Annual Report 2012

Total Page:16

File Type:pdf, Size:1020Kb

Annual Report 2012 ANNUAL REPORT 2012 NEW MARDI GRAS Ltd – ACN 102 451 785 The name ‘Sydney Gay and Lesbian Mardi Gras’ is a trading name and is a registered business name of New Mardi Gras Limited. The legal entity has not changed, but the trading name has. THANKS! SYDNEY GAY AND LESBIAN MARDI GRAS SINCERELY THANKS ALL THE VOLUNTEERS, STAFF, CONTRACTORS AND PARTNERS WHO MAKE SYDNEY MARDI GRAS THE WONDERFUL EVENT THAT IT IS. We are a not-for-profit organisation and rely on community support to make our events happen through volunteering and membership. In particular we would like to thank the dedicated members of the celebrating Fair Day Team, Party Production Team, Parade Team, Harbour ‘12 lesbian gay Team, Volunteer Team, Medical Team, Event Fundraising Team, IT bisexual transgender Working Team, Our Audit & Risk Committee, Legal Committee, queer and intersex Nominations & Governance Committee, Finance Committee, pride Strategy Committe, Community Engagement Committee, MCAG, WELCOME / 4 Womens Committee, Youth Committee, as well as the thousands more who volunteered during season to ensure things went smoothly. We would like to thank our Brand consultancy partners at Moon Communications, including Greg Logan, Brooke Hinman and Gemma Glanville, James Calpis, Jo White, as well as the full team at Moon for their assistance and creative direction. We would also like to thank Tia Lee, Summer Salt, Ross James, Katrina Wills, Steve Warren, Philip Diment, Hill & Knowlton, Dan Murphy, Joyce Maynge, Carmen Geddit, Marie Claire, Dallas Dellaforce, James Bridge, Jesse Stark, Lewis Oswald, Tora Hymen, Marcus O’Brien, Geoff Lynn, Kylie Martin, Terry Blamey, Kylie Minogue, Katie Hoskins, Michael Douglas, Charlie McCagh and Kris celebrating lesbian Taifalos at Avant Card, Andrew Ward at Sauce Solutions, William gay bisexual Yang Photography, Mazz Images, Mark Dickson, John McRae transgender queer Photography, Mikey Trotter, Jason Moss, Kylie Unlikely, David and intersex Bonella, Bradical Best, Paul Wyborn, Kathy Pavlich, Michael pride WELCOME / 8 Woodhouse, Nic Parkhill, Rebecca Reynolds, Ron Austin, Mark Thomas, Tom Tansey, Paul Capsis, Tom Christophersen, Jacques Tchong, Stuart Doherty, Cameron Mitchell, The Squared Division, Queer Screen, Beth Appleton, Scott Abrahams, Brenton Kewley, Rebecca Durr, Peter Hunt, Sandra Chipchase, Anthony Laver, Michael Abbott, Rachel Healy, Kate Murray, Coard-Anthony Henry, Annie Heath, Ruth Friedman, Denis Doulgeridis, Vincent Rommelaere, Out There Productions, Nell Schofield, Mark Trevorrow and Doreen Manganini, Tristn Goode, Theresa Famularo, Will Sheehan, Iain Reed, Virginia Harris, Gearhouse Productions, Sheridan Jones, Rick Pearce, Spencer Newman and our friends at Optus, Kate Munro, Eva Cox, Gretel Killeen... ...and to everyone in the community that has helped us continue to inspire the world to love each other by celebrating the power celebrating lesbian and beauty of diversity. gay bisexual transgender queer and FOR A FULL LIST OF PRODUCTION TEAM MEMBERS AND COMMITTEES intersex pride PLEASE REFER to PAGE 24. WELCOME / 6 ANNUAL REPORT 2012 2012 SEASON HIGHLIGHTS We delivered the safest This year saw an During the 2012 season, the Parade in recent times with improvement in financial Volunteer team processed record low levels of incidents performance which 2,981 applications for 2,086 reported continues us on a path to positions with a total sustained profitability & workforce of 1,723 volunteers There were record growth in the years to come satisfaction levels in International and interstate response to our increased Reached a digital global visitations to Parade celebrating lesbian investment in the quality of audience of 500,000 through increased by 9.5% despite gay the most difficult tourism bisexual