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Coda 2017 Program Katalog Lett
1 Thank you For tickets and registration CODA festivalen takker alle bidragsytere, samarbeidspartnere, medarbeidere og alle våre www.codadancefest.no frivillige som har vært med på å løfte #codafestival frem årets festival. Takk! CODA Oslo International Dance Festival The CODA festival wishes to thank our patrons, collaborating partners, colleagues and volunteers, KOLOFON - COLOPHON Vulkan 1, 0182 Oslo all of whom have contributed to making this year’s festival happen. [email protected] Thank you! Greetings from the CODA team CODA OSLO INTERNATIONAL DANCE FESTIVAL BIDRAGSYTERE / CONTRIBUTORS VULKAN 1 KULTURRÅDET N-0182 OSLO OSLO KOMMUNE WWW.CODADANCEFEST.NO DEN NORSKE AMBASSADE LONDON CODA OSLO INTERNATIONAL DANCE FESTIVAL 2002 – 2017 DEN NORSKE AMBASSADE PARIS GRUNNLEGGERE / FOUNDERS ODD JOHAN FRITZØE & LISE NORDAL OSLO KOMMUNE DANSENS HUS, RIKSSCENEN, PRODA / ROM FOR DANS, STYRET / MEMBERS OF THE BOARD INSTITUT FRANCAIS NORVÈGE VULKAN 1, OSLO, SCHOUS KULTURBRYGGERI, MARSTRANDGATA 8, OSLO, TORGER ØDEGAARD, STYRELEDER/ PAVILION DANCE SOUTH WEST WWW.DANSENSHUS.COM TRONDHEIMSVEIEN 2, OSLO, WWW.PRODA.NO CHAIRMAN OF THE BOARD FRITT ORD TRAM 11, 12, 13 TO SCHOUS PLASS, BUS 54, WWW.RIKSSCENEN.NO WWW.ROMFORDANS.NO HELGE SKANSEN, NESTLEDER/ 34 TO MØLLERVEIEN TRAM 11, 12, 13 TO SCHOUS PLASS TRAM 11, 12, 13 TO BIRKELUNDEN. BUS TO DEPUTY CHAIRMAN BILKOLLEKTIVET DÆLENGA. BUS 20, 21, TO KØBENHAVNGATA LARS JACOB HOLM DB SCHENKER VIGDIS LIAN PS HOTELL BÆRUM KULTURHUS, BLACK BOX TEATER, KULTURHUSET I OSLO, PERNILLE BØNKAN COMFORT HOTEL BØRSPARKEN CLAUDE MONETS ALLE 27, 1307 SANDVIKA, MARSTRANDGATA 8, OSLO, YOUNGS GATE 6, OSLO, WWW.BLACKBOX.NO WWW.BAERUMKULTURHUS.NO WWW.KULTURHUSETIOSLO.NO KUNSTNERISK LEDELSE / ARTISTIC CURATOR CODA 2017 LISE NORDAL DOCUMENTATION TRAIN R10, R11, L1 & L12 FROM OSLO CEN- TRAM 11, 12, 13 TO BIRKELUNDEN. -
Finnish Dance in Focus 2017–2018 Editorial Contents Finnish Dance in Focus 2017–2018 P 3
P 2 FINNISH DANCE IN FOCUS 2017–2018 EDITORIAL CONTENTS FINNISH DANCE IN FOCUS 2017–2018 P 3 Lighting and sound designers Aino on equal terms with other Huovio artists and creatives. Jani-Matti 22–27 FINNISH DANCE IN FOCUS \ 2017–2018 VOLUME EIGHTEEN CAN WE TACKLE Salo \ Mandelin Publisher: Dance Info Finland 28–32 Tallberginkatu 1 C/93, 00180 Helsinki SOCIETY’S PROBLEMS combines styles Tel. +358 (0)9 6121 812 \ from circus [email protected] acrobatics to www.danceinfo.fi THROUGH DANCE? contemporary Editor-in-chief: Sanna Rekola dance. [email protected] Editor: Sanna Kangasluoma In today’s global climate, many feel that we live in a precarious and unsafe world, Ilpo [email protected] and this is also reflected in dance art. Art and artists are taking the opportunity to Vainionpää Editorial board: Sanna Kangasluoma, speak out in defence of empathy, trust, honesty and love. Collaboration is the working Katarina Lindholm, Sanna Rekola method du jour, and individual artistic geniuses and stars have been replaced by work that embraces collective creation between artists from different spheres. 12–19 Writers: Olli Ahlroos, Niko Hallikainen, Jenny Body language and dance can be more effective than mere words when it comes Jägerhorn-Tabermann, Sanna Kangasluoma, to initiating all-encompassing human encounters. Breakdance workshops are being Maija Karhunen, Raisa Rauhamaa, used to prevent and resolve bullying problems involving young people, and a dance Inka Reijonen video made by a church in Helsinki and published on YouTube touched many with English translation: Claire Dickenson, its comforting message. \ Fleur Jeremiah, Lola Rogers Joint performances by a Finnish dance artist and an Iranian musician who applied What means can for asylum in Finland are leaving many in tears, and audience discussions on the topic Graphic design & layout: Inka Kosonen of immigration have become an integral part of the piece. -
