Media Kit 2021 Our Craft the Creation of Quality Media
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TAL Distribution Press Release
This American Life Moves to Self-Distribute Program Partners with PRX to Deliver Episodes to Public Radio Stations May 28, 2014 – Chicago. Starting July 1, 2014, Chicago Public Media and Ira Glass will start independently distributing the public radio show This American Life to over 500 public radio stations. Episodes will be delivered to radio stations by PRX, The Public Radio Exchange. Since 1997, the show has been distributed by Public Radio International. “We’re excited and proud to be partners now with PRX,” said Glass. “They’ve been a huge innovative force in public radio, inventing technologies and projects to get people on the air who’d have a much harder time without them. They’re mission- driven, they’re super-capable and apparently they’re pretty good with computers.” “We are huge fans of This American Life and are thrilled to support their move to self-distribution on our platform,” said Jake Shapiro, CEO of PRX. “We’ve had the privilege of working closely with Ira and team to develop This American Life’s successful mobile apps, and are honored to expand our partnership to the flagship broadcast.” This American Life will take over other operations that were previously handled by PRI, including selling underwriting and marketing the show to stations. The marketing and station relations work will return to Marge Ostroushko, who did the job back before This American Life began distribution with PRI. This American Life, produced by Chicago Public Media and hosted by Ira Glass, is heard weekly by 2.2 million people over the radio. -
Over Policing; the Need for Execuitive Accountability During the Covid-19 Crisis
Inquiry into the Victorian Government's Response to the COVID-19 Pandemic Submission no. 20 OVER POLICING; THE NEED FOR EXECUITIVE ACCOUNTABILITY DURING THE COVID-19 CRISIS JACQUELINE WRIGHT I INTRODUCTION Following the Victorian Government’s health response to the COVID-19 pandemic, the Public Accounts and Estimates Committee have commenced a public inquiry to consider the effectiveness of the Victorian Government approach.1 This submission addresses the terms of reference of the inquiry by considering the lack of transparency surrounding Victoria’s over policing of vulnerable communities in response to the COVID-19 crisis. This submission considers this lack of transparency around the policing of assembly and movement, in light of executive responsibility as a principle of public law. This submission argues that the Victorian response to the COVID-19 crisis lacks transparency and effective reporting necessary for executive accountability. II EXECUTIVE AUTHORITY Whilst it is important for the Executive Government to be capable of and empowered to respond to a crisis be it war, natural disaster, financial crisis,2 or indeed a health emergency, a level of accountability is essential to prevent an executive power grab. In ascertaining the scope of power of the executive, the cautionary words of Dixon J come to mind: History and not only ancient history, shows that in countries where democratic institutions have been unconstitutionally superseded, it has been done not seldom by those holding the executive power. Forms of government may need -
2021 Tsp Mediakit Apr.Pdf
MEDIA KIT 2021 The Saturday Paper. The whole story. 2 THE SATURDAY PAPER MEDIA KIT 2021 THESATURDAYPAPER.COM.AU The making of quality media Our Craft Passion Morry Schwartz, the founder of Schwartz Media, started his first publishing company in 1971 with a simple vision: to publish the best Australian writers in the most beautiful way possible. Now, whether it’s a book, a magazine or a newspaper, every publication is still created with the individual care and attention it deserves. Experience With more than 40 years of experience curating and editing Australia’s most influential writing and journalism, Schwartz Media has a long reputation for excellence. As well as publishing a groundbreaking weekend newspaper, Schwartz Media publishes the country’s leading current affairs magazine,The Monthly, and sits proudly alongside an experienced book publisher, Black Inc., and the agenda-setting Quarterly Essay. Distinction The Saturday Paper offers comprehensive long-form journalism – content that is sadly neglected elsewhere in the media landscape. With a range of unique voices, The Saturday Paper also maintains a sense of trust and independence that can’t be imitated. The bold design and premium production are merely an extension of this commitment to quality journalism. Influence The Saturday Paper has lasting relationships with more than 600 of Australia’s most awarded and respected writers – all edited with a rare commitment to excellence. The mix of experienced contributors and fresh talent ensures The Saturday Paper is always the first choice for both writers and readers. THESATURDAYPAPER.COM.AU MEDIA KIT 2021 THE SATURDAY PAPER 3 News, opinion, life, world and sport Newspaper Excellence The Saturday Paper is the finest example of the craft of news publishing in Australia today. -