the Parade and Party Mardi GrasTV, with Parade transgender and season Hightlights enviroment in recent years queer Applied for ROCO and spreading our messages and intersex registration to acquire We focused on building the pride LGBTQI community spirit to WELCOME / 2 Deductible Gift Recipient successful Women Say the world status (DGR) Something series producing Donated just under three separate sold out We welcomed Kylie Minogue $55,000, including over events. back after 14 years to CONTENTS P# $24,000 in complimentary celebrate her 25th Brought month end financial tickets to community WELCOME anniversary in music with us accounting back in house 1 groups for their fundraising THE REBRAND 3 Launched our first iPhone activities Continued to develop new app, which was downloaded income streams in the form HOW WE PERFORMED 4 We progressed with the by 4067 people of merchandising, licensing implementation of our long MARDI GRAS AWARDS 6 events and food vending We refreshed our brand to be term strategic plan YOUR FEEDBACK 7 more embracing of the Introduced the Big Gay increasing diversity within our CHAIR REVIEW 10 Weekend as a replacement communities with a message fundraiser of Sleaze Ball CEO REVIEW 12 of infinite love for all BOARD COMMITTEES 16 ORGANISatIONAL REVIEW 18 SEASON REVIEW 20 THE TEAM 24 I just loved the This year Mardi Gras I also love the wide SPONSORS 26 whole experience. got it’s Mojo Back!!! range of events put FINANCIAL REPORT 29 It’s a time for on during the period I believe the feel, TREASURER’s REPORT Sydney to shine (even from dance parties 30 atmosphere or vibe in the rain). People to exhibitions, this DIRECTOR’S REPORT 32 was fantastic... AUDItor’s INDEPENDENCE embracing difference. year, you guys did a 34 DeclaratION It was great. Well done for your fantastic job. FINANCIAL REPORT 35 efforts this year StateMENT OF COMPREHENSIVE INCOME 36 StateMENT OF FINANCIAL CREDITS 36 POSITION COPYWRITING KATIE HOSKINS StateMENT OF CHANGES DESIGN & LAYOUT LEWIS OsWALD IN EQUITY 37 NUMBERS MICHAEL DOUGLAS IMAGES HAMID MOUSA, ROBERT MCGRATH, ClAIRE SARGENT, HAYDEN BROTCHIE & ANN-MARIE CALHIHANNA StateMENT OF CASH FloWS 37 NoteS to THE FINANCIAL The name Sydney Gay and Lesbian Mardi Gras is a trading and registered business STATEMENTS 38 name for the legal entity and the company New Mardi Gras Limited. The legal entity has not changed, but the trading name has. DIrectors’ DeclaratION 47 Sydney Gay and Lesbian Mardi Gras – ABN 87 102 451 785 New Mardi Gras Ltd – ACN 102 451 785 MARDIGRAS.ORG.AU ANNUAL REPORT 2012 / 1 ABOUT US ABOUT SYDNEY W E DO THIS THROUGH: GAY AND Providing the opportunity for Providing resources and We inspire the LESBIAN LGBTQI individuals and opportunities to our world to love each groups to use Sydney Mardi community for creative and MARDI GRAS Gras as a statement of pride political expression other by celebrating and to promote a broader Embracing individuals and the power and message of LGBTQI diversity groups from the broader SGLMG EXISTS PRIMARILY TO and acceptance beauty of diversity DEVELOP THE SYDNEY MARDI community who share our vision Anchoring the Parade in a GRAS FOR THE BENEFIT OF Constantly improving broader program of cultural SYDNEY’S LGBTQI COMMUNITY, creativity and production and social activities for the OUR PURPOSE THE ENJOYMENT OF A WIDER values on our events, enjoyment of local audiences AUDIENCE AND AS A glOBAL including bringing the world’s AND ACTION and to attract visitors to BEACON OF DIVERSITY, best artists, thinkers and Sydney ACCEPTANCE AND LGBTQI RIGHTS. entertainers to Sydney STRATEGIC GOALS NTS EXCELLENC EVE E EVENTS EXCELLENCE Increased artistic and production Y C T O excellence I R N P U O PEOPLE ENGAGEMENT M R M A O T E Open and considered processes to C G recruit and retain talented people & O P V I E MEMBERSHIP & COMMUNITY