{DOWNLOAD} No Lifeguard on Duty: the Accidental Life of the Worlds First Supermodel
NO LIFEGUARD ON DUTY: THE ACCIDENTAL LIFE OF THE WORLDS FIRST SUPERMODEL PDF, EPUB, EBOOK Janice Dickinson | 320 pages | 10 Nov 2009 | HarperCollins Publishers Inc | 9780060009472 | English | New York, United States No Lifeguard on Duty: The Accidental Life of the Worlds First Supermodel PDF Book Nov 30, Ashley rated it did not like it Recommends it for: Everyone Sign In Don't have an account? Alter what I've been through, I don't think so, pal. One of the juiciest tell-all books ever! He was a dark, angry guy. British rocker Peter Frampton grew up fast before reaching meteoric heights with Frampton Comes Alive! She downplays her interactions with Bill Cosby in this book, which was published before metoo. Now a monk, he is forced to return to his dark and absurd childhood home to clear his name. Being that I am infatuated with the 70's and I had to take a break from all the death and dismemberment I've been reading about as of late, I bought a copy of her book, thinking it would be quick, light on-the-potty reading, full of fun gossipy tidbits about my favorite decade and all the beautiful people who were there. Alexandria Ocasio-Cortez voting Twitch stream becomes one of platform's most-viewed. I find it both entertaining and educating. It also contains a scene in which Bill Cosby invites her back to his hotel room and she refuses him, a scene that she says Cosby's lawyers forced her to change. Janice Dickinson was born in in Brooklyn, NYC and is one of the most successful supermodels of all time. -
Dialogues Between a Violin and a Body
Kurs: AA1022 Examensarbete master, folkmusik 30 hp 2021 Konstnärlig masterexamen i musik Institutionen för folkmusik Handlare: Olof Misgeld Coline Genet Dialogues between a violin and a body How to be a dancing musician on stage ? Skriftlig reflektion inom självständigt arbete Inspelning av det självständiga, konstnärliga arbetet finns dokumenterat i det tryckta exemplaret av denna text på KMH:s bibliotek . Contents Abstract . .3 PREFACE . .4 1 Introduction . .5 2 Background and concepts . .6 2.1 Performances . .6 2.2 Master and doctoral thesis in artistic research . .7 2.3 Other inspiring artists . .7 2.4 Scientific works . .8 2.5 Concepts . .9 3 Chapter 1: Discovery, dialogue . 14 3.1 Material - The French bourrée ..................... 14 3.2 Construction of the performance . 15 3.3 Space and creativity . 16 4 Chapter 2: Freedom, improvisation . 17 4.1 Upstream work for dance improvisation . 17 4.2 Construction of the performance . 19 4.3 Borders of folk dance and music . 20 5 Chapter 3: Technique, precision, understanding . 21 5.1 Dance meter vs. musical meter . 21 5.1.1 Method . 21 5.1.2 Waltz styles . 22 5.1.3 Polyrhythmic layers: The case of the bourrée . 24 5.2 Dancing and playing at the same time . 26 5.2.1 Common posture . 27 5.2.2 Tune the different meters up . 28 5.2.3 Exercises . 29 5.3 Results . 30 Conclusion . 31 Bibliography 32 References . 33 Appendices . 34 1 The Dancing Musicians - John. B. Vallely 2 Acknowledgement I would like to thank Olof Misgeld and Ellika Frisell for supervising this project, inspiring and supporting -
