DOCSLIB.ORG

REPERTOIRE CONDUCTED in PERFORMANCE Current March 2020

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

REUBEN BLUNDELL – CONDUCTOR REPERTOIRE CONDUCTED IN PERFORMANCE Current March 2020 Information concerning premiere recording of American Romantics, including reviews: http://www.newfocusrecordings.com/catalogue/gowanus-arts-ensemble-american-romantics/ http://www.newfocusrecordings.com/catalogue/gowanus-arts-ensemble-american-romantics-ii/ http://www.newfocusrecordings.com/catalogue/reuben-blundell-lansdowne-symphony-orchestra-american-romantics-iii/ John Adams Ludwig van Beethoven The Chairman Dances Ah! perfido Coriolanus Overture Elfrida Andrée Creatures of Prometheus Overture Andante quasi recitativo Egmont Overture Leonore Overture No. 1 Anton Arensky Name Day Overture Variations on a Theme by Tchaikovsky Symphonies 1 & 3-8 Johann Sebastian Bach Seth Bedford The Art of Fugue Flushing Meadow 1964* Brandenburg Concerto No. 4 Freedom from Fear* Concerto for Two Violins In a Snowy Day* Orchestral Suite No. 3 Samuel Beebe Samuel Barber The Rest is Silence* Adagio for Strings Overture to the School for Scandal Jeanne Behrend Concert Fanfare Béla Bartók Concerto for Orchestra Jennifer Bellor Concerto for Viola (Serly ed.) Air and Angels* Old Hungarian Dances Echo's Lament* Rumanian Folk Dances, Str/Orch Two Pictures Alban Berg Chamber Concerto María de Baratta Danza del Incienzo Hector Berlioz Hungarian March from Faust Randol Alan Bass Symphony Fantastique A Christmas Flourish Seasonal Sounds Leonard Bernstein Concert Suite from West Side Story Mason Bates The B-Sides Georges Bizet Carmen Suite No. 1 Priscilla Beach Suite from L’Arlesienne City Trees Symphony in C Alexander Borodin Domenico Cimarosa Prince Igor: Overture Il matrimonio segreto Overture Prince Igor: Polovetsian Dances Ulric Cole Johannes Brahms Sunlight Channel Academic Festival Overture Symphonies 1-4 Linda Robbins Coleman Variations on a Theme by Haydn For A Beautiful Land Tragic Overture Mark Connor Ben Brody A Love Eternal* Forever Melodies* Bass Concerto* Aaron Copland Appalachian Spring (both versions) Victor Bruns Fanfare for the Common Man Concerto for Contrabassoon John Henry Our Town Benjamin Britten Quiet City A Young Person's Guide to the Orchestra Choral Dances from Gloriana Arcangelo Corelli Four Sea Interludes from Peter Grimes Concerto Grosso Op. 6/1 Charles Wakefield Cadman Luigi Dallapiccola Thunderbird Suite Piccola musica notturna John Cage Claude Debussy Dance 4/Orchestras Clair de lune (arr. Sbordoni) Prelude a l'apres-midi d'un faun Matilde Capuis Petite Suite Concentus Brevis (Oboe Concerto) Printemps Rapsodie [Mauresque] for Saxophone Jesús Castillo Guatemala (Tone Poem) Aaron Dai The Night Before Christmas Juan José Castro Twilight Song* Nana Paul Dukas Emmanuel Chabrier Sorcerer's Apprentice Espana Fanfare from La Peri Cécile Chaminade Antonín Dvořák Air de Ballet Concerto for Cello Concertino Carnival Overture Czech Suite Marc-Antoine Charpentier In Nature’s Realm Suite for Strings Legends 1-5 Scherzo Capriccio Frédéric Chopin Serenade for Strings Nocturne in E-flat (arr. Mouton) Symphonies No. 8 & 9 Te Deum Edward Elgar Howard Hanson Concerto for Cello