Boston Symphony Orchestra Concert Programs, Season 76, 1956-1957
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BOSTON SYMPHONY ORCHESTRA FOUNDED IN 1881 BY HENRY LEE HI SEVENTY-SIXTH SEASON i95 6 - I 957 Veterans Memorial Auditorium, Providence Boston Symphony Orchestra (Seventy-sixth Season, 1956-1957) CHARLES MUNCH, Music Director RICHARD BURGIN, Associate Conductor PERSONNEL Violins Violas Bassoons Richard Burgin Joseph de Pasquale Sherman Walt Concert-master Jean Cauhap£ Ernst Panenka Alfred Krips Eugen Lehner Theodore Brewster Albert Bernard George Zazofsky Contra-Bassoon Rolland Tapley George Humphrey Lipson Richard Plaster Norbert Lauga Jerome Vladimir ResnikoflE Robert Karol Green Horns Harry Dickson Reuben James Stagliano Gottfried Wilfinger Bernard Kadinoff Charles Yancich Vincent Mauricci Einar Hansen Harry Shapiro John Fiasca Joseph Leibovici Harold Meek Earl Hedberg Emil Kornsand Paul Keaney Roger Shermont Violoncellos Osbourne McConathy Minot Beale Samuel Mayes Herman Silberman Alfred Zighera Trumpets Roger Voisin Stanley Benson Jacobus Langendoen Marcel Lafosse Leo Panasevich Mischa Nieland Armando Ghitalla Sheldon Rotenberg Karl Zeise Gerard Goguen Fredy Ostrovsky Josef Zimbler Bernard Parronchi Trombones Clarence Knudson Martin Hoherman Pierre Mayer William Gibson Louis Berger Manuel Zung William Moyer Richard Kapuscinski Samuel Diamond Kauko Kahila Robert Ripley Josef Orosz Victor Manusevitch James Nagy Tuba Melvin Bryant Flutes K. Vinal Smith Lloyd Stonestreet Doriot Anthony Dwyer Saverio Messina James Pappoutsakis Harps Phillip Kaplan William Waterhouse Bernard Zighera William Marshall Piccolo Olivia Luetcke Leonard Moss George Madsen Jesse Ceci Timpani Oboes Noah Bielski Everett Firth Alfred Schneider Ralph Gomberg Harold Farberman Joseph Silvers tein Jean Devergie John Holmes Percussion Basses English Horn Charles Smith Georges Moleux Louis Speyer Harold Thompson Arthur Press Gaston Dufresne Clarinets Irving Frankel Gino Cioffi Piano Henry Manuel Valerio Freeman Bernard Zighera Henry Portnoi Pasquale Cardillo Henri Girard E\) Clarinet Library John Barwicki Bass Clarinet Victor Alpert Rosario Mazzeo Veterans Memorial Auditorium, Providence SEVENTY-SIXTH SEASON, 1956-1957 Boston Symphony Orchestra CHARLES MUNCH, Music Director Richard Burgin, Associate Conductor Concert Bulletin of the Third Concert TUESDAY EVENING, January 29 with historical and descriptive notes by John N. Burk The TRUSTEES of the BOSTON SYMPHONY ORCHESTRA, Inc. Henry B. Cabot . President Jacob J. Kaplan . Vice-President Richard C. Paine . Treasurer Talcott M. Banks, Jr. E. Morton Jennings, Jr. Theodore P. Ferris Michael T. Kelleher Alvan T. Fuller Palfrey Perkins Francis W. Hatch Charles H. Stockton Harold D. Hodgkinson Edward A. Taft C D. Jackson Raymond S. Wilkins Oliver Wolcott TRUSTEES EMERITUS Philip R. Allen M. A. DeWolfe Howe N. Penrose Hallowell Lewis Perry Thomas D. Perry, Jr., Manager G. W. Rector / Assistant J. J. Brosnahan, Assistant Treasurer N. S. Shirk \ Managers Rosario Mazzeo, Personnel Manager hi STEIN. WAY The artist's choice . the piano for your home Most of the world's great artists choose the Steinway to enhance their performance. The Steinway's superior tone and long life also make it the ideal piano for the home. See the complete line of Steinway Grands and Verticals at: ~Afveru J-^iano C-o. Exclusive Steinway Piano and Hammond Organ Representatives for All This