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SPECIAL PROVISIONS DISTRICT 2 Scheduled and Emergency Tree Trimming, Removal and Sight Distance Clearing at Various Locations La
Massachusetts Department Of Transportation Highway Division Proposal No. 609027-106244 DOCUMENT A00801 SPECIAL PROVISIONS DISTRICT 2 Scheduled and Emergency Tree Trimming, Removal and Sight Distance Clearing at Various Locations Labor participation goals for this Project shall be 15.3% for minorities and 6.9% for women for each job category. The goals are applicable to both Contractor’s and Subcontractor’s on-site construction workforce. Refer to Document 00820 for details. SCOPE OF WORK The work under this contract will consist of removing, trimming, or shaping roadside growth: to eliminate trees and branches that are considered hazardous to the traveling public; to re-establish design sight distance; to re-establish safety recovery zones; and to clear overgrowth for sign visibility. The Contractor shall be prepared to respond to emergency repair work once the Notice to Proceed is awarded. All work under this contract shall be done in conformance with the Standard Specifications for Highways and Bridges dated 1988, the Supplemental Specifications dated July 1, 2015, and the Interim Supplemental Specifications contained in this contract; the 2017 Construction Standard Details, the 1990 Standard Drawings for Signs and Supports; the 1996 Construction and Traffic Standard Details (as relates to the Pavement Markings details only); The 2015 Overhead Signal Structure and Foundation Standard Drawings, the 2009 Manual on Uniform Traffic Control Devices (MUTCD) with Massachusetts Amendments and the Standard Municipal Traffic Code; the 1968 Standard Drawings for Traffic Signals and Highway Lighting; the latest edition of American Standard for Nursery Stock; the Plans and these Special Provisions. LOCATION OF WORK Work under this contract will be required on any or all state highways and roadways within District Two. -
The Art of Horticulture II: the Use of Plants in and As Art Hort 203
The Art of Horticulture II: The Use of Plants in and as Art Hort 203 Instructor: Marcia Eames-Sheavly 169 Plant Science Building 607-255-1781 [email protected] Horton Lab, Ken Post Labs Time: Tuesdays, 1:25 – 4:25 p.m. Course website: hort.cornell.edu/art 2 credits Code of Academic Integrity: You should be familiar with Cornell’s Code which may be found at http://cuinfo.cornell.edu/Academic/AIC.html. You are responsible for knowing and complying with the code. Office hours Tuesdays, 8:30 – 11:30, by appointment, in 15B Plant Science Other times as arranged. I am not in the office Wednesdays. Rationale As part of a Hort 201-203 sequence, this experiential course will focus on plant materials that are used to create art, or that are manipulated into pieces of art. It will acquaint students with a range of topics such as the use of plants in fibers and dyes, floral design, and living sculpture practices such as topiary, the woven branch, turfworks, tree sculpture and bonsai. Students will create a final project focused on these or related methods. Taking this course will also provide students with a unique chance to view science from a very different perspective. Creativity is the cornerstone of advancement in science. Exploring the relationship between art and science can foster an understanding of principles of design and presentation in living forms. Exploring the art of horticulture will help students view plant forms through a unique lens. Who should take the course? Given that we define horticulture as both the “art and science of growing plants,” the course would provide horticulture and plant science majors with a context for the aesthetic aspects of the discipline. -
Espaliers1 Sydney Park Brown, Thomas H
