloomsbury Collections, www.bloomsburycollections.com, 28 September 2021, 16:41 UTC. Copyright © Casey McKittrick 2016. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher, and provide a link to the Creative Commons licence. 3 The pleasures and pangs of Hitchcockian consumption People say, “ Why don ’ t you make more costume pictures? ” Nobody in a costume picture ever goes to the toilet. That means, it ’ s not possible to get any detail into it. People say, “ Why don ’ t you make a western? ” My answer is, I don ’ t know how much a loaf of bread costs in a western. I ’ ve never seen anybody buy chaps or being measured or buying a 10 gallon hat. This is sometimes where the drama comes from for me. 1 y 1942, Hitchcock had acquired his legendary moniker the “ Master of BSuspense. ” The nickname proved more accurate and durable than the title David O. Selznick had tried to confer on him— “ the Master of Melodrama ” — a year earlier, after Rebecca ’ s release. In a fi fty-four-feature career, he deviated only occasionally from his tried and true suspense fi lm, with the exceptions of his early British assignments, the horror fi lms Psycho and The Birds , the splendid, darkly comic The Trouble with Harry , and the romantic comedy Mr.
    [Show full text]
  • DINNERS ENROLL TOM SAWYER.’ at 2:40
    1 11 T 1 Another Film for Film Fans to Suggest Gordon tried out in the drama, "Ch.!« There Is dren of Darkness.” It was thought No ‘Cimarron’ Team. Janet’s Next Role. in Theaters This Week the play would be a failure, so they Photoplays Washington IRENE DUNNE and ^ Wesley Ruggles, of the Nation will * fyJOVIE-GOERS prepared to abandon It. A new man- who as star and director made be asked to suggest the sort of agement took over the property, as- WEEK OP JUNE 12 SUNDAY MONDAY TUESDAY WEDNESDAY THURSDAY FRIDAY SATURDAY cinematic history in 1931 In “Cimar- Stopping picture In which little Janet Kay signed Basil Sydney and Mary Ellis "Bit Town Olrl." "Manneouln." "Manneouln." are to be "Naughty Marietta" "Haughty Marietta" "Thank You. Ur. ron," reunited as star and Chapman. 4-year-old star dis- to the leads and Academy "alfm*83ifl£L'‘ Jon Hall in Will Rogers in Will Rosen in and ‘•The Shadow of and "The Shadow of Moto.” and "Ride. recently they scored a Broad- " director of a Paramount to Sth »nd O Sts. B.E, "The Hu-rlcane." "The Hurricane." _"David Harum "David Harum."_Silk Lennox."_ Silk Lennox." Ranter. Ride." picture covered by a Warner scout, should be way hit. This Lad in } into in the Rudy Vailee Rudy Valle? in Rudy Vallee in Myrna Loy. Clark Oa- Myrna Loy. Clark Oa- Loretta Yoon* in go production early fall. next seen on the screen. Miss So It Is at this time of Ambassador •■Sm* "Gold Diggers in "Gold Diggers in "Oold in ble and ble Chap- only yea# DuE*niBin Diggers Spencer Tracy and Spencer Tracy "Four Men and a The announcement was made after man the 18th «nd OolumblA Rd.
    [Show full text]
  • Dictionary of Westerns in Cinema
    PERFORMING ARTS • FILM HISTORICAL DICTIONARY OF Historical Dictionaries of Literature and the Arts, No. 26 VARNER When early filmgoers watched The Great Train Robbery in 1903, many shrieked in terror at the very last clip, when one of the outlaws turned toward the camera and seemingly fired a gun directly at the audience. The puff of WESTERNS smoke was sudden and hand-colored, and it looked real. Today we can look back at that primitive movie and see all the elements of what would evolve HISTORICAL into the Western genre. Perhaps the Western’s early origins—The Great Train DICTIONARY OF Robbery was the first narrative, commercial movie—or its formulaic yet enter- WESTERNS in Cinema taining structure has made the genre so popular. And with the recent success of films like 3:10 to Yuma and The Assassination of Jesse James by the Coward Robert Ford, the Western appears to be in no danger of disappearing. The story of the Western is told in this Historical Dictionary of Westerns in Cinema through a chronology, a bibliography, an introductory essay, and hundreds of cross-referenced dictionary entries on cinematographers; com- posers; producers; films like Butch Cassidy and the Sundance Kid, Dances with Wolves, The Good, the Bad, and the Ugly, High Noon, The Magnificent Seven, The Searchers, Tombstone, and Unforgiven; actors such as Gene Autry, in Cinema Cinema Kirk Douglas, Clint Eastwood, Henry Fonda, Jimmy Stewart, and John Wayne; and directors like John Ford and Sergio Leone. PAUL VARNER is professor of English at Abilene Christian University in Abilene, Texas.