H R S N R A Better involvement from and E N consultation with our members B C M and community E E M CORPORATE GOVERNANCE Better decision making, planning and budgeting at all levels of the T N organisation E M P E E G FINANCE & ASSET O A P N L E MANAGEMENT A M E N T G Rigorous financial planning, E A S G S A E monitoring, risk mitigation and M & E E N C T cost control N A N I F 2 /ANNUAL REPORT 2012 MARDIGRAS.ORG.AU THE RE-BRAND THE RE-BRAND For a group of courageous men made. and women to take to the streets We also want Mardi Gras and SYDNEY MARDI GRAS HAS THE in 1978, to dress up colourfully to what it stands for to endure - to We have always DUBIOUS DISTINCTION OF BEING scream, ‘Look! We’re here! We’re continue to generate renewed been leaders and PROBABLY THE BEST LGBTQI PRIDE not going away! We deserve the interest in Mardi Gras and our now the time is right EVENT IN THE WORLD AT A TIME same rights as everyone! We have communities causes. WHEN SOME PRIDE EVENTS ARE absolute pride in ourselves!’ In the to take the lead As society evolves and the LGBTQI STRUGGLING TO BE EMBRACED BY context of a society that legally community evolves to be more to also embrace WIDER SOCIETY. and culturally tried to negate inclusive, we believe we have the them (and met with the most others as part of opportunity to broaden the PRIDE’S MANIFESTATION HAS TO BE brutal of force that night) shows event’s appeal and reach new our movement and ALIVE TO ITS CONTEXT. pride at its most powerful. audiences, without losing sight of our new vision In 2012, many people are not the need to promote LGBTQI reflects this particularly challenged by a group community interests here and of people marching. amongst our sisters and brothers However, most people are ready to around the world. be dazzled by a thunderous convoy We want all Sydneysiders to feel of dykes on bikes or boys in hot invited to be part of Mardi Gras, Mardi Gras inspires the world to pants when in a troupe of not to class themselves just as love each other by celebrating the hundreds with slick choreography onlookers.
Recommended publications
  • Canada and Australia
    CANADA AND AUSTRALIA: PROMOTING COLLABORATION IN CREATIVE INDUSTRIES Prepared by the Consulate General of Canada in Sydney 1 TABLE OF CONTENTS 3 Welcome & Introduction 4 Film & Television 11 Music 16 Literature 21 Performing Arts 25 Visual Arts 28 Digital Arts 30 Promoting Canadian Creators Globally 2 WELCOME & INTRODUCTION The creative industries represent an important part of In Australia, the demand in the creative industries Canada’s economy and exports however these times sector was booming pre-coronavirus and represented are unprecedented and present challenges never 6.2% of total Australian employment and employment. before seen for the sector. In light of current events, The creative industries were growing 40% faster than particularly the recent cancellations of cultural events, the Australian economy as a whole. Australia also the Consulate General of Sydney would like to reaffirm recognises the important role and positive impact of the government’s support for all the people affected, the arts in regional, rural and remote areas. This has directly or indirectly, by the coronavirus. We know that led to a growth in festivals, arts markets, concerts, 4 Film & Television times like these can be particularly difficult for self- performances and galleries expanding into these areas employed creative workers, community organizations, due to the positive impact on the community as well as and cultural organizations, among many others. the daily lives of Australians. 11 Music This report, written pre-coronavirus, may be a useful resource as the creative industries move from crisis to Canada and Australia share similar histories and values recovery and seek out new business opportunities.