Territory 256 Weybosset St. Open Mondays [*] SEVENTY-SIXTH SEASON • NINETEEN HUNDRED FIFTY-SIX AND FIFTY-SEVEN Three Hundred and Thirty-eighth Concert in Providence Third Concert TUESDAY EVENING, January 29, at 8:15 o'clock Program Britten Variations for String Orchestra on a Theme by Frank Bridge, Op. 10 Introduction and Theme Variations: Adagio — March — Aria Italiana — Bourree classique — Moto perpetuo — Marcia funebre — Fugue and Finale Bloch "Schelomo" (Solomon), Hebrew Rhapsody for 'Cello arid Orchestra INTERMISSION Beethoven Symphony No. 4, in B-flat major, Op. 60 I. Adagio; Allegro vivace II. Adagio III. Allegro vivace IV. Allegro, ma non troppo SOLOIST GREGOR PIATIGORSKY Performances by this orchestra are broadcast each week on Monday evenings from 8:05 to 9:00 P.M. on the NBC Radio Network. (Local Station WJAR) The Friday afternoon concerts at 2:15 and Saturday evening concerts at 8:30 are broadcast direct by station WGBH-FM. By order of the Chief of the Providence Fire Department, smoking is allowed only in the lounge and the ticket lobby of this auditorium. BALDWIN PIANO RCA VICTOR RECORDS [3] '"V'""' |THE VIRTUOSO ORCHESTRA 1 1W Barn* Orrfctxra . f Srmfhmy ..CMa Uvwti Munch conducts Beethoven s PASTORAL SYMPHOMY Boston Symphony C #- ;.:f';iSfe ,^ ' -- &,.. «»~i|»<4~h.h^»*)»|'4»»«oI» .uim»:; i jf : HI • THREE LONG PLAY RECORDS $11.98 *LONG PLAY $3.98 LONG PLAY $3.98 CHARLES MUNCH BOSTON SYMPHONY ORCHESTRA »LONO PLAY $3.98 48 EP'S S2.98 EA. munch in person on rca Victor records To Charles Munch, conducting is not a profession but a THE sacred calling. And this dedication, combined with the WORLD'S GREATEST magnificence of the Boston Symphony Orchestra, brings ARTISTS you performances of unmatched power and beauty. You ARE feel and hear this devotion whether he conducts Ravel, ON Berlioz . or Beethoven . whether the performance is in rcaVictoR Symphony Hall or ... on RCA Victor Records, of course! Nationally AdTertised Price*—Optional •£•»*«•» "Krw Orthoe-toote" BlfB Fidelity Retorting, beet oa u RCA Victor "New Orthopboolo" High Fidelity "Yletroh." [4] VARIATIONS FOR STRING ORCHESTRA ON A THEME OF FRANK BRIDGE, Op. 10 By Benjamin Britten Born at Lowestoft, England, November 22, 1913 These Variations were composed in 1937 and in that year had their first perform- ance, at the Salzburg Festival. They were performed at the Boston Symphony Con- certs April 25-26, 1941, and February 3-4, 1950. npHE brief introduction to the Variations consists of broad chords *• and displayful runs and trills. The theme is given out by the first violins allegro poco lento. It is to be varied with such freedom as often to be scarcely recognizable. The descending interval of a fifth which begins it becomes a sort of earmark. An "Adagio" follows, consisting of soft chords for lower strings and ornamental passages for the violins. There is a lively "March," light and staccato, presto alia marcia. An "Aria Italiana" follows, allegro brillante. The first violins with orna- mental trills suggest the operatic, coloratura style. The next movement is a "Bourree Classique" a simple but strongly rhythmed movement with a pianissimo middle section. A Moto Perpetuo progresses upon IN PROVIDENCE make your choice from the complete line of BALDWIN PIANOS and ORGANS at Rhode Island's authorized Official Piano BALDWIN DEALER Boston Symphony Orchestra {see back cover) 287 Weybosset St. (Across from Round Top Church) Phone