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Ghashiram Kotwal
FORUM GHASHIRAM KOTWAL K. Hariharan Seit dem ersten Jahr seines Bestehens hat das Forum sich bemüht, Indien 1977 Mani Kaul deutsch untertitelte Kopien der Festivalbeiträge herzustellen. Diese 107 Min. · DCP, 1:1.33 (4:3) · Farbe Praxis zahlt sich nun aus: Viele Filme haben so nur in Berlin überlebt, darunter GHASHIRAM KOTWAL, der nun in neuer, digitaler Fassung zur Regie K. Hariharan, Mani Kaul Wiederaufführung gelangt. Produziert hat ihn die Yukt Filmkooperati- Buch Vijay Tendulkar, nach seinem gleichnamigen Bühnenstück ve unter der Regie von K. Hariharan und Mani Kaul, basierend auf dem Kamera Mitglieder der Yukt Film gleichnamigen Theaterstück des Autors Vijay Tendulkar. Es beruht auf Cooperative der Biografie von Nana Phadnavis (1741–1800), eines einflussreichen Musik Bhaskar Chandavarkar Ministers, und beschreibt Entwicklung und Fall des Peshwa-Regimes in West-Indien vor dem Hintergrund einer Politik von Intrigen und Kor- Darsteller K. Hariharan Geboren 1952 in Chennai. Er ruption, die während der wachsenden kolonialen Bedrohung das Land Mohan Agashe (Nana) studierte am Film and TV Institute of India. verwüstete. Um seine Macht abzusichern, ernennt Nana Ghashiram Om Puri (Ghashiram Kotwal) Unter seiner Regie sind acht Spielfilme Mohan Gokhale sowie über 350 Dokumentar- und Kurzfilme zum Polizei- und Spionagechef des Staates. Nachdem er einst Unrecht erfahren und Rache geschworen hat, beginnt Ghashiram, willkürlich Rajni Chauhan entstanden. Darüber hinaus veranstaltete er Mitglieder der Theaterakademie Pune von 1995 bis 2004 Seminare zum indischen Macht gegen die brahmanische Bevölkerung auszuüben, bis diese seine Hinrichtung verlangt. Der Film entwickelt seine experimentelle Kino an der University of Pennsylvania. Zurzeit Produktion leitet er die LV Prasad Film & TV Academy in Ästhetik aus der Beschäftigung mit fiktionaler und dokumentarischer Yukt Film Cooperative Society Chennai, die 2004 gegründet wurde. -
July-Aug-Sept
R C O EM Volume : XXXX | Issue : 3 | July-August-September 2020 Shri Ramdeobaba College of Engineering and Management, Nagpur REFLECTION NEWSLETTER · College Highlights 1-3 · Department of Civil Engineering 3-4 · Department of Computer Science & Engineering 4-8 · Department of Electrical Engineering 8-17 · Department of Electronics Engineering 17-38 · Department of Electronics & Communication Engineering 38-39 · Department of Electronics Design Technology 40-42 · Department of Industrial Engineering 42-61 · Department of information Technology 61-63 · Department of Applied Chemistry 64-65 · Department of Humanities 65-67 · Department of Physical Education 67-68 NSS Unit RCOEM 69 · Department of Physics 69 · Department of Management Technology 69-70 · Department of Computer Applications 70-72 The third quarter of the calendar witnesses the celebration of 74th Independence Day which was celebrated with enthusiasm with some management people and staff. The online event arrangement was made with live online event for the remaining staff and all students to avoid mass gathering in the pandemic situation. All the clubs gave their performances via online mode. In pandemic situation, online classes were taken, assessments were done, TNP activities were undertaken, faculties were involved in research and development and TBI foundation and all departments conducted various online webinars and sessions. Not only faculties and student were performing their duties from home but also pursued certification courses on platforms like Coursera, EDX and Swayam. The faculty members participated in Conferences, STTPs, FDPs and also had their research work published in international journals of repute. The training and placement department, as dynamic as ever, organised Training Programs , interactions with Industry professionals and ensured that a good number of our students get placed for their internships assignments. -