    [Show full text]
  • Case Study: Metro Screen
    Sydney International Film School Sydney International Film School is an independent film school which aims to train exceptionally skilled and talented individuals for careers in the global film industry. The two year intensive training course teaches through a hands-on creative process that emulates worldwide industry practice. Students are encouraged to produce up to 8 films during their two year study, as well as collaborating with other students on their work. The school provides equipment, software and sophisticated production facilities. "ASED IN 2OSEBERY IN CENTRAL 3YDNEY THE )NTERNATIONAL &ILM 3CHOOL 3YDNEY IS A 2EGISTERED 4RAINING /RGANISATION PROVIDING training and assessment services in filmmaking, 86H:HIJ9N/B:IGDH8G::C Metro Screen has over 27 years’ experience in the screen industry, serving the professional and production development needs of screen practitioners in NSW across film, television, online and portable media. Metro Screen’s primary focus is on screen skills development and the production of quality screen works. Each year Metro Screen supports the production of over 140 screen works across all genres. In 2009 Metro Screen productions won both Tropfest and Trop Jr 1st prize awards, with many of the short film works going on to screen and win awards at numerous national and international festivals. Metro Screen, located in the Paddington Town Hall, attracts a wide range of people passionate about film, from school children who participate in short school holiday programs to seasoned professionals who need to learn advanced techniques on the latest software. Metro Screen’s program includes a regular series of professional development seminars on areas like pitching, marketing & distribution, speed networking, career advice and copyright & legal matters.
    [Show full text]
  • 4 March 2018 Festival Program 16 February
    SYDNEY GAY AND LESBIAN MARDI GRAS SYDNEY GAY AND LESBIAN MARDI GRAS 201816 FE ANNUALBRUARY REPORT- 4 MARCH 2018 FESTIVAL PROGRAM SYDNEY GAY AND LESBIAN MARDI GRAS LTD | ABN 87 102 451 785 MARDI16 FEB GRASRUARY ARTS - 4 MARCH LTD | ABN 2 410 15818 800 018 FESTIVAL PROGRAM MARDI GRAS EVENTS The theme for 2018 was 40 YEARS OF EVOLUTION. Woven across the entire season of events were insights into how much our lives, communities, culture and society has changed over four decades of Mardi Gras. We celebrated defining moments, and were inspired anew by personal stories from all corners of our diverse commu- Four decades on from the original 1978 street Festival nities – and created many amazing new turned protest which changed the course of LGBTQI connections and memories. rights in Australia, Mardi Gras’ spectacular In 2018 we sparkled like never before, filling our city with fun and frivolity while remembering where it all started and 40th anniversary season was jam-packed with events honoring the long, winding, glittering road we’ve been on. and exhibitions which honoured our past and celebrated “Your story is our story, your evolution is our evolution. our creative LGBTQI culture in all its forms. Happy 40th, Happy Mardi Gras!” Photo: Jeffrey Feng Photo: Photo: Ann-MariePhoto: Calilhanna 40TH ANNIVERSARY MARDI GRAS CELEBRATION ON THE STEPS Jeffrey Feng Photo: OF THE SYDNEY OPERA HOUSE DIGITAL TIMELINE As the sun set on Friday 3 November, In 2018, Mardi Gras cherishes and The signature event for our Mardi Gras members and special guests were Photography, videography and graphic Mardi Gras members and special guests celebrates four decades of defining moments 40th anniversary celebrations, invited to toast the exhibition on its opening artworks were on display depicting iconic – many of them wearing a splash for LGBTQI Australians.