TEmple 1-6304 PIANOS fc ORGANS [5] rapid and unremitting sixteenth notes to a fortissimo climax. A Marcia Funebre follows. The final Fugue is in a lively 12-8 rhythm, sometimes suggestive, as it gathers impetus, of the tarantella. The orchestra, much divided, attains a considerable complexity and sets forth the usual devices of augmentation and inversion. At last, lento e solenne, the violins revert to a full-length statement of the theme. The orchestra ultimately spreads into diaphanous arpeggios, punctuated in the last measure by a strong chord. A "Wiener Walz" and "Chant" are omitted in this performance. Benjamin Britten was only twelve years old when he began to study with Frank Bridge, his fellow English composer, who remained his life-long friend.* Mr. Britten attended the Royal College of Music of * Frank Bridge conducted his own orchestral suite "The Sea" at the concerts of the Boston Symphony Orchestra, October 26, 1923. He died in 1941. c 2 H 4 6 E Chic Clothes z T FOR H DAY A E Y L OR E 1 R NIGHT S S E T Jones Warehouses, Inc. For more than 60 years rendering an exceptionally fine service in Furniture Storage, and in Dependable Moving both local and long distance. 59 Member.M.m h,r. CENTRAL ST., PROVIDENCE, R. I. Aero Mayflower 1-0081 Nation-wide GA Moving Service 'Rhode Island's Largest Household Storage Firm" [«] London, where John Ireland became his teacher in composition, Arthur Benjamin his teacher in piano. It was in 1934, when the composer was barely of age, that his music, which he produced with considerable regularity, began to be played. His published works include a Sinfonietta for chamber orchestra, 1932; Phantasy for oboe and strings, 1932; Choral Variations A Boy Was Born, 1933; Simple Symphony for string orchestra, 1934; Holiday Tales for piano, 1934; Te Deum for chorus and organ, 1934; Suite for Violin and Piano, 1935; Friday Afternoon, School Songs, 1935; Our Hunting Fathers, symphonic cycle for soprano and orchestra, 1936; Soirees Musicales, Suite for orchestra, 1936; On This Island, songs by W. H. Auden, 1937; Mont Juic, Catalan Dance Suite, 1937; Piano Concerto, 1938; Ballad of Heroes, for tenor, chorus and orchestra, 1939; Violin Concerto; Les Illuminations, for voice and string orches- tra; Kermesse Canadienne, for orchestra; Sinfonia da Requiem (in 1940). In 1940 also he composed his opera Paul Bunyan, and it has been in the following years that he has established himself in the world of opera. Peter Grimes (introduced to this country by the Berkshire Music Center at Tanglewood in 1946) has been followed by Albert Herring (introduced to this country by the Berkshire Music Center at Tanglewood, 1949), The Rape of Lucretia, Billy Budd, The Turn of NEW INTERIORS 680 no. main street • providence rhode island * jackson 1-6042 FINE CONTEMPORARY FURNISHINGS FOR THE HOME AND OFFICE • MODERN FURNITURE • FABRICS • CARPETING . LAMPS . ACCESSORIES • INTERIOR PLANNING [7] the Screw, Gloriana (on the subject of his Queen, on her coronation). He has revised The Beggar's Opera and recently composed a children's opera Let's Make an Opera in which the audience participates. He has written a cantata, St. Nicholas, and a Spring Symphony with chorus which had its first American performance at the Berkshire Festival in 1949. Mr. Britten, who has visited this country several times, made a tour with the tenor Peter Pears, accompanying the singer and conduct- ing his own music.