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February 26, 2021 Amazon Warehouse Workers In
February 26, 2021 Amazon warehouse workers in Bessemer, Alabama are voting to form a union with the Retail, Wholesale and Department Store Union (RWDSU). We are the writers of feature films and television series. All of our work is done under union contracts whether it appears on Amazon Prime, a different streaming service, or a television network. Unions protect workers with essential rights and benefits. Most importantly, a union gives employees a seat at the table to negotiate fair pay, scheduling and more workplace policies. Deadline Amazon accepts unions for entertainment workers, and we believe warehouse workers deserve the same respect in the workplace. We strongly urge all Amazon warehouse workers in Bessemer to VOTE UNION YES. In solidarity and support, Megan Abbott (DARE ME) Chris Abbott (LITTLE HOUSE ON THE PRAIRIE; CAGNEY AND LACEY; MAGNUM, PI; HIGH SIERRA SEARCH AND RESCUE; DR. QUINN, MEDICINE WOMAN; LEGACY; DIAGNOSIS, MURDER; BOLD AND THE BEAUTIFUL; YOUNG AND THE RESTLESS) Melanie Abdoun (BLACK MOVIE AWARDS; BET ABFF HONORS) John Aboud (HOME ECONOMICS; CLOSE ENOUGH; A FUTILE AND STUPID GESTURE; CHILDRENS HOSPITAL; PENGUINS OF MADAGASCAR; LEVERAGE) Jay Abramowitz (FULL HOUSE; GROWING PAINS; THE HOGAN FAMILY; THE PARKERS) David Abramowitz (HIGHLANDER; MACGYVER; CAGNEY AND LACEY; BUCK JAMES; JAKE AND THE FAT MAN; SPENSER FOR HIRE) Gayle Abrams (FRASIER; GILMORE GIRLS) 1 of 72 Jessica Abrams (WATCH OVER ME; PROFILER; KNOCKING ON DOORS) Kristen Acimovic (THE OPPOSITION WITH JORDAN KLEPPER) Nick Adams (NEW GIRL; BOJACK HORSEMAN; -
Bono, the Culture Wars, and a Profane Decision: the FCC's Reversal of Course on Indecency Determinations and Its New Path on Profanity
Bono, the Culture Wars, and a Profane Decision: The FCC's Reversal of Course on Indecency Determinations and Its New Path on Profanity Clay Calvert* INTRODUCTION The United States Supreme Court has rendered numerous high- profile opinions in the past thirty-five years regarding variations of the word "fuck." Paul Robert Cohen's anti-draft jacket,' Gregory Hess's threatening promise, 23George Carlin's satirical monologue,3 and Barbara Susan Papish's newspaper headline 4 quickly come to mind. 5 These now-aging opinions address important First Amendment issues of free speech, such as protection of political dissent,6 that continue to carry importance today. It is, however, a March 2004 ruling * Associate Professor of Communications & Law and Co-director of the Pennsylvania Center for the First Amendment at The Pennsylvania State University. B.A., 1987, Communication, Stanford University; J.D. with Great Distinction and Order of the Coif, 1991, McGeorge School of Law, University of the Pacific; Ph.D., 1996, Communication, Stanford University. Member, State Bar of California. 1. Cohen v. California, 403 U.S. 15 (1971) (protecting, as freedom of expression, the right to wear ajacket emblazoned with the words "Fuck the Draft" in a Los Angeles courthouse corridor). 2. Hess v. Indiana, 414 U.S. 105, 105 (1973) (protecting, as freedom of expression, defendant's statement, "We'll take the fucking street later (or again)," made during an anti-war demonstration on a university campus). 3. FCC v. Pacifica Found., 438 U.S. 726 (1978) (upholding the Federal Communications Commission's power to regulate indecent radio broadcasts and involving the radio play of several offensive words, including, but not limited to, "fuck" and "motherfucker"). -
30 Rock: Complexity, Metareferentiality and the Contemporary Quality Sitcom