    [Show full text]
  • Participants of Directors Program Screen Forever 2018
    PARTICIPANTS OF DIRECTORS PROGRAM SCREEN FOREVER 2018 NEW SOUTH WALES Beth Armstrong Beth Armstrong is a writer/director. In 2018 Beth was nominated for an ADG award for Best Directing children’s TV series (directing 10eps) on Ambience Entertainment’s Irish co-pro: Drop Dead Weird. Beth has a Masters in directing (AFTRS) and has directed six shorts, which were broadcast in Australia, Canada and Japan and have won numerous awards including a number of Best Films at Palm Springs and international festivals. Her last short, You Cut I Choose was nominated for an ADG directing award, after premiering at MIFF. Beth was awarded the ADG/Screen Australia directors attachment to Mel Gibson on Hacksaw Ridge. Beth also directs commercials with Clockwork Films/Two Little Indians. Bina Bhattacharya Bina Bhattacharya is a Writer/Producer/Director from Campbelltown, NSW. Most recently she launched a series of showreel pieces written specifically for actors in minorities who are usually faced with limited role choices, including her homage to Pedro Almodovar, 'Musings’. She was selected as a writer for Co-Curious’ ‘Behind Closed Doors’ program with development assistance from the ABC, Emerald Productions and Screen Australia to write a series for original short films for broadcast. She was also selected in the inaugural Australia Diversity Showcase, which was produced with the backing of the Media Entertainment Arts Alliance Equity Foundation, the Australian Writers' Guild, the Australian Directors' Guild and Screen Australia. In 2017, she enjoyed international festival success with her film ‘Wild Dances’, which won the Audience Choice Award at the 'Made in the West' Film Festival and was a Finalist for the 'My Queer Career' Short Film Competition as part of the Mardi Gras Film Festival.
    [Show full text]
  • T-Shirts Place of Box Id No
    T-shirts Place of Box Id No. Title Creator Date publication Publisher Description Subjects TXT001 1 The quilt : Australian AIDS Memorial 1994 Sydney, NSW, AIDS Memorial Quilt Singlet. Words superimposed on rectangular design. Additional HIV/AIDS Quilt Project Australia Project text: "Sydney Display - Darling Harbour - 22nd-23rd January 1994". Cotton, mauve and black lettering on a white background. TXT001 2 1996 AIDS Awareness Week Tour 1996 Sydney, NSW, Outline sketch of two human figures (brown) wrapped together HIV/AIDS Australia by a red ribbon. Additional text: "Proudly sponsored by Fitpack, Needle Syringe Transportation Solutions : Sydney and Metropolitan Areas, Tamworth, Gunnedah, Narrabri, Moree, Bingara, Tenterfield, Inverell, Glen Innes, Armidale, Wollongong, Nowra, Grafton, Maclean, Lismore, Murwillumbah, Tweed Heads, Goulburn, Queanbeyan Cooma, Bega, Narooma, Mouruya, Young, The Entrance, Terrigal, Tuggerah, Woy Woy, Nepean, Penrith, Blue Mountains, Albury, Wagga, Wagga, Orange, Broken Hill, Wilcannia. World AIDS Day, Australia, December 1st 1996". Cotton, brown and red lettering on a fawn background. TXT001 3 [Red ribbon with rainbow patch] Red ribbon with rainbow patch, cotton on a black background. HIV/AIDS TXT001 4 Mars Bar 1993 Adelaide, SA, Mars Bar Hotel Cross of male and female figures, cotton, black lettering on a Venues Australia white background. TXT001 5 2001 Pride March Victoria : Embrace S., Antonia 2001 Melbourne, Vic, Pride March River and banks with two trees. Additional text: "Primus", cotton, Pride diversity Australia black and white lettering on a white background. TXT001 8 ICAAP Volunteer 2001 Melbourne, Vic, International Circles of stylised people around a ribbon, logo on sleeves. Cotton, HIV/AIDS; Australia Congress on AIDS in white lettering on a red background.
