'A MULTICULTURAL SOCIETY, IF YOU CAN KEEP IT' Building
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Hollywood Studio Magazine (November 1971)
NOVEMBER 1971/50CENTS the fi'ightened Swedish Citing Director Marvin Paige pave| the pmeback trail Hortywobd Par^rama-an artist's tribute lOlTm^OblVie Studio in a garage "Gunsmoke’s” Doc Adams Milburn Stone's 50 years of Showbiz wmgmMrn ■ Cpafted Colop Another Don Ray TV Super Special iS'^'rir ...gathered from around the world into an exciting collection of high-fashion jewelry for both men and women, (^ome in soon and THE FERNDALE let us tell yoii about these lovely stones. Our membership in the American Gem Society GP-600 23 inch diagonal picture $495 is your assurance of correct gem identifica¬ Reg. $659, Special tion and value. The (SMtobelli^eivelers 3 generations of master craftsmen 4479 LANKERSHIM- (at Moorpark) NEW 1972 BUICKS AND OPELS ON DISPLAY FLEET DISCOUNT TO ALL STUDIO EMPLOYEES See me about our Lease Plan THE HAVILAND This dealership has been personally contacted and has agreed to GP-618 give employees of all Studios the best possible deal, consistent 23 inch diagonal picture $475 with ethical business practices. Reg. $625, Special YOU MUST SEE or call me personally NO DOWN for a "Studio employees' deal." Low monthly payments Harry L. Harris Special consideration to STUDIO employees FINE SELECTION OF USED CARS 21 YEARS DEPENDABLE SERVICE Harvey Tyrrell Buick BUICK AND OPEL AUTHORIZED SALES & SERVICE DON RAY & SERVICE KADETT tT AND APPLIANCES ■■uMaBankamerica . Easy FinancingaH COMPLETE MECHANICAL REPAIRS • BODY AND PAINT DEPT. FREE PICK-UP and DELIVERY Poplar 3-9431 TR 7-4692 4645 Lankershim Blvd. North Hollywood, Calif. 4257 LANKERSHIM BLVD. North Hollywood* Los Angejes* West Valley NORTH HOLLYWOOD 766-521 1 - 877-5361 - 984-3430 STUDIO I P.O. -
Trudeau's Political Philosophy
TRUDEAU'S POLITICAL PHILOSOPHY: ITS IMPLICATIONS FOR LIBERTY AND PROGRESS by John L. Hiemstra A thesis submitted in partial fulfillment of the requirements of the degree Master of Philosophy The Institute for Christian Studies Toronto, Ontario ACKNOWLEDGEMENTS I wish to thank Dr. Bernard Zylstra for his assistance as my thesis supervisor, and Citizens for Public Justice for the grant of a study leave to enable me to complete the writing of this thesis. TABLE OF CONTENTS PREFACE...................................................... 2 I. BASIC ASSUMPTIONS.................................... 6 A. THE PRIMACY OF THE INDIVIDUAL...................... 6 1. The Individual as Rational....................... 9 2. The Individual and Liberty....................... 11 3. The Individual and Equality...................... 13 B. ETHICS AS VALUE SELECTION.......................... 14 C. HISTORY AS PROGRESS.................................. 16 D. PHILOSOPHY AS AUTONOMOUS............................ 19 II. THE INDIVIDUAL AND THE STATE....................... 29 A. SOCIETY AND STATE.................................... 29 B. JUSTICE AS PROCEDURE................................. 31 C. DEFINING THE COMMON GOOD IN A PROCEDURAL JUSTICE STATE......................................... 35 1. Participation and Democracy....................... 36 2. Majority Mechanism.................................. 37 D. PRELIMINARY QUESTIONS................................ 39 III. THE DISEQUILIBRIUM OF NATIONALISM................. 45 A. THE STATEMENT OF THE PROBLEM...................... -
Hallmark Collection