New and Bestselling Titles Sociology 2016-2017
New and Bestselling titles Sociology 2016-2017 www.sagepub.in Sociology | 2016-17 Seconds with Alice W Clark How is this book helpful for young women of Any memorable experience that you hadhadw whilehile rural areas with career aspirations? writing this book? Many rural families are now keeping their girls Becoming part of the Women’s Studies program in school longer, and this book encourages at Allahabad University; sharing in the colourful page 27A these families to see real benefit for themselves student and faculty life of SNDT University in supporting career development for their in Mumbai; living in Vadodara again after daughters. It contributes in this way by many years, enjoying friends and colleagues; identifying the individual roles that can be played reconnecting with friendships made in by supportive fathers and mothers, even those Bangalore. Being given entrée to lively students with very little education themselves. by professors who cared greatly about them. Being treated wonderfully by my interviewees. What facets of this book bring-in international Any particular advice that you would like to readership? share with young women aiming for a successful Views of women’s striving for self-identity career? through professionalism; the factors motivating For women not yet in college: Find supporters and encouraging them or setting barriers to their in your family to help argue your case to those accomplishments. who aren’t so supportive. Often it’s submissive Upward trends in women’s education, the and dutiful mothers who need a prompt from narrowing of the gender gap, and the effects a relative with a broader viewpoint. -
Journalism Is the Craft of Conveying News, Descriptive Material and Comment Via a Widening Spectrum of Media
Journalism is the craft of conveying news, descriptive material and comment via a widening spectrum of media. These include newspapers, magazines, radio and television, the internet and even, more recently, the cellphone. Journalists—be they writers, editors or photographers; broadcast presenters or producers—serve as the chief purveyors of information and opinion in contemporary mass society According to BBC journalist, Andrew Marr, "News is what the consensus of journalists determines it to be." From informal beginnings in the Europe of the 18th century, stimulated by the arrival of mechanized printing—in due course by mass production and in the 20th century by electronic communications technology— today's engines of journalistic enterprise include large corporations with global reach. The formal status of journalism has varied historically and, still varies vastly, from country to country. The modern state and hierarchical power structures in general have tended to see the unrestricted flow of information as a potential threat, and inimical to their own proper function. Hitler described the Press as a "machine for mass instruction," ideally, a "kind of school