    [Show full text]
  • Gaycalgary and Edmonton Magazine
    February 2010 ISSUE 76 The Only Magazine Dedicated to Alberta’s LGBT Community FREE Interviews with: KENT MONKMAN TOM FORD The Triumph of Mischief God-Des & She at the Glenbow Museum God Made Me Funky THE FORGOTTEN Male Victims of Spousal Abuse COMMUNITY DIRECTORY • MAP AND EVENTS • TOURISM INFO >> STARTING ON PAGE 17 LGBT RESOURce • CALGARy • EDMONTon • ALBERTA www.gaycalgary.com GayCalgary and Edmonton Magazine #75, January 2010 Table of Contents FEBRUARY 2010 5 Fitness: Not Always a Shallow Endeavour Publisher: Steve Polyak Publisher’s Column Editor: Rob Diaz-Marino Sales: Steve Polyak Design & Layout: 8 The Triumph of Mischief Rob Diaz-Marino, Ara Shimoon A Land of Cross-Dressing and Role-Swapping Writers and Contributors Chris Azzopardi, Dallas Barnes, Dave Brousseau, 9 Shave Yourself for Mr. Right Sam Casselman, Jason Clevett, Andrew Collins, Five Fantastic Stubble-Stoppers 8 XXX Rob Diaz-Marino, Jack Fertig, Glen Hanson, Joan Hilty, Leah Kelly, Stephen Lock, Allan Neuwirth, GE GE Steve Polyak, Pam Rocker, Ara Shimoon, Romeo 11 Tom Ford San Vicente, Jerome Voltero, Dan Woog, and PA PA the GLBT Community of Calgary, Edmonton, and The Other Man Alberta. 13 Chelsea Boys Photography Steve Polyak, Rob Diaz-Marino, B&J, Craig Taylor, Tiffany Thomas 14 Out of Town Sydney and Mardi Gras Videography Steve Polyak, Rob Diaz-Marino Exploring Mardi Gras In The Land From Down Under Printers 17 Directory and Events North Hill News/Central Web 24 Beautiful Thing Distribution Calgary: Gallant Distribution An Urban English Fairytale In Alberta GayCalgary
    [Show full text]
  • MESSAGE from the MARDI GRAS BOARD Welcome to the 40Th Anniversary of Sydney Gay and Lesbian Mardi Gras
    MESSAGE FROM THE MARDI GRAS BOARD Welcome to the 40th anniversary of Sydney Gay and Lesbian Mardi Gras. No matter whether you are joining us from near or far, your journey brings you to a place that always was and always will be Aboriginal land. We acknowledge and pay our respects to the traditional custodians of the land on which our celebrations are held, the Gadigal people of the Eora Nation. Our history as a community and as an organisation is remarkable and this year we look back and celebrate 40 Years of Evolution. At our events, including Fair Day, Queer Thinking, Parade and Party, we will revel in a brighter future as we remember and rejoice in everything that has brought us to where we are today. Mardi Gras’ Museum of Love & Protest will provide a forum for us all to reflect on the stories and artefacts that have so richly coloured our shared history. Mardi Gras is a time for us to come together and stand united. It is a celebration of what makes us unique and makes us a community. The past year has been incredibly hard for members of our community. Our events are spaces to come together and support each other, reach out and make new connections and nurture those we love. We especially welcome those among us who face additional barriers; young people, First Nations people, the trans community and our LGBTQI elders. In 2018 the whole world will be watching Sydney and we invite you to share in this journey. No matter whether you are joining us for the first time or for the 40th, this promises to be an unforgettable Festival.