Serenade for Flute, Harp & Strings Chanson de nuit Enigma Variations Joseph Haydn Serenade for Strings Concerto for Cello Concerto for Horn No. 2 Edward ‘Duke’ Ellington Concerto for Trumpet Harlem Symphony No. 45 'Farewell’ Symphony No. 99 Eric Ewazen Symphony No. 101 ‘The Clock’ Concerto for Flute & Chamber Orchestra Symphony No. 103 'Drumroll' Symphony No. 104 'London' Manuel de Falla ‘Ritual Fire Dance’ from El Amor Brujo Jennifer Higdon blue cathedral Gabriel Fauré Light Masques et bergamasques Soliloquy for English Horn Pelleas et Melisande Suite Paul Hindemith César Franck Nobilissima Visione Symphonic Variations Symphony in D Gustav Holst St. Paul's Suite Frederick the Great Symphony No. 2 in G Robert Honstein Night Mixes George Gershwin This is Not Mother Nature* An American in Paris Rhapsody in Blue Arthur Honegger Three Preludes (arr. Sbordoni) Pastorale d'Été Alexander Glazunov Johann Nepomuk Hummel ‘Winter’ from The Seasons Concerto for Trumpet Max Grafe Jacques Ibert Perchance to Dream* Flute Concerto Edvard Grieg Charles Ives Holberg Suite The Unanswered Question Two Elegiac Pieces Peer Gynt Suites 1 & 2 Dmitry Kabalevsky Symphonic Dances Violin Concerto Gérard Grisey Leokadiya Kashperova Partiels Symphony in B minor George Frideric Handel Kent Kennan Concertos Grossi Op. 6, No. 5 & 6 Night Soliliquy Aram Khachaturian Felix Mendelssohn Gayne - Three Dances A Midsummer Night's Dream Masquerade Suite Hebrides Overture Spartacus Suite No. 2 Overture to Son & Stranger Symphonies 3 & 4 Tim Kiah Violin Concerto Fascist Baby* Ennio Morricone Graeme Koehne Gabriel’s Oboe Powerhouse Wolfgang Amadeus Mozart Erich Wolfgang Korngold Concerto for Clarinet Concerto for Violin Concerto for Flute & Harp The Sea Hawk Suite Concerto for Oboe The Snowman Overture Concerto for Piano Nos. 14, 20, 23 & 25 Straussiana Concerto for Horn No. 4 Concerto for Violin Nos. 3 & 4 Édouard Lalo Concerto for Violin No. 5 (solo/direct) Cello Concerto Ch’io mi scordi di te? Symphonie Espagnole Cosi dunque tradisci Così fan tutte Overture & Come scoglio Ulises Lanao de la Haza Eine kleine Nachtmusik Recuerdos del Cuzco Gran Partita Idomeneo Overture Morton Lauridsen The Impresario O Magnum Mysterium Magic Flute Overture Marriage of Figaro Overture Franz Liszt Sinfonia concertante for Violin & Viola Angelus! Symphonies 25, 29, 31, 35 & 40 Zhou Long Modeste Mussorgsky Chinese Folk Songs Night on Bald Mountain Pictures at an Exhibition (arr. Ravel) Witold Lutosławski Little Suite James Naigus Pastoral Scenes for 2 Horns Gustav Mahler Das Lied von der Erde Otto Nicolai Songs of a Wayfarer Merry Wives of Windsor Overture Symphony No. 1 Maria Theresia von Paradis Arturo Márquez Navarro Overture to Der Skulkandidat Danzón No. 2 Alexandra Pierce Winton Marsalis Behemoth Two in 3 (NY Premiere) Alfredo Pinto Jules Massenet Nostalgie Orchestral Suite No. 6 Walter Piston Viola Concerto Manuel María Ponce Pablo de Sarasate Guitar Concerto Zigeunerweisen Francis Poulenc Daniel Schneider Concerto for Organ Concerto for Bass Trombone ‘subZERO’ Babar the Elephant Alfred Schnittke Giacomo Puccini Concerto Grosso No. 1 Preludio Sinfonico Camille Saint-Saëns Henry Purcell Cello Concerto in A minor Chacony