EMPTY Movesinnhold [PARTS/Conte I &Nt II]
PAST PRESENT AGEEMPTY IN DANCE MOVES [PARTS I & II] 10–23 OCTOBER www.codadancefest.no CODA Oslo International Dance Festival Odd Johan Fritzøe Admininstrasjon/Administration Besøksadresse: Møllervn. 2 Lars Jacob Holm Sylvia M. Bjerkelund Box 513 Sentrum N-0105 Oslo Vigdis Lian Mona Walderhaug T: +47 464 12 150 [email protected] Varamedlemmer/Deputy members Regnskapsfører/Accountant www.codadancefest.no Eivind Bryne Anne Hilde Ødegård Anne-Berit Haavind Festivaldirektør & kunstnerisk leder/ Denise Ringnes Teknisk sjef/Technical Director CEO & Artistic Director Stefan Dombek Lise Nordal Kunstnerisk råd/Artistic adviser Pernille Bønkan CODAFilm Magne Antonsen Styret/Members of the Board CODAUng Anne-Berit Haavind/Rachael Brand Grethe Fjeld Heltne styreleder/Chairman of the Board Informasjonsansvarlig/Information Manager CODAKlubb Carl-Nilssen Love Helge Skansen nestleder/Assistant Chairman Magne Antonsen EMPTY MOVESINNHOLD [PARTS/CONTE I &NT II] HILSEN FRA KULTURMINISTEREN 4 PAST PRESENT AGE IN DANCE 5 BALLET PRELJOCAJ EMPTY MOVES [PARTS I & II] 7 YVONNE RAINER TRIO A PRESSURED 8 DEBORAH HAY LIGHTENING 9 TSUUMI DANCE COMPANY MAHTI – MIGHTY 10 MOUVOIR / STEPHANIE THIERSCH AS IF (WE WOULD BE) 11 LISE FERNER MIN OLDEMORS GRØNNE KORSETT 12 BATSHEVA DANCE COMPANY HORRA 13 DANSDESIGN FILM - DANCE TO BE MURDERED BY 14 INGUN BJØRNSGAARD PROSJEKT OMEGA AND THE DEER 15 SUSANNE LINKE SOLOS 16 GUNHILD BJØRNSGAARD / COMPANY B. VALIENTE THOUSAND Rooms – wITH UNEXPECTED CHANGES 17 ANTONIA BAEHR LATTER (LACHEN) 18 ERVI SIRÉN VIITA 19 CARTE BLANCHE CORPS -
Janice Dickinson V. William H. Cosby, Jr. Case No. BC 580909 1 2 3 4 5 6
1 Lisa Bloom, Esq. (SBN 158458) Jivaka Candappa, Esq. (SBN 225919) 2 Alan Goldstein, Esq. (SBN 296430) 3 THE BLOOM FIRM 20700 Ventura Blvd., Suite 301 4 Woodland Hills, CA 91364 Telephone: (818) 914-7314 5 Facsimile: (866) 852-5666 6 Email: [email protected] Jivaka@TheBloomFirm 7 [email protected] 8 Attorneys for Plaintiff JANICE DICKINSON 9 10 SUPERIOR COURT OF THE STATE OF CALIFORNIA 11 COUNTY OF LOS ANGELES, CENTRAL DISTRICT 12 13 Case Number: BC 580909 JANICE DICKINSON, an individual, [Case assigned to The Honorable 14 Plaintiff, Debre Weintraub – Department 47] 15 v. 16 PLAINTIFF JANICE DICKINSON’S WILLIAM H. COSBY, JR., an individual OPPOSITION TO DEFENDANT’S 17 Defendant. SPECIAL MOTION TO STRIKE 18 PLAINTIFF’S COMPLAINT 19 Date: February 29, 2016 20 Time: 8:30 A.M. 21 22 23 24 25 26 27 28 PLAINTIFF JANICE DICKINSON’S OPPOSITION Janice Dickinson v. William H. Cosby, Jr. Case No. BC 580909 THE BLOOM FIRM 1 TABLE OF CONTENTS 2 Page 3 I. INTRODUCTION.……………………………………………………………………………...1 4 II. FACTUAL BACKGROUND.………………………………………………………………….1 5 A. MR. COSBY DRUGGED AND RAPED MS. DICKINSON IN OR ABOUT 1982.……………1 6 B. MS. DICKINSON’S PRIOR DISCLOSURES OF THE RAPE, 1982-2010.………………….....1 7 C. MS. DICKINSON PUBLICLY DISCLOSES THE RAPE ………………………………………2 8 D. MR. COSBY QUICKLY RETALIATES BY DEFAMING MS. DICKINSON.………..............2 9 E. MR. COSBY REFUSES TO RETRACT THE FALSE STATEMENTS.…………………...........2 10 F. MR. COSBY ADMITS UNDER OATH TO DRUGGING WOMEN FOR SEX.………………..2 11 III. LEGAL ARGUMENT.…………………………………………………………………………3 12 A. DEFENDANT MUST SATISFY BOTH PRONGS OF THE ANTI-SLAPP STATUTE.……….3 B. -