    [Show full text]
  • 1968-May.Pdf
    -.. -4 --,- - ANOK - mw~ AE OooWN 40_ f .A l -- -_ - _-; - I, " -, - 4--':.LL-9jL - ~·~:o~~_·r+·T~R ~ ~~~ __ - ~.,, ~~~-- L_-··-__et_r4- · ,---- 7,~ -;ami: is as Ad~,~4'f~ - rW.-. .r9 a :cr mok,~~~~~~~c. --.z-.TB 3A1aW ,5l.11 I -. -1 i" \.J . ., t ' q:i t gI~ 1wDn'' fI 1 it U 0 C IA R E TT s 20 - =l~awlaqlk j Oh b vd guideIF VOO DOO may, 1968 =·\ Transformer Wesley Mo ore Attenuator Jim Tagga rt University Insuranc Commercial Gary Blau Generator Ed "The H ick" Salzburg Agency, Inc. Screw-Up John Jurewicz BoYL5ToN ST. W5sToN Antenna Rich Rosen (oYP? PRUDENTYL CENTER) Resistor Raisa Berlin Video Valve Mike Brom berg Autonobile and Motoreycle Triode Scotly Rho( es Insutrance Ionisphere Charles Deber, Ph.D., Hs. C. Sybsystem Art Polansl :y Noise Generator Mark Mariinch Ghosts Alan Chapi nan ALL RISKS ACCEPTED FOR LIABILITY, Flicks Finder and Lavin FIRE/THEFT AND COLLISION COVERAGE Nielsen Trv Simnn-'Steve Gallant Static Harold Federow Phosphor PhosphorusS "FOR PERSONAL SERVICE, CALL ON VooDoo is published 9 times ayear(Oct. thru May, and US AT THE UNIVERSITY" in August) by the VooDoo Managing Board, 84 Massa- TELEPHONE: 536 - 9555 chusetts Avenue, Cambridge, Massachusetts, 02139; en- tered as Second Class Mail at the Boston Post Office, I i , ' ;L ·r 111~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ _ Year subscription Three Dollars. Volume 51, Number 8, --Z - L-C May, 1968. Thank God. ON V. D. GUIDE'S COVER THIS WEEK ... rFF Shown on V.D. Guide's cover this week are the rising new stars Connie Linkes and Rod Fellas, hard at work on their new show, "Annie, Gotcha 'Gain" premiering &PIZZAthis week on Channel 69, Tuesdays at 8:30.
    [Show full text]
  • Rathskeller B
    1 KMUAKV0 THE LIMA NEWS OUR BOARDING HOUSE MAJOR HOOPLE OUT OUR WAY By J. It WILLIAMS Sea And Prairies OA«HIT,Btt«TER!lT WttJW* X «iEM IT TOO, Bob Hope Will Pity A« PLAIN Aft 3AKE'$ A6U61NA9A . „- THAT COMMMV H£'S PULL BALD PATE?-- A PROCESS SBtteftf~^ —' MADE OM THAT SUCCESS THE OWE. WHO For Marine Raiders Background In Sigma Films TOW VUlNOOW.DARtt TOPHCH A6TRIKB CAM PURSUE AND SINISTER /. AT TW1 GEEZER, BUT MILLIONS 1MB NEKT MEAL JUST ON A. FULL The Marine Raiders training at Camp PendleUm, Oetaiwid*, Ctltf« The tea and the prairies, backfround of many adventures, are the AND TOPPED 0V ft*» STOMACH,' ORIENTAL TURBAN I TWIN* AAAKttA* will have the chance of ogling Bob Hope and the pleasure of»ifhinf at settings for the forthcoming Sigma attractions, "Ghost Ship" and WHAT OOUTUKETOWEWt LITTLE Ginger Rogers when the NBC comedian takei his trV.upe there for th* "Empty Holsters," opening Wednesday. Showing for the last times broadcast Tuesday, at 3 i». in., EST. , ...... Tuesday are "Women in Bondage" and "Swingtime Johnny." Major Edward BOWCJ, radio's renowned talent impressario, making John Wayne and Martha Scott are the featured performers in the a rarer-than-rare guest appearance, drops in for a: visit-with Ed current Quilna attraction, "In Old Oklahoma," in which Albert Dekker "Archie" Gardner and the gang at heads the supporting cast. "Duffy's" or. Tuesday at 7:30 p. Switch" program by Laird "Jack A host of Entertainment talent m., EST over WJZ. the Ripper" Cregar during a WJZ is included in the film, "Thousands Theatre Guide broadcast, Tuesday, at 6 p.
