Rawson Duo Concert Series, 2011-12
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Six Folk Songs from Norfolk
1 Six folk songs from norfolk Voice & Piano by E.J. Moeran VOCAL SCORE 2 This score is in the Public Domain and has No Copyright under United States law. Anyone is welcome to make use of it for any purpose. Decorative images on this score are also in the Public Domain and have No Copyright under United States law. No determination was made as to the copyright status of these materials under the copyright laws of other countries. They may not be in the Public Domain under the laws of other countries. EHMS makes no warranties about the materials and cannot guarantee the accuracy of this Rights Statement. You may need to obtain other permissions for your intended use. For example, other rights such as publicity, privacy or moral rights may limit how you may use the material. You are responsible for your own use. http://rightsstatements.org/vocab/NoC-US/1.0/ Text written for this score, including project information and descriptions of individual works does have a new copyright, but is shared for public reuse under a Creative Commons Attribution NonCommercial (CC BY-NC 4.0 International) license. https://creativecommons.org/licenses/by-nc/4.0/ Cover Image: ”Peace (detail)” by Benjamin Williams Leader, 1915 3 The “renaissance” in English music is generally agreed to have started in the late Victorian period, beginning roughly in 1880. Public demand for major works in support of the annual choral festivals held throughout England at that time was considerable which led to the creation of many large scale works for orchestra with soloists and chorus. -
British and Commonwealth Concertos from the Nineteenth Century to the Present
BRITISH AND COMMONWEALTH CONCERTOS FROM THE NINETEENTH CENTURY TO THE PRESENT A Discography of CDs & LPs Prepared by Michael Herman Composers I-P JOHN IRELAND (1879-1962) Born in Bowdon, Cheshire. He studied at the Royal College of Music with Stanford and simultaneously worked as a professional organist. He continued his career as an organist after graduation and also held a teaching position at the Royal College. Being also an excellent pianist he composed a lot of solo works for this instrument but in addition to the Piano Concerto he is best known for his for his orchestral pieces, especially the London Overture, and several choral works. Piano Concerto in E flat major (1930) Mark Bebbington (piano)/David Curti/Orchestra of the Swan ( + Bax: Piano Concertino) SOMM 093 (2009) Colin Horsley (piano)/Basil Cameron/Royal Philharmonic Orchestra EMI BRITISH COMPOSERS 352279-2 (2 CDs) (2006) (original LP release: HMV CLP1182) (1958) Eileen Joyce (piano)/Sir Adrian Boult/London Philharmonic Orchestra (rec. 1949) ( + The Forgotten Rite and These Things Shall Be) LONDON PHILHARMONIC ORCHESTRA LPO 0041 (2009) Eileen Joyce (piano)/Leslie Heward/Hallé Orchestra (rec. 1942) ( + Moeran: Symphony in G minor) DUTTON LABORATORIES CDBP 9807 (2011) (original LP release: HMV TREASURY EM290462-3 {2 LPs}) (1985) Piers Lane (piano)/David Lloyd-Jones/Ulster Orchestra ( + Legend and Delius: Piano Concerto) HYPERION CDA67296 (2006) John Lenehan (piano)/John Wilson/Royal Liverpool Philharmonic Orchestra ( + Legend, First Rhapsody, Pastoral, Indian Summer, A Sea Idyll and Three Dances) NAXOS 8572598 (2011) MusicWeb International Updated: August 2020 British & Commonwealth Concertos I-P Eric Parkin (piano)/Sir Adrian Boult/London Philharmonic Orchestra ( + These Things Shall Be, Legend, Satyricon Overture and 2 Symphonic Studies) LYRITA SRCD.241 (2007) (original LP release: LYRITA SRCS.36 (1968) Eric Parkin (piano)/Bryden Thomson/London Philharmonic Orchestra ( + Legend and Mai-Dun) CHANDOS CHAN 8461 (1986) Kathryn Stott (piano)/Sir Andrew Davis/BBC Symphony Orchestra (rec. -
Cheryl Ann Durgan Eduard J. Hamilton