Hallmark Collection 20000 Leagues Under The Sea In 1867, Professor Aronnax (Richard Crenna), renowned marine biologist, is summoned by the Navy to identify the mysterious sea creature that disabled the steamship Scotia in die North Atlantic. He agrees to undertake an expedition. His daughter, Sophie (Julie Cox), also a brilliant marine biologist, disguised as a man, comes as her father's assistant. On ship, she becomes smitten with harpoonist Ned Land (Paul Gross). At night, the shimmering green sea beast is spotted. When Ned tries to spear it, the monster rams their ship. Aronnax, Sophie and Ned are thrown overboard. Floundering, they cling to a huge hull which rises from the deeps. The "sea beast" is a sleek futuristic submarine, commanded by Captain Nemo. He invites them aboard, but warns if they enter the Nautilus, they will not be free to leave. The submarine is a marvel of technology, with electricity harnessed for use on board. Nemo provides his guests diving suits equipped with oxygen for exploration of die dazzling undersea world. Aronnax learns Nemo was destined to be the king to lead his people into the modern scientific world, but was forced from his land by enemies. Now, he is hoping to halt shipping between the United States and Europe as a way of regaining his throne. Ned makes several escape attempts, but Sophie and her father find the opportunities for scientific study too great to leave. Sophie rejects Nemo's marriage proposal calling him selfish. He shows his generosity, revealing gold bars he will drop near his former country for pearl divers to find and use to help the unfortunate. -
Centre Mondial Du Pluralisme
GLOBAL CENTRE FOR PLURALISM | CENTRE MONDIAL DU PLURALISME 2008 Expert Roundtable on Canada’s Experience with Pluralism Canadian Multiculturalism: Historical and Political Contexts Karim H. Karim School of Journalism and Communication, Carleton University Ottawa, Canada Has multiculturalism worked in Canada? The answer to this question would depend on what one thinks are its goals and how one chooses to measure progress towards them. The varying meanings attached to words in the multiculturalism lexicon lead to expectations that are sometimes poles apart. Its terminology includes: pluralism, diversity, mosaic, melting pot, assimilation, integration, citizenship, national identity, core Canadian values, community, mainstream, majority, minority, ethnic, ethnocultural, race, racial, visible minority, immigrant, and diaspora. Those who believe that multiculturalism has succeeded point to the consistently high support for it in national surveys, the success stories of immigrants who ascend social, economic or political ladders, and the growing number of mixed marriages. For those on the other side, the relevant indicators seem to be high crime statistics among particular groups, the failure of some visible-minority groups to replicate the economic success of previous generations of immigrants, the apparent lack of integration into Canadian society, and the emigration of some recent arrivals from Canada. However, this paper takes the view that the scales are tipped in favour of multiculturalism’s success in Canada. The overall evidence for this is the comparatively low level of ethnic, racial or religious strife in this country compared to other western states such as the U.K., France, the Netherlands, Germany, Denmark, and the U.S.A. Large proportions of immigrants to Canada indicate that they are pleased to have come to this country rather than to any other western nation, even as they continue to face certain disadvantages (Adams, 2007). -
Automobility in the Road Narratives of Donald Shebib and Alistair Macleod Christopher Armstrong
Document generated on 09/30/2021 10:18 a.m. Studies in Canadian Literature Études en littérature canadienne “The Lines We Drive On” Automobility in the Road Narratives of Donald Shebib and Alistair MacLeod Christopher Armstrong Volume 43, Number 2, 2018 URI: https://id.erudit.org/iderudit/1062914ar DOI: https://doi.org/10.7202/1062914ar See table of contents Publisher(s) University of New Brunswick, Dept. of English ISSN 0380-6995 (print) 1718-7850 (digital) Explore this journal Cite this article Armstrong, C. (2018). “The Lines We Drive On”: Automobility in the Road Narratives of Donald Shebib and Alistair MacLeod. Studies in Canadian Literature / Études en littérature canadienne, 43(2). https://doi.org/10.7202/1062914ar All Rights Reserved ©, 2018 Studies in Canadian Literature / Études en This document is protected by copyright law. Use of the services of Érudit littérature canadienne (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ “The Lines We Drive On”1: Automobility in the Road Narratives of Donald Shebib and Alistair MacLeod Christopher J. Armstrong OIN’ DOWN THE ROAD, Donald Shebib’s landmark feature film about two economic migrants from Cape Breton, like many road movies, is a staging of “our desire for modernity, our desire Gto be perceived as moving . -