CIR627 Espaliers1 Sydney Park Brown, Thomas H. Yeager, and Robert J. Black2 espaliers are used mostly for decorative accents in the landscape. An espalier is a living sculpture in the garden and is especially effective against a blank wall as an alternative to a monotonous row of shrubs. An espalier is also a good choice for a narrow area where spreading shrubs or trees cannot be easily maintained. With landscape spaces becom- ing smaller around homes, an espaliered plant may have considerable appeal. From Ornamentals to Espaliers Almost any plant can be espaliered by continually directing growth along a flat plane and removing growth in unde- sired directions. Some plants are particularly suitable as Figure 1. Espaliered pear tree (Pyrus communis), in the garden of the Cloisters in upper Manhattan. espaliers, especially ones that produce many flexible lateral Credits: © 2004 Matthew Trump, CC BY-SA 3.0 branches and attractive flowers, fruit, foliage, and/or bark. The plants listed in Tables 1–3 are only suggestions and are An “espalier,” (pronounced “es-PAL-yer” or “es-pal-YAY”) not intended to be inclusive. Other plants are worth trying is any plant trained to grow in a flat plane against a wall, and may prove to be equal to, if not better than, those listed. fence, or trellis. The word espalier also may be used to describe the technique of training a plant to this flat plane. Selecting an Espalier Pattern The Romans originated the technique, but later generations The choice of a pattern for an espalier greatly influences of Europeans refined it into an exacting but rewarding art. -
Lintons Summer '07
Leafl et Order fresh fl orals 24/7 at lintons.com Summer Edition 2007 • Vol. 13/Issue 2 Garden Centre • Floral & Interior Décor Shoppe • Landscaping • Lawn Care • Nursery Plant An Evening Garden colored fence, house or statue, like light Foliage color and texture can also play By Laura Sherman pink or light blue. a wonderful role in the garden. Hosta, You have worked all day and now you sun-loving Hosta, Caryopteris, Golden would like to sit outside and relax. Perennials usually only bloom once a Barberry, Artemisia, Dusty Miller However, itʼs dark in the garden and year so choose a variety of plants that Coleus, Lemon Daddy Hydrangea and there is no view to really look at. I have different blooming seasons. Marguerite Sweet Potato vine are just would like to give you some ideas for some of the many choices that you can planning an evening garden. Some white fl ower choices are Babyʼs fi nd at Lintonʼs Garden Centre. Breath, Shasta Daisy, Bleeding Heart, Colors are important for your evening Garden Phlox, Hydrangea, Alyssum, At Lintonʼs Garden Centre our garden. Dark colors such as purple and Impatiens, Petunias and Geraniums. knowledgeable staff is happy to help you deep blue would be lost in the evening. plan your evening garden. Now there is Light colors take on a luminescent Some yellows or cream colors no reason, not to enjoy your garden no quality in the evening. White, cream, or are Coreopsis Columbine, Mums, matter what time of day it is. yellow would show up in a dark space. -
A Guide for Nanowire Growth Nathan O
COMMENTARY COMMENTARY A guide for nanowire growth Nathan O. Weissa and Xiangfeng Duanb,c,1 the limits of conventional lithography (4, 5). Departments of aMaterials Science and Engineering and bChemistry and Biochemistry and c Nanotechnology has seen a convergence of California NanoSystems Institute, University of California, Los Angeles, CA 90095 these two strategies, cherry picking the ad- vantages of either to realize novel architec- ture design at scales beyond the capabilities Human fascination with growth has been ultimately, it can be tamed by exploiting of one technique on its own. around since the Neolithic Revolution began these forces through engineering to pro- Nanowires like to grow in a similar fashion more than 10 millennia ago. With it grew the duce bountiful results. to trees: straight up. The recent develop- science and understanding behind the un- At the crux of advanced electronic fabri- ment of the vapor-liquid-solid (VLS) growth derlying mechanisms found in nature, which cation is the intersection of top-down and method has propelled the field to new heights, fi are often applied toward practical bene ts bottom-up approaches toward building nano- where a nanoscale liquid drop of catalyst such as bigger produce or higher yields. For structures for practical functionality in an facilitates the (typically) vertical growth of example, farmers plant seeds in specificand economical way. Living organisms are the high-quality, solid nanowires using vapor optimally spaced positions that allow dense original bottom-up assemblers: multitudinous phase reagents (Fig. 1D) (6). However, ver- and organized fields to develop (Fig. 1A), nanoscopic pieces (proteins, DNA, etc.) work tical nanowires are not necessarily very prac- whereas villagers in Cherrapunjee, India, grow together to make microscopic machines tical for electronics, as most device structures tree roots across rivers to form living bridges. -