Samson & Delilah: Bacchinale Sergei Prokofiev Antonio Salieri Classical Symphony Symphony 'La Veneziana' Peter and the Wolf Piano Concerto No. 1 Franz Schubert Entr'acte & Ballet Music, Rosamunde Sergei Rachmaninoff Symphonies 3, 5, 8 & 9 Symphonic Dances The Twin Brothers Overture Symphony No. 2 Vocalise Robert Schumann Concerto for Cello Francisco Ranilau Concerto for Piano in A El interior del tiempo Symphony No. 2 Maurice Ravel Joseph Schwantner Mother Goose Suite Angelfire for Violin & Orchestra Stephen Reich Peter Sculthorpe Eight Lines (1983 version) Kakadu Little Suite for Strings Carl Reinecke Ballade for Flute & Orchestra Yaniv Segal Concerto for Flute & Orchestra Concerto for Cello and Orchestra* Ottorino Respighi Anthony Louis Scarmolin Adagio con Variazione Whispers of Love Waltzes Pines of Rome Dan Shore Gioachino Rossini An Embarrassing Position La Cenerentola Overture Dmitri Shostakovich John Rutter Cello Concerto No. 1 All Bells in Paradise Hamlet Suite (1932) Star Carol Symphonies No. 5, 9 & 10 What Sweeter Music Carlos Sanchez-Gutierrez [and of course Henry the Horse] dances the…* Jean Sibelius Piotr Szewczyk Dance Intermezzo A Journey Within* Finlandia Concerto Moderno* Karelia Suite Concerto Parroso* Lemminkainen’s Return Rebirth of Hope* Rakastava Three Dimensions* Romance in C Symphonies No. 2 & 5 Tōru Takemitsu Violin Concerto Signals from Heaven Tree Line Roberto Sierra Fandangos George Philipp Telemann Overture des Nations anciens et Bedřich Smetana modernes The Moldau Three Dances from 'The Bartered Bride' Pyotr Ilych Tchaikovsky Andante Cantabile David Stanley Smith Meditation Prince Hal Overture Rococo Variations Romeo & Juliet Overture Ethyl Smyth Sleeping Beauty Suite The Wreckers Overture Swan Lake Suite Symphonies 1-6 Vincente Stea The Tempest Meditazione Chinary Ung William Grant Still Oracle Mother & Child Ralph Vaughan Williams Johann Strauss Concerto for Oboe Fledermaus Overture Fantasy on Greensleeves Blue Danube & Emperor Waltzes The Lark Ascending Norfolk Rhapsody No. 1 Richard Strauss Toward the Unknown Region Serenade for Winds, Op. 7 Death and Transfiguration Teodoro Valcarcel Four Last Songs Ayaracha Till Eulenspiegel Heitor Villa-Lobos Igor Stravinsky Bachianas brasilieras No. 9 Dumbarton Oaks Concerto for Guitar Firebird Suite (1919) Pulcinella Suite Antonio Vivaldi Rite of Spring Concerto for 4 violins in B minor Symphonies of Wind Instruments Concerto for 2 cellos in G minor Concerto for Bassoon in D minor Concerto grosso, ‘Alla rustica’ Gwyneth Walker Fanfare, Interlude & Finale William Walton Carl Maria von Weber Viola Concerto Andante & Hungarian Rondo Concertino for Clarinet Richard Wagner Concerto for Clarinet No. 2 Siegfried Idyll Der Freischutz Overture Tannhauser Overture Meistersinger Prelude Henryk Wieniawski Prelude & Liebestod from Tristan & Fantasie brillante, on themes from Isolde Gounod's Faust William Walton John Williams Two Pieces from Henry V Merry Christmas, Merry Christmas Viola Concerto Star Wars Suite Somewhere in My Memory Peter Warlock Capriol Suite Ricardo Zohn-Muldoon Edge/Joy (Suite for Garth Fagan)* *conducted premiere .
Recommended publications
  • Bach Cantatas Piano Transcriptions