In memory of Cheryl Ann Durgan Cheryl Ann Durgan, 59, of Gardiner Road died Cheryl Ann was always positive. She loved her birds, Wednesday, May 2, 2012, at her residence. dogs and cats. She would go to the animal shelter fre- She was born in Troy, N.Y., on Jan. 14, 1953, a daughter quently and come home with a new pet. of William H. and Rose P. (Snyder) Hoffman. She was president of Maine State Caged Bird Society She graduated from Averill Park High School in New and president of the Capital Area Wheels R.V. Club/Good York in 1971. She attended many colleges and was recently Sam. attending University of Maine. She is survived by her husband, Richard A. Durgan, of She was employed by the City of Bath as head of general Dresden; two sons, Bryan Lewis, and his wife, Alyason, of assistance for 18 years. On Oct. 1, 2001, she was employed Maryland, and Brett Lewis and his wife, Melissa, of Mary- as activities director for Augusta Rehabilitation, Country land; one sister, Darlene R. Schnoop, and her husband, Manor in Coopers Mills, Field Crest Nursing Home and Mike, of Augusta; five grandchildren; many great-grand- as a coordinator for Catholic Charities in Augusta. children; and numerous nieces and nephews. Eduard J. Hamilton By Josef Lindholm III, Curator of Birds, Tulsa Zoo I saw Elvis in Tijuana. It was Elvis in his decline, heavy- set, in that iconic white high-collared suit glittering with rhinestones. His hair was a brilliant orange yellow. But all that garishness did not compare to the burden he bore: Five boxy wooden cages, each with at least a dozen male Painted Buntings, strung down his back. -
Tournament 11 Round #9
Tournament 11 Round 9 Tossups 1. This man described the homosexuality of Kochan in his work Confessions of a Mask. He wrote another work in which Isao (EYE-sow), Ying Chan, and Toru are all successive incarnations of Kiyaoki, who appears in Spring Snow. That work by this author centers on the lawyer Shigekuni Honda. This author ended a novel with Mizoguchi's arson of the titular (*) Temple of the Golden Pavilion. All of those works were completed prior to this author's televised suicide by seppuku (SEH-puh-koo). For 10 points, name this Japanese author who wrote the Sea of Fertility tetralogy. ANSWER: Yukio Mishima [or Mishima Yukio; do not accept or prompt on "Yukio" by itself; or Kimitake Hiraoka; or Hiraoka Kimitake; do not accept or prompt on "Kimitake" by itself] 020-09-10-09102 2. This man's first symphony sets poems from Whitman's Leaves of Grass and contains the movements "The Explorers" and "On the Beach at Night Alone". He wrote a piece for violin and orchestra based on a George Meredith poem that depicts a (*) bird rising up to the heavens. Another of this man's works was inspired by the music of the composer of the motet Spem in alium. For 10 points, identify this British composer of A Sea Symphony and The Lark Ascending who wrote fantasias on "Greensleeves" and on a Theme by Thomas Tallis. ANSWER: Ralph Vaughan Williams 029-09-10-09103 3. This politician decried the forced removal of Ali Maher as an attack on his nation's sovereignty. -
Contents Price Code an Introduction to Chandos
CONTENTS AN INTRODUCTION TO CHANDOS RECORDS An Introduction to Chandos Records ... ...2 Harpsichord ... ......................................................... .269 A-Z CD listing by composer ... .5 Guitar ... ..........................................................................271 Chandos Records was founded in 1979 and quickly established itself as one of the world’s leading independent classical labels. The company records all over Collections: Woodwind ... ............................................................ .273 the world and markets its recordings from offices and studios in Colchester, Military ... ...208 Violin ... ...........................................................................277 England. It is distributed worldwide to over forty countries as well as online from Brass ... ..212 Christmas... ........................................................ ..279 its own website and other online suppliers. Concert Band... ..229 Light Music... ..................................................... ...281 Opera in English ... ...231 Various Popular Light... ......................................... ..283 The company has championed rare and neglected repertoire, filling in many Orchestral ... .239 Compilations ... ...................................................... ...287 gaps in the record catalogues. Initially focussing on British composers (Alwyn, Bax, Bliss, Dyson, Moeran, Rubbra et al.), it subsequently embraced a much Chamber ... ...245 Conductor Index ... ............................................... .296 -