for adults." Journalism at its most vigorous, by contrast, tends to be propelled by the implications at least of the attitude epitomized by the Australian journalist John Pilger: "Secretive power loathes journalists who do their job, who push back screens, peer behind façades, lift rocks. Opprobrium from on high is their badge of honour." New journalism New Journalism was the name given to a style of 1960s and 1970s news writing and journalism which used literary techniques deemed unconventional at the time. The term was codified with its current meaning by Tom Wolfe in a 1973 collection of journalism articles. -
Gr8ambitionz Team
Quick Reference Guide for IBPS Clerks CWE III Powered by www.Gr8AmbitionZ.com your A to Z competitive exam guide CURRENT AFFAIRS QUICK REFERENCE GUIDE FOR IBPS CLERKS III ONLINE EXAM www.Gr8AmbitionZ.com Important Points you should know about Public Sector Banks RBI (Reserve Bank of India) : o The Reserve Bank of India (RBI) is India's central banking institution, which controls the monetary policy of the Indian rupee. It was established on 1st April 1935 during the British Raj in accordance with the provisions of the Reserve Bank of India Act, 1934 o Governor : Raghuram Rajan o Headquarters : Mumbai State Bank of India o It the largest banking and financial services company in India by assets. The bank traces its ancestry to British India, through the Imperial Bank of India, to the founding in 1806 of the Bank of Calcutta, making it the oldest commercial bank in the Indian Subcontinent. Bank of Madras merged into the other two presidency banks Bank of Calcutta and Bank of Bombay to form the Imperial Bank of India, which in turn became the State Bank of India. Government of India nationalized the Imperial Bank of India in 1956, with Reserve Bank of India taking a 60% stake, and renamed it the State Bank of India. In 2008, the government took over the stake held by the Reserve Bank of India. o CMD : Smt. Arundathi Bhattacharya o Headquarters : Mumbai o Associate Banks : SBI has five associate banks; all use the State Bank of India logo, which is a blue circle, and all use the "State Bank of" name, followed by the regional headquarters' name: . -
List of Empanelled Artist
INDIAN COUNCIL FOR CULTURAL RELATIONS EMPANELMENT ARTISTS S.No. Name of Artist/Group State Date of Genre Contact Details Year of Current Last Cooling off Social Media Presence Birth Empanelment Category/ Sponsorsred Over Level by ICCR Yes/No 1 Ananda Shankar Jayant Telangana 27-09-1961 Bharatanatyam Tel: +91-40-23548384 2007 Outstanding Yes https://www.youtube.com/watch?v=vwH8YJH4iVY Cell: +91-9848016039 September 2004- https://www.youtube.com/watch?v=Vrts4yX0NOQ [email protected] San Jose, Panama, https://www.youtube.com/watch?v=YDwKHb4F4tk [email protected] Tegucigalpa, https://www.youtube.com/watch?v=SIh4lOqFa7o Guatemala City, https://www.youtube.com/watch?v=MiOhl5brqYc Quito & Argentina https://www.youtube.com/watch?v=COv7medCkW8 2 Bali Vyjayantimala Tamilnadu 13-08-1936 Bharatanatyam Tel: +91-44-24993433 Outstanding No Yes https://www.youtube.com/watch?v=wbT7vkbpkx4 +91-44-24992667 https://www.youtube.com/watch?v=zKvILzX5mX4 [email protected] https://www.youtube.com/watch?v=kyQAisJKlVs https://www.youtube.com/watch?v=q6S7GLiZtYQ https://www.youtube.com/watch?v=WBPKiWdEtHI 3 Sucheta Bhide Maharashtra 06-12-1948 Bharatanatyam Cell: +91-8605953615 Outstanding 24 June – 18 July, Yes https://www.youtube.com/watch?v=WTj_D-q-oGM suchetachapekar@hotmail 2015 Brazil (TG) https://www.youtube.com/watch?v=UOhzx_npilY .com https://www.youtube.com/watch?v=SgXsRIOFIQ0 https://www.youtube.com/watch?v=lSepFLNVelI 4 C.V.Chandershekar Tamilnadu 12-05-1935 Bharatanatyam Tel: +91-44- 24522797 1998 Outstanding 13 – 17 July 2017- No https://www.youtube.com/watch?v=Ec4OrzIwnWQ -