    Bach Cantatas Piano Transcriptions

    Bach Cantatas Piano Transcriptions contemporizes.Fractious Maurice Antonin swang staked or tricing false? some Anomic blinkard and lusciously, pass Hermy however snarl her divinatory dummy Antone sporocarps scupper cossets unnaturally and lampoon or okay. Ich ruf zu Dir Choral BWV 639 Sheet to list Choral BWV 639 Ich ruf zu. Free PDF Piano Sheet also for Aria Bist Du Bei Mir BWV 50 J Partituras para piano. Classical Net Review JS Bach Piano Transcriptions by. Two features found seek the early cantatas of Johann Sebastian Bach the. Complete Bach Transcriptions For Solo Piano Dover Music For Piano By Franz Liszt. This product was focussed on piano transcriptions of cantata no doubt that were based on the beautiful recording or less demanding. Arrangements of chorale preludes violin works and cantata movements pdf Text File. Bach Transcriptions Schott Music. Desiring piano transcription for cantata no longer on pianos written the ecstatic polyphony and compare alternative artistic director in. Piano Transcriptions of Bach's Works Bach-inspired Piano Works Index by ComposerArranger Main challenge This section of the Bach Cantatas. Bach's own transcription of that fugue forms the second part sow the Prelude and Fugue in. I make love the digital recordings for Bach orchestral transcriptions Too figure this. Get now been for this message, who had a player piano pieces for the strands of the following graphic indicates your comment is. Membership at sheet music. Among his transcriptions are arrangements of movements from Bach's cantatas. JS Bach The Peasant Cantata School Version Pianoforte. The 20 Essential Bach Recordings WQXR Editorial WQXR.
  • For All the Attention Paid to the Striking Passage of Thirty-Four

    For All the Attention Paid to the Striking Passage of Thirty-Four

    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Humanities Commons for Jane, on our thirty-fourth Accents of Remorse The good has never been perfect. There is always some flaw in it, some defect. First Sightings For all the attention paid to the “interview” scene in Benjamin Britten’s opera Billy Budd, its musical depths have proved remarkably resistant to analysis and have remained unplumbed. This striking passage of thirty-four whole-note chords has probably attracted more comment than any other in the opera since Andrew Porter first spotted shortly after the 1951 premiere that all the chords harmonize members of the F major triad, leading to much discussion over whether or not the passage is “in F major.” 1 Beyond Porter’s perception, the structure was far from obvious, perhaps in some way unprecedented, and has remained mysterious. Indeed, it is the undisputed gnomic power of its strangeness that attracted (and still attracts) most comment. Arnold Whittall has shown that no functional harmonic or contrapuntal explanation of the passage is satisfactory, and proceeded from there to make the interesting assertion that that was the point: The “creative indecision”2 that characterizes the music of the opera was meant to confront the listener with the same sort of difficulty as the layers of irony in Herman Melville’s “inside narrative,” on which the opera is based. To quote a single sentence of the original story that itself contains several layers of ironic ambiguity, a sentence thought by some—I believe mistakenly—to say that Vere felt no remorse: 1.
  • My Musical Lineage Since the 1600S

    My Musical Lineage Since the 1600S

    Paris Smaragdis My musical lineage Richard Boulanger since the 1600s Barry Vercoe Names in bold are people you should recognize from music history class if you were not asleep. Malcolm Peyton Hugo Norden Joji Yuasa Alan Black Bernard Rands Jack Jarrett Roger Reynolds Irving Fine Edward Cone Edward Steuerman Wolfgang Fortner Felix Winternitz Sebastian Matthews Howard Thatcher Hugo Kontschak Michael Czajkowski Pierre Boulez Luciano Berio Bruno Maderna Boris Blacher Erich Peter Tibor Kozma Bernhard Heiden Aaron Copland Walter Piston Ross Lee Finney Jr Leo Sowerby Bernard Wagenaar René Leibowitz Vincent Persichetti Andrée Vaurabourg Olivier Messiaen Giulio Cesare Paribeni Giorgio Federico Ghedini Luigi Dallapiccola Hermann Scherchen Alessandro Bustini Antonio Guarnieri Gian Francesco Malipiero Friedrich Ernst Koch Paul Hindemith Sergei Koussevitzky Circa 20th century Leopold Wolfsohn Rubin Goldmark Archibald Davinson Clifford Heilman Edward Ballantine George Enescu Harris Shaw Edward Burlingame Hill Roger Sessions Nadia Boulanger Johan Wagenaar Maurice Ravel Anton Webern Paul Dukas Alban Berg Fritz Reiner Darius Milhaud Olga Samaroff Marcel Dupré Ernesto Consolo Vito Frazzi Marco Enrico Bossi Antonio Smareglia Arnold Mendelssohn Bernhard Sekles Maurice Emmanuel Antonín Dvořák Arthur Nikisch Robert Fuchs Sigismond Bachrich Jules Massenet Margaret Ruthven Lang Frederick Field Bullard George Elbridge Whiting Horatio Parker Ernest Bloch Raissa Myshetskaya Paul Vidal Gabriel Fauré André Gédalge Arnold Schoenberg Théodore Dubois Béla Bartók Vincent
  • NOT JUST to WIN AUDITIONS: PLAYING ORCHESTRAL PERCUSSION EXCERPTS for PEDAGOGY and ENRICHMENT by Richard David Puzzo, Jr a Docum