When the Sap Flows: Affection and Industry in the Maple Woods
University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 2014 WHEN THE SAP FLOWS: AFFECTION AND INDUSTRY IN THE MAPLE WOODS Nicholas R. Littman University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Part of the Nonfiction Commons Let us know how access to this document benefits ou.y Recommended Citation Littman, Nicholas R., "WHEN THE SAP FLOWS: AFFECTION AND INDUSTRY IN THE MAPLE WOODS" (2014). Graduate Student Theses, Dissertations, & Professional Papers. 4376. https://scholarworks.umt.edu/etd/4376 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. WHEN THE SAP FLOWS: AFFECTION AND INDUSTRY IN THE MAPLE WOODS By NICHOLAS RUSSELL LITTMAN B.A., Whitman College, Walla Walla, WA, 2009 Thesis presented in partial fulfillment of the requirements for the degree of M.S. in Environmental Studies The University of Montana Missoula, MT December 2014 Approved by: Sandy Ross, Dean of The Graduate School Graduate School Phil Condon, Chair Environmental Studies Tom Roy Environmental Studies Amy Ratto-Parks English © COPYRIGHT by Nicholas Russell Littman 2014 All Rights Reserved ii Littman, Nicholas, M.S., Autumn 2014 Environmental Studies Abstract: When the Sap Flows: Affection and Industry in the Maple Woods Chairperson: Phil Condon This thesis arises from my time waiting for, collecting, and boiling sap from maple trees into syrup. -
Testimony of Janice Dickinson
IN THE COURT OF COMMON PLEAS IN AND FOR THE COUNTY OF MONTGOMERY, PENNSYLVANIA CRIMINAL DIVISION COMMONWEALTH OF PENNSYLVANIA: vs. NO. 3932-16 WILLIAM H. COSBY, JR. TESTIMONY OF JANICE DICKINSON Courtroom A Thursday, April 12, 2018 Commencing at 11:27 a.m. Virginia M. Womelsdorf, RPR Official Court Reporter Montgomery County Courthouse Norristown, Pennsylvania BEFORE: THE HONORABLE STEVEN T. O'NEILL, JUDGE AND A JURY COUNSEL APPEARED AS FOLLOWS: KEVIN R. STEELE, ESQUIRE District Attorney M. STEWART RYAN, ESQUIRE KRISTEN GIBBONS-FEDEN, ESQUIRE Assistant District Attorneys for the Commonwealth LANE L. VINES, ESQUIRE THOMAS A. MESEREAU, JR., ESQUIRE KATHLEEN BLISS, ESQUIRE JASON HICKS, ESQUIRE BECKY S. JAMES, ESQUIRE RACHAEL ROBINSON, ESQUIRE JAYA GUPTA, ESQUIRE for the Defendant ALSO PRESENT: JONATHAN PERRONE, Computer Operations Supervisor Montgomery County District Attorney's Office INDEX COMMONWEALTH'S EVIDENCE Witness VDire Direct Cross Redir Recr JANICE DICKINSON 4 37 83 EXHIBITS COMMONWEALTH'S Number Description Marked Rec'd C-11 Photograph 19 20 C712 Photograph 19 20 C-13 Photograph 19 20 C-14 Declaration of Pablo Fenjvez 87 Ct-15 Declaration of Judith Regan 94 4 1 JANICE DICKINSON - DIRECT 2 THE COURT: Okay. You may call your 3 next witness. 4 MR. RYAN: Thank you, Your Honor. 5 Janice Dickinson. 6 - - - 7 JANICE DICKINSON, having been duly 8 sworn, was examined and testified as 9 follows: 10 DIRECT EXAMINATION 11 By MR. RYAN: 12 Q Good morning, Janice. 13 A Good morning. 14 Q Can you tell me where you live? 15 A I live in Tarzana, California. 16 Q And who do you live with? 17 My husband, Rocky Gerner. -
About the Workshops and Contributors