Espalier Fruit Trees for Wall, Hedge, and Pergola: Installation . Shaping . Care Free
FREE ESPALIER FRUIT TREES FOR WALL, HEDGE, AND PERGOLA: INSTALLATION . SHAPING . CARE PDF Karl Pieber,Peter Modl | 160 pages | 01 Jun 2014 | Schiffer Publishing Ltd | 9780764344886 | English | Atglen, United States How to Espalier Fruit Trees - Stark Bro's The art of espalier is all about selectively pruning and training to a desired shape. Follow these steps and learn how to espalier fruit trees. A growing legacy since For over years, Stark Bro's has helped people around America provide Hedge home-grown food for their families. We love to keep in touch with our customers and Espalier Fruit Trees for Wall about what's happening each season at Stark Bro's. Follow us on Espalier Fruit Trees for Wall favorite social networks and share what you grow! You'll find answers to many questions on our FAQ page. If you need further assistance, we're always eager to help. Contact Us Featured Item. Featured Article. Adding Fruit to Your Homestead For over years, Stark Bro's And Pergola: Installation. Shaping. Care has been helping homesteaders across America live more self-sufficient lifestyles. As the oldest continually operating nursery in the country, we've curated a time- tested collection of over unique varieties of fruit trees, nut trees and berry plants. This will prevent many features on our site from working as expected. You can enable JavaScript in the settings of your web browser. The origins of espalier Espalier is the ancient horticultural art of pruning and training a tree or shrub to grow flat against a support, creating a living sculpture. -
Arboescultura. Axel Erlandson (1.884-1.964)
Arboescultura. Axel Erlandson (1.884-1.964). El circo de los árboles. Axel Erlandson fue un granjero sueco de nacimiento y estadounidense de adopción que cultivó árboles modificados en diferentes formas como una distracción. Axel comenzó como un campesino corriente que tenía la afición de transformar los troncos de los árboles. Para conseguir estos resultados es indispensable una gran paciencia, podar constantemente los árboles, doblarlos, ponerles injertos y mucha voluntad ya que el proyecto dura mucho años. Al final se convirtió en un gran alquimista arbóreo, dando forma a árboles a veces con aspecto extraterrestre. Abrió una atracción hortícola en 1947, cerca de Santa Cruz, California, la anunciaba como "See the World's Strangest Trees Here"(“Ver los árboles más extraños del mundo aquí”) y la denominó "The Tree Circus" (“El circo del árbol”), gente de todas las partes del país se reunían para ver sus creaciones inusuales La arboescultura es un arte basado en el trabajo con árboles y plantas para darle diversas formas de valor artístico. Esta técnica consiste en orientar el crecimiento de los árboles y plantas a través de podas, injertos y flexiones hasta lograr en ellos la forma que se desea. Como resultado de esta técnica y mucha paciencia se logran verdaderas obras de arte y lo más importante es que no se perjudica la vida de los árboles. Axel creó diseños en papel primero y luego estableció plantas con los patrones especificados; poda, injerto y la flexión de acuerdo a los diseños realizados. Erlandson fue una persona autodidacta a lo largo de décadas, estudió la forma del crecimiento de los árboles a través de sus propios diseños. -