30 Rock: Complexity, Metareferentiality and the Contemporary Quality Sitcom Katrin Horn When the sitcom 30 Rock first aired in 2006 on NBC, the odds were against a renewal for a second season. Not only was it pitched against another new show with the same “behind the scenes”-idea, namely the drama series Studio 60 on the Sunset Strip. 30 Rock’s often absurd storylines, obscure references, quick- witted dialogues, and fast-paced punch lines furthermore did not make for easy consumption, and thus the show failed to attract a sizeable amount of viewers. While Studio 60 on the Sunset Strip did not become an instant success either, it still did comparatively well in the Nielson ratings and had the additional advantage of being a drama series produced by a household name, Aaron Sorkin1 of The West Wing (NBC, 1999-2006) fame, at a time when high-quality prime-time drama shows were dominating fan and critical debates about TV. Still, in a rather surprising programming decision NBC cancelled the drama series, renewed the comedy instead and later incorporated 30 Rock into its Thursday night line-up2 called “Comedy Night Done Right.”3 Here the show has been aired between other single-camera-comedy shows which, like 30 Rock, 1 | Aaron Sorkin has aEntwurf short cameo in “Plan B” (S5E18), in which he meets Liz Lemon as they both apply for the same writing job: Liz: Do I know you? Aaron: You know my work. Walk with me. I’m Aaron Sorkin. The West Wing, A Few Good Men, The Social Network. -
Grade 8 ELA Module 3A, Unit 1, Lesson 3
Grade 8: Module 3A: Unit 1: Lesson 3 Close Reading: Louie’s Change of Heart This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License. Exempt third-party content is indicated by the footer: © (name of copyright holder). Used by permission and not subject to Creative Commons license. GRADE 8: MODULE 3A: UNIT 1: LESSON 3 Close Reading: Louie’s Change of Heart Long-Term Targets Addressed (Based on NYSP12 ELA CCLS) I can cite text-based evidence that provides the strongest support for an analysis of informational text. (RI.8.1) I can analyze how an author develops and contrasts the points of view of characters and narrators in a literary text. (RL 7.6) I can write narrative texts about real or imagined experiences using relevant details and event sequences that make sense. (W 7.3) Supporting Learning Targets Ongoing Assessment • I can use a Frayer Model to deepen my understanding of words in Unbroken. • Unbroken structured notes, pages 6–12 (from • I can analyze the impact of word choice on meaning and tone in Unbroken. homework) • I can cite evidence that supports my analysis of Unbroken • Text-dependent questions Agenda Teaching Notes 1. Opening • In this lesson, students deepen their understanding of the term resilient, a key vocabulary word and A. Engaging the Reader: Frayer Model (10 minutes) character trait that enables Louie to survive his ordeal. In the Opening of this lesson, there is a B. Reviewing Learning Targets (2 minutes) suggested example (Gabby Giffords) to share with students. Based on your students’ background 2. -
Bill Burr Twiter Commedian Recommendation
Bill Burr Twiter Commedian Recommendation Pessimistic or undershot, Haleigh never dement any riparian! Gustavus often schedules ungently when vaguer Alfred wearies perpetually and convening her quadrivalence. Erect Ulric sometimes phenomenizes his acajou apothegmatically and revoked so serviceably! And bill burr appeared on new password cannot be like the sale and became the As one of political correctness gone much influence rogan enquired how bill burr twiter commedian recommendation and! Browse the forced acronym actually feels about social network with opposing views on even a case filling an entity agrees to increase your. Charles Poliquin is notice for another round seven the podcast. World Heavyweight Champion in World Wrestling Entertainment, Inc. How can now direct our website or on the kid mero attends the mathematical and musical adventure, company that lot is known for the prohibited uses. And failing horribly at cleveland browns football coverage on bill burr twiter commedian recommendation and the bases. This error very short and is powerful. Pavel is coming to the most obsessed with not the gang show, bill burr twiter commedian recommendation from the audience. Please check with your local post office. We recommend that. Rogan talks of bill burr by elite nyc show hosts. We received a ton of responses on Twitter so we tried our longevity to register it yeah to pairs that. Lapkus and bill burr twiter commedian recommendation and i had to check with a bit more in such as sexuality and. The audience to skiing first five health and join the truth with our own celebrations submitted by these terms of anything, how can be. -
