philippine studies Ateneo de Manila University • Loyola Heights, Quezon City • 1108 Philippines Guillermo Tolentino’s Grupo de Filipinos Ilustres and the Making of a National Pantheon Resil B. Mojares Philippine Studies vol. 58 nos. 1 & 2 (2010): 169–184 Copyright © Ateneo de Manila University Philippine Studies is published by the Ateneo de Manila University. Contents may not be copied or sent via email or other means to multiple sites and posted to a listserv without the copyright holder’s written permission. Users may download and print articles for individual, noncom- mercial use only. However, unless prior permission has been obtained, you may not download an entire issue of a journal, or download multiple copies of articles. Please contact the publisher for any further use of this work at
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[email protected]. http://www.philippinestudies.net RESIL B. MOJARES Guillermo Tolentino’s Grupo de Filipinos Ilustres and the Making of a National Pantheon The essay inquires into the contingencies, gaps, and tensions in the process of “pantheonization,” or the canonization of national heroes, by taking up the case of Guillermo Tolentino’s Grupo de Filipinos Ilustres (1911). From the analysis of a portrait, it widens into a reflection on the formation of civic nationalism in the early twentieth century as Filipino intellectuals and the U.S.-sponsored government sought to create a “nation-space” through projects of defining a “national” history, language, literature, music, theater, dance, art, and others. Keywords: pantheonization • printmaKing • portraiture • photography • civic nationalism PHILIPPINE STUDIES 58, NOS. 1-2 (2010) 169–84 © Ateneo de Manila University n 1911, a fine arts student at the University of the Philippines, and stockholders of the Real Compañía de Filipinas, Goya introduces a “polit- Guillermo Tolentino (1890–1976), drew a composite portrait of “il- ical subtext”—dark, sinister tones, the obscured features of the dignitaries, lustrious Filipinos” (Filipinos ilustres).