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See newsletters in color at www.postcard.org — Our name reflects our location, not our only area of interest. San Francisco Bay Area Post Card Club February-March 2014 Saturday, February 22, 11 am to 3 pm Vol. XXX, No. 2 Browsing and Trading, 11 to 1 – Meeting begins at 1 o’clock Fort Mason Center, Bldg. C, Room 362 ☜ Laguna Street at Marina Boulevard, San Francisco Monthly meeting schedule on back cover. In • Unusual Goat Postcards Visitors and dealers always welcome. This • Handmade Valentines Issue } • J. Bowers Photo Co. PROGRAM NOTES: Dan Saks asks the question “What does a United States Commodore who served in the War of 1812, a Polynesian theme restaurant, and Walt Disney have in common...?” Dan will connect the dots when he takes us on a postcard visit to the resort of Switzer~land, which existed in the “Alpine” mountains above Pasadena, California from 1884 to 1959. Show & Tell: Postcard Valentines and the Olympics; two minute, three card limit. PARKING: Can be tough. Come early; there are many pleasant diversions at Fort Mason Center—espe- cially the library booksale and its coffee area. Inside the gates, $10 or more to park—or free, on-street and through the gates off Bay Street at Franklin above Fort Mason Center. As always, best to take the Muni, bike, walk or carpool. COVER CARDS Fabulous recipe cards are one of my weaknesses, and the many on regional cook- ing created by the little known French artist Jean Paris and published by Barre-Dayez in the late 1940s and ’50s are among the best artistically. -
Avocado Growing Systems and Pruning July 2018 the Avocado Tree Characteristics of Hass Trees
Avocado Growing Systems and Pruning July 2018 The Avocado Tree Characteristics of Hass trees Large vigorous tree reaches heights of over 15m Grows 0.5 to 1m+ per year Tree shape is typically a dome with dense foliage When given room will have a wide spread Flowering and fruit set is on the outside of the tree, high determinate flowering rate 2 Seeka Grower Roadshow | December 2016 The Avocado Tree Characteristics of GEM trees Low vigour tree that reaches heights of over 15m Grows about 0.3 to 0.5m per year Tree shape is typically a cylinder with dense foliage When given room does not spread Flowering and fruit set is initially on the outside of the tree, low determinate flowering rate means the fruit ends up inside the tree 3 Seeka Grower Roadshow | December 2016 Pruning Challenge Overlapping growing cycles Two year shoot growth cycle – affects pruning timing Challenge of when Type of wood matters – complex to prune - crop flowering biology Shoots grow in flushes that vary in vigour, duration and extent Source: AIC Read Your Trees Booklets 4 Seeka Grower Roadshow | December 2016 Why Prune? If not pruned you get massive trees 5 Seeka Grower Roadshow | December 2016 Why Prune? Recover sick trees Pruning is not always the right thing to do Sick tree can decline after pruning Poor root systems will be stressed when its support (the canopy) is removed The tree responds by growing vigorously then collapses Must increase root health first then prune ▪ Use foliar fertilisers ▪ Inject with phosphorus acid 6-8 weeks before pruning ▪ Fresh mulch to encourage new root growth 6 Seeka Grower Roadshow | December 2016 Why Prune? Individual trees strongly alternate bear Due to different amounts of flowering wood each year Climate and fertiliser sets the baseline of tree growth Pruning gives control of flowering wood Arpaia et al. -
Summer 2017 | Free
trees in art issue | summer 2017 | free THE ART OF TREES, FLOODING, A NEW ARBOREAL MAP, THE NEWSPAPER FOR TREES, WOODS AND PEOPLE THE GREAT STORM, ARTIST RESIDENCIES Detail from TREE TRAILS by Adam Dant LEAF! | FOR THE ART OF TREES THE NEWSPAPER FOR TREES, WOODS AND PEOPLE Trees have been loved and venerated in cultures across the world since earliest times, and continue to be a source of inspiration and imagination. With his arboreal map, featured on the front cover of LEAF!, the celebrated illustrator Adam Dant shows us just how significant trees are to the story of art in the British Isles, and just how rich and widely located this visual heritage is. Common Ground is adding a new layer to the history of trees in art by curating and commissioning a series of artist residencies around the UK. The Tree Charter campaign Editors has challenged people all across the country Sara Hudston to consider their relationship with trees, Adrian