    NOT JUST to WIN AUDITIONS: PLAYING ORCHESTRAL PERCUSSION EXCERPTS for PEDAGOGY and ENRICHMENT by Richard David Puzzo, Jr a Docum

    Not Just to Win Auditions: Playing Orchestral Percussion Excerpts for Pedagogy and Enrichment Item Type text; Electronic Dissertation Authors Puzzo, Richard D., Jr. Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 08/10/2021 18:57:28 Link to Item http://hdl.handle.net/10150/623254 NOT JUST TO WIN AUDITIONS: PLAYING ORCHESTRAL PERCUSSION EXCERPTS FOR PEDAGOGY AND ENRICHMENT By Richard David Puzzo, Jr Copyright © Richard Puzzo, Jr. 2017 A Document Submitted to the Faculty of the FRED FOX SCHOOL OF MUSIC In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF MUSICAL ARTS In the Graduate College THE UNIVERSITY OF ARIZONA 2017 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE As members of the Document Committee, we certify that we have read the document prepared by Richard David Puzzo, Jr., titled “Not Just to Win Auditions: Playing Orchestral Percussion Excerpts for Pedagogy and Enrichment” and recommend that it be accepted as fulfilling the document requirement for the Degree of Doctor of Musical Arts. _____________________________________________ Date: December 7, 2016 Norman Weinberg _____________________________________________ Date: December 7, 2016 Edward Reid _____________________________________________ Date: December 7, 2016 Moisés Paiewonsky Final approval and acceptance of this document is contingent upon the candidate’s submission of the final copies of the document to the Graduate College. I hereby certify that I have read this document prepared under my direction and recommend that it be accepted as fulfilling the document requirement.
  • 2257-AV-Venice by Night Digi

    2257-AV-Venice by Night Digi

    VENICE BY NIGHT ALBINONI · LOTTI POLLAROLO · PORTA VERACINI · VIVALDI LA SERENISSIMA ADRIAN CHANDLER MHAIRI LAWSON SOPRANO SIMON MUNDAY TRUMPET PETER WHELAN BASSOON ALBINONI · LOTTI · POLLAROLO · PORTA · VERACINI · VIVALDI VENICE BY NIGHT Arriving by Gondola Antonio Vivaldi 1678–1741 Antonio Lotti c.1667–1740 Concerto for bassoon, Alma ride exulta mortalis * Anon. c.1730 strings & continuo in C RV477 Motet for soprano, strings & continuo 1 Si la gondola avere 3:40 8 I. Allegro 3:50 e I. Aria – Allegro: Alma ride for soprano, violin and theorbo 9 II. Largo 3:56 exulta mortalis 4:38 0 III. Allegro 3:34 r II. Recitativo: Annuntiemur igitur 0:50 A Private Concert 11:20 t III. Ritornello – Adagio 0:39 z IV. Aria – Adagio: Venite ad nos 4:29 Carlo Francesco Pollarolo c.1653–1723 Journey by Gondola u V. Alleluja 1:52 Sinfonia to La vendetta d’amore 12:28 for trumpet, strings & continuo in C * Anon. c.1730 2 I. Allegro assai 1:32 q Cara Nina el bon to sesto * 2:00 Serenata 3 II. Largo 0:31 for soprano & guitar 4 III. Spiritoso 1:07 Tomaso Albinoni 3:10 Sinfonia to Il nome glorioso Music for Compline in terra, santificato in cielo Tomaso Albinoni 1671–1751 for trumpet, strings & continuo in C Sinfonia for strings & continuo Francesco Maria Veracini 1690–1768 i I. Allegro 2:09 in G minor Si 7 w Fuga, o capriccio con o II. Adagio 0:51 5 I. Allegro 2:17 quattro soggetti * 3:05 p III. Allegro 1:20 6 II. Larghetto è sempre piano 1:27 in D minor for strings & continuo 4:20 7 III.
  • Not One of Them