Download Download
A Composer Goes to War: E. J. Moeran and the First World War IAN MAXWELL Introduction Just over one hundred years ago, in the early morning of 3 May 1917, Lieutenant Ernest John Moeran, along with tens of thousands of other officers and men of the British and Australian armies, took part in what would later become known as the Second Battle of Bullecourt—a major effort by the Allied Command to break German resistance at the so-called Hindenburg Line. At some point during the morning, Moeran was injured, and the story of this injury and its consequences has evolved into a compelling and persistent narrative that has generally informed writing on the composer and his music.1 Moreover, the ordeals that he is believed to have endured during his wartime service have placed Moeran on a pedestal of circumstances that has engendered a sympathetic and favourable response to virtually every aspect of his later life and career. However, a comparative examination of the various accounts of Moeran’s experiences during the First World War exposes inconsistencies that raise suspicions regarding the reliability of much of the story. Extensive research has 1 For example: Philip Heseltine, ‘E. J. Moeran’, Music Bulletin, 6/6 (June 1924), 170–4: 171; Sir Arnold Bax, ‘E. J. Moeran: 1894–1950’, Music & Letters, 32/2 (April 1951), 125–7; Geoffrey Self, The Music of E. J. Moeran (London: Toccata Press, 1986), 19–20, 233–4 and 245–7; Trevor Hold, Parry to Finzi: Twenty English Song Composers (Woodbridge: Boydell & Brewer, 2002), 373; Geoffrey Self, ‘Moeran, Ernest John Smeed (1894–1950)’, in Oxford Dictionary of National Biography (Oxford University Press, 2004), https://doi- org.jproxy.nuim.ie/10.1093/ref:odnb/35052; Anthony Payne, ‘Moeran, E. -
September 2020
wttw wttw Prime wttw Create wttw World wttw PBS Kids wttw.com THE GUIDE 98.7wfmt The Member Magazine wfmt.com for WTTW and WFMT Brandis Friedman, Black Voices host and Hugo Balta, Latino Voices host SAT/SUN | 6 PM BEGINNING SEPT 12 September 2020 ALSO INSIDE On WFMT, we celebrate Hispanic Heritage Month featuring works by Spanish and Latin-American composers and musicians, and on wfmt.com, we explore Chicago’s rich cultural landscape as we talk to some of the city’s best Latin music and performing arts groups. From the President & CEO The Guide Dear Member, The Member Magazine for WTTW and WFMT As all of us face this uniquely challenging year, WTTW News has been out report- Renée Crown Public Media Center ing from the neighborhoods, talking with residents who are sharing their stories. 5400 North Saint Louis Avenue This coverage has illuminated how the COVID-19 crisis Chicago, Illinois 60625 disproportionately affects Black and Latino communi- ties in Chicago, and it is moments like these that compel Main Switchboard us to sharpen our focus on how we use our public media (773) 583-5000 Member and Viewer Services platform to serve our diverse community. (773) 509-1111 x 6 This month, we will launch Chicago Tonight: Latino Voices and Chicago Tonight: Black Voices, two additions Websites to our news and public affairs lineup and an extension wttw.com of WTTW’s flagship news show. The VOICES series will wfmt.com provide thoughtful and accurate coverage of current events to inform and engage the public, and create op- Publisher portunities for real conversation. -
Copyright 2014 Renée Chérie Clark