Cooper and to reflect on the importance of trees Art Direction and woods in our culture, environment Gracie Burnett and economy. Over the next few months, Cover Artist eight artists will bring this thought process Adam Dant to life through a series of varied and very Resident Artists exciting residencies that explore, question Alice Pattullo and express the relationship between trees, Bea Forshall woods and people. Illustration Kurt Jackson Inside the Chapter House of Lincoln Eliza Glyn Cathedral, the Turner Prize-winning Harriet Lee-Merrion collective Assemble are making a round John Harmer wood structure, inspired by bodgers – that Simon Pemberton lost tribe of men and women who lived Common Ground Art Collection and worked in woodlands. -
Tree Size Control Hedging and Topping Citrus in High
10. Passos, O. S., A. P. Cunha Sobrinho, Y. S. Coelho and E. M. Citrus Symp. 1:401-406. Rodrigues. 1977. Behavior of orange trees under three spacings in 13. Sites, J. W. and H. J. Reitz. 1(949. The variation in individual Va- the state of Bahia, Brazil. Proc. Int. Soc. Citriculture 1:169-171. lencia oranges from different location of the tree as a guide to 11. Phillips, R. L. 1969. Performance of closely spaced trees. Proc sampling methods and spot-picking for quality I. Soluble solids in Fla. State Hort. Soc. 81:48-51. the juice. Proc. Amer. Soc. Hort. Sci. 54:1-10. 12. 1969. Dwarfing rootstocks for citrus. Proc. 1st Intl. Proc. Fla. State Hort. Soc. 91:43-46. 1978. TREE SIZE CONTROL HEDGING AND TOPPING CITRUS IN HIGH-DENSITY PLANTINGS1 R. L. Phillips prunes the sides and tops in straight lines, resulting in flat Fruit Crops Department, IFAS, surfaces. New growth is stimulated in relation to the amount University of Florida, Gainesville, FL 32611 removed, being greatest where the most severe cuts are made. Pruned trees, therefore, tend to resume their natural shape. Additional index words, pruning, spacing, size control. Prunning involves both mass removal of vegetative growth by hedging and topping and selective removal by hand-held equipment. Both methods can be effectively Abstract. Proper control of vegetative growth is essential utilized and have their place in controlling tree size and in high density plantings for maintaining maximum fruit shape. Hedging and topping are forms of mass heading bearing surface, obtaining high quality fruit and facilitating back which removes terminal portions of branches, destroy cultural and harvesting operations. -
{PDF EPUB} How to Grow a Chair the Art of Tree Trunk Topiary by Richard Reames How to Grow a Chair: an Interview with Richard Reames
Read Ebook {PDF EPUB} How to Grow a Chair The Art of Tree Trunk Topiary by Richard Reames How To Grow A Chair: An Interview with Richard Reames. Using ancient grafting techniques and a few basic tools, Richard Reames shapes living trees into furniture and sculpture near his home in Oregon for clients worldwide. He is the author of two self-published books, How to Grow a Chair: The Art of Tree Trunk Topiary with Barbara Delbol, and Arborsculpture: Solutions for a Small Planet, published in June. His work was on display this summer at the World Expo in Aichi, Japan. Joshua Foer spoke to Reames in July 2005 by telephone. richard reames: arborsculpture. ‘I coined the word arborsculpture in 1995 because no single word had been used to recognize this unique art form. a branch of topiary with the potential to savethe environment. there are other words and terms that are used to describe this art. pleaching, permaculture, tree trunk topiary, botanical art, botanical architecture, biotechture, living art, visionary art, and really weird. the difference between my work and that of other topiary artists is that I work with the inside of a tree, from the trunk while most other topiaries are formed from the outside. I love being outside all day, I like experimenting, and I feel that I am perpetuating a remarkable art, one that might some day flourish and produce the most environmentally sensitive houses you could imagine.’ – richard reames. Growing Furniture. Train and graft a tree for half a dozen years or so and you have strong, local, one piece (tree) furniture.