Episode 58: the Whole Shabang Air Date: May 12, 2021
Episode 58: The Whole Shabang Air Date: May 12, 2021 [in the field – at Lancaster State Prison, outdoors, voices chattering in the background] Mike Oog: My name is Mike Oog and I've been incarcerated twenty-nine years. Nigel Poor: OK, “The following episode of Ear Hustle…” Mike: [repeating after Nigel] The following episode of Ear Hustle… Nigel: “Contains language that may not be appropriate for all listeners.” Mike: Contains language that may not be appropriate for all listeners. Nigel: “Discretion is advised.” Mike: Discretion is advised. Nigel: And can you say where you're standing right now? 1 Mike: I'm standing in front of the program office at LAC, Lancaster State Prison. [strong wind picks up] Nigel: Oooh! Speaker 1: Watch your eyes! Oh yeah, [theme music comes in] that's a dust storm. [voices chattering in the background, reacting to dust and wind] We just got dusted. This is the Mojave Desert and we just got dusted. Nigel: Wow. That hurt. [as narrator, to Earlonne] Nigel: Oof, Earlonne, that was not like being at San Quentin. Earlonne Woods: Nah… I haven't been in heat like that in so long to where I forgot my hat. [Nigel laughs] Nigel: I know. But, OK, you didn’t have your hat, but you were dressed up that day. Earlonne: Oh! Any time I step back in a penal system, [Nigel laughs] I'm gonna be suited and booted. You know what I'm saying? I gotta inspire cats. Nigel: Right! Success walks back in, right? [Nigel laughs] Earlonne: Indeed. -
IPG Spring 2020 Rock Pop and Jazz Titles
Rock, Pop, and Jazz Titles Spring 2020 {IPG} That Thin, Wild Mercury Sound Dylan, Nashville, and the Making of Blonde on Blonde Daryl Sanders Summary That Thin, Wild Mercury Sound is the definitive treatment of Bob Dylan’s magnum opus, Blonde on Blonde , not only providing the most extensive account of the sessions that produced the trailblazing album, but also setting the record straight on much of the misinformation that has surrounded the story of how the masterpiece came to be made. Including many new details and eyewitness accounts never before published, as well as keen insight into the Nashville cats who helped Dylan reach rare artistic heights, it explores the lasting impact of rock’s first double album. Based on exhaustive research and in-depth interviews with the producer, the session musicians, studio personnel, management personnel, and others, Daryl Sanders Chicago Review Press chronicles the road that took Dylan from New York to Nashville in search of “that thin, wild mercury sound.” 9781641602730 As Dylan told Playboy in 1978, the closest he ever came to capturing that sound was during the Blonde on Pub Date: 5/5/20 On Sale Date: 5/5/20 Blonde sessions, where the voice of a generation was backed by musicians of the highest order. $18.99 USD Discount Code: LON Contributor Bio Trade Paperback Daryl Sanders is a music journalist who has worked for music publications covering Nashville since 1976, 256 Pages including Hank , the Metro, Bone and the Nashville Musician . He has written about music for the Tennessean , 15 B&W Photos Insert Nashville Scene , City Paper (Nashville), and the East Nashvillian . -
Media Kit 2021 Our Craft the Creation of Quality Media
Media Kit 2021 Our Craft The creation of quality media Passion, Experience and Influence Schwartz Media Morry Schwartz, the founder of Schwartz, started Known for its forward-thinking, high-quality his first publishing company in 1971 with a simple journalism, as well as its reach and influence, vision: to publish the best Australian writers in the Schwartz Media goes beyond the 24-hour news most beautiful way possible. Today, everything the cycle with intelligent analysis of current affairs company offers is still created with the individual and a nuanced examination of Australia and the care and attention it deserves. world. Schwartz Media publishes Australia’s most- respected writers across The Saturday Paper and The Monthly magazine, both edited with a rare commitment to perfection. It also nurtures fresh talent in the Australian media sphere. 7am Media Kit 2021 7ampodcast.com.au Are you listening? In-depth interviews and sharp analysis On May 27, 2019 Schwartz Media launched a daily 7am takes a single story and unpacks it with news podcast, 7am. Each weekday 7am tells the news Schwartz Media’s award-winning team of journalists through in-depth, energetic interviews and sharp and contributors – scenes unfold, detail by detail. analysis, all in time for the morning commute. It Aided by music and archival material, 7am brings presents new voices and new ways of telling stories; together news and narrative to answer the big these are conversations you join. questions facing our country. Running for 12 to 18 minutes, 7am gives listeners context, narrative and insight. It is idiosyncratic, accessible, inquisitive and trustworthy. -