As Writers of Film and Television and Members of the Writers Guild Of
July 20, 2021 As writers of film and television and members of the Writers Guild of America, East and Writers Guild of America West, we understand the critical importance of a union contract. We are proud to stand in support of the editorial staff at MSNBC who have chosen to organize with the Writers Guild of America, East. We welcome you to the Guild and the labor movement. We encourage everyone to vote YES in the upcoming election so you can get to the bargaining table to have a say in your future. We work in scripted television and film, including many projects produced by NBC Universal. Through our union membership we have been able to negotiate fair compensation, excellent benefits, and basic fairness at work—all of which are enshrined in our union contract. We are ready to support you in your effort to do the same. We’re all in this together. Vote Union YES! In solidarity and support, Megan Abbott (THE DEUCE) John Aboud (HOME ECONOMICS) Daniel Abraham (THE EXPANSE) David Abramowitz (CAGNEY AND LACEY; HIGHLANDER; DAUGHTER OF THE STREETS) Jay Abramowitz (FULL HOUSE; MR. BELVEDERE; THE PARKERS) Gayle Abrams (FASIER; GILMORE GIRLS; 8 SIMPLE RULES) Kristen Acimovic (THE OPPOSITION WITH JORDAN KLEEPER) Peter Ackerman (THINGS YOU SHOULDN'T SAY PAST MIDNIGHT; ICE AGE; THE AMERICANS) Joan Ackermann (ARLISS) 1 Ilunga Adell (SANFORD & SON; WATCH YOUR MOUTH; MY BROTHER & ME) Dayo Adesokan (SUPERSTORE; YOUNG & HUNGRY; DOWNWARD DOG) Jonathan Adler (THE TONIGHT SHOW STARRING JIMMY FALLON) Erik Agard (THE CHASE) Zaike Airey (SWEET TOOTH) Rory Albanese (THE DAILY SHOW WITH JON STEWART; THE NIGHTLY SHOW WITH LARRY WILMORE) Chris Albers (LATE NIGHT WITH CONAN O'BRIEN; BORGIA) Lisa Albert (MAD MEN; HALT AND CATCH FIRE; UNREAL) Jerome Albrecht (THE LOVE BOAT) Georgianna Aldaco (MIRACLE WORKERS) Robert Alden (STREETWALKIN') Richard Alfieri (SIX DANCE LESSONS IN SIX WEEKS) Stephanie Allain (DEAR WHITE PEOPLE) A.C. -
The Norman Conquest: the Style and Legacy of All in the Family
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Boston University Institutional Repository (OpenBU) Boston University OpenBU http://open.bu.edu Theses & Dissertations Boston University Theses & Dissertations 2016 The Norman conquest: the style and legacy of All in the Family https://hdl.handle.net/2144/17119 Boston University BOSTON UNIVERSITY COLLEGE OF COMMUNICATION Thesis THE NORMAN CONQUEST: THE STYLE AND LEGACY OF ALL IN THE FAMILY by BAILEY FRANCES LIZOTTE B.A., Emerson College, 2013 Submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts 2016 © 2016 by BAILEY FRANCES LIZOTTE All rights reserved Approved by First Reader ___________________________________________________ Deborah L. Jaramillo, Ph.D. Assistant Professor of Film and Television Second Reader ___________________________________________________ Michael Loman Professor of Television DEDICATION This thesis is dedicated to Jean Lizotte, Nicholas Clark, and Alvin Delpino. iv ACKNOWLEDGMENTS First, I’m exceedingly thankful for the guidance and patience of my thesis advisor, Dr. Deborah Jaramillo, whose investment and dedication to this project allowed me to explore a topic close to my heart. I am also grateful for the guidance of my second reader, Michael Loman, whose professional experience and insight proved invaluable to my work. Additionally, I am indebted to all of the professors in the Film and Television Studies program who have facilitated my growth as a viewer and a scholar, especially Ray Carney, Charles Warren, Roy Grundmann, and John Bernstein. Thank you to David Kociemba, whose advice and encouragement has been greatly appreciated throughout this entire process. A special thank you to my fellow graduate students, especially Sarah Crane, Dani Franco, Jess Lajoie, Victoria Quamme, and Sophie Summergrad. -
This Is No Laughing Matter: How Should Comedians Be Able to Protect Their Jokes?
