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Dossier De Premsa En Anglès

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Dossier De Premsa En Anglès SINOPSYS Aragón Front, 1937. Lluís (Marcel Borràs), a young republican officer temporarily assig- ned to an inactive post, meets an enigmatic widow and falls in love with her. Carlana (Núria Prims) tricks him into falsifying a document that makes her the Lady of the manor. Lluís’ best friend, Soleràs (Oriol Pla), a demoted officer, discovers the fraud and in exchange for his silence demands that Lluís take his son and wife, with whom Soleràs is secretly in love, away from the bombings in Barcelona. When Trini (Bruna Cusí) arrives in the village it doesn’t take her long to discover Lluís’ be- trayal and a “state of war” is established between them that will shake their moral foundations to the core. A film that examines the intensity of human passion against the backdrop of war. CAST Lluís Marcel Borràs Carlana Núria Prims Soleràs Oriol Pla Trini Bruna Cusí with the special appearances by: Olegaria Luisa Gavasa Miller’s wife Terele Pávez Miller Fernando Esteso Cagorcio Juan Diego CREW Screenplay Coral Cruz and Agustí Villaronga based on the novel “Uncertain Glory” by Joan Sales Directed by Agustí Villaronga Executive producer Isona Passola Production manager Aleix Castellón TVC Delegate producer Elisa Plaza Delegate producer Alba Forn Associate producer Gaizka Urresti Director of photography Josep M. Civit, AEC Art director Ana Alvargonzález Wardrobe Mercè Paloma Hair and makeup Alma Casal Editing Raúl Román Visual effects Bernat Aragonès Music Marcus JGR Sound Xavier Mas Fernando Novillo Ricard Galcerán First assistant director Manel Martínez Casting Pep Armengol A production of MASSA D’OR PRODUCCIONS and TELEVISIÓ DE CATALUNYA, with the participation of RTVE, MOVISTAR+ and ARAGÓN TV. With the support of ICEC (GOVERNMENT OF CATALONIA, DEPARTAMENT OF CULTURE) and ICAA (GOVERNMENT OF SPAIN, MINISTRY OF EDUCATION, CULTURE AND SPORT). With the collaboration of the DEPARTMENT OF INSTITUTIONAL AND FOREIGN AFFAIRS AND RELATIONS AND TRANSPARENCY in conjunction with the DEMOCRATIC MEMORIAL of the GOVERNMENT OF CATALONIA, GOVERNMENT OF THE BALEARIC ISLANDS (DEPARTMENT OF TRANSPARENCY, CULTURE AND SPORT), ZARAGOZA PROVINCIAL GOVERNMENT, HUESCA PROVINCIAL GOVERNMENT AND THE GOVERNMENT OF ARAGÓN. Produced in association with URRESTI PRODUCCIONES. TECHNICAL SPECIFICATIONS Length: 116 minutes Language: O.V. (Catalan and Spanish) Feature length film: Fiction Production year: 2017 Nationality: Spanish DIRECTOR’S NOTES “As in two of my previous films,El mar (The sea) and especially Pa negre (Black bread), the central theme of UNCERTAIN GLORY is the moral devastation wreaked on humans by war. Rather than focusing on the conflict itself or a political analysis of the war, it examines the feelings and emotions of the characters. It is through them that we discover the conse- quences of war far from the battlefield, in our case, so close and yet so far away. UNCER- TAIN GLORY is a response to the need to close this chapter with the third film in an unex- pected trilogy. The dramatic structure of this story is based on the magnificent and powerful novel by Joan Sales. Adapting a novel that is more than 1,000 pages long involves a laborious selection process. The most philosophical and religious parts were purposely left out in order to crea- te a more fluid story in which action is generated by images and the spectator’s attention is focused on the raw feelings. It has been said of UNCERTAIN GLORY that it would be a love story if only it weren’t a war story. As far as the film is concerned, I would say just the opposite: it could have been a war film but for the fact that it is a love story. A passionate and romantic love that pits two men who love the same women against each other and two women who are attracted to these same two men. Making the film is like playing a piece of music with four hands: four characters living through the same events but each one of them experiencing and reacting to them differently. The diversity in recreating the internal and external worlds of the characters is best captured with polyhedric filming, where the use of various cameras to create constant movement is very useful. The locations were also a critical piece. This is no man’s land, an unwelcoming wasteland where the characters are silhouetted against the arid landscape, lines in the desert sand. The interiors are starkly austere. The visuals are unadorned but powerful, with few obvious references to the period and more emphasis on the austerity and simplicity of the elements that are absolutely necessary. But above all, we need to talk about the actors. Four actors. Four very young men and wo- men. New faces, full of enthusiasm who are making their mark. That come