Florida State University Libraries
Total Page:16
File Type:pdf, Size:1020Kb
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2010 Growing Home and Neomorphism Creating Living Structures and a New Design Language Elena Vee Myhre Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF VISUAL ARTS, THEATRE AND DANCE GROWING HOME AND NEOMORPHISM CREATING LIVING STRUCTURES AND A NEW DESIGN LANGUAGE By ELENA VEE MYHRE A Thesis submitted to the Department of Interior Design in partial fulfillment of the requirements for the degree of Master of Fine Arts Degree Awarded: Summer Semester, 2010 Copyright ©2010 Elena Vee Myhre All Rights Reserved The members of the committee approve the thesis of Elena Vee Myhre defended on July 2, 2010. __________________________________ Professor Eric Wiedegreen Professor Directing Thesis __________________________________ Jill Pable Committee Member __________________________________ Professor Karen Myers Committee Member Approved: _____________________________________ Eric Wiedegreen, Chair, Department of Interior Design _____________________________________ Sally E. McRorie, Dean, College of Visual Arts, Theatre, and Dance The Graduate School has verified and approved the above-named committee members. ii Commit to the Lord and whatever you do your plans will succeed. Proverbs 16:3 To my parents and sisters who help me to strive far beyond what I can see; My father who is always interesting and interested in what I am doing; My mother who has always encouraged my dreams in practical ways; To my girls who keep me motivated and laughing; To the hairstylist who keeps my look at its best; To the boy who is always supportive; To the dog who is always loyal. You all are the reason this thesis is finished. Thank you forever. iii ACKNOWLEDGMENT Eric Wiedegreen For all the support, care, and critique. Your honesty and commentary has shaped the trajectory of my life forever. I could never have had such a wonderful experience in graduate school had it not been for your support and consideration. Jill Pable Your kindness and work ethic are qualities I aspire to emulate. Thank you for working so hard to make this thesis something of which I can be proud. I am inspired that you were willing to work with me and I hope to make you proud in the future. Karen Myers My beloved sister, I know that I am who I am and I am confident and content with that because of your love and guidance. Thank you for your intelligence and your wonderful critique. You saved my life so many times over this project and my time is graduate school. I can never repay your kindness. Wallace Wilson, Alex Bothos, Jin Baek, and in memory of Richard Beckman My USF undergraduate, unofficial thesis committee, who all supported me toward seeing myself as an intelligent person capable of working in this way. They continue to check in with me, keeping me motivated, and remembering when I fell in love with research and working within art and design. You and the institutional environment you created at USF are the reason I am in graduate school today and looking ahead to my doctorate tomorrow. Thank you for everything. iv TABLE OF CONTENTS List of Figures .................................................................................... viii Abstract .................................................................................... x 1. Project Overview, Explanation, and Justification ................................ 1 Introduction .................................................................................... 1 Growing Home .................................................................................... 2 2. Review of Literature ............................................................................ 5 Introduction…………………………………………………………………. .. 5 History of Design Language and Vocabulary ......................................... 5 The Classical Design Language ..................................................... 11 The Gothic Design Language ......................................................... 14 The Modern Design Language ....................................................... 16 Incorporation of Nature in Design ................................................... 17 Nature in Design .................................................................................... 36 Vegetative Based Design ............................................................... 38 Landed Design ............................................................................... 40 Earth Architecture .......................................................................... 42 Organic Design .............................................................................. 45 Vernacular Design .......................................................................... 48 Conclusion .................................................................................... 50 3. Research and Design Program for Growing Home ............................ 52 Introduction .................................................................................... 52 Project Description and History ............................................................. 52 Project Context .................................................................................... 53 Social .................................................................................... 54 Political .................................................................................... 55 Economic .................................................................................... 55 Psychological ................................................................................. 56 Sample Population: Refugees ................................................................ 56 Specific Sample Population: Lhotsampas Refugees in Nepal ............... 59 Project Goals .................................................................................... 63 Project Budget and Timeline .................................................................. 63 Construction Design Materials ............................................................... 64 Specifications .................................................................................... 64 Bamboo .................................................................................... 66 Adobe Cob .................................................................................... 69 Interior Specifications ............................................................................. 70 Codes and Regulations .......................................................................... 70 v Conclusion .................................................................................... 72 4. Growing Home Design and Drawings ................................................. 73 Introduction .................................................................................... 73 Graphic Summation ................................................................................ 74 Design Project Scroll Images ................................................................. 75 Diagrams and Detail Sketches ............................................................... 89 Final Floor Plan .................................................................................... 92 Model Results .................................................................................... 96 5. Conclusions and Recommendations .................................................. 104 Growing Home .................................................................................... 104 Analysis of Needs and Requirements ............................................ 104 Changes in Design ......................................................................... 104 Model Results ................................................................................ 105 Potential for Relocation of Lhotsampas Refugees ................................. 106 Recommendations for Future Research ................................................. 106 Growing Home Prototype Model .................................................... 106 Neomorphism ................................................................................. 107 Neomorphism as a Design Language ............................................ 109 Continuing Neomorphic Design Research ..................................... 111 Conclusions............ ................................................................................ 112 APPENDICES .................................................................................... 113 A Elements and Principles of Classical Design ................................. 113 B Elements and Principles of Gothic Design ..................................... 115 C Elements and Principles of Modern Design .................................... 117 D Elements and Principles of Neomorphic Design ............................ 119 E Elements and Principles of Growing Home ................................... 120 F Letters of Reference from Nepal Organizations ............................. 121 G Neomorphism Tern Organization ................................................... 123 H Growing Home Presentation Booklet ............................................. 124 REFERENCES .................................................................................... 138 BIOGRAPHICAL SKETCH ...................................................................... 149 vi