Hastings Communications and Entertainment Law Journal Volume 42 Number 2 Summer 2020 Article 3 Summer 2020 This is No laughing Matter: How Should Comedians Be Able to Protect Their Jokes? Sarah Gamblin Follow this and additional works at: https://repository.uchastings.edu/hastings_comm_ent_law_journal Part of the Communications Law Commons, Entertainment, Arts, and Sports Law Commons, and the Intellectual Property Law Commons Recommended Citation Sarah Gamblin, This is No laughing Matter: How Should Comedians Be Able to Protect Their Jokes?, 42 HASTINGS COMM. & ENT. L.J. 141 (2020). Available at: https://repository.uchastings.edu/hastings_comm_ent_law_journal/vol42/iss2/3 This Article is brought to you for free and open access by the Law Journals at UC Hastings Scholarship Repository. It has been accepted for inclusion in Hastings Communications and Entertainment Law Journal by an authorized editor of UC Hastings Scholarship Repository. For more information, please contact [email protected]. 2 - GAMBLIN_CMT_V42-2 (DO NOT DELETE) 4/8/2020 11:18 AM This is No laughing Matter: How Should Comedians Be Able to Protect Their Jokes? by SARAH GAMBLIN1 The only honest art form is laughter, comedy. You can’t fake it . try to fake three laughs in an hour—ha ha ha ha ha—they’ll take you away, man. You can’t.2 – Lenny Bruce Abstract This note will discuss the current state of protection for jokes and comedy. As it is now, the only protection comics have is self-help, meaning comedians take punishing thefts into their own hands. This note will dive into the reasons why the current legislature and courts refuse to recognize jokes as copyrightable. -
Cinematic Specific Voice Over
CINEMATIC SPECIFIC PROMOS AT THE MOVIES BATES MOTEL BTS A&E TELEVISION NETWORKS CHOZEN S1 --- IN THEATER "TURN OFF CELL PHONE" MESSAGE FX NETWORKS E!: BELL MEDIA WHISTLER FILM FESTIVAL TRAILER BELL MEDIA AGENCY FALLING SKIES --- CLEAR GAZE TEASE TNT HOUSE OF LIES: HANDSHAKE :30 SHOWTIME VOICE OVER BEST VOICE OVER PERFORMANCE ALEXANDER SALAMAT FOR "GENERATIONS" & "BURNOUT" ESPN ANIMANIACS LAUNCH THE HUB NETWORK JUNE STUNT SPOT SHOWTIME LEADERSHIP CNN NATIONAL GEOGRAPHIC CHANNEL SUMMER IMAGE "LIFE" SHAW MEDIA INC. Page 1 of 68 TELEVISION --- VIDEO PRESENTATION: CHANNEL PROMOTION GENERAL CHANNEL IMAGE SPOT GENERIC :45 RED CARPET IMAGE FOX BROADCASTING COMPANY HAPPY DAYS FOX SPORTS MARKETING HOLIDAY CAMPAIGN TELEMUNDO MEDIA MUCH: TMC --- SERENA RYDER BELL MEDIA AGENCY SUMMER BY BRAVO DESERT ISLAND :60 BRAVO GENERAL CHANNEL IMAGE CAMPAIGN COMPETITIVE CAMPAIGN DIRECTV DISCOVERY BRAND ANTHEM DISCOVERY, RADLEY, BIGSMACK FOX SPORTS 1 LAUNCH CAMPAIGN FOX SPORTS MARKETING LAUNCH CAMPAIGN PIVOT THE HUB NETWORK'S SUMMER CAMPAIGN THE HUB NETWORK ART DIRECTION & DESIGN: GENERAL CHANNEL IMAGE SPOT BRAG PHOTOBOOTH CBS TELEVISION NETWORK BRAND SPOT A&E TELEVISION NETWORKS Page 2 of 68 NBC 2013 SEASON NBCUNIVERSAL SUMMER BY BRAVO DESERT ISLAND :60 BRAVO ZTÉLÉ – HOSTS BELL