Workshops You can participate in one or two workshops depending on the length on the workshop(s). There are 3 hours available for workshops in total. Apply to workhops in the registration form. Please read guide thoroughly before applying. Samuli Nordberg & Tiina Syrjä (3 hours) Xtreme - Pedagogical practises for understanding personal and performative boundaries. What is an extreme experience for the performer and on the other hand for the spectator? During this workshop, we will discuss how a performer can become aware of his/her boundaries. What can be considered extreme in the body/public space/community and which extreme actions and situations chosen by this particular group we would like to try out? We will approach the concept of extreme through various exercises, and we will explore the experiences from both the observer’s and the author's point of view. We'll seek together a physical breakpoint, learn how to scream safely and exchange with each other actions which feel personally extreme. The work is based on experiences from Xtreme workshops for actors on bachelor level. Anne Södergren (1,5 hour) Changing Perspective The workshop is based on a method developed by Anne, using three different ”rooms” where the students focus on and develop singing technique, performing and reflection respectively. In the Craft Room the student trains in different singing skills and exercises for a sustainable voice. In the Laboratory Room the students explore improvisation, text and acting skills transferred according to voice. In the Reflection Room the students have the possibility to reflect and work with an awareness of personal and artistic choices in relation to critical perspectives such as gender and other norm issues and discuss this according to the singing voice. -
IMPORTING the FLAWLESS GIRL Kit Johnson*
IMPORTING THE FLAWLESS GIRL Kit Johnson* ABSTRACT ......................................................... 831 I. THE NEED FOR FOREIGN MODELS ............................ 832 II. HOW THE MODELING INDUSTRY WORKS ...................... 835 A. The Place of Fashion Models within Modeling ........... 835 B. How Fashion Models are Booked and Paid .............. 836 C. How Foreign Models Differ from U.S. Models ............ 839 III. FASHION MODEL VISAS TODAY .............................. 840 A. H1B History ........................................... 841 B. When Models Re-Joined the Picture ..................... 843 C. Distinguished Merit and Ability.......................... 845 1. The Models ........................................ 845 2. The Work .......................................... 846 3. The Agencies ....................................... 847 4. Duration ........................................... 848 IV. BEAUTY AND THE GEEK ..................................... 848 V. THE UGLY AMERICAN BILL .................................. 850 A. A New Classification for Models......................... 851 B. The High Heeled and the Well Heeled ................... 854 1. Value .............................................. 854 2. Interchangeability .................................. 856 VI. CHANGING THE FACE OF THE FLAWLESS GIRL ................. 857 A. The P(x) Visa for Models of the Moment ................. 858 B. An H1(x) Visa for Artisan Models ....................... 858 1. Size ............................................... 859 2. Age............................................... -
Web Publications 2005:6