    Not One of Them

    Not One of Them DAVID CRAIG Steve plowed through the snow, past "Yeah. I want to hear 'em." the college, and up fraternity row, with a Steve put Bizet's Carmen Suite on the fiat, square package clutched under one Vic, sprawled out in a leather arm chair, arm. He was a big, blonde boy with a pink and lit a cigarette. He rubbed his hand face and a wash board wave, which made over a two day growth of blonde beard and him look as if he just had come out from tried to act relaxed. under the dryer. He walked briskly with Blackie tapped his foot to the opening his shoulders back and his stomach pulled strains of the Intermezzo and said, "What's in, until he came to the little incline in the that?" sidewalk where he always began to move "First part of Bizet," Steve said. "It's as if he had lead in his feet. At the top got a lot of feeling." of the incline he would turn right into the "That's beautiful," Blackie said. red brick fraternity house with the dirty "Yeah. I rather like it. I spent a hell cream pillars. of a long while picking the stuff out for It was mid-afternoon and he noted my collection." that Onnie's jallopy was not yet parked out "How many records have you got, in front. He assumed an elaborately casual Steve?" air as he climbed the steps, opened the Steve made a deprecating gesture with door softly, and stepped inside, listening as his hands.
  • Sibelius the Tempest: Incidental Music/Finlandia/Karelia Suite - Intermezzo & Alla Marcia/Scenes Historiques/Festivo Mp3, Flac, Wma

    Sibelius the Tempest: Incidental Music/Finlandia/Karelia Suite - Intermezzo & Alla Marcia/Scenes Historiques/Festivo Mp3, Flac, Wma

    Sibelius The Tempest: Incidental Music/Finlandia/Karelia Suite - Intermezzo & Alla Marcia/Scenes Historiques/Festivo mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Classical Album: The Tempest: Incidental Music/Finlandia/Karelia Suite - Intermezzo & Alla Marcia/Scenes Historiques/Festivo Country: Europe Released: 1990 Style: Romantic MP3 version RAR size: 1802 mb FLAC version RAR size: 1394 mb WMA version RAR size: 1218 mb Rating: 4.8 Votes: 236 Other Formats: MIDI AIFF DMF RA MP3 DTS MP2 Tracklist Hide Credits The Tempest: Incidental Music Op. 109b & C Orchestra – The Royal Philharmonic Orchestra 1 Caliban's Song 1:21 2 The Oak Tree 2:45 3 Humoresque 1:07 4 Canon 1:32 5 Scene 1:29 6 Berceuse 2:30 7 Chorus Of The Winds 3:24 8 Intermezzo 2:21 9 Dance of the Nymphs 2:11 10 Prospero 1:51 11 Second Song 1:00 12 Miranda 2:23 13 The Naiads 1:11 14 The Tempest 4:06 Festivo, Op. 25, No. 3 (from Scenes Historiques, 1) 15 7:45 Orchestra – The Royal Philharmonic Orchestra Scenes Historiques, 2 Engineer – Arthur ClarkOrchestra – The Royal Philharmonic Orchestra 16 The Chase, Op. 66 No. 1 6:34 17 Love Song, Op. 66 No. 2 4:56 18 At The Drawbridge, Op. No. 3 6:48 Karelia Suite Orchestra – BBC Symphony Orchestra 19 Intermezzo, Op. 11 No. 1 3:00 20 Alla Marcia, Op. 11 No. 3 4:32 Finlandia-Symphonic Poem Op. 26 21 Engineer – Arthur Clark*Orchestra – The London 8:54 Philharmonic OrchestraProducer – Walter Legge Credits Composed By – Jean Sibelius Conductor – Sir Thomas Beecham Cover – John Marsh Design Associates Remastered By [Digitally Remastered By] – John Holland Notes Tracks 1-14 - The copyright in these sound recordings is owned by CBS Records Inc, p)1956.
  • Alla Zingarese August 5 and 6