from no one knows where. With some powerful supporting actors to assist them, to be sure, but the work of the main characters - and I’m convinced of this - is formidable.” Agustí Villaronga AGUSTÍ VILLARONGA: DIRECTOR AND CO-SCREENWRITER Agustí Villaronga has had a long career in film-making industry. One of his most recent films, Pa negre (Black bread), which recounts the life of a child in rural Catalonia after the Spanish Civil War, was a huge success in 2010. The film won numerous awards including 9 Goyas, Best Film, Best Director and Best Screenplay Adaptation among them. It was also in the running to represent Spain at the 2011 Oscar Awards. Some of Villaronga’s other acclaimed works include El testament de la Rosa (documentary); Carta a Eva (TV miniseries), winner of the Best Miniseries and Best Actress awards at the Montecarlo, Hamburg, Biarritz and New York film festivals;Aro Tolbukhin, dins la ment de l’assassí; El mar (The sea); 99.9; El niño de la luna and Tras el cristal. His latest film to release in cinemas is El Rey de La Habana. Agustí Villaronga was the recipient of the Spanish National Cinematography award in 2011. UNCERTAIN GLORY, THE NOVEL BY JOAN SALES Joan Sales was not only one of the great writers of Catalan literature but also one of the stron- gest proponents of the language. During the war he was stationed in Madrid, Aragon and Ca- talonia, where he served as an infantry commander of the Republican Army. During 1939, he managed to survive in various concentration camps in France. It was not until 1948, after years of roaming the world that he returned to Catalonia to publish everything he could in Catalan. In 1954 he embarked upon the adventure of writing “what he knew about” and the result was UNCERTAIN GLORY, a novel that was destined to be heard through the eyes and read from the voice of experience. It tells the story of the people we don’t read about in the history books, those who are defeated by things other than war. The desperation of a generation, a country. A call to understand what a battle really is. UNCERTAIN GLORY was one of the most important narrative voices of the post-war period in Catalonia, helping to explain more clearly through words what others could not. Translated into French, German, Dutch and English, this work by Joan Sales’ was recently lis- ted by The Economist as one of the top ten fiction novels. FILMOGRAPHY OF FEATURED ACTORS MARCEL BORRÀS Despite his youth, Marcel Borràs has become one of the most well-known faces on the theatre scene in Catalonia. In addition to acting in more than 20 works, this 26 year-old Olot native has written and directed nearly a dozen more. In 2016 he won the Ojo Crítico theatre award. Marcel has also played in a number of successful TV series including Pulseres vermelles, Carlos Rey Emperador, Cites and Sé quién eres. This year he can be seen in the filmUNCERTAIN GLORY by Agustí Villaronga, his first leading role in a feature length film following three supporting roles inAhora o nunca, Ten- go ganas de ti and Tres metros sobre el cielo. NÚRIA PRIMS Nuria has appeared in many TV series and feature length films. Her debut on the big screen was in 1995 under the direction of Montxo Armendáriz in the filmHistorias del Kronen, which was followed by Andrea, directed by Sergi Casamitjana, Un cos al bosc, by Joaquim Jordà, and El domini del sentits - el gust, by Teresa de Peregrí. In 1997 she appeared in the feature length filmSuerte , by Ernesto Tellería, and in 1998 she appeared in Fernando Colomo’s film, Los años bárbaros. In 1999 we saw her in Saïd, directed by Lorenzo Soler and in Sobreviviré, by David Menkes. Other credits in her filmography include:Tiempos de azúcar, by Juan Luis Iborra, Incons- cientes, by Joaquín Oristrell and Tomando té, by Isabel Gardela, for which she won the Silver Apple Award for Best Actress in the First Works category at The First Latin American Film Festival in New York and the Prix d’Interpretation de la ville de Montpellier in 2000. La vida lliure, by Marc Recha and Uncertain glory, by Agustí Villaronga, are the latest fea- ture films in which she appears. She debuted on the small screen in 1995 in the Catalan TV series La Lloll. A year later she would spring to fame in Catalonia with the soap opera Nissaga de poder, a successful regio- nal TV production. She went on to appear in other series such as 16 dobles and Génesis: En la mente del asesino and Hospital Central as well as TV movies such as Pataghoribí, by Ricardo Llovo, Ecos, by Oriol Paulo, La biblioteca de la Iguana, by Antón Dobao, and El espejo, by Álex Sampayo. Some of the short films in which she can be seen includeMátame suave, by Jacobo Rispa, Andén, by Aníbal García, Sueños de sal, by Gloria Núñez and Pen- sarás mal de mí, by Artur Rodríguez, among others.
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