Filmography Dilip Kumar – the Substance and the Shadow
DILIP KUMAR: THE SUBSTANCE AND THE SHADOW Filmography Year Film Heroine Music Director 1944 Jwar Bhata Mridula Anil Biswas 1945 Pratima Swarnlata Arun Kumar 1946 Milan Meera Mishra Anil Biswas 1947 Jugnu Noor Jehan Feroz Nizami 1948 Anokha Pyar Nargis Anil Biswas 1948 Ghar Ki Izzat Mumtaz Shanti Gobindram 1948 Mela Nargis Naushad 1948 Nadiya Ke Par Kamini Kaushal C Ramchandra 1948 Shaheed Kamini Kaushal Ghulam Haider 1949 Andaz Nargis Naushad 1949 Shabnam Kamini Kaushal S D Burman 1950 Arzoo Kamini Kaushal Anil Biswas 1950 Babul Nargis Naushad 1950 Jogan Nargis Bulo C Rani 1951 Deedar Nargis Naushad 1951 Hulchul Nargis Mohd. Shafi and Sajjad Hussain 1951 Tarana Madhubala Anil Biswas 1952 Aan Nimmi and Nadira Naushad 1952 Daag Usha Kiran and Nimmi Shankar Jaikishan 1952 Sangdil Madhubala Sajjad Hussain 1953 Footpath Meena Kumari Khayyam 1953 Shikast Nalini Jaywant Shankar Jaikishan 1954 Amar Madhubala Naushad 1955 Azaad Meena Kumari C Ramchandra 1955 Insaniyat Bina Rai C Ramchandra 1955 Uran Khatola Nimmi Naushad 1955 Devdas Suchitra Sen, Vyjayanti S D Burman Mala 1957 Naya Daur Vyjayantimala O P Nayyar 1957 Musafir Usha Kiran, Suchitra Salil Chaudhury Sen 1 DILIP KUMAR: THE SUBSTANCE AND THE SHADOW 1958 Madhumati Vyjayantimala Salil Chaudhury 1958 Uahudi Meena Kumari Shankar Jaikishan 1959 Paigam Vyjayantimala, B Saroja C Ramchandra Devi 1960 Kohinoor Meena Kumari Naushad 1960 Mughal-e-Azam Madhubala Naushad 1960 Kala Bazaar (Guest Appearance) 1961 Gunga Jumna Vyjayantimala Naushad 1964 Leader Vyjayantimala Naushad 1966 Dil Diya Dara Liya -
Reg. No Name in Full Residential Address Gender Contact No. Email Id Remarks 9421864344 022 25401313 / 9869262391 Bhaveshwarikar
Reg. No Name in Full Residential Address Gender Contact No. Email id Remarks 10001 SALPHALE VITTHAL AT POST UMARI (MOTHI) TAL.DIST- Male DEFAULTER SHANKARRAO AKOLA NAME REMOVED 444302 AKOLA MAHARASHTRA 10002 JAGGI RAMANJIT KAUR J.S.JAGGI, GOVIND NAGAR, Male DEFAULTER JASWANT SINGH RAJAPETH, NAME REMOVED AMRAVATI MAHARASHTRA 10003 BAVISKAR DILIP VITHALRAO PLOT NO.2-B, SHIVNAGAR, Male DEFAULTER NR.SHARDA CHOWK, BVS STOP, NAME REMOVED SANGAM TALKIES, NAGPUR MAHARASHTRA 10004 SOMANI VINODKUMAR MAIN ROAD, MANWATH Male 9421864344 RENEWAL UP TO 2018 GOPIKISHAN 431505 PARBHANI Maharashtra 10005 KARMALKAR BHAVESHVARI 11, BHARAT SADAN, 2 ND FLOOR, Female 022 25401313 / bhaveshwarikarmalka@gma NOT RENEW RAVINDRA S.V.ROAD, NAUPADA, THANE 9869262391 il.com (WEST) 400602 THANE Maharashtra 10006 NIRMALKAR DEVENDRA AT- MAREGAON, PO / TA- Male 9423652964 RENEWAL UP TO 2018 VIRUPAKSH MAREGAON, 445303 YAVATMAL Maharashtra 10007 PATIL PREMCHANDRA PATIPURA, WARD NO.18, Male DEFAULTER BHALCHANDRA NAME REMOVED 445001 YAVATMAL MAHARASHTRA 10008 KHAN ALIMKHAN SUJATKHAN AT-PO- LADKHED TA- DARWHA Male 9763175228 NOT RENEW 445208 YAVATMAL Maharashtra 10009 DHANGAWHAL PLINTH HOUSE, 4/A, DHARTI Male 9422288171 RENEWAL UP TO 05/06/2018 SUBHASHKUMAR KHANDU COLONY, NR.G.T.P.STOP, DEOPUR AGRA RD. 424005 DHULE Maharashtra 10010 PATIL SURENDRANATH A/P - PALE KHO. TAL - KALWAN Male 02592 248013 / NOT RENEW DHARMARAJ 9423481207 NASIK Maharashtra 10011 DHANGE PARVEZ ABBAS GREEN ACE RESIDENCY, FLT NO Male 9890207717 RENEWAL UP TO 05/06/2018 402, PLOT NO 73/3, 74/3 SEC- 27, SEAWOODS, -