Filmkrantindex 0-166
Inhoud/Toelichting 1 INDEX NR 0 T/M 166 T/M 0 INDEX NR Deze index op de nummers 0 tot en met 166 van de Filmkrant is ingedeeld in de hieronder vermelde categorieën. Elke categorie is gealfabetiseerd: op trefwoord, op titel of op naam. De alfabetisering volgt het 'computer-systeem', d.w.z. dat begonnen wordt met leestekens ('Crocodile' Dundee), vervolgens cijfers (06) en daarna letters (A demain). Artikelen .............................................................................. 2 Filmrecensies ................................................................... 20 U vindt hier artikelen en series (b.v. Flashback) die buiten In deze categorie vindt u uitsluitend echte recensies met alle andere categorieën vallen. Géén filmbesprekingen of credits. de inhoud van de rubrieken 'Nieuws' of 'Geruchten- machine'. Films op video ................................................................ 37 Sinds kort de rubriek waar films worden besproken die Boekrecensies ................................................................... 8 wel op video maar niet in de bioscoop worden uitge- Hier vindt u echte boekrecensies, niet de rubrieken van bracht. U vindt hier geen credits, alleen de uitbreng- Jan Hilkemeijer en Anita Snoek. datum en de distributeur. Columns ............................................................................... 10 Interviews .......................................................................... 39 Persoonlijke notities van Jan Beijsterbos, Jan Heijs, Ian U treft hier, naast interviews met filmmakers over hun Kerkhof, -
Freedom, Democracy, and Nationalism in the Political Thought of Pierre Elliott Trudeau: a Conversation with Canadians
FREEDOM, DEMOCRACY, AND NATIONALISM IN THE POLITICAL THOUGHT OF PIERRE ELLIOTT TRUDEAU: A CONVERSATION WITH CANADIANS by SOMA ARRISON B.A., The University of Calgary, 1994 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in THE FACULTY OF GRADUATE STUDIES (Department of Political Science) We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA February 1996 © Sonia Arrison, 1996 In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the head of my department or by his or her representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Department The University of British Columbia Vancouver, Canada DE-6 (2/88) Abstract Pierre Elliott Trudeau's ideas on liberal democracy and political philosophy are relevant to Canadian life. He is a modern liberal democrat with a vision of the 'Good' society - what he terms the Just Society. The values of a Just Society are numerous, but perhaps, the most important are freedom, equality, and tolerance. These values are core to his theory and are often revealed in his battle against nationalism. Trudeau is radically opposed to notions of ethnic nationalism, such as French Canadian and Aboriginal nationalism, but he supports a type of civic nationalism within a federal, pluralistic system. -
Toronto's Postproduction Sound Industry, 1968 to 2005