    [Show full text]
  • Introducing Sydney
    INTRODUCING SYDNEY THIS IMAGE NOT AVAILABLE IN PICK & MIX Sydney doesn’t care what you think of him; he knows he’s fabulous. He’s got it all – he’s sporty, arty, sexy, suc cessful, confident, good-looking and damn interesting. His Australian siblings won’t admit to being jealous, but who wouldn’t be? You’d hate him too, if he wasn’t so completely charming. He’s got a sunny disposition, but can be rather dry. Sure, he’s got his rough edges and his problems, but he keeps them all well hidden behind his dazzling façade. He’s a bit Manly and a lot Darling (Harbour, Point, -hurst, -ton). What’s more, Sydney is easy. He’s an easy city to visit – easy to get around, easy to strike good weather, easy to have a good time. There are no bushels hiding Sydney’s talents – he knows what he’s got and shows it off. The same can be said for his inhabitants. The stereotypical Sydneysider isn’t demure. What’s the point of a shirt if you’ve got abs you could wash clothes on? The Sydney experience can be so many different things. It’s the smell of frangipanis on a balmy summer night. It’s knocking back a cold beer at a beachside pub. It’s catching a show at the Opera House. It’s the sound of a 10-year-old girl screaming ‘smash him’ as a rugby league player takes down an opponent. It’s stumbling across an Aboriginal rock carving on a harbour headland.
    [Show full text]
  • Annual Report 2016/17 Report | Annual Australia Screen
    Screen Australia | Annual Report 2016/17 Screen Australia Annual Report 2016/17 www.screenaustralia.gov.au Published by Screen Australia October 2017 ISSN 1837-2740 © Screen Australia 2017 The text in this Annual Report is released subject to a Creative Commons BY licence (Licence). This means, in summary, that you may reproduce, transmit and distribute the text, provided that you do not do so for commercial purposes, and provided that you attribute the text as extracted from Screen Australia’s Annual Report 2016/17. You must not alter, transform or build upon the text in this Annual Report. Your rights under the Licence are in addition to any fair dealing rights which you have under the Copyright Act 1968 (Cwlth). For further terms of the Licence, please see http://creativecommons.org/licenses/ by-nc-nd/3.0/au/. You are not licensed to reproduce, transmit or distribute any still photographs contained in this Annual Report without the prior written permission of Screen Australia. TV ratings data Metropolitan and National market data is copyright to OzTAM. The data may not be reproduced, published or communicated (electronically or in hard copy) in whole or part without the prior consent of OzTAM. Regional market data is copyright to RegionalTAM. All Annual Report enquiries should be addressed to: The data may not be reproduced, published or Communications Unit communicated (electronically or in hard copy) Screen Australia in whole or part without the prior consent of Level 7, 45 Jones Street RegionalTAM. Ultimo NSW 2007 Toll free: 1800 213 099 This Annual Report is available to download as a Phone: 02 8113 5800 PDF from www.screenaustralia.gov.au Email: [email protected] /Screen.Australia Front cover image from Lion.
    [Show full text]
  • 1 New South Wales Film and Television Office
    NEW SOUTH WALES FILM AND TELEVISION OFFICE | ANNUAL REPORT 2003-2004 1 O 34 2 somersault the oyster farmer mission to foster and facilitate creative excellence and commercial growth in the film and television industry in new south wales thunderstruck n New South Wales Film and Television Office Level 7, 157 Liverpool Street Sydney NSW 2000 Australia Telephone 612 9264 6400 Facsimile 612 9264 4388 Freecall 1300 556 386 Email [email protected] Web www.fto.nsw.gov.au Hours of Business 9.00am–5.30pm Monday–Friday The New South Wales Film and Television Office is a statutory authority of, and principally funded by, the NSW State Government. ISSN 1037-0366 02 contents 03_letter to the premier 05_message from the chair and chief executive 08_members of the board 10_organisational chart 12_financial overview 14_charter 15_development 17_project development 20_new feature film writers scheme 22_aurora 24_young filmmakers fund 26_industry & audience development 28_regional cinema initiatives 30_new media initiatives 33_investment 36_distribution 37_production liaison 45_profile 49_fto as an organisation 53_performance indicators 55_financials 56_agency statement 57_auditor general’s report 58_financial statements 70_appendices 87_index 03 The Hon RJ Carr Premier of New South Wales Minister for the Arts and Minister for Citizenship Parliament House Sydney NSW 2000 letterDear Premier Pursuant to the provisions of Section 10 of the Annual Reports (Statutory Bodies) Act 1984 (NSW), we have pleasure in submitting to you the Annual Report of the New South Wales Film and Television Office for the year ended 30 June 2004 for tabling in Parliament in accordance with the provisions of the Act. Yours sincerely Shane Simpson Jane Smith Chair Chief Executive 04 the oyster farmer 05 MESSAGE FROM THE CHAIR AND CHIEF EXECUTIVE This year has been a time of consolidation for many of the FTO’s initiatives.