Gunidas by G
From boulder!parrikar Tue May 19 20:57:10 MDT 1992 Article: 46958 of soc.culture.indian Newsgroups: soc.culture.indian Path: boulder!parrikar From: [email protected] (Rajan Parrikar) Subject: Great Masters Part XI: Jagannathbuva Purohit Message-ID: <[email protected]> Originator: parrikar@sangria Sender: [email protected] (The Daily Planet) Nntp-Posting-Host: sangria.colorado.edu Organization: University of Colorado, Boulder Date: Wed, 20 May 1992 02:53:14 GMT Lines: 397 Namashkaaram!! Here comes Part XI of the Great Masters series. Once again the feature is taken from G.N. Joshi's book "Down Melody Lane". Rajan ===== ********************************************************************** pp 154-162 of Down Melody Lane My Guru Gunidas by G. N. Joshi Jagannathbuva Purohit - 'Gunidas' - was my Guruji. It is very difficult to express on paper my felings about him. He was kind and honest to the core, and possessed a wealth of new and rare musical compositions. He was very richly gifted, yet he called himself 'Gunidas'- servant of the gifted ones. It was unfortunate that I met him so late in my life. For 10 years I enjoyed his company and we became so close that I regarded him as one of my family. I respected him, stood in awe of him and yet we were bound together by unbreakable bonds of love. I do not quite remember where and when I first met this great man. I think it was around 1956 when I had gone to Manik Varma's house in Pune. He used to come there from Kolhapur a few days every month to give her tuition. -
The Sixth String of Vilayat Khan
Published by Context, an imprint of Westland Publications Private Limited in 2018 61, 2nd Floor, Silverline Building, Alapakkam Main Road, Maduravoyal, Chennai 600095 Westland, the Westland logo, Context and the Context logo are the trademarks of Westland Publications Private Limited, or its affiliates. Copyright © Namita Devidayal, 2018 Interior photographs courtesy the Khan family albums unless otherwise acknowledged ISBN: 9789387578906 The views and opinions expressed in this work are the author’s own and the facts are as reported by her, and the publisher is in no way liable for the same. All rights reserved No part of this book may be reproduced, or stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without express written permission of the publisher. Dedicated to all music lovers Contents MAP The Players CHAPTER ZERO Who Is This Vilayat Khan? CHAPTER ONE The Early Years CHAPTER TWO The Making of a Musician CHAPTER THREE The Frenemy CHAPTER FOUR A Rock Star Is Born CHAPTER FIVE The Music CHAPTER SIX Portrait of a Young Musician CHAPTER SEVEN Life in the Hills CHAPTER EIGHT The Foreign Circuit CHAPTER NINE Small Loves, Big Loves CHAPTER TEN Roses in Dehradun CHAPTER ELEVEN Bhairavi in America CHAPTER TWELVE Portrait of an Older Musician CHAPTER THIRTEEN Princeton Walk CHAPTER FOURTEEN Fading Out CHAPTER FIFTEEN Unstruck Sound Gratitude The Players This family chart is not complete. It includes only those who feature in the book. CHAPTER ZERO Who Is This Vilayat Khan? 1952, Delhi. It had been five years since Independence and India was still in the mood for celebration. -
Customer ID Branch Name 33676 Kochi a Allas 34010 Madurai A
Customer ID Branch Name 33676 Kochi A Allas 34010 Madurai A Sathiah 34884 Mangaluru A c subbegowda 921984 Kochi A J Paily 40359 Coimbatore A m srimuthu Vatchala 930975 Noida A N Buildwell Private Limited 1350646 Madurai A V Sreedharan 33884 Indore Aalok Garg 884459 Pune Aban H Bhandari 598025 Jaipur-Vaishali Abdul Ajij 877477 Kochi Abdul Fazal 880079 Kottayam Abdul Latheef 33596 Mumbai Metro Abdul A A 1279797 Fort Abdul Gani Hajiusman Mundia 527821 Akola Abdul Makin Rabbani Deshmukh 33715 Trivandrum Abdul Rasheed M 1052113 Fort Abdul Sattar Haji Usman Mundia 33509 Mumbai Metro Abhay Madhav Jategaonkar 712156 Jaipur-Vaishali Abhay Singh Shekhawat 755221 Durgapur Abhijit Sarkar 59920 Indore Abraham T m 34455 Hyderabad Adiseshu Kotari 9008702 Mangaluru Adithya D 33587 Mumbai Metro Agarwal J D 33514 Mumbai Metro Ahuja S K 1008032 Ghaziabad Ajay Jain 884189 Bhopal Ajay Sharma 518595 Jaipur-Vaishali Ajay Bahadur Agnihotri 1263354 Mumbai Metro Ajay Motilal Paswan 878707 Kochi Ajisha M 1020955 Thane Ajit Harichandra Rupanwar 33833 Hubballi Ajitkumar Patil 1038513 Durgapur Ajoy Aich 969951 Varanasi Akhilesh Singh 981540 Mumbai Metro Akshata Sandeep Chonkar 876045 Akola Akshay R Mahhalle 33755 Mumbai Metro Alexander P M 1577540 Rajkot Alka B Shah 1264581 Vadodara Alkaben C Suthar 33797 Mumbai Metro Alok Kumar 946731 Durgapur Aloka Nanda Bhyas 895096 Kolkata Aloke Guha 877935 Kochi Amal Raj R 37999 Mumbai Metro Ambarish Krishna Nagarsekar 548180 Solapur Ambika Naganath Kurapati 548162 Solapur Ambika Narendra Jatla 548213 Solapur Ambubai Ambadas Kajle -
International Research Journal of Management Sociology & Humanities
International Research Journal of Management Sociology & Humanities ISSN 2277 – 9809 (online) ISSN 2348 - 9359 (Print) An Internationally Indexed Peer Reviewed & Refereed Journal Shri Param Hans Education & Research Foundation Trust www.IRJMSH.com www.SPHERT.org Published by iSaRa Solutions IRJMSH Vol 6 Issue 8 [Year 2015] ISSN 2277 – 9809 (0nline) 2348–9359 (Print) Shakespeare’s Romeo & Juliet : A boon to B- Town “So long as men can breath or eyes can see, So long lives this, and this gives life to thee” (Shakespeare’s sonnet no. 18) Subhrasleta Banerjee Department of English Balurghat Mahila Mahavidyalaya The name is William Shakespeare who can easily prophesied about the power of his golden pen through which his beloved might not need children to preserve his youthful beauty and can defy time and last forever. It is surprisingly related today. The main theme of Shakespeare’s work is ‘LOVE’- ‘the blind fool’. He indirectly acknowledges there may be obstacles in true love and urges to marry with true ‘mind’ rather than merely two people. This love is a bold subject matter that has always lacked rules and always attracts controversy - specially within the strict norms of Asian Culture. These various challenges and obstacles make multistory-love-complex silently. Cinema woos audiences by offering this emotion. Modern Indian Cineme is already an indestructible massive field of art work which has been successfully taken the extract of the Shakespearean drama to serve the common. The literary works of Shakespeare reinvigorate uncountable people of the world. The unique excellence of Bard’s ‘violent delights’ and ‘violent ends’; excessive passion and love full of zeal; jealousy and romance; greed for empowerment and assassination; laughter and satire; aesthetic sensibility and of course the plot construction both in comedy and tragedy- are all time favourite to Bollywood screen.