Song/Casting: Combining Podcasts and Songs to Create a Hybrid Medium
Nate Sahr 1 Song/Casting: Combining Podcasts and Songs to Create a Hybrid Medium A Thesis Presented to the Honors Tutorial College, Ohio University In Partial Fulfillment of the Requirements for Graduation from the Honors Tutorial College with the degree of Bachelor of Science in Media Arts & Studies By Nate Sahr May 2021 Nate Sahr 2 Table of Contents Abstract 3 Introduction – What is a Songcast? 4 The Hypothetical Songcast: Preliminary Research & Codification 9 Storytelling in Podcasts 10 Storytelling in Songs 12 Parasocial Relationships 14 Music 16 The Actual Songcast: Creative Process 17 Evaluating my Songcast 30 Conclusion 32 Bibliography 34 Nate Sahr 3 Abstract In my creative project and associated paper, I explore a hybrid medium, songcasting, that combines the most compelling elements of podcasts with the most compelling elements of songs. For the creation of this specific songcast, I interviewed 7 talented storytellers to capture audio recordings of them telling stories. From these, I chose a story about a Minnesotan teenager and his sister exploring Australia in 1979, and I built my songcast around it. This story explores coming of age, what it means to live in the modern world, cross-cultural relations, and more. The music and narration are carefully arranged and fused together to provide an immersive listening experience. While this songcast highlights the medium’s strengths, it is only one example of the many possibilities of songcasting. By synthesizing music, an emphasis on parasocial relationships, and the storytelling modes of both songs and podcasts, songcasts stand apart as unique audio format. Nate Sahr 4 Introduction – What is a Songcast? Imagine a spectrum: on one side of the spectrum is the color blue, on the other side is the color yellow. -
A Good Story Has Either the First Word Or the Last Word
THE LAUNCH MEDIA KIT “A GOOD STORY HAS EITHER THE FIRST WORD OR THE LAST WORD. THIS NEWSPAPER WILL HAVE BOTH.” – Morry Schwartz, publisher The Saturday Paper. The whole story. THE COMPANY “ MORRY SCHWARTZ’S VISION HAS BECOME AN INSTITUTION AND A TRADITION.” – The Guardian THE COMPANY The Saturday Paper is publisher twice won the Current Aff airs, Morry Schwartz’s fi rst weekly Business & Finance category venture. It joins other Schwartz at the Australian Magazine titles including the Monthly, Awards. Alongside the Quar- the country’s leading terly Essay, it has published a current aff airs magazine, and suite of Walkley Award-win- the agenda-setting Quarterly ning pieces. The Saturday Paper Essay. In a career spanning will do what readers have been 40 years, Schwartz has built a asking for: provide more of this reputation for publishing the award-winning content, more highest quality journalism in often. the country. The Monthly has THE NEWSPAPER The Saturday Paper is a new traffi c accidents or cats up week. Each issue is a statement way of doing news. We are a trees. We do sophisticated news of who our readers are. brave voice aimed at the most for sophisticated readers. We signifi cant day in the news- look unlike any other paper. In addition to the paper, we paper cycle. The Saturday Everything about the news- off er a fully responsive website Paper is about fi nding the best paper has been envisaged to and app – as well as a weekly people to work in the most make it a luxury product, from eDM that aggregates key news innovative ways. -
Non-Mainstream Media Coverage Peter Chen
20 Non-Mainstream Media Coverage Peter Chen From a media diversity perspective, Australia’s standing as an established democracy is not strong. When compared with peer democracies, Australia has the most concentrated media system in the world (Australian Collaboration 2015). The causes of this are various, but include comparatively small market size, ‘dumping’ of English-language content into the Australian market and lacklustre media policy that has facilitated media conglomerates to consolidate their market share (Winseck 2008). As part of this story, the popularisation of the internet over the last two decades has been an exacerbating factor and corrective: undermining the economic basis of established commercial media and eroding domestic regulatory capacity, while at the same time providing the capacity for the establishment of ‘new presses’. This chapter focuses on the conduct and performance of these ‘new presses’ in the 2016 federal election campaign. While the majority of these new media groups happens to be an internet-based press, the emphasis of this chapter is not on the technological basis of supply per se, but on their relative newness into the Australia marketplace. This breaks with a traditional tendency to see ‘new media’ as internet-based media, an increasingly meaningless classification tool given the increasing incorporation of new technology into the established media, as discussed by Andrea Carson and Brian McNair (Chapter 19, this volume). 453 DOUBLE DISILLUSION Method The primary research method employed for this chapter is the content analysis of articles published in 10 ‘new’ Australian-based1 publications— each less than seven years old2—that published material during the formal election period from 8 May to 1 July 2016 inclusive. -