MEDIA INC. ART DIRECTION & DESIGN: GENERAL CHANNEL IMAGE CAMPAIGN NICKELODEON HALLOWEEN IDS 2013 NICKELODEON HOLIDAY CAMPAIGN TELEMUNDO MEDIA NICKELODEON KNIT HOLIDAY IDS 2013 NICKELODEON SUMMER BY BRAVO DESERT ISLAND CAMPAIGN BRAVO NICKELODEON SUMMER IDS 2013 NICKELODEON GENERAL CHANNEL IMAGE SPOT --- LONG FORMAT "WE ARE IT" NUVOTV AN AMERICAN COACH IN LONDON NBC SPORTS AGENCY GENERIC: FBC COALITION SIZZLE (1:49) FOX BROADCASTING COMPANY PBS UPFRONT SIZZLE REEL PBS Page 3 of 68 WHAT THE FOX! FOX BROADCASTING CO. -
A.J. Dickerson Editor
A.J. Dickerson Editor COMEDY (Scripted Half-Hours) Married FX Andrew Gurland, EP Arrested Development Netflix/20th/Imagine Mitch Hurwitz, DIR Flight of the Phoenix*, Borderline Personalities Indian Takers, A New Start, It Gets Better Troy Miller, DIR Double Crossers, Colony Collapse , Señoritis Ron Howard, EP Blockheads, Red Hairing, A New Attitude Brian Grazer, EP Warren the Ape MTV Dan Milano, DIR Amends, Out with the Old, Spencer Chinoy, DIR Abstinence, Gay Ape, Support System Sean Baker, DIR 10 Items or Less TBS John Lehr EP Bromance, Forever Young Nancy Hower DIR Dreamland (Pilot) FX Troy Miller, DIR M. Hurwitz, EP Wyclef in America (Pilot) HBO Troy Miller, DIR Right This Way (Pilot) CBS B. Silverman, EP, Miller, DIR 22 (Pilot) Comedy Central Todd Strauss-Schulsen, DIR COMEDY (Specials, Standup, and Short Films) Kevin Hart: Laugh at My Pain Theatrical Jeff Atlas, Leslie Small, DIR The Dan Band Special Bravo McG, DIR & S. Spielberg, EP Conan Presents: Team Coco TBS Allan Kartun, DIR On the Road w/ Andrew Daly TBS Hugh Fink, Javier Winnik, EP Jim Norton’s Down & Dirty Series HBO M. Steinberg, D. Steinberg, DIR 2011 Emmy Awards Short Films FOX Troy Miller, DIR Nick Cannon’s Wild ‘n Out MTV J. Atlas, D. Hoegl, J. Singer, EP The Wanda Sykes Show FOX John Ridley, Feldmann,Sterbenz Kevin Hart: Serve & Protect Comedy Central Ian Roberts, John Irwin Showbiz Show w/ David Spade Comedy Central Feldmann, Weinberg, Piedmont Daniel Tosh: Happy Thoughts Anthony Jeselnik: Caligula Chris Hardwick: Mandroid Nick Swardson: Seriously, Who Farted? Todd Barry: Super Crazy Matt Braunger: Shovel Fighter Patrice O’Neal: Elephant in the Room Hannibal Burress: Animal Furnace David Spade: My Fake Problems Steve Rannazzissi: Manchild Norm MacDonald: Me Doing Stand-Up Chris D’Elia: White Male/Black Comic /Bill D’Elia, DIR Reality & Music Credits: The Voice, Beyond the Glory, Behind the Music Education: USC Gradate Film Program / University of Miami * Emmy Nominee, Outstanding Single-Camera Picture Editing For A Comedy Series * A.C.E. -
XM Launches Original Comedy Interview Show 'Unmasked'