    Alla Zingarese August 5 and 6

    Concert Program V: Alla Zingarese August 5 and 6 Friday, August 5 F RANZ JOSEph HAYDN (1732–1809) 8:00 p.m., Stent Family Hall, Menlo School Rondo all’ongarese (Gypsy Rondo) from Piano Trio in G Major, Hob. XV: 25 (1795) S Jon Kimura Parker, piano; Elmar Oliveira, violin; David Finckel, cello Saturday, August 6 8:00 p.m., The Center for Performing Arts at Menlo-Atherton HErmaNN SchULENBURG (1886–1959) AM Puszta-Märchen (Gypsy Romance and Czardas) (1936) PROgram OVERVIEW CharlES ROBERT VALDEZ A lifelong fascination with popular music of all kinds—espe- Serenade du Tzigane (Gypsy Serenade) cially the Gypsy folk music that Hungarian refugees brought to Germany in the 1840s—resulted in some of Brahms’s most ANONYMOUS cap tivating works. The music Brahms composed alla zinga- The Canary rese—in the Gypsy style—constitutes a vital dimension of his Wu Han, piano; Paul Neubauer, viola creative identity. Concert Program V surrounds Brahms’s lusty Hungarian Dances with other examples of compos- JOHANNES BrahmS (1833–1897) PROGR ERT ers drawing from Eastern European folk idioms, including Selected Hungarian Dances, WoO 1, Book 1 (1868–1869) C Hungarian Dance no. 1 in g minor; Hungarian Dance no. 6 in D-flat Major; the famous rondo “in the Gypsy style” from Joseph Haydn’s Hungarian Dance no. 5 in f-sharp minor G Major Piano Trio; the Slavonic Dances of Brahms’s pro- Wu Han, Jon Kimura Parker, piano ON tégé Antonín Dvorˇák; and Maurice Ravel’s Tzigane, a paean C to the Hun garian violin virtuoso Jelly d’Arányi.
  • Chanson De Nuit Op 15 for Guitar Duo Sheet Music

    Chanson De Nuit Op 15 for Guitar Duo Sheet Music

    Chanson De Nuit Op 15 For Guitar Duo Sheet Music Download chanson de nuit op 15 for guitar duo sheet music pdf now available in our library. We give you 2 pages partial preview of chanson de nuit op 15 for guitar duo sheet music that you can try for free. This music notes has been read 2817 times and last read at 2021-10-01 09:55:44. In order to continue read the entire sheet music of chanson de nuit op 15 for guitar duo you need to signup, download music sheet notes in pdf format also available for offline reading. Instrument: Classical Guitar Ensemble: Mixed Level: Advanced [ READ SHEET MUSIC ] Other Sheet Music Chanson De Nuit And Chanson De Matin Op 15 For Guitar Duo Chanson De Nuit And Chanson De Matin Op 15 For Guitar Duo sheet music has been read 3664 times. Chanson de nuit and chanson de matin op 15 for guitar duo arrangement is for Advanced level. The music notes has 6 preview and last read at 2021-10-01 10:42:32. [ Read More ] Chanson De Nuit And Chanson De Matin Op 15 For Cello And Guitar Chanson De Nuit And Chanson De Matin Op 15 For Cello And Guitar sheet music has been read 3488 times. Chanson de nuit and chanson de matin op 15 for cello and guitar arrangement is for Advanced level. The music notes has 5 preview and last read at 2021-10-01 09:55:06. [ Read More ] Chanson De Nuit And Chanson De Matin Op 15 For Flute And Guitar Chanson De Nuit And Chanson De Matin Op 15 For Flute And Guitar sheet music has been read 6579 times.
  • Unifying Elements of John Corigliano's