Copyright 2014 Renée Chérie Clark ASPECTS OF NATIONAL IDENTITY IN THE ART SONGS OF RALPH VAUGHAN WILLIAMS BEFORE THE GREAT WAR BY RENÉE CHÉRIE CLARK DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Musicology in the Graduate College of the University of Illinois at Urbana-Champaign, 2014 Urbana, Illinois Doctoral Committee: Associate Professor Christina Bashford, Chair Associate Professor Gayle Sherwood Magee Professor Emeritus Herbert Kellman Professor Emeritus Chester L. Alwes ABSTRACT This dissertation explores how the art songs of English composer Ralph Vaughan Williams (1872-1958) composed before the Great War expressed the composer’s vision of “Englishness” or “English national identity”. These terms can be defined as the popular national consciousness of the English people. It is something that demands continual reassessment because it is constantly changing. Thus, this study takes into account two key areas of investigation. The first comprises the poets and texts set by the composer during the time in question. The second consists of an exploration of the cultural history of British and specifically English ideas surrounding pastoralism, ruralism, the trope of wandering in the countryside, and the rural landscape as an escape from the city. This dissertation unfolds as follows. The Introduction surveys the literature on Vaughan Williams and his songs in particular on the one hand, and on the other it surveys a necessarily selective portion of the vast literature of English national identity. The introduction also explains the methodology applied in the following chapters in analyzing the music as readings of texts. The remaining chapters progress in the chronological order of Vaughan Williams’s career as a composer. -
Mikrokosmos Labelography ...20Th-Century Repertory
Mikrokosmos List 594. - 2 - January 2015 ....MIKROKOSMOS LABELOGRAPHY 1 Mikrokosmos Labelography Vol.1+2: 240 color labels with specially designed MIKROKOSMO VOL. 12 A++ 78 plastic folders and binder (Decca, EMI, Melodiya, Mercury, RCA, etc) 2 Mikrokosmos Labelography Vol.3-4: Additional 192 color labels with specially MIKROKOSMO VOL. 34 A++ 58 designed plastic folders (Decca, EMI, Melodiya, Mercury, RCA) 3 Mikrokosmos Labelography Vol.5-6: Additional 192 color labels with specially MIKROKOSMO VOL. 56 A++ 68 designed plastic folders (Ducretet-Thomson, Decca, EMI, etc) (postage at www.mikrokosmos.com/labelography.asp) ....20TH-CENTURY REPERTORY 4 Absil, Jean: 3 T.Klingson Poems, Batterie aftre Cocteau, Toccata (pno), Phantasmes DECCA 143235 A 40 (pno, perc, sax) - Y.Martens, A.Dumortier, Coutelier, Daneels 10" 5 Adams, John: Nixon in China excs - Sylvan, Maddalena, Opatz, cond.de Waart NONESUCH 979193 A 10 1987 S 6 Ager, Klaus: I Remember a Bird (cl, trombone, gtr, pno, perc, tape), ...Sondern FSM 53544 A 50 (tape), Metaboles (cl, vln, vcl, pno) - Neue Music Ens S 7 Arma, Paul: Div de Concert No.1/ Damase: Serenade/ Ibert: Fl Con - Rampal, ERATO STU 71022 A 10 FB2 cond.Girard, Froment (gatefold) 1965-77 S 8 Arutunian: Tr Con/V.Kriukov: Concert-Poem (tr, orch)/M.Vainberg: Tr Con - DGG 2530618 A 12 Dokshitser, cond.Zuraitis (1971) S 9 Babadzhanian: Pno Trio/Roslavets: Pno Trio/Shostakovich: Pno Trio Op.8 - SIGNUM SIG 1300 A 15 Seraphin Trio (1986) S 10 Barazzetti, Luigi: Toccata (vla, pno), Ad Matris Memoriam (vln, pno), Momento NAZIONALMU -
Birds of Britain 2019
Field Guides Tour Report Birds of Britain 2019 May 11, 2019 to May 20, 2019 Megan Edwards Crewe & Willy Perez For our tour description, itinerary, past triplists, dates, fees, and more, please VISIT OUR TOUR PAGE. Endearing European Robins were a regular sighting throughout the tour. Photo by participant Jeanette Shores. After a long hiatus, we reintroduced the Birds of Britain tour to our schedule this year, with tweaks to the old itinerary to include some new locations and a few cultural highlights. England pulled out all the stops for our visit -- giving us gorgeous azure skies and balmy days for much of our stay, and offering up a raft of surprises among the more expected breeding species. Scotland proved a bit more chilly and temperamental, dumping rain on us on several mornings, but tempering that with some spectacular views and a sunny finale as well as some distinctly "highland" sightings. We started with a 10-day exploration of East Anglia, venturing