Wilfrid Laurier University Scholars Commons @ Laurier Theses and Dissertations (Comprehensive) 2016 The Struggle To Be Heard: Toronto's Postproduction Sound Industry, 1968 to 2005 Katherine E. Quanz Wilfrid Laurier University, [email protected] Follow this and additional works at: https://scholars.wlu.ca/etd Part of the Audio Arts and Acoustics Commons, Canadian History Commons, and the Film and Media Studies Commons Recommended Citation Quanz, Katherine E., "The Struggle To Be Heard: Toronto's Postproduction Sound Industry, 1968 to 2005" (2016). Theses and Dissertations (Comprehensive). 1866. https://scholars.wlu.ca/etd/1866 This Dissertation is brought to you for free and open access by Scholars Commons @ Laurier. It has been accepted for inclusion in Theses and Dissertations (Comprehensive) by an authorized administrator of Scholars Commons @ Laurier. For more information, please contact [email protected]. The Struggle To Be Heard: Toronto's Postproduction Sound Industry, 1968 to 2005 by Katherine Elizabeth Quanz B.F.A., in Film and Video Production, York University, 2005 M.A., in English and Film Studies, Wilfrid Laurier University, 2008 THESIS Submitted to the Department of English and Film Studies in partial fulfillment of the requirements for Doctor of Philosophy Wilfrid Laurier University © 2016 Abstract This dissertation examines how economic and technological changes shaped the sounds of Canadian cinema, from the modern industry’s founding in the late 1960s to the widespread adoption of digital editing software in the early 2000s. By focusing on the labour and craft practices that coalesced in Toronto’s postproduction companies, I argue that such practices engendered a critical shift in the sonic style of Canadian film sound. -
Inclusion Society = Just Society
Inclusive Society = Just Society 1 Inclusive Society = Just Society Hello, I would like to thank my colleague, Ms. Elizabeth Sumbu and her staff at CANSA and members of the planning committee, for the invitation to be with you this evening to help you celebrate your theme “Specialized Excellence, a required quality service in Nova Scotia”. I am privileged to have worked in Cumberland County for 9 years and during that time to have had an affiliation with CANSA. Though it is not without some controversy, I have been pleased to see its mandate expand from an organization focused almost exclusively on the interests and concerns of ANS’s, to include specialization in the delivery of employment and other services to youth and persons with disabilities (PWD) and now generalized services to all persons of Cumberland County. As I looked over the list of the ten member organizations of the Collaborative Partnership Network Agencies, I can imagine that each of you have had similar organizational histories. Some I can imagine were formal agencies that took on the role of serving PWD; others were small community support agencies for PWD that grew to take on the role of providing specialized employment services to PWD. Whatever your origins, I would like to welcome and congratulate you. As is the role of the supper speaker I hope to inspire and encourage you in your work. So I’ve crafted a message for you that I’ve entitled “Inclusive Society = Just Society.” Perhaps because of the times in which I was born as much as to my personal ideologies, I consider myself to have been a Trudeau Liberal. -
Moving Images
CHAPTER 7 MOVING IMAGES Contents 7.0 GENERAL RULES 7.0A Preliminary rule 7.0A1 Scope 7.0B Sources of information 7.0C Punctuation 7.0D Levels of detail in the description 7.0E Language and script of the description 7.0F Inaccuracies 7.0G Accents and other diacritical marks 7.1 TITLE AND STATEMENT OF RESPONSIBILITY AREA 7.1A Preliminary rule 7.1B Title proper 7.1C General material designation 7.1D Parallel titles 7.1E Other title information 7.1F Statements of responsibility 7.2 EDITION AREA 7.2A Preliminary rule 7.2B Edition statement 7.2C Statements of responsibility relating to the edition 7.3 CLASS OF MATERIAL SPECIFIC DETAILS AREA 7.3A Preliminary rule Revised version — July 2008 7-1 MOVING IMAGES 7.4 DATE(S) OF CREATION, INCLUDING PUBLICATION, DISTRIBUTION, ETC., AREA 7.4A Preliminary rule 7.4B Date(s) of creation 7.4C Place of publication, distribution, etc. 7.4D Name of publisher, distributor, etc. 7.4E Statement of function of publisher, distributor, etc. 7.4F Date of publication, distribution, etc. 