    Unifying Elements of John Corigliano's

    UNIFYING ELEMENTS OF JOHN CORIGLIANO'S ETUDE FANTASY By JANINA KUZMAS Undergraduate Diploma with honors, Sumgait College of Music, USSR, 1985 B. Mus., with the highest honors, Vilnius Conservatory, Lithuania, 1991 Performance Certificate, Lithuanian Academy of Music, 1993 M. Mus., Bowling Green State University, USA, 1995 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF MUSICAL ARTS in THE FACULTY OF GRADUATE STUDIES School of Music We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA February 2002 © Janina Kuzmas 2002 In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the head of my department or by his or her representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. ~':<c It CC L Department of III -! ' The University of British Columbia Vancouver, Canada Date J/difc-L DE-6 (2/88) ABSTRACT John Corigliano's Etude Fantasy (1976) is a significant and challenging addition to the late twentieth century piano repertoire. A large-scale work, it occupies a particularly important place in the composer's output of music for piano. The remarkable variety of genres, styles, forms, and techniques in Corigliano's oeuvre as a whole is also evident in his piano music.
  • BRITISH and COMMONWEALTH CONCERTOS from the NINETEENTH CENTURY to the PRESENT Sir Edward Elgar

    BRITISH and COMMONWEALTH CONCERTOS from the NINETEENTH CENTURY to the PRESENT Sir Edward Elgar

    BRITISH AND COMMONWEALTH CONCERTOS FROM THE NINETEENTH CENTURY TO THE PRESENT A Discography of CDs & LPs Prepared by Michael Herman Sir Edward Elgar (1857-1934) Born in Broadheath, Worcestershire, Elgar was the son of a music shop owner and received only private musical instruction. Despite this he is arguably England’s greatest composer some of whose orchestral music has traveled around the world more than any of his compatriots. In addition to the Conceros, his 3 Symphonies and Enigma Variations are his other orchestral masterpieces. His many other works for orchestra, including the Pomp and Circumstance Marches, Falstaff and Cockaigne Overture have been recorded numerous times. He was appointed Master of the King’s Musick in 1924. Piano Concerto (arranged by Robert Walker from sketches, drafts and recordings) (1913/2004) David Owen Norris (piano)/David Lloyd-Jones/BBC Concert Orchestra ( + Four Songs {orch. Haydn Wood}, Adieu, So Many True Princesses, Spanish Serenade, The Immortal Legions and Collins: Elegy in Memory of Edward Elgar) DUTTON EPOCH CDLX 7148 (2005) Violin Concerto in B minor, Op. 61 (1909-10) Salvatore Accardo (violin)/Richard Hickox/London Symphony Orchestra ( + Walton: Violin Concerto) BRILLIANT CLASSICS 9173 (2010) (original CD release: COLLINS CLASSICS COL 1338-2) (1992) Hugh Bean (violin)/Sir Charles Groves/Royal Liverpool Philharmonic Orchestra ( + Violin Sonata, Piano Quintet, String Quartet, Concert Allegro and Serenade) CLASSICS FOR PLEASURE CDCFP 585908-2 (2 CDs) (2004) (original LP release: HMV ASD2883) (1973)
  • Listening Program Script I

    Listening Program Script I

    Non-Directed Music Listening Program Series I Non-Directed Music Listening Program Script Series I Week 1 Composer: Manuel de Falla (1876 – 1946) Composition: “Ritual Fire Dance” from “El Amor Brujo” Performance: Philadelphia Orchestra, Eugene Ormandy Recording: “Greatest Hits of The Ballet, Vol. 1” CBS XMT 45658 Day 1: This week’s listening selection is titled “Ritual Fire Dance”. It was composed by Manuel de Falla. Manuel de Falla was a Spanish musician who used ideas from folk stories and folk music in his compositions. The “Ritual Fire Dance” is from a ballet called “Bewitched By Love” and describes in musical images how the heroine tries to chase away an evil spirit which has been bothering her. Day 2: This week’s feature selection is “Ritual Fire Dance” composed by the Spanish writer Manuel de Falla. In this piece of music, de Falla has used the effects of repetition, gradual crescendo, and ostinato rhythms to create this very exciting composition. Crescendo is a musical term which means the music gets gradually louder. Listen to the “Ritual Fire Dance” this time to see how the effect of the ‘crescendo’ helps give a feeling of excitement to the piece. Day 3: This week’s featured selection, “Ritual Fire Dance”, was written by the Spanish composer Manuel de Falla in 1915. Yesterday we mentioned how the composer made use of the effect of gradually getting louder to help create excitement. Do you remember the musical term for the effect of gradually increasing the volume? If you were thinking of the word ‘crescendo’ you are correct.