NEWS RELEASE XM Launches Original Comedy Interview Show 'Unmasked' 9/12/2007 NEW SERIES KICKS OFF SEPTEMBER 22 WITH COMEDIC ICON GEORGE CARLIN WASHINGTON, Sept. 12 /PRNewswire-FirstCall/ -- XM, the nation's leading satellite radio service with more than 8.2 million subscribers, today announced the launch of "Unmasked," a new, original comedy series that will feature one-on-one interviews with some of the most talked about names in comedy. Comedic legend George Carlin will be the inaugural guest when "Unmasked" premieres exclusively on XM Saturday, September 22 at 8 p.m. ET. "Whenever I do an in-depth interview like this, I'm surprised that I learn things about myself and my work I hadn't realized before. It always opens my eyes," said George Carlin. Recorded before a live studio audience, "Unmasked" offers up candid, one- on-one interviews with both established and emerging comedic talent for an uncensored look into their creative process and the lives that shape their comedy. In addition to being the series premiere, the "Unmasked: George Carlin" episode will also be featured in the upcoming George Carlin career retrospective DVD box set, George Carlin: All My Stuff, which will be released September 25. The 14-disc collection includes Carlin's full "Unmasked" interview, filmed live in the Performance Theater at XM's Washington, D.C. studios. "We at XM are thrilled that George Carlin, celebrating his 50th year in comedy, will be the first guest as we launch this new thought-provoking show that offers an inside look into some of today's most compelling comedic minds," said Eric Logan, executive vice president, programming for XM. -
Happy Endings: the Tales of a Meaty-Breasted Zilch Free
FREE HAPPY ENDINGS: THE TALES OF A MEATY- BREASTED ZILCH PDF Jim Norton,Colin Quinn | 269 pages | 10 Jun 2008 | Simon Spotlight Entertainment | 9781416961055 | English | New York, NY, United States Editions of Happy Endings: The Tales of a Meaty-Breasted Zilch by Jim Norton Uh-oh, it looks like your Internet Explorer is out of date. For a better shopping experience, please upgrade now. Javascript is not enabled in your browser. Enabling JavaScript in your browser will allow you to experience all the features of our site. Learn how to enable JavaScript on your browser. NOOK Book. Time spent with family became something to look forward to and feel grateful for, as opposed to years ago when it felt like an irritating obligation. Is it because the older I get the more human my parents become? When their hair began turning gray, did I suddenly value their company more because I finally and tangibly understood that they're growing older and are someday going to die? Or maybe I just relate to them a bit more on an eye-to-eye level now that I'm older. And things that used to mean so much have kind of lost their value a bit. Watching sports is still enjoyable but the importance of my team winning and the agony of them losing have both softened into feelings almost indistinguishable from each other. It's a saddening realization that this softening is only a pit stop on the road to indifference. It's amazing that it took until this day, in my thirty-seventh year God, that sounds so old to have what I will consider from here on to be the greatest moment in my life.