    [Show full text]
  • Everything Began with the Movie Moulin Rouge (2001)
    Introduction Everything began with the movie Moulin Rouge (2001). Since I was so obsessed with this hit film, I couldn’t but want to know more about this particular genre - musical films. Then I started to trace the history of this genre back to Hollywood’s classical musical films. It’s interesting that musical films have undergone several revivals and are usually regarded as the products of escapism. Watching those protagonists singing and dancing happily, the audience can daydream freely and forget about the cruel reality. What are the aesthetic artifices of this genre so enchanting that it always catches the eye of audience generation after generation? What kinds of ideal life do these musical films try to depict? Do they (musical films) merely escape from reality or, as a matter of fact, implicitly criticize the society? In regard to the musical films produced by Hollywood, what do they reflect the contemporary social, political or economic situations? To investigate these aspects, I start my research project on the Hollywood musical film genre from the 1950s (its Classical Period) to 2002. However, some people might wonder that among all those Hollywood movies, what is so special about the musical films that makes them distinguish from the other types of movies? On the one hand, the musical film genre indeed has several important contributions to the Hollywood industry, and its influence never wanes even until today. In need of specialty for musical film production, many talented professional dancers and singers thus get the chances to join in Hollywood and prove themselves as great actors (actresses), too.
    [Show full text]
  • Looking at Hollywood with Ed Sullivan
    P.,e- Two C1aica'o SUl:lday TrlLul:le Looking at Hollywood Trio in Color • Oolor phot08 of the three film with Ed Sullivan performere 8ketched here ap- pear on page one of tOday'8 pic. Glamor Boys, Like the Tall ture section. DANlELU: As the result of an- DARRIEUX swering a want ad Corn, Hail from Midwest in a Paris newspa- per in 1931, when she was only 14 years old, Danielle Darrieux landed a leading rOle in a French play, "Le Bal.' Today she is a sensation of the movies, the idol Ohio'. CLARK GABLE. of France, and one of Europe's most glamorous stars. She was By ED SUWVAN minob' FRED MacMl1RRA Y. seen recently as the star of Universal's picture" The Maybe if I'd been born in Ohio Hollywood, Cal. Rage of Paris," with a nota- my whole career would have AS IT EVER struck you ble cast that included Doug- been altered. Well, it's too late girls of the midwest that las Fairbanks Jr., Mischa H now. you're darn lucky? Well, Auer, Louis Hayward, and Fredric March is one of the it's high time that it was brought H e 1e n Broderick. And few Big Ten grads in the higher to your attention, my little chick- everyone who saw her adees of the Big Ten sector, be- brackets of lovemaking. When in "Mayerling," playing Her father, a cause you're living in an area he was manager the Wiscon· -or opposite to C h a r 1e s French World sin football team back in 1920, Ohio'.
    [Show full text]
  • “Can't Help Singing”: the “Modern” Opera Diva In
    “CAN’T HELP SINGING”: THE “MODERN” OPERA DIVA IN HOLLYWOOD FILM, 1930–1950 Gina Bombola A dissertation submitted to the faculty at the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Music in the College of Arts and Sciences. Chapel Hill 2017 Approved by: Annegret Fauser Tim Carter Mark Katz Chérie Rivers Ndaliko Jocelyn Neal ©2017 Gina Bombola ALL RIGHTS RESERVED ii ABSTRACT Gina Bombola: “Can’t Help Singing”: The “Modern” Opera Diva in Hollywood Film, 1930–1950 (Under the direction of Annegret Fauser) Following the release of Columbia Pictures’ surprise smash hit, One Night of Love (1934), major Hollywood studios sought to cash in on the public’s burgeoning interest in films featuring opera singers. For a brief period thereafter, renowned Metropolitan Opera artists such as Grace Moore and Lily Pons fared well at the box office, bringing “elite” musical culture to general audiences for a relatively inexpensive price. By the 1940s, however, the studios began grooming their own operatic actresses instead of transplanting celebrities from the stage. Stars such as Deanna Durbin, Kathryn Grayson, and Jane Powell thereby became ambassadors of opera from the highly commercial studio lot. My dissertation traces the shifts in film production and marketing of operatic singers in association with the rise of such cultural phenomena as the music-appreciation movement, all contextualized within the changing social and political landscapes of the United States spanning the Great Depression to the Cold War. Drawing on a variety of methodologies—including, among others, archival research, film analysis, feminist criticisms, and social theory—I argue that Hollywood framed opera as less of a European theatrical art performed in elite venues and more of a democratic, albeit still white, musical tradition that could be sung by talented individuals in any location.