7.4G Place of manufacture, name of manufacturer, date of manufacture 7.5 PHYSICAL DESCRIPTION AREA 7.5A Preliminary rule 7.5B Extent of descriptive unit (including specific material designation) 7.5C Other physical details 7.5D Dimensions 7.5E Accompanying material 7.6 PUBLISHER'S SERIES AREA 7.6A Preliminary rule 7.6B Publisher's series statement 7.7 ARCHIVAL DESCRIPTION AREA 7.7A Preliminary rule 7.7B Administrative history / Biographical sketch 7.7C Custodial history 7.7D Scope and content 7.8 NOTE AREA 7.8A Preliminary rule 7.8B Notes 7.9 STANDARD NUMBER AREA 7.9A Preliminary rule 7.9B Standard number Revised version — July 2008 7-2 MOVING IMAGES 7.0 GENERAL RULES 7.0A. -
François Dagenais
FRANÇOIS DAGENAIS, CSC Director of Photography FEATURES – Partial List DOWNSIZING (2nd Unit) Alexander Payne Annapurna Pictures / Paramount SKATING TO NEW YORK Charles Minsky Nademar Productions THE SAMARITAN David Weaver H2O Motion Pictures / IFC Films Nominated, Team Award for Best Feature Film, Directors Guild of Canada (2012) DOWN THE ROAD AGAIN Donald Shebib Union Pictures Nominated, Team Award for Best Feature Film, Directors Guild of Canada (2012) OFF WORLD Mateo Guez Theo Films A WAKE Penelope Buitenhuis Breakthrough Entertainment LATE FRAGMENT Daryl Cloran, Canadian Film Centre Official Selection, Toronto Int’l Film Festival (2007) Anita Doron & Mateo Guez GUY X Saul Metzstein Spice Factory / First Look Int’l CUBE ZERO Ernie Barbarash Lionsgate A SILENT LOVE Federico Hidalgo Atopia Official Selection, Sundance Film Festival (2007) ONE-EYED KING Robert Moresco Cineville / Lionsgate BETWEEN THE MOON AND MONTEVIDEO Attila Bertalan Creon Productions Official Selection, Camerimage Int’l Film Festival (2000) TELEVISION – Partial List VALLEY OF THE BOOM (Limited Series) Matthew Carnahan/Various STX Entertainment THE MAGICIANS (Season 3) Various NBC Universal / Syfy ZOO (Season 3) Various CBS ROGUE (Season 4) Various Entertainment One / DirecTV Winner, Best Dramatic Series, Leo Awards (2017) THE LIZZIE BORDEN CHRONICLES (Mini-Series) Stephen Kay, Russell Mulcahy, Sony Pictures TV / Lifetime Nominated, Best Cinematography in TV Drama, CSC Awards (2015) Howard Deutch & Constantine Makris THIS LIFE (Season 1) Various Entertainment One / -
The Liberal Third Option
The Liberal Third Option: A Study of Policy Development A Thesis Submitted to the Faculty of Graduate Studies and Research in Partial Fuliiment of the Requirements for the Degree of Master of Arts in Political Science University of Regina by Guy Marsden Regina, Saskatchewan September, 1997 Copyright 1997: G. W. Marsden 395 Wellington Street 395, rue Wellington Ottawa ON KI A ON4 Ottawa ON KIA ON4 Canada Canada Your hie Votre rdtérence Our ME Notre référence The author has granted a non- L'auteur a accordé une licence non exclusive licence allowing the exclusive permettant à la National Library of Canada to Bibliothèque nationale du Canada de reproduce, loan, distibute or sell reproduire, prêter, distribuer ou copies of this thesis in microform, vendre des copies de cette thèse sous paper or electronic formats. la forme de microfiche/nlm, de reproduction sur papier ou sur format électronique. The author retains ownership of the L'auteur conserve la propriété du copyright in this thesis. Neither the droit d'auteur qui protège cette thèse. thesis nor substanîial extracts fiom it Ni la thèse ni des extraits substantiels may be printed or otherwise de celle-ci ne doivent être imprimés reproduced without the author's ou autrement reproduits sans son permission. autorisation. This study presents an analysis of the nationalist econornic policies enacted by the federal Liberal government during the 1970s and early 1980s. The Canada Development Corporation(CDC), the Foreign Investment Review Agency(FIRA), Petro- Canada(PetroCan) and the National Energy Prograrn(NEP), coliectively referred to as "The Third Option," aimed to reduce Canada's dependency on the United States.