    [Show full text]
  • Annual Report 2012-2013
    ANNUAL REPORT 2012 – 2013 AUSTRALIAN FILM TELEVISION AND RADIO SCHOOL AUSTRALIAN FILM, TELEVISION AND RADIO SCHOOL Building 130, The Entertainment Quarter, Moore Park NSW 2021 PO Box 2286, Strawberry Hills NSW 2012 Tel: 1300 131 461 Tel: +61 (0)2 9805 6611 Fax: +61 (0)2 9887 1030 www.aftrs.edu.au © Australian Film, Television and Radio School 2013 Published by the Australian Film, Television and Radio School ISSN 0819-2316 The text in this Annual Report is released subject to a Creative Commons BY- NC- ND licence, except for the text of the independent auditor’s report. This means, in summary, that you may reproduce, transmit and otherwise use AFTRS’ text, so long as you do not do so for commercial purposes and do not change it. You must also attribute the text you use as extracted from the Australian Film, Television and Radio School’s Annual Report. For more details about this licence, see http://creativecommons.org/licenses/by- nc-nd/3.0/deed.en_GB. This licence is in addition to any fair dealing or other rights you may have under the Copyright Act 1968. You are not permitted to reproduce, transmit or otherwise use any still photographs included in this Annual Report, without first obtaining AFTRS’ written permission. The report is available at the AFTRS website http://www.aftrs.edu.au 1 LETTER FROM THE CHAIR 30 August 2013 Minister for the Arts Parliament House Canberra ACT 2600 Dear Minister It is with great pleasure that I present the Annual Report for the Australian Film, Television and Radio School (AFTRS) for the financial year ended 30 June 2013.
    [Show full text]
  • Flickerfest FESTIVALS LIST
    FLiCKERFEST ©copyright 2009 FILMMAKERS RESOURCE KEY FESTIVALS WITH A SHORT FILM SECTION list There are thousands of film festivals in the world and it would be impossible to list all of them. The information below should be seen as a guide only we cannot verify its accuracy as Film Festival details change frequently. It is important that you check each festivals own website regularly for updates regarding entry deadlines and festival regulations. AUSTRALIA Adelaide Film Festival The AFF was established by the Premier of South Australia as a biennial film and video event, which celebrates and explores contemporary screen culture with a unique program of screenings and special events www.adelaidefilmfestival.org Brisbane International Film Festival (BIFF) BIFF provides a focus for film culture in Queensland by showcasing the best and most interesting cinema from around the world. Each year BIFF draws film enthusiasts to view an entertaining mix of local and international films, retrospectives and colourful events that embrace the vibrant art of filmmaking. www.biff.com.au Flickerfest International Short Film festival Flickerfest is Australia's only competitive Academy accredited International Short Film Festival, screening the best of short films from around the world and Australia. Held in January in Sydney the competitive films tour nationally. www.flickerfest.com.au Melbourne International Film Festival (MIFF) The Melbourne International Film Festival (MIFF) is an iconic Melbourne event. MIFF hosts a feast of cinematic delicacies from over 50 countries for nineteen days each Winter, heavily garnished with a range of parties and special events that cast a celebratory mood over the city.
    [Show full text]