    [Show full text]
  • Great American Composers Series: Carl Ruggles How to Install a Stereo Test Switch the Art of Bel Canto * How Much Should a Record Cost?
    Hifi StereoReview SEPTEMBER 1966 60 CENTS GREAT AMERICAN COMPOSERS SERIES: CARL RUGGLES HOW TO INSTALL A STEREO TEST SWITCH THE ART OF BEL CANTO * HOW MUCH SHOULD A RECORD COST? 4,z, 3 3 4 it's/Wit/OW 01 cE 99L0 because it is the next best speakers, or $299.50 with 10- thing to our grand grands. At inch speakers. a small fraction of the size The 85 includes a powerful and cost. The 95 baby grand transistor amplifier, an auto- is only $369.50 with standard matic turntable and a mag- speakers, or $399.50 with op- netic cartridge to match. The tional larger speaker systems 95 has a sensitive FM -stereo for even finer bass. The 85 is tuner in addition. Everything only $269.50 with 8 -inch you need for fine stereo. The Fisher baby grand. CIRCLE NO. 24 ON READER SERVICE CARD OVERSEAS AND CANADIAN RESIDENTS PLEASE WRITETO TIMER RADIO I IONAL. INC., LONG ISLAND CITY, N.Y. 1 r PLACE 40 STAMP HERE At Fisher we don't equate performance with size. Every Fisher stereo system must be capable of producing °- FISHER RADIO CORPORATION 11-35 45th Road sound as big as the music. Long Island City, N. Y. 11101 Without compromise. And every time you turn it on. IN The Fisher baby grand is J the most recent proof of this. We call it our baby grand How to get big sound out ofasmall Fisher: N theRemarkable-howTurntable soundRemarkable, ofreproduces the most too-how a stereo magnificentthat recordarecord Garrard without capturesperformance. Automatic a hint dynamicallyofIntegralmeaningful distortion.Technically-this cueing; featuresbalanced, adjustable introducedis counterweightdue antito certain -skating by Garrard.
    [Show full text]
  • GUNSMOKE TV CAST and DETAILS Premiered
    GUNSMOKE TV CAST AND DETAILS Premiered: September 10, 1955, on CBS Rating: TV-PG Premise: This landmark adult Western centered on Marshal Matt Dillon of Dodge City. John Wayne turned down the lead, suggesting James Arness (who remained for its entire run). Originating on radio (with William Conrad as Dillon), it moved to TV in September 1955. Its popularity spawned a number of copycats, but none would enjoy the longevity (and few the consistent quality) of this classic. Airing for 20 years, it's TV's longest running prime-time drama (a record that `Law & Order' is currently chasing). Gunsmoke Cast • James Arness : Marshal Matt Dillon • Milburn Stone : Dr. Galen `Doc' Adams • Amanda Blake : Kitty Russell • Dennis Weaver : Chester Goode • Ken Curtis : Festus Haggen • Burt Reynolds : Quint Asper • James Nusser : Louie Pheeters • Charles Seel : Barney Danches • Howard Culver : Howie Culver • Tom Brown : Ed O'Connor • John Harper : Percy Crump • Dabbs Greer : Mr. Jonus • George Selk : Moss Grimmick • Hank Patterson : Hank Miller • Glenn Strange : Sam • Sarah Selby : Ma Smalley • Ted Jordan : Nathan Burke • Roger Ewing : Clayton Thaddeus `Thad' Greenwood • Roy Roberts : Mr. Bodkin • Woody Chamblis : Mr. Lathrop • Buck Taylor : Newly O'Brien • Charles Wagenheim : Halligan • Pat Hingle : Dr. John Chapman • Fran Ryan : Miss Hannah Gunsmoke Credits • Sam Peckinpah : Screenwriter Gunsmoke Directors • Harry Horner : Director Gunsmoke Guest Cast • Aaron Saxon : Basset • Aaron Spelling : Weed Pindle • Abraham Sofaer : Harvey Easter • Adam West : Hall
    [Show full text]
  • DISNEY STILLS LIST Last Updated on October 7, 2020 This Is a List of All
    DISNEY STILLS LIST Last updated on October 7, 2020 This is a list of all of the extra Disney publicity photos I have available for trade or for sale. They're all Disney originals, not duplicates, and are extra copies of those I have in my own collection. The photos are $3/each unless marked below, plus $7.50 per order for Priority Mail in the United States. Photos marked "Free" are just that - get one free for every photo you buy. I am willing to trade two-for-one for any Disney photos I don't have (which is a lot more than what's on this list!), or for other Disneyana. Please let me know what you have to trade! I have multiple copies of some photos but just one of others, so it's first-come, first-served. If you have any questions or want me to hold photos for you please let me know. $1,000,000 DUCK Cast: Dean Jones (Professor Albert Dooley), Sandy Duncan (Katie Dooley), Joe Flynn (Finley Hooper). 51A-1636 Albert looks at Charley in cage; Hooper looks at both of them 51A-2299 Publicity: Sandy Duncan leaning on Dean Jones, both smiling 20,000 LEAGUES UNDER THE SEA Cast: Kirk Douglas (Ned Land), James Mason (Captain Nemo), Paul Lukas (Professor Pierre Aronnax), Peter Lorre (Conseil), Robert J. Wilke (First Mate). TWC-39 Divers securing coral cross TWC-136 Divers working with net in underwater plants TWC-158 Divers placing coral cross on the underwater grave TWC-196 Behind-the-scenes: Crew members with underwater signal chart TWC-197 Behind-the-scenes: Crew practicing underwater signals TWC-204 Behind-the-scenes: Crew lowers camera into
    [Show full text]
  • Autograph Albums - ITEM 936
    Autograph Albums - ITEM 936 A Jess Barker Jocelyn Brando Lex Barker Marlon Brando Walter Abel Binnie Barnes Keefe Brasselle Ronald Adam Lita Baron Rossano Brazzi Julie Adams Gene Barry Teresa Brewer (2) Nick Adams John Barrymore, Jr. (2) Lloyd Bridges Dawn Addams James Barton Don Briggs Brian Aherne Count Basie Barbara Britton Eddie Albert Tony Bavaar Geraldine Brooks Frank Albertson Ann Baxter Joe E. Brown Lola Albright John Beal Johnny Mack Brown Ben Alexander Ed Begley, Sr. Les Brown John Alexander Barbara Bel Geddes Vanessa Brown Richard Allan Harry Belafonte Carol Bruce Louise Allbritton Ralph Bellamy Yul Brynner Bob “Tex” Allen Constance Bennett Billie Burke June Allyson Joan Bennett George Burns and Gracie Allen Kirk Alyn Gertrude Berg Richard Burton Don Ameche Polly Bergen Spring Byington Laurie Anders Jacques Bergerac Judith Anderson Yogi Berra C Mary Anderson Edna Best Susan Cabot Warner Anderson (2) Valerie Bettis Sid Caesar Keith Andes Vivian Blaine James Cagney Dana Andrews Betsy Blair Rory Calhoun (2) Glenn Andrews Janet Blair Corinne Calvet Pier Angeli Joan Blondell William Campbell Eve Arden Claire Bloom Judy Canova Desi Arnaz Ben Blue Macdonald Carey Edward Arnold Ann Blyth Kitty Carlisle Mary Astor Humphrey Bogart Richard Carlson Jean-Pierre Aumont Ray Bolger Hoagy Carmichael Lew Ayres Ward Bond Leslie Caron B Beulah Bondi John Carradine Richard Boone Madeleine Carroll Lauren Bacall Shirley Booth Nancy Carroll Buddy Baer Ernest Borgnine Jack Carson (2) Fay Bainter Lucia Bose Jeannie Carson Suzan Ball Long Lee Bowman
    [Show full text]