from the coastal reserves of RSPB Minsmere and RSPB Titchwell, and the remnant heathlands of Dunwich and Westleton, to the vast, flat Norfolk broads, the farm fields along Chalkpit Lane and the grand estates of Felbrigg, Blickling and Lynford (the latter's arboretum now part of Thetford Forest). We reveled in repeated encounters with many of "the regulars" -- breeding species such as European Robin, Song Thrush, Dunnock, Eurasian Blackbird, Chiffchaff, Sedge Warbler, House Martin, and multiple species of tits. Remember the line of eight just-fledged Long-tailed Tits huddled together on a branch, waiting for their parents to return with tidbits? We also had close encounters with some less common breeders. -
Delius Circle
Delius CirCle Paul Guinery Delius and his CirCle Paul Guinery Delius and his CirCle FREDERICK DELIUS (1862-1934) Three preludes RT IX/8 1 i Scherzando 1’52 2 ii Quick 1’09 3 iii With lively undulating movement 1’23 4 Intermezzo from Hassan RT I/9 2’11 5 Valse RT IX/5 No.1 1’01 6 Rêverie RT IX/5 No.2 2’40 7 Dance for harpsichord RT IX/6 2’06 ROGER QUILTER (1877-1953) 8 Dance in the twilight Op.16 No.1 2’09 9 Shepherd song Op.27 No.1 2’14 10 Rosamund 1’47 11 Pipe and tabor Op.27 No.4 1’30 CYRIL SCOTT (1879-1970) 12 Lotus land Op.47 No.1 4’34 FREDERIC AUSTIN (1872-1952) The enchanted palace 13 i The princess sings 4’03 14 ii The princess dances 3’15 ARNOLD BAX (1883-1953) 15 The maiden with the daffodil 5’14 PERCY GRAINGER (1882-1961) 16 The merry king 4’01 ERNEST JOHN MOERAN (1894-1950) 17 Irish love song 3’31 18 Summer valley 4’59 19 Bank holiday 2’23 NORMAN O’NEILL (1875-1934) 20 Carillon 3’02 PETER WARLOCK (1894-1930) Five folk-song preludes 21 i Very slow 1’36 22 ii Allegretto, rubato 1’13 23 iii Maestoso; alla marcia funebre 1’26 24 iv Fairly slow but evenly flowing, in strict time 1’19 25 v Largo maestoso 3’25 HENRY BALFOUR GARDINER (1877-1950) 26 Mere 6’08 72’38 PAUL GUINERY piano CYRIL SCOTT ROGER QUILTER PERCY GRAINGER NORMAN O’NEILL HENRY BALFOUR GARDINER FREDERICK DELIUS Delius and his CirCle Portraits of Delius from his last decade – mortally ill, racked with pain, cantankerous, austere and aggressively opinionated – belie the younger man, relatively rarely captured by the camera but undoubtedly charming, gregarious, sensuous and open-hearted. -
PROGRAM NOTES Ralph Vaughan Williams the Lark Ascending
PROGRAM NOTES by Phillip Huscher Ralph Vaughan Williams Born October 12, 1872, Gloucestershire, England. Died August 26, 1958, London, England. The Lark Ascending, Romance for Violin and Orchestra Vaughan Williams composed this work for violin and piano in 1914. He thoroughly revised the score in 1919–20. The first performance, in a version with piano accompaniment, was given on December 15, 1920, and the premiere of the version for violin and orchestra was given on June 14, 1921, in London. The orchestra consists of two flutes, oboe, two clarinets, two bassoons, two horns, triangle, and strings. Performance time is approximately thirteen minutes. These are the Chicago Symphony Orchestra’s first performances of Vaughan Williams’s The Lark Ascending. From the beginning of his career, in the first years of the twentieth century, Ralph Vaughan Williams was seen as a composer rooted in the past. His first significant large-scale work, the Fantasia on a Theme of Thomas Tallis composed in 1910, is indebted to the music of his sixteenth-century predecessor and to the great English tradition. His entire upbringing was steeped in tradition—he was related both to the pottery Wedgwoods and Charles Darwin. (“The Bible says that God made the world in six days,” his mother told him. “Great Uncle Charles thinks it took longer: but we need not worry about it, for it is equally wonderful either way.”) He became a serious student of English folk song and edited the English Hymnal. Even the experience of studying with Ravel in 1908, which clearly enhanced his understanding of color and sonority, only served to sharpen his own individual style and to ground him more firmly in the sensibilities of his musical heritage.