Episode 55: Marcel and Angie Air Date: March 31, 2021
Episode 55: Marcel and Angie Air Date: March 31, 2021 Antwan Williams: This is Antwan Williams, the sound designer of Ear Hustle. And the following episode of Ear Hustle contains language and content that may not be suitable for all listeners, including discussion of suicide and sexual assault. Discretion is advised. [abstract industrial sound collage as transition] Marcel Rabanes: It's been times when I've been out in the yard and we're having a game, a football game going on, and all the femmes are over there acting ridiculous ‘cause they being catty and being jealous and they fighting and stuff. And all of us boy- lookin’ ones go over there to try to break it up… and then, when the police come and they start spraying, ‘cause they don't ask no questions, they spraying and shit… the girls get to walk away with nothin’… they'd been drinking or smoking or whatever. We all get arrested or we all get 115’d. There’s too many politics in prison for people that look like me. [soft music comes in] [as narrator] 1 Earlonne Woods: Prison politics are just like street politics… [Nigel affirms] a bunch of motherfuckers trying to make up a bunch of rules. Nigel Poor: And those rules can get especially complicated for trans people, like Marcel… Earlonne: …Locked up with a whole bunch of people who identify as a different gender than you. I’m Earlonne Woods. [theme comes in] Nigel: And I’m Nigel Poor. This is Ear Hustle, from PRX’s Radiotopia. -
Interview with Julie Shapiro E
Interview with Julie Shapiro, Executive Producer of Radiotopia from PRX [00:00:00] This week we're looking at why audio storytelling has endured, and why it's been such a powerful storytelling forum over such a long period of time. Julie Shapiro joins us now. She's seen audio storytelling from a variety of perspectives. She's currently the executive producer at the podcast network Radiotopia from PRX. Before that, she held the same title at the Australian Broadcasting Corporation, and earlier in her career, she founded and ran an audio storytelling festival called Third Coast International Audio Festival. Julie, thanks for joining us today. [00:00:31] Oh, it's totally my pleasure. This is like my favorite topic to talk about, so I am so ready for this conversation. [00:00:38] Awesome. Compared to movies or video games, you could argue that audio is kind of a simpler form of storytelling and maybe not as appealing to modern audiences. But why do you think it's a storytelling form that's still so gripping for people? [00:00:53] I think people are suckers for stories. We all know that. We've known that, you know, since, as they say, people sat around the campfire in the caves communicating with each other. I think audio storytelling has become particularly robust and multifaceted, partly because of how technology has evolved around it. But it's also had this enduring quality of voice, right there in your ears, speaking right to you. I'd find that I'm an avid reader, I love films, but audio for me is a closer, more intimate medium. -
“Big Block of Cheese II” [Advertisement Omitted] [Intro Music] HRISHI: You're Listening To
The West Wing Weekly 0.03: “Big Block of Cheese II” [Advertisement omitted] [Intro Music] HRISHI: You’re listening to The West Wing Weekly, the final West Wing Weekly episode of 2016. JOSH: Woo! HRISHI: I’m Hirshikesh Hirway. JOSH: And I’m Joshua Malina. HRISHI: Today we’ve got a special bonus episode. We’re gonna be taking questions and answering them. After this, we’re gonna be taking a couple weeks off for the holidays, so no episode next Wednesday or the Wednesday after that. We’ll be back January 11th, 2017 with another regular episode. JOSH: What a remarkable thing for us to do. [laughs] I mean let me just pat us on the back. We are special, special podcasters. HIRSHI: This is sort of like our version of the Big Block of Cheese Day that is featured regularly on the show. JOSH: And in a virtual fashion by the Obama Administration. He did a couple virtual Big Block of Cheese Days. HRISHI: That’s right. JOSH: Oh, I almost forgot. I’m going to have to come up with a cheese. This is your least favorite thing. [cross talk] I almost forgot your least favorite thing! HRISHI: [cross talk] I know. I wasn’t gonna mention it. I was waiting for you to do it, and then I when you didn’t I thought, oh, maybe I might be able to get away without it, [cross talk] without being subjected to a type of cheese. JOSH: [cross talk] No, you’re not so lucky. I think today, we’re going to pair our questions with a lovely Midnight Moon.