WEB PUBLICATIONS 2005:6 Writers Arts and Culture in Helsinki City of Helsinki Urban Facts, Web publications 2005:6 Aarniokoski Riitta ● Finnish National Gallery, Kiasma Theatre Editorial group ● Askelo Sini City of Helsinki Urban Facts, Statistics and Information Services Chairman: Leila Lankinen, Acting Information Manager Berndtson Maija ● Helsinki City Library Sini Askelo, Senior Statistician; Timo Cantell, Senior Researcher; Marianna Kajantie, Director, City of Helsinki Cultural Office; Vesa Keskinen, Researcher; Cantell Timo ● City of Helsinki Urban Facts, Urban Research Päivi Selander, Project Researcher; Timo Äikäs, Researcher Fontell Klas ● Helsinki City Art Museum Hahtomaa Kikka ● City of Helsinki Cultural Office, Annantalo Arts Centre Graphic design: Olli Turunen | Tovia Design Oy Heimonen Leila ● City of Helsinki Cultural Office, Annantalo Arts Centre Statistics: Sirkka Koski and Annikki Järvinen Hellman Tuomas ● Bachelor of Arts Liaison with printers: Tarja Sundström ● Helminen Martti City of Helsinki Urban Facts, Helsinki City Archives Translation: Magnus Gräsbäck Ilonen Pia ● Talli Architects Language revision: Roger Munn, Bachelor of Arts (hons.) Karjalainen Marketta ● Helsingin Uutiset Enquiries Keskinen Vesa ● City of Helsinki Urban Facts, Urban Research City of Helsinki Urban Facts, Statistics and Information Service Kulonpalo Jussi ● University of Helsinki, Department of Social Policy Address: Aleksanterinkatu 16 –18, 00170 Helsinki P.O. Box 5520 , FIN-00099 City of Helsinki ● Laita Piia Finnish National Gallery, Kiasma Timo Äikäs, + tel. 358 9 169 3184, [email protected]. Lankinen Leila ● City of Helsinki Urban Facts, Statistics and Information Services Sini Askelo, tel. + 358 9 169 3180, [email protected]. Leila Lankinen, tel. + 358 9169 3190, [email protected] Lehtonen Kimmo ● Lasipalatsi Media Centre Lindstedt Johanna ● City of Helsinki Cultural Office, Annantalo Arts Centre Orders Niemi Irmeli ● City of Helsinki Cultural Office, Malmi House Tel. -
Product-Manual-Visit-Saimaa.Pdf
LAKE SAIMAA, PUREST FINLAND PRODUCT MANUAL MIKKELI • SAVONLINNA • VARKAUS visitsaimaa.fi Unique 8 h Lake Saimaa New York The exceptionally beautiful Lake Saimaa area is Finland’s oldest tourist destination and its beautiful nature has LAKE SAIMAA drawn in visitors since the 19th century. Surface area .......4 400 km2 Shoreline .......... 14 850 km Lake Saimaa, the fourth largest freshwater lake in Europe, Islands ...............13 710 offers sparkling pure waters dotted with 14,000 islands Water level ..........75,70 m – a winding labyrinth filled with breathtaking scenery and Greatest depth ........ 84 m the purest nature. Depth on average ....17 m 10,5 h Helsinki 9,5 h Stockholm St. Petersburg 1 h 1 h 9 h 3 h London Frankfurt Paris 2,5 h 12 h 3 h Beijing Rome 3,5 h Seoul Tokyo 7 h Delhi How to Singapore get there? By plane By rental car Mikkeli Airport Rental cars: Savonlinna Airport www.hertz.fi Kuopio Airport www.avis.fi Lappeenranta Airport www.europcar.fi www.airlink.fi www.ryanair.com By bus www.finnair.com Bus tickets: www.perille.fi By train Helsinki–Mikkeli 2,2 hours Helsinki–Savonlinna 4 hours Helsinki–Varkaus 4 hours Train tickets: www.vr.fi Kuopio VARKAUS Distances by car hr HELSINKI IMATRA LAPPEENRANTA MIKKELI SAVONLINNA VARKAUS PETERSBURG ST MIKKELI SAVONLINNA HELSINKI 3:00 2:45 2:30 4:00 3:45 5:00 IMATRA 3:00 0:30 2:00 1:30 2:15 3:00 LAPPEENRANTA 2:45 0:30 1:30 2:00 2:30 3:00 Finland Imatra Lappeenranta MIKKELI 2:30 2:00 1:30 1:30 1:00 3:30 SAVONLINNA 4:00 1:30 2:00 1:30 1:30 4:30 Russia VARKAUS 3:45 2:15 2:30 1:00 1:30 5:00 HELSINKI ST PETERSBURG 5:00 3:00 3:00 3:30 4:30 5:00 www.